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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 73 215 it is the complementary color RGB 27 182 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 73 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 73 215 shade: RGB 233 73 210, RGB 250 91 229, RGB 255 109 248, RGB 255 127 255 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 73 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 73 215 shade: RGB 228 73 215, RGB 211 55 196, RGB 194 37 177, RGB 177 19 158 and RGB 160 1 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 73 215 shade: RGB 227 73 214, RGB 227 73 173, RGB 227 73 131, RGB 227 73 89 and RGB 227 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 73 215 shade: RGB 227 73 214, RGB 199 73 227, RGB 157 73 227, RGB 115 73 227 and RGB 73 73 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 73 215 shade matches the following richer shades: RGB 227 73 214 and RGB 244 56 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 73 215 shade: RGB 227 73 214, RGB 210 89 200, RGB 193 106 186, RGB 177 123 172 and RGB 160 140 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 73 215 shade: RGB 158 73 227, RGB 199 73 227, RGB 227 73 214, RGB 227 73 173 and RGB 227 73 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 73 215 shade: RGB 189 28 176, RGB 222 37 206, RGB 227 73 214, RGB 233 108 222 and RGB 238 144 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 73 215 shade: RGB 228 73 215, RGB 227 116 73 and RGB 73 227 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 73 215 shade: RGB 228 73 215, RGB 214 227 73 and RGB 73 214 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 73 215 shade: RGB 228 73 215, RGB 227 116 73, RGB 73 227 85 and RGB 73 183 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 73 215 shade: RGB 228 73 215, RGB 227 163 73, RGB 73 227 85 and RGB 73 137 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 6 / 11

HEX #E449D7

RGB 228 73 215

HSL 305.03, 0.74%, 0.59%

LAB 58.19, 74.58, -42.09

 

Complementary color

CMYK 85 / 0 / 78 / 29

HEX #1BB628

RGB 27 182 40

HSL 125.03, 0.74%, 0.41%

LAB 64.84, -63.65, 56.98

 

CMYK 0 / 69 / 10 / 9

HEX #E949D2

RGB 233 73 210

HSL 308.63, 0.78%, 0.6%

LAB 58.73, 74.99, -38.35

 

CMYK 0 / 64 / 8 / 2

HEX #FA5BE5

RGB 250 91 229

HSL 307.92, 0.94%, 0.67%

LAB 64.53, 75.27, -39.77

 

CMYK 0 / 57 / 3 / 0

HEX #FF6DF8

RGB 255 109 248

HSL 302.88, 1%, 0.71%

LAB 68.73, 72.22, -43.65

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 68 / 6 / 11

HEX #E449D7

RGB 228 73 215

HSL 305.03, 0.74%, 0.59%

LAB 58.19, 74.58, -42.09

 

CMYK 0 / 74 / 7 / 17

HEX #D337C4

RGB 211 55 196

HSL 305.77, 0.64%, 0.52%

LAB 52.47, 73.83, -40.43

 

CMYK 0 / 81 / 9 / 24

HEX #C225B1

RGB 194 37 177

HSL 306.5, 0.68%, 0.45%

LAB 46.93, 72.35, -38.29

 

CMYK 0 / 89 / 11 / 31

HEX #B1139E

RGB 177 19 158

HSL 307.22, 0.81%, 0.38%

LAB 41.66, 69.83, -35.5

 

CMYK 0 / 99 / 13 / 37

HEX #A0018B

RGB 160 1 139

HSL 307.92, 0.99%, 0.32%

LAB 36.67, 66.2, -32.02

 

CMYK 0 / 68 / 6 / 11

HEX #E349D6

RGB 227 73 214

HSL 305.06, 0.73%, 0.59%

LAB 57.99, 74.2, -41.86

 

CMYK 0 / 68 / 24 / 11

HEX #E349AD

RGB 227 73 173

HSL 321.04, 0.73%, 0.59%

LAB 56.2, 68.43, -21.1

 

CMYK 0 / 68 / 42 / 11

HEX #E34983

RGB 227 73 131

HSL 337.4, 0.73%, 0.59%

LAB 54.8, 63.69, 1.51

 

CMYK 0 / 68 / 61 / 11

HEX #E34959

RGB 227 73 89

HSL 353.77, 0.73%, 0.59%

LAB 53.83, 60.31, 25.12

 

CMYK 0 / 68 / 68 / 11

HEX #E34949

RGB 227 73 73

HSL 0, 0.73%, 0.59%

LAB 53.58, 59.39, 34.11

 

CMYK 0 / 68 / 6 / 11

HEX #E349D6

RGB 227 73 214

HSL 305.06, 0.73%, 0.59%

LAB 57.99, 74.2, -41.86

 

CMYK 12 / 68 / 0 / 11

HEX #C749E3

RGB 199 73 227

HSL 289.09, 0.73%, 0.59%

LAB 54.5, 70.17, -55

 

CMYK 31 / 68 / 0 / 11

HEX #9D49E3

RGB 157 73 227

HSL 272.73, 0.73%, 0.59%

LAB 48.86, 61.45, -64.38

 

CMYK 49 / 68 / 0 / 11

HEX #7349E3

RGB 115 73 227

HSL 256.36, 0.73%, 0.59%

LAB 44.17, 53.65, -72.21

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 0 / 68 / 6 / 11

HEX #E349D6

RGB 227 73 214

HSL 305.06, 0.73%, 0.59%

LAB 57.99, 74.2, -41.86

 

CMYK 0 / 77 / 7 / 4

HEX #F438E4

RGB 244 56 228

HSL 305.11, 0.9%, 0.59%

LAB 59.58, 85.04, -47.06

 

