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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 41 162 it is the complementary color RGB 27 214 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 41 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 41 162 shade: RGB 233 41 157, RGB 250 59 176, RGB 255 77 195, RGB 255 95 214 and RGB 255 113 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 41 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 211 23 143, RGB 194 5 124, RGB 177 0 105 and RGB 160 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 228 41 112, RGB 228 41 61 and RGB 228 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 228 41 213, RGB 193 41 228, RGB 143 41 228 and RGB 92 41 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 41 162 shade matches the following richer shades: RGB 228 41 162 and RGB 248 22 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 209 61 156, RGB 189 80 151, RGB 170 99 145 and RGB 151 119 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 41 162 shade: RGB 194 41 228, RGB 228 41 213, RGB 228 41 163, RGB 228 41 113 and RGB 228 41 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 41 162 shade: RGB 167 20 115, RGB 203 25 140, RGB 228 41 162, RGB 233 78 178 and RGB 237 115 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 228 144 41 and RGB 41 228 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 163 228 41 and RGB 41 163 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 228 144 41, RGB 41 228 107 and RGB 41 125 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 41 162 shade: RGB 228 41 162, RGB 228 200 41, RGB 41 228 107 and RGB 41 69 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

Complementary color

CMYK 87 / 0 / 57 / 16

HEX #1BD65D

RGB 27 214 93

HSL 141.18, 0.78%, 0.47%

LAB 75.52, -67.96, 47.14

 

CMYK 0 / 82 / 33 / 9

HEX #E9299D

RGB 233 41 157

HSL 323.75, 0.81%, 0.54%

LAB 53.32, 77.39, -16.01

 

CMYK 0 / 76 / 30 / 2

HEX #FA3BB0

RGB 250 59 176

HSL 323.25, 0.95%, 0.61%

LAB 58.59, 78.93, -18.85

 

CMYK 0 / 70 / 24 / 0

HEX #FF4DC3

RGB 255 77 195

HSL 320.22, 1%, 0.65%

LAB 62.09, 76.87, -24.34

 

CMYK 0 / 63 / 16 / 0

HEX #FF5FD6

RGB 255 95 214

HSL 315.38, 1%, 0.69%

LAB 65.2, 72.8, -30.29

 

CMYK 0 / 56 / 9 / 0

HEX #FF71E9

RGB 255 113 233

HSL 309.3, 1%, 0.72%

LAB 68.72, 68.13, -35.42

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 89 / 32 / 17

HEX #D3178F

RGB 211 23 143

HSL 321.7, 0.8%, 0.46%

LAB 47.55, 74.37, -16.8

 

CMYK 0 / 97 / 36 / 24

HEX #C2057C

RGB 194 5 124

HSL 322.22, 0.95%, 0.39%

LAB 42.81, 70.82, -12.7

 

CMYK 0 / 100 / 41 / 31

HEX #B10069

RGB 177 0 105

HSL 324.41, 1%, 0.35%

LAB 38.49, 65.85, -7.65

 

CMYK 0 / 100 / 46 / 37

HEX #A00056

RGB 160 0 86

HSL 327.75, 1%, 0.31%

LAB 34.28, 60.35, -2.08

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 82 / 51 / 11

HEX #E42970

RGB 228 41 112

HSL 337.22, 0.78%, 0.53%

LAB 50.98, 72.1, 7.44

 

CMYK 0 / 82 / 73 / 11

HEX #E4293D

RGB 228 41 61

HSL 353.58, 0.78%, 0.53%

LAB 50, 69.17, 36.86

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 82 / 7 / 11

HEX #E429D5

RGB 228 41 213

HSL 304.81, 0.78%, 0.53%

LAB 54.95, 83.28, -46.08

 

CMYK 15 / 82 / 0 / 11

HEX #C129E4

RGB 193 41 228

HSL 288.77, 0.78%, 0.53%

LAB 50.13, 79.36, -62.65

 

CMYK 37 / 82 / 0 / 11

HEX #8F29E4

RGB 143 41 228

HSL 272.73, 0.78%, 0.53%

LAB 42.8, 71.63, -74.88

 

CMYK 60 / 82 / 0 / 11

HEX #5C29E4

RGB 92 41 228

HSL 256.36, 0.78%, 0.53%

LAB 36.86, 65.58, -84.87

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 91 / 32 / 3

HEX #F816A8

RGB 248 22 168

HSL 321.24, 0.94%, 0.53%

LAB 55.44, 84.83, -19.02

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 71 / 25 / 18

HEX #D13D9C

RGB 209 61 156

HSL 321.49, 0.62%, 0.53%

LAB 51.03, 65.9, -19.3

 

