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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 48 218 it is the complementary color RGB 27 207 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 48 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 48 218 shade: RGB 233 48 213, RGB 250 66 232, RGB 255 84 251, RGB 255 102 255 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 48 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 48 218 shade: RGB 228 48 218, RGB 211 30 199, RGB 194 12 180, RGB 177 0 161 and RGB 160 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 48 218 shade: RGB 228 47 217, RGB 228 47 169, RGB 228 47 120, RGB 228 47 71 and RGB 228 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 48 218 shade: RGB 228 47 217, RGB 189 47 228, RGB 140 47 228, RGB 91 47 228 and RGB 47 47 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 48 218 shade matches the following richer shades: RGB 228 47 217 and RGB 247 28 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 48 218 shade: RGB 228 47 217, RGB 209 66 201, RGB 190 85 184, RGB 171 104 167 and RGB 152 123 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 48 218 shade: RGB 140 47 228, RGB 188 47 228, RGB 228 47 218, RGB 228 47 170 and RGB 228 47 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 48 218 shade: RGB 170 22 162, RGB 207 26 197, RGB 228 47 217, RGB 232 83 224 and RGB 237 120 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 48 218 shade: RGB 228 48 218, RGB 228 92 47 and RGB 47 228 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 48 218 shade: RGB 228 48 218, RGB 218 228 47 and RGB 47 218 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 48 218 shade: RGB 228 48 218, RGB 228 92 47, RGB 47 228 56 and RGB 47 182 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 48 218 shade: RGB 228 48 218, RGB 228 146 47, RGB 47 228 56 and RGB 47 128 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 4 / 11

HEX #E430DA

RGB 228 48 218

HSL 303.33, 0.77%, 0.54%

LAB 55.76, 82.44, -47.65

 

Complementary color

CMYK 87 / 0 / 82 / 19

HEX #1BCF25

RGB 27 207 37

HSL 123.33, 0.77%, 0.46%

LAB 72.89, -71.11, 65.44

 

CMYK 0 / 79 / 9 / 9

HEX #E930D5

RGB 233 48 213

HSL 306.49, 0.81%, 0.55%

LAB 56.33, 82.7, -43.84

 

CMYK 0 / 74 / 7 / 2

HEX #FA42E8

RGB 250 66 232

HSL 305.87, 0.95%, 0.62%

LAB 61.69, 84.12, -45.91

 

CMYK 0 / 67 / 2 / 0

HEX #FF54FB

RGB 255 84 251

HSL 301.4, 1%, 0.66%

LAB 65.41, 82.32, -50.54

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 79 / 4 / 11

HEX #E430DA

RGB 228 48 218

HSL 303.33, 0.77%, 0.54%

LAB 55.76, 82.44, -47.65

 

CMYK 0 / 86 / 6 / 17

HEX #D31EC7

RGB 211 30 199

HSL 303.98, 0.75%, 0.47%

LAB 50.57, 80.22, -45.17

 

CMYK 0 / 94 / 7 / 24

HEX #C20CB4

RGB 194 12 180

HSL 304.62, 0.88%, 0.4%

LAB 45.67, 76.93, -42.05

 

CMYK 0 / 100 / 9 / 31

HEX #B100A1

RGB 177 0 161

HSL 305.42, 1%, 0.35%

LAB 41.09, 72.41, -38.21

 

CMYK 0 / 100 / 11 / 37

HEX #A0008E

RGB 160 0 142

HSL 306.75, 1%, 0.31%

LAB 36.79, 66.73, -33.67

 

CMYK 0 / 79 / 5 / 11

HEX #E42FD9

RGB 228 47 217

HSL 303.65, 0.77%, 0.54%

LAB 55.62, 82.53, -47.29

 

CMYK 0 / 79 / 26 / 11

HEX #E42FA9

RGB 228 47 169

HSL 319.56, 0.77%, 0.54%

LAB 53.38, 76.2, -23.09

 

