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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 73 224 it is the complementary color RGB 27 182 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 73 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 73 224 shade: RGB 233 73 219, RGB 250 91 238, RGB 255 109 255, RGB 255 127 255 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 73 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 73 224 shade: RGB 228 73 224, RGB 211 55 205, RGB 194 37 186, RGB 177 19 167 and RGB 160 1 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 73 224 shade: RGB 227 73 223, RGB 227 73 182, RGB 227 73 140, RGB 227 73 98 and RGB 227 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 73 224 shade: RGB 227 73 223, RGB 190 73 227, RGB 148 73 227, RGB 106 73 227 and RGB 73 73 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 73 224 shade matches the following richer shades: RGB 227 73 223 and RGB 244 56 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 73 224 shade: RGB 227 73 223, RGB 210 89 207, RGB 193 106 191, RGB 177 123 175 and RGB 160 140 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 73 224 shade: RGB 147 73 227, RGB 189 73 227, RGB 227 73 225, RGB 227 73 183 and RGB 227 73 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 73 224 shade: RGB 189 28 185, RGB 222 37 217, RGB 227 73 223, RGB 233 108 229 and RGB 238 144 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 73 224 shade: RGB 228 73 224, RGB 227 106 73 and RGB 73 227 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 73 224 shade: RGB 228 73 224, RGB 225 227 73 and RGB 73 225 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 73 224 shade: RGB 228 73 224, RGB 227 106 73, RGB 73 227 75 and RGB 73 194 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 73 224 shade: RGB 228 73 224, RGB 227 153 73, RGB 73 227 75 and RGB 73 147 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 2 / 11

HEX #E449E0

RGB 228 73 224

HSL 301.55, 0.74%, 0.59%

LAB 58.64, 75.98, -46.47

 

Complementary color

CMYK 85 / 0 / 83 / 29

HEX #1BB61F

RGB 27 182 31

HSL 121.55, 0.74%, 0.41%

LAB 64.79, -64.2, 59.56

 

CMYK 0 / 69 / 6 / 9

HEX #E949DB

RGB 233 73 219

HSL 305.25, 0.78%, 0.6%

LAB 59.16, 76.32, -42.78

 

CMYK 0 / 64 / 5 / 2

HEX #FA5BEE

RGB 250 91 238

HSL 304.53, 0.94%, 0.67%

LAB 64.95, 76.65, -44.13

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 68 / 2 / 11

HEX #E449E0

RGB 228 73 224

HSL 301.55, 0.74%, 0.59%

LAB 58.64, 75.98, -46.47

 

CMYK 0 / 74 / 3 / 17

HEX #D337CD

RGB 211 55 205

HSL 302.31, 0.64%, 0.52%

LAB 52.94, 75.19, -44.87

 

CMYK 0 / 81 / 4 / 24

HEX #C225BA

RGB 194 37 186

HSL 303.06, 0.68%, 0.45%

LAB 47.41, 73.67, -42.81

 

CMYK 0 / 89 / 6 / 31

HEX #B113A7

RGB 177 19 167

HSL 303.8, 0.81%, 0.38%

LAB 42.16, 71.12, -40.11

 

CMYK 0 / 99 / 7 / 37

HEX #A00194

RGB 160 1 148

HSL 304.53, 0.99%, 0.32%

LAB 37.18, 67.46, -36.74

 

CMYK 0 / 68 / 2 / 11

HEX #E349DF

RGB 227 73 223

HSL 301.56, 0.73%, 0.59%

LAB 58.44, 75.6, -46.24

 

CMYK 0 / 68 / 20 / 11

HEX #E349B6

RGB 227 73 182

HSL 317.53, 0.73%, 0.59%

LAB 56.56, 69.6, -25.77

 

CMYK 0 / 68 / 38 / 11

HEX #E3498C

RGB 227 73 140

HSL 333.9, 0.73%, 0.59%

LAB 55.06, 64.59, -3.45

 

CMYK 0 / 68 / 57 / 11

HEX #E34962

RGB 227 73 98

HSL 350.26, 0.73%, 0.59%

LAB 54, 60.91, 20.03

 

CMYK 0 / 68 / 68 / 11

HEX #E34949

RGB 227 73 73

HSL 0, 0.73%, 0.59%

LAB 53.58, 59.39, 34.11

 

CMYK 0 / 68 / 2 / 11

HEX #E349DF

RGB 227 73 223

HSL 301.56, 0.73%, 0.59%

LAB 58.44, 75.6, -46.24

 

CMYK 16 / 68 / 0 / 11

HEX #BE49E3

RGB 190 73 227

HSL 285.58, 0.73%, 0.59%

LAB 53.23, 68.25, -57.11

 

CMYK 35 / 68 / 0 / 11

HEX #9449E3

RGB 148 73 227

HSL 269.22, 0.73%, 0.59%

LAB 47.76, 59.67, -66.21

 

CMYK 53 / 68 / 0 / 11

HEX #6A49E3

RGB 106 73 227

HSL 252.86, 0.73%, 0.59%

LAB 43.32, 52.18, -73.63

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 0 / 68 / 2 / 11

HEX #E349DF

RGB 227 73 223

HSL 301.56, 0.73%, 0.59%

LAB 58.44, 75.6, -46.24

 

CMYK 0 / 77 / 2 / 4

HEX #F438EF

RGB 244 56 239

HSL 301.6, 0.9%, 0.59%

LAB 60.15, 86.64, -52.32

 

CMYK 0 / 68 / 2 / 11

HEX #E349DF

RGB 227 73 223

HSL 301.56, 0.73%, 0.59%

LAB 58.44, 75.6, -46.24

 