CMYK 0 / 58 / 20 / 26

HEX #BD5097

RGB 189 80 151

HSL 320.92, 0.45%, 0.53%

LAB 50.44, 51.92, -17.52

 

CMYK 0 / 42 / 15 / 33

HEX #AA6391

RGB 170 99 145

HSL 321.13, 0.29%, 0.53%

LAB 51.28, 35.18, -12.93

 

CMYK 0 / 21 / 8 / 41

HEX #97778B

RGB 151 119 139

HSL 322.5, 0.13%, 0.53%

LAB 53.64, 15.94, -6.1

 

CMYK 15 / 82 / 0 / 11

HEX #C229E4

RGB 194 41 228

HSL 289.09, 0.78%, 0.53%

LAB 50.28, 79.53, -62.39

 

CMYK 0 / 82 / 7 / 11

HEX #E429D5

RGB 228 41 213

HSL 304.81, 0.78%, 0.53%

LAB 54.95, 83.28, -46.08

 

CMYK 0 / 82 / 29 / 11

HEX #E429A3

RGB 228 41 163

HSL 320.86, 0.78%, 0.53%

LAB 52.65, 76.92, -20.67

 

CMYK 0 / 82 / 50 / 11

HEX #E42971

RGB 228 41 113

HSL 336.9, 0.78%, 0.53%

LAB 51, 72.18, 6.87

 

CMYK 0 / 82 / 72 / 11

HEX #E4293F

RGB 228 41 63

HSL 352.94, 0.78%, 0.53%

LAB 50.02, 69.25, 35.72

 

CMYK 0 / 88 / 31 / 35

HEX #A71473

RGB 167 20 115

HSL 321.22, 0.79%, 0.37%

LAB 37.76, 62.07, -15.27

 

CMYK 0 / 88 / 31 / 20

HEX #CB198C

RGB 203 25 140

HSL 321.24, 0.78%, 0.45%

LAB 46.02, 71.99, -17.45

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 67 / 24 / 9

HEX #E94EB2

RGB 233 78 178

HSL 321.29, 0.78%, 0.61%

LAB 58.02, 68.78, -21.12

 

CMYK 0 / 51 / 18 / 7

HEX #ED73C2

RGB 237 115 194

HSL 321.15, 0.77%, 0.69%

LAB 65.09, 56.22, -19.43

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 37 / 82 / 11

HEX #E49029

RGB 228 144 41

HSL 33.05, 0.78%, 0.53%

LAB 66.98, 24.29, 63.21

 

CMYK 82 / 0 / 4 / 11

HEX #29E4DB

RGB 41 228 219

HSL 177.11, 0.78%, 0.53%

LAB 82.42, -45.06, -8.21

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 29 / 0 / 82 / 11

HEX #A3E429

RGB 163 228 41

HSL 80.86, 0.78%, 0.53%

LAB 83.67, -45.04, 75.79

 

CMYK 82 / 29 / 0 / 11

HEX #29A3E4

RGB 41 163 228

HSL 200.86, 0.78%, 0.53%

LAB 63.56, -10.19, -41.89

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 37 / 82 / 11

HEX #E49029

RGB 228 144 41

HSL 33.05, 0.78%, 0.53%

LAB 66.98, 24.29, 63.21

 

CMYK 82 / 0 / 53 / 11

HEX #29E46B

RGB 41 228 107

HSL 141.18, 0.78%, 0.53%

LAB 80.19, -69.29, 46.28

 

CMYK 82 / 45 / 0 / 11

HEX #297DE4

RGB 41 125 228

HSL 213.05, 0.78%, 0.53%

LAB 52.66, 12.2, -59.2

 

CMYK 0 / 82 / 29 / 11

HEX #E429A2

RGB 228 41 162

HSL 321.18, 0.78%, 0.53%

LAB 52.61, 76.81, -20.14

 

CMYK 0 / 12 / 82 / 11

HEX #E4C829

RGB 228 200 41

HSL 51.02, 0.78%, 0.53%

LAB 80.72, -5.22, 75.07

 

CMYK 82 / 0 / 53 / 11

HEX #29E46B

RGB 41 228 107

HSL 141.18, 0.78%, 0.53%

LAB 80.19, -69.29, 46.28

 

CMYK 82 / 70 / 0 / 11

HEX #2945E4

RGB 41 69 228

HSL 231.02, 0.78%, 0.53%

LAB 38.43, 47.37, -82.39

 

Description

Color code: RGB 228 41 162 | qconv.com Color code: RGB 228 41 162 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 41 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 41 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 29 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 29% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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