CMYK 0 / 79 / 47 / 11

HEX #E42F78

RGB 228 47 120

HSL 335.8, 0.77%, 0.54%

LAB 51.7, 71.27, 3.64

 

CMYK 0 / 79 / 69 / 11

HEX #E42F47

RGB 228 47 71

HSL 352.04, 0.77%, 0.54%

LAB 50.67, 68.1, 31.79

 

CMYK 0 / 79 / 79 / 11

HEX #E42F2F

RGB 228 47 47

HSL 0, 0.77%, 0.54%

LAB 50.37, 67.19, 45.09

 

CMYK 0 / 79 / 5 / 11

HEX #E42FD9

RGB 228 47 217

HSL 303.65, 0.77%, 0.54%

LAB 55.62, 82.53, -47.29

 

CMYK 17 / 79 / 0 / 11

HEX #BD2FE4

RGB 189 47 228

HSL 287.07, 0.77%, 0.54%

LAB 50.04, 77.12, -62.81

 

CMYK 39 / 79 / 0 / 11

HEX #8C2FE4

RGB 140 47 228

HSL 270.83, 0.77%, 0.54%

LAB 43.08, 69.24, -74.45

 

CMYK 60 / 79 / 0 / 11

HEX #5B2FE4

RGB 91 47 228

HSL 254.59, 0.77%, 0.54%

LAB 37.59, 63.08, -83.67

 

CMYK 79 / 79 / 0 / 11

HEX #2F2FE4

RGB 47 47 228

HSL 240, 0.77%, 0.54%

LAB 34.48, 59.61, -88.92

 

CMYK 0 / 79 / 5 / 11

HEX #E42FD9

RGB 228 47 217

HSL 303.65, 0.77%, 0.54%

LAB 55.62, 82.53, -47.29

 

CMYK 0 / 89 / 5 / 3

HEX #F71CEA

RGB 247 28 234

HSL 303.56, 0.93%, 0.54%

LAB 58.55, 91.81, -52.04

 

CMYK 0 / 79 / 5 / 11

HEX #E42FD9

RGB 228 47 217

HSL 303.65, 0.77%, 0.54%

LAB 55.62, 82.53, -47.29

 

CMYK 0 / 68 / 4 / 18

HEX #D142C9

RGB 209 66 201

HSL 303.36, 0.61%, 0.54%

LAB 53.67, 70.54, -41.43

 

CMYK 0 / 55 / 3 / 25

HEX #BE55B8

RGB 190 85 184

HSL 303.43, 0.45%, 0.54%

LAB 52.85, 55.16, -33.13

 

CMYK 0 / 39 / 2 / 33

HEX #AB68A7

RGB 171 104 167

HSL 303.58, 0.29%, 0.54%

LAB 53.33, 36.69, -22.7

 

CMYK 0 / 19 / 1 / 40

HEX #987B96

RGB 152 123 150

HSL 304.14, 0.12%, 0.54%

LAB 55.12, 16.1, -10.3

 

CMYK 39 / 79 / 0 / 11

HEX #8C2FE4

RGB 140 47 228

HSL 270.83, 0.77%, 0.54%

LAB 43.08, 69.24, -74.45

 

CMYK 18 / 79 / 0 / 11

HEX #BC2FE4

RGB 188 47 228

HSL 286.74, 0.77%, 0.54%

LAB 49.89, 76.95, -63.07

 

CMYK 0 / 79 / 4 / 11

HEX #E42FDA

RGB 228 47 218

HSL 303.31, 0.77%, 0.54%

LAB 55.67, 82.67, -47.78

 

CMYK 0 / 79 / 25 / 11

HEX #E42FAA

RGB 228 47 170

HSL 319.23, 0.77%, 0.54%

LAB 53.42, 76.32, -23.61

 

CMYK 0 / 79 / 46 / 11

HEX #E42F7A

RGB 228 47 122

HSL 335.14, 0.77%, 0.54%

LAB 51.76, 71.44, 2.51

 

