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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 54 116 it is the complementary color RGB 27 201 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 54 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 54 116 shade: RGB 233 54 111, RGB 250 72 130, RGB 255 90 149, RGB 255 108 168 and RGB 255 126 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 54 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 54 116 shade: RGB 228 54 116, RGB 211 36 97, RGB 194 18 78, RGB 177 0 59 and RGB 160 0 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 54 116 shade: RGB 227 53 115, RGB 227 53 68 and RGB 227 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 54 116 shade: RGB 227 53 115, RGB 227 53 162, RGB 227 53 209, RGB 198 53 227 and RGB 151 53 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 54 116 shade matches the following richer shades: RGB 227 53 115 and RGB 246 34 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 54 116 shade: RGB 227 53 115, RGB 208 71 120, RGB 190 90 125, RGB 171 108 131 and RGB 153 127 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 54 116 shade: RGB 227 53 210, RGB 227 53 163, RGB 227 53 116, RGB 227 53 70 and RGB 227 82 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 54 116 shade: RGB 174 23 77, RGB 210 28 93, RGB 227 53 115, RGB 232 89 140 and RGB 237 125 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 54 116 shade: RGB 228 54 116, RGB 227 198 53 and RGB 53 186 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 54 116 shade: RGB 228 54 116, RGB 116 227 53 and RGB 53 116 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 54 116 shade: RGB 228 54 116, RGB 227 198 53, RGB 53 227 163 and RGB 53 82 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 54 116 shade: RGB 228 54 116, RGB 204 227 53, RGB 53 227 163 and RGB 76 53 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 49 / 11

HEX #E43674

RGB 228 54 116

HSL 338.62, 0.76%, 0.55%

LAB 52.28, 69.01, 6.87

 

Complementary color

CMYK 87 / 0 / 31 / 21

HEX #1BC98B

RGB 27 201 139

HSL 158.62, 0.76%, 0.45%

LAB 72.14, -55.35, 19.66

 

CMYK 0 / 77 / 52 / 9

HEX #E9366F

RGB 233 54 111

HSL 340.89, 0.8%, 0.56%

LAB 53.07, 69.96, 11.13

 

CMYK 0 / 71 / 48 / 2

HEX #FA4882

RGB 250 72 130

HSL 340.45, 0.95%, 0.63%

LAB 58.57, 70.47, 8.04

 

CMYK 0 / 65 / 42 / 0

HEX #FF5A95

RGB 255 90 149

HSL 338.55, 1%, 0.68%

LAB 62.29, 67.03, 2.41

 

CMYK 0 / 58 / 34 / 0

HEX #FF6CA8

RGB 255 108 168

HSL 335.51, 1%, 0.71%

LAB 65.6, 61.54, -3.66

 

CMYK 0 / 51 / 27 / 0

HEX #FF7EBB

RGB 255 126 187

HSL 331.63, 1%, 0.75%

LAB 69.31, 55.6, -8.9

 

CMYK 0 / 76 / 49 / 11

HEX #E43674

RGB 228 54 116

HSL 338.62, 0.76%, 0.55%

LAB 52.28, 69.01, 6.87

 

CMYK 0 / 83 / 54 / 17

HEX #D32461

RGB 211 36 97

HSL 339.09, 0.71%, 0.48%

LAB 46.94, 67.82, 10.47

 

CMYK 0 / 91 / 60 / 24

HEX #C2124E

RGB 194 18 78

HSL 339.55, 0.83%, 0.42%

LAB 41.93, 65.64, 14.88

 

CMYK 0 / 100 / 67 / 31

HEX #B1003B

RGB 177 0 59

HSL 340, 1%, 0.35%

LAB 37.23, 62.51, 20.13

 

CMYK 0 / 100 / 75 / 37

HEX #A00028

RGB 160 0 40

HSL 345, 1%, 0.31%

LAB 33.19, 57.44, 26.53

 

CMYK 0 / 77 / 49 / 11

HEX #E33573

RGB 227 53 115

HSL 338.62, 0.76%, 0.55%

LAB 51.97, 68.96, 7.01

 

CMYK 0 / 77 / 70 / 11

HEX #E33544

RGB 227 53 68

HSL 354.83, 0.76%, 0.55%

LAB 51.03, 66, 33.95

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 0 / 77 / 49 / 11

HEX #E33573

RGB 227 53 115

HSL 338.62, 0.76%, 0.55%

LAB 51.97, 68.96, 7.01

 

CMYK 0 / 77 / 29 / 11

HEX #E335A2

RGB 227 53 162

HSL 322.41, 0.76%, 0.55%

LAB 53.48, 73.57, -18.83

 

CMYK 0 / 77 / 8 / 11

HEX #E335D1

RGB 227 53 209

HSL 306.21, 0.76%, 0.55%

LAB 55.56, 79.67, -42.84

 

CMYK 13 / 77 / 0 / 11

HEX #C635E3

RGB 198 53 227

HSL 290, 0.76%, 0.55%

LAB 51.95, 76.84, -59.11

 

CMYK 33 / 77 / 0 / 11

HEX #9735E3

RGB 151 53 227

HSL 273.79, 0.76%, 0.55%

LAB 45.18, 68.59, -70.38

 

CMYK 0 / 77 / 49 / 11

HEX #E33573

RGB 227 53 115

HSL 338.62, 0.76%, 0.55%

LAB 51.97, 68.96, 7.01

 

CMYK 0 / 86 / 56 / 4

HEX #F6226D

RGB 246 34 109

HSL 338.77, 0.92%, 0.55%

LAB 53.86, 77.72, 13.81

 