CMYK 0 / 58 / 1 / 18

HEX #D259CF

RGB 210 89 207

HSL 301.49, 0.57%, 0.59%

LAB 57.42, 62.61, -38.96

 

CMYK 0 / 45 / 1 / 24

HEX #C16ABF

RGB 193 106 191

HSL 301.38, 0.41%, 0.59%

LAB 57.47, 46.92, -29.93

 

CMYK 0 / 31 / 1 / 31

HEX #B17BAF

RGB 177 123 175

HSL 302.22, 0.26%, 0.59%

LAB 58.61, 29.66, -19.18

 

CMYK 0 / 13 / 1 / 37

HEX #A08C9F

RGB 160 140 159

HSL 303, 0.1%, 0.59%

LAB 60.55, 11, -7.29

 

CMYK 35 / 68 / 0 / 11

HEX #9349E3

RGB 147 73 227

HSL 268.83, 0.73%, 0.59%

LAB 47.64, 59.48, -66.41

 

CMYK 17 / 68 / 0 / 11

HEX #BD49E3

RGB 189 73 227

HSL 285.19, 0.73%, 0.59%

LAB 53.09, 68.04, -57.34

 

CMYK 0 / 68 / 1 / 11

HEX #E349E1

RGB 227 73 225

HSL 300.78, 0.73%, 0.59%

LAB 58.54, 75.92, -47.2

 

CMYK 0 / 68 / 19 / 11

HEX #E349B7

RGB 227 73 183

HSL 317.14, 0.73%, 0.59%

LAB 56.6, 69.74, -26.28

 

CMYK 0 / 68 / 37 / 11

HEX #E3498E

RGB 227 73 142

HSL 333.12, 0.73%, 0.59%

LAB 55.12, 64.8, -4.54

 

CMYK 0 / 85 / 2 / 26

HEX #BD1CB9

RGB 189 28 185

HSL 301.49, 0.74%, 0.43%

LAB 45.84, 74.47, -44.78

 

CMYK 0 / 83 / 2 / 13

HEX #DE25D9

RGB 222 37 217

HSL 301.62, 0.74%, 0.51%

LAB 53.88, 83.55, -50.12

 

CMYK 0 / 68 / 2 / 11

HEX #E349DF

RGB 227 73 223

HSL 301.56, 0.73%, 0.59%

LAB 58.44, 75.6, -46.24

 

CMYK 0 / 54 / 2 / 9

HEX #E96CE5

RGB 233 108 229

HSL 301.92, 0.74%, 0.67%

LAB 64.73, 63.86, -39.64

 

CMYK 0 / 39 / 1 / 7

HEX #EE90EC

RGB 238 144 236

HSL 301.28, 0.73%, 0.75%

LAB 72.35, 48.99, -31.61

 

CMYK 0 / 68 / 2 / 11

HEX #E449E0

RGB 228 73 224

HSL 301.55, 0.74%, 0.59%

LAB 58.64, 75.98, -46.47

 

CMYK 0 / 53 / 68 / 11

HEX #E36A49

RGB 227 106 73

HSL 12.86, 0.73%, 0.59%

LAB 59.09, 44.81, 40.65

 

CMYK 68 / 0 / 26 / 11

HEX #49E3A8

RGB 73 227 168

HSL 157.01, 0.73%, 0.59%

LAB 81.39, -53.77, 17.3

 

CMYK 0 / 68 / 2 / 11

HEX #E449E0

RGB 228 73 224

HSL 301.55, 0.74%, 0.59%

LAB 58.64, 75.98, -46.47

 

CMYK 1 / 0 / 68 / 11

HEX #E1E349

RGB 225 227 73

HSL 60.78, 0.73%, 0.59%

LAB 87.69, -18.69, 71.21

 

CMYK 68 / 1 / 0 / 11

HEX #49E1E3

RGB 73 225 227

HSL 180.78, 0.73%, 0.59%

LAB 82.28, -38.18, -12.6

 

CMYK 0 / 68 / 2 / 11

HEX #E449E0

RGB 228 73 224

HSL 301.55, 0.74%, 0.59%

LAB 58.64, 75.98, -46.47

 

CMYK 0 / 53 / 68 / 11

HEX #E36A49

RGB 227 106 73

HSL 12.86, 0.73%, 0.59%

LAB 59.09, 44.81, 40.65

 

CMYK 68 / 0 / 67 / 11

HEX #49E34B

RGB 73 227 75

HSL 120.78, 0.73%, 0.59%

LAB 80.1, -68.27, 60.21

 

CMYK 68 / 15 / 0 / 11

HEX #49C2E3

RGB 73 194 227

HSL 192.86, 0.73%, 0.59%

LAB 73.25, -23.25, -26.27

 

CMYK 0 / 68 / 2 / 11

HEX #E449E0

RGB 228 73 224

HSL 301.55, 0.74%, 0.59%

LAB 58.64, 75.98, -46.47

 

CMYK 0 / 33 / 68 / 11

HEX #E39949

RGB 227 153 73

HSL 31.17, 0.73%, 0.59%

LAB 69.18, 20.43, 52.02

 

CMYK 68 / 0 / 67 / 11

HEX #49E34B

RGB 73 227 75

HSL 120.78, 0.73%, 0.59%

LAB 80.1, -68.27, 60.21

 

CMYK 68 / 35 / 0 / 11

HEX #4993E3

RGB 73 147 227

HSL 211.17, 0.73%, 0.59%

LAB 59.73, 2.43, -47.31

 

Description

Color code: RGB 228 73 224 | qconv.com Color code: RGB 228 73 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 73 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 73 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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