CMYK 0 / 68 / 6 / 11

HEX #E349D6

RGB 227 73 214

HSL 305.06, 0.73%, 0.59%

LAB 57.99, 74.2, -41.86

 

CMYK 0 / 58 / 5 / 18

HEX #D259C8

RGB 210 89 200

HSL 304.96, 0.57%, 0.59%

LAB 57.09, 61.43, -35.48

 

CMYK 0 / 45 / 4 / 24

HEX #C16ABA

RGB 193 106 186

HSL 304.83, 0.41%, 0.59%

LAB 57.26, 46.02, -27.39

 

CMYK 0 / 31 / 3 / 31

HEX #B17BAC

RGB 177 123 172

HSL 305.56, 0.26%, 0.59%

LAB 58.5, 29.09, -17.62

 

CMYK 0 / 13 / 1 / 37

HEX #A08C9E

RGB 160 140 158

HSL 306, 0.1%, 0.59%

LAB 60.51, 10.81, -6.76

 

CMYK 30 / 68 / 0 / 11

HEX #9E49E3

RGB 158 73 227

HSL 273.12, 0.73%, 0.59%

LAB 48.98, 61.65, -64.17

 

CMYK 12 / 68 / 0 / 11

HEX #C749E3

RGB 199 73 227

HSL 289.09, 0.73%, 0.59%

LAB 54.5, 70.17, -55

 

CMYK 0 / 68 / 6 / 11

HEX #E349D6

RGB 227 73 214

HSL 305.06, 0.73%, 0.59%

LAB 57.99, 74.2, -41.86

 

CMYK 0 / 68 / 24 / 11

HEX #E349AD

RGB 227 73 173

HSL 321.04, 0.73%, 0.59%

LAB 56.2, 68.43, -21.1

 

CMYK 0 / 68 / 42 / 11

HEX #E34984

RGB 227 73 132

HSL 337.01, 0.73%, 0.59%

LAB 54.83, 63.79, 0.95

 

CMYK 0 / 85 / 7 / 26

HEX #BD1CB0

RGB 189 28 176

HSL 304.84, 0.74%, 0.43%

LAB 45.34, 73.14, -40.28

 

CMYK 0 / 83 / 7 / 13

HEX #DE25CE

RGB 222 37 206

HSL 305.19, 0.74%, 0.51%

LAB 53.29, 81.97, -44.78

 

CMYK 0 / 68 / 6 / 11

HEX #E349D6

RGB 227 73 214

HSL 305.06, 0.73%, 0.59%

LAB 57.99, 74.2, -41.86

 

CMYK 0 / 54 / 5 / 9

HEX #E96CDE

RGB 233 108 222

HSL 305.28, 0.74%, 0.67%

LAB 64.42, 62.69, -36.22

 

CMYK 0 / 39 / 3 / 7

HEX #EE90E6

RGB 238 144 230

HSL 305.11, 0.73%, 0.75%

LAB 72.12, 47.94, -28.68

 

CMYK 0 / 68 / 6 / 11

HEX #E449D7

RGB 228 73 215

HSL 305.03, 0.74%, 0.59%

LAB 58.19, 74.58, -42.09

 

CMYK 0 / 49 / 68 / 11

HEX #E37449

RGB 227 116 73

HSL 16.75, 0.73%, 0.59%

LAB 61.05, 39.84, 42.92

 

CMYK 68 / 0 / 22 / 11

HEX #49E3B2

RGB 73 227 178

HSL 160.91, 0.73%, 0.59%

LAB 81.6, -51.55, 12.35

 

CMYK 0 / 68 / 6 / 11

HEX #E449D7

RGB 228 73 215

HSL 305.03, 0.74%, 0.59%

LAB 58.19, 74.58, -42.09

 

CMYK 6 / 0 / 68 / 11

HEX #D6E349

RGB 214 227 73

HSL 65.06, 0.73%, 0.59%

LAB 86.86, -23.18, 70.1

 

CMYK 68 / 6 / 0 / 11

HEX #49D6E3

RGB 73 214 227

HSL 185.06, 0.73%, 0.59%

LAB 79.07, -33.06, -17.42

 

CMYK 0 / 68 / 6 / 11

HEX #E449D7

RGB 228 73 215

HSL 305.03, 0.74%, 0.59%

LAB 58.19, 74.58, -42.09

 

CMYK 0 / 49 / 68 / 11

HEX #E37449

RGB 227 116 73

HSL 16.75, 0.73%, 0.59%

LAB 61.05, 39.84, 42.92

 

CMYK 68 / 0 / 63 / 11

HEX #49E355

RGB 73 227 85

HSL 124.68, 0.73%, 0.59%

LAB 80.19, -67.28, 56.24

 

CMYK 68 / 19 / 0 / 11

HEX #49B7E3

RGB 73 183 227

HSL 197.14, 0.73%, 0.59%

LAB 70.06, -17.58, -31.18

 

CMYK 0 / 68 / 6 / 11

HEX #E449D7

RGB 228 73 215

HSL 305.03, 0.74%, 0.59%

LAB 58.19, 74.58, -42.09

 

CMYK 0 / 28 / 68 / 11

HEX #E3A349

RGB 227 163 73

HSL 35.06, 0.73%, 0.59%

LAB 71.56, 15.09, 54.6

 

CMYK 68 / 0 / 63 / 11

HEX #49E355

RGB 73 227 85

HSL 124.68, 0.73%, 0.59%

LAB 80.19, -67.28, 56.24

 

CMYK 68 / 40 / 0 / 11

HEX #4989E3

RGB 73 137 227

HSL 215.06, 0.73%, 0.59%

LAB 56.93, 8.36, -51.76

 

Description

Color code: RGB 228 73 215 | qconv.com Color code: RGB 228 73 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 73 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 73 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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