CMYK 0 / 77 / 49 / 11

HEX #E33573

RGB 227 53 115

HSL 338.62, 0.76%, 0.55%

LAB 51.97, 68.96, 7.01

 

CMYK 0 / 66 / 42 / 18

HEX #D04778

RGB 208 71 120

HSL 338.54, 0.59%, 0.55%

LAB 51, 57.77, 2.18

 

CMYK 0 / 53 / 34 / 25

HEX #BE5A7D

RGB 190 90 125

HSL 339, 0.43%, 0.55%

LAB 51.54, 43.9, -0.38

 

CMYK 0 / 37 / 23 / 33

HEX #AB6C83

RGB 171 108 131

HSL 338.1, 0.27%, 0.55%

LAB 52.97, 28.33, -2.14

 

CMYK 0 / 17 / 11 / 40

HEX #997F88

RGB 153 127 136

HSL 339.23, 0.11%, 0.55%

LAB 55.82, 11.54, -1.12

 

CMYK 0 / 77 / 7 / 11

HEX #E335D2

RGB 227 53 210

HSL 305.86, 0.76%, 0.55%

LAB 55.61, 79.81, -43.33

 

CMYK 0 / 77 / 28 / 11

HEX #E335A3

RGB 227 53 163

HSL 322.07, 0.76%, 0.55%

LAB 53.52, 73.69, -19.36

 

CMYK 0 / 77 / 49 / 11

HEX #E33574

RGB 227 53 116

HSL 338.28, 0.76%, 0.55%

LAB 51.99, 69.04, 6.44

 

CMYK 0 / 77 / 69 / 11

HEX #E33546

RGB 227 53 70

HSL 354.14, 0.76%, 0.55%

LAB 51.06, 66.09, 32.81

 

CMYK 0 / 64 / 77 / 11

HEX #E35235

RGB 227 82 53

HSL 10, 0.76%, 0.55%

LAB 54.68, 54.87, 46.3

 

CMYK 0 / 87 / 56 / 32

HEX #AE174D

RGB 174 23 77

HSL 338.54, 0.77%, 0.39%

LAB 38.11, 59.66, 9.61

 

CMYK 0 / 87 / 56 / 18

HEX #D21C5D

RGB 210 28 93

HSL 338.57, 0.76%, 0.47%

LAB 46.07, 68.93, 11.7

 

CMYK 0 / 77 / 49 / 11

HEX #E33573

RGB 227 53 115

HSL 338.62, 0.76%, 0.55%

LAB 51.97, 68.96, 7.01

 

CMYK 0 / 62 / 40 / 9

HEX #E8598C

RGB 232 89 140

HSL 338.6, 0.76%, 0.63%

LAB 58.22, 59.66, 1.28

 

CMYK 0 / 47 / 30 / 7

HEX #ED7DA5

RGB 237 125 165

HSL 338.57, 0.76%, 0.71%

LAB 66.05, 47.39, -1.59

 

CMYK 0 / 76 / 49 / 11

HEX #E43674

RGB 228 54 116

HSL 338.62, 0.76%, 0.55%

LAB 52.28, 69.01, 6.87

 

CMYK 0 / 13 / 77 / 11

HEX #E3C635

RGB 227 198 53

HSL 50, 0.76%, 0.55%

LAB 80.17, -4.22, 71

 

CMYK 77 / 18 / 0 / 11

HEX #35BAE3

RGB 53 186 227

HSL 194.14, 0.76%, 0.55%

LAB 70.47, -21.68, -30.58

 

CMYK 0 / 76 / 49 / 11

HEX #E43674

RGB 228 54 116

HSL 338.62, 0.76%, 0.55%

LAB 52.28, 69.01, 6.87

 

CMYK 49 / 0 / 77 / 11

HEX #74E335

RGB 116 227 53

HSL 98.28, 0.76%, 0.55%

LAB 81.24, -59.69, 69.49

 

CMYK 77 / 49 / 0 / 11

HEX #3574E3

RGB 53 116 227

HSL 218.28, 0.76%, 0.55%

LAB 50.44, 18.62, -62.2

 

CMYK 0 / 76 / 49 / 11

HEX #E43674

RGB 228 54 116

HSL 338.62, 0.76%, 0.55%

LAB 52.28, 69.01, 6.87

 

CMYK 0 / 13 / 77 / 11

HEX #E3C635

RGB 227 198 53

HSL 50, 0.76%, 0.55%

LAB 80.17, -4.22, 71

 

CMYK 77 / 0 / 28 / 11

HEX #35E3A3

RGB 53 227 163

HSL 157.93, 0.76%, 0.55%

LAB 80.93, -57.55, 19.21

 

CMYK 77 / 64 / 0 / 11

HEX #3552E3

RGB 53 82 227

HSL 230, 0.76%, 0.55%

LAB 41.75, 40.07, -76.35

 

CMYK 0 / 76 / 49 / 11

HEX #E43674

RGB 228 54 116

HSL 338.62, 0.76%, 0.55%

LAB 52.28, 69.01, 6.87

 

CMYK 10 / 0 / 77 / 11

HEX #CCE335

RGB 204 227 53

HSL 67.93, 0.76%, 0.55%

LAB 86.02, -28.17, 75.67

 

CMYK 77 / 0 / 28 / 11

HEX #35E3A3

RGB 53 227 163

HSL 157.93, 0.76%, 0.55%

LAB 80.93, -57.55, 19.21

 

CMYK 67 / 77 / 0 / 11

HEX #4C35E3

RGB 76 53 227

HSL 247.93, 0.76%, 0.55%

LAB 37.17, 58.59, -83.84

 

Description

Color code: RGB 228 54 116 | qconv.com Color code: RGB 228 54 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 54 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 54 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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