CMYK 0 / 87 / 5 / 33

HEX #AA16A2

RGB 170 22 162

HSL 303.24, 0.77%, 0.38%

LAB 40.78, 68.56, -39.38

 

CMYK 0 / 87 / 5 / 19

HEX #CF1AC5

RGB 207 26 197

HSL 303.31, 0.78%, 0.46%

LAB 49.54, 79.87, -45.7

 

CMYK 0 / 79 / 5 / 11

HEX #E42FD9

RGB 228 47 217

HSL 303.65, 0.77%, 0.54%

LAB 55.62, 82.53, -47.29

 

CMYK 0 / 64 / 3 / 9

HEX #E853E0

RGB 232 83 224

HSL 303.22, 0.76%, 0.62%

LAB 60.54, 73.26, -43.43

 

CMYK 0 / 49 / 3 / 7

HEX #ED78E7

RGB 237 120 231

HSL 303.08, 0.76%, 0.7%

LAB 67.43, 59.71, -36.49

 

CMYK 0 / 79 / 4 / 11

HEX #E430DA

RGB 228 48 218

HSL 303.33, 0.77%, 0.54%

LAB 55.76, 82.44, -47.65

 

CMYK 0 / 60 / 79 / 11

HEX #E45C2F

RGB 228 92 47

HSL 14.92, 0.77%, 0.54%

LAB 56.44, 50.64, 51.08

 

CMYK 79 / 0 / 28 / 11

HEX #2FE4A4

RGB 47 228 164

HSL 158.78, 0.77%, 0.54%

LAB 81.17, -58.34, 19.01

 

CMYK 0 / 79 / 4 / 11

HEX #E430DA

RGB 228 48 218

HSL 303.33, 0.77%, 0.54%

LAB 55.76, 82.44, -47.65

 

CMYK 4 / 0 / 79 / 11

HEX #DAE42F

RGB 218 228 47

HSL 63.31, 0.77%, 0.54%

LAB 87.29, -23.15, 78.84

 

CMYK 79 / 4 / 0 / 11

HEX #2FDAE4

RGB 47 218 228

HSL 183.31, 0.77%, 0.54%

LAB 79.81, -37.52, -16.88

 

CMYK 0 / 79 / 4 / 11

HEX #E430DA

RGB 228 48 218

HSL 303.33, 0.77%, 0.54%

LAB 55.76, 82.44, -47.65

 

CMYK 0 / 60 / 79 / 11

HEX #E45C2F

RGB 228 92 47

HSL 14.92, 0.77%, 0.54%

LAB 56.44, 50.64, 51.08

 

CMYK 79 / 0 / 75 / 11

HEX #2FE438

RGB 47 228 56

HSL 122.98, 0.77%, 0.54%

LAB 79.83, -74.03, 66.58

 

CMYK 79 / 20 / 0 / 11

HEX #2FB6E4

RGB 47 182 228

HSL 195.25, 0.77%, 0.54%

LAB 69.23, -19.87, -33.05

 

CMYK 0 / 79 / 4 / 11

HEX #E430DA

RGB 228 48 218

HSL 303.33, 0.77%, 0.54%

LAB 55.76, 82.44, -47.65

 

CMYK 0 / 36 / 79 / 11

HEX #E4922F

RGB 228 146 47

HSL 32.82, 0.77%, 0.54%

LAB 67.47, 23.42, 61.47

 

CMYK 79 / 0 / 75 / 11

HEX #2FE438

RGB 47 228 56

HSL 122.98, 0.77%, 0.54%

LAB 79.83, -74.03, 66.58

 

CMYK 79 / 44 / 0 / 11

HEX #2F80E4

RGB 47 128 228

HSL 213.15, 0.77%, 0.54%

LAB 53.65, 10.9, -57.62

 

Description

Color code: RGB 228 48 218 | qconv.com Color code: RGB 228 48 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 48 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 48 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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