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Color name
RGB 228 209 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 209 109 it is the complementary color RGB 27 46 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 209 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 209 109 shade: RGB 233 209 104, RGB 250 227 123, RGB 255 245 142, RGB 255 255 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 209 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 209 109 shade: RGB 228 209 109, RGB 211 191 90, RGB 194 173 71, RGB 177 155 52 and RGB 160 137 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 209 109 shade: RGB 228 209 108, RGB 228 176 108, RGB 228 144 108, RGB 228 112 108 and RGB 228 108 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 209 109 shade: RGB 228 209 108, RGB 214 228 108, RGB 182 228 108, RGB 150 228 108 and RGB 118 228 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 209 109 shade matches the following richer shades: RGB 228 209 108 and RGB 242 218 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 209 109 shade: RGB 228 209 108, RGB 214 199 122, RGB 200 189 136, RGB 186 180 150 and RGB 172 170 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 209 109 shade: RGB 228 144 108, RGB 228 176 108, RGB 228 208 108, RGB 216 228 108 and RGB 184 228 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 209 109 shade: RGB 214 186 39, RGB 221 198 73, RGB 228 209 108, RGB 234 219 143 and RGB 240 230 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 209 109 shade: RGB 228 209 109, RGB 108 228 112 and RGB 160 108 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 209 109 shade: RGB 228 209 109, RGB 108 228 208 and RGB 208 108 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 209 109 shade: RGB 228 209 109, RGB 108 228 112, RGB 108 128 228 and RGB 228 108 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 209 109 shade: RGB 228 209 109, RGB 108 228 148, RGB 108 128 228 and RGB 228 108 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

Complementary color

CMYK 82 / 68 / 0 / 43

HEX #1B2E92

RGB 27 46 146

HSL 230.42, 0.69%, 0.34%

LAB 24.52, 31.04, -56.82

 

CMYK 0 / 10 / 55 / 9

HEX #E9D168

RGB 233 209 104

HSL 48.84, 0.75%, 0.66%

LAB 83.93, -4.43, 54.34

 

CMYK 0 / 9 / 51 / 2

HEX #FAE37B

RGB 250 227 123

HSL 49.13, 0.93%, 0.73%

LAB 90.18, -5.13, 53.18

 

CMYK 0 / 4 / 44 / 0

HEX #FFF58E

RGB 255 245 142

HSL 54.69, 1%, 0.78%

LAB 95.38, -10.42, 50.58

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

CMYK 0 / 9 / 57 / 17

HEX #D3BF5A

RGB 211 191 90

HSL 50.08, 0.58%, 0.59%

LAB 77.19, -5.34, 52.59

 

CMYK 0 / 11 / 63 / 24

HEX #C2AD47

RGB 194 173 71

HSL 49.76, 0.5%, 0.52%

LAB 70.74, -4.48, 53.63

 

CMYK 0 / 12 / 71 / 31

HEX #B19B34

RGB 177 155 52

HSL 49.44, 0.55%, 0.45%

LAB 64.19, -3.44, 54.43

 

CMYK 0 / 14 / 79 / 37

HEX #A08921

RGB 160 137 33

HSL 49.13, 0.66%, 0.38%

LAB 57.54, -2.18, 54.66

 

CMYK 0 / 8 / 53 / 11

HEX #E4D16C

RGB 228 209 108

HSL 50.5, 0.69%, 0.66%

LAB 83.54, -6.15, 51.9

 

CMYK 0 / 23 / 53 / 11

HEX #E4B06C

RGB 228 176 108

HSL 34, 0.69%, 0.66%

LAB 75.22, 11.05, 41.86

 

CMYK 0 / 37 / 53 / 11

HEX #E4906C

RGB 228 144 108

HSL 18, 0.69%, 0.66%

LAB 67.67, 28.12, 32.34

 

CMYK 0 / 51 / 53 / 11

HEX #E4706C

RGB 228 112 108

HSL 2, 0.69%, 0.66%

LAB 60.93, 44.65, 23.52

 

CMYK 0 / 53 / 53 / 11

HEX #E46C6C

RGB 228 108 108

HSL 0, 0.69%, 0.66%

LAB 60.16, 46.62, 22.49

 

CMYK 0 / 8 / 53 / 11

HEX #E4D16C

RGB 228 209 108

HSL 50.5, 0.69%, 0.66%

LAB 83.54, -6.15, 51.9

 

CMYK 6 / 0 / 53 / 11

HEX #D6E46C

RGB 214 228 108

HSL 67, 0.69%, 0.66%

LAB 87.42, -21.23, 56.17

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 34 / 0 / 53 / 11

HEX #96E46C

RGB 150 228 108

HSL 99, 0.69%, 0.66%

LAB 83.47, -44.83, 50.54

 

CMYK 48 / 0 / 53 / 11

HEX #76E46C

RGB 118 228 108

HSL 115, 0.69%, 0.66%

LAB 82.07, -54.61, 48.52

 

CMYK 0 / 8 / 53 / 11

HEX #E4D16C

RGB 228 209 108

HSL 50.5, 0.69%, 0.66%

LAB 83.54, -6.15, 51.9

 

CMYK 0 / 10 / 61 / 5

HEX #F2DA5E

RGB 242 218 94

HSL 50.27, 0.85%, 0.66%

LAB 86.91, -6.01, 62.42

 

CMYK 0 / 8 / 53 / 11

HEX #E4D16C

RGB 228 209 108

HSL 50.5, 0.69%, 0.66%

LAB 83.54, -6.15, 51.9

 

CMYK 0 / 7 / 43 / 16

HEX #D6C77A

RGB 214 199 122

HSL 50.22, 0.53%, 0.66%

LAB 79.92, -5.4, 40.35

 

CMYK 0 / 5 / 32 / 22

HEX #C8BD88

RGB 200 189 136

HSL 49.69, 0.37%, 0.66%

LAB 76.35, -4.17, 28.24

 

CMYK 0 / 3 / 19 / 27

HEX #BAB496

RGB 186 180 150

HSL 50, 0.21%, 0.66%

LAB 73.08, -2.89, 16.09

 

CMYK 0 / 1 / 5 / 33

HEX #ACAAA4

RGB 172 170 164

HSL 45, 0.05%, 0.66%

LAB 69.61, -0.39, 3.33

 

CMYK 0 / 37 / 53 / 11

HEX #E4906C

RGB 228 144 108

HSL 18, 0.69%, 0.66%

LAB 67.67, 28.12, 32.34

 

CMYK 0 / 23 / 53 / 11

HEX #E4B06C

RGB 228 176 108

HSL 34, 0.69%, 0.66%

LAB 75.22, 11.05, 41.86

 

CMYK 0 / 9 / 53 / 11

HEX #E4D06C

RGB 228 208 108

HSL 50, 0.69%, 0.66%

LAB 83.28, -5.64, 51.59

 

CMYK 5 / 0 / 53 / 11

HEX #D8E46C

RGB 216 228 108

HSL 66, 0.69%, 0.66%

LAB 87.57, -20.44, 56.38

 

CMYK 19 / 0 / 53 / 11

HEX #B8E46C

RGB 184 228 108

HSL 82, 0.69%, 0.66%

LAB 85.38, -32.78, 53.27

 

CMYK 0 / 13 / 82 / 16

HEX #D6BA27

RGB 214 186 39

HSL 50.4, 0.69%, 0.5%

LAB 75.8, -4.1, 70.9

 

CMYK 0 / 10 / 67 / 13

HEX #DDC649

RGB 221 198 73

HSL 50.68, 0.69%, 0.58%

LAB 79.75, -5.85, 63.05

 

CMYK 0 / 8 / 53 / 11

HEX #E4D16C

RGB 228 209 108

HSL 50.5, 0.69%, 0.66%

LAB 83.54, -6.15, 51.9

 

CMYK 0 / 6 / 39 / 8

HEX #EADB8F

RGB 234 219 143

HSL 50.11, 0.68%, 0.74%

LAB 87.06, -5.5, 39.22

 

CMYK 0 / 4 / 26 / 6

HEX #F0E6B2

RGB 240 230 178

HSL 50.32, 0.67%, 0.82%

LAB 90.93, -4.55, 26.61

 

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

CMYK 53 / 0 / 51 / 11

HEX #6CE470

RGB 108 228 112

HSL 122, 0.69%, 0.66%

LAB 81.75, -56.76, 46.17

 

CMYK 30 / 53 / 0 / 11

HEX #A06CE4

RGB 160 108 228

HSL 266, 0.69%, 0.66%

LAB 55.89, 44.6, -53.63

 

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

CMYK 53 / 0 / 9 / 11

HEX #6CE4D0

RGB 108 228 208

HSL 170, 0.69%, 0.66%

LAB 83.56, -38.55, -0.53

 

CMYK 9 / 53 / 0 / 11

HEX #D06CE4

RGB 208 108 228

HSL 290, 0.69%, 0.66%

LAB 61.43, 57.05, -44.5

 

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

CMYK 53 / 0 / 51 / 11

HEX #6CE470

RGB 108 228 112

HSL 122, 0.69%, 0.66%

LAB 81.75, -56.76, 46.17

 

CMYK 53 / 44 / 0 / 11

HEX #6C80E4

RGB 108 128 228

HSL 230, 0.69%, 0.66%

LAB 56.32, 20.62, -53.2

 

CMYK 0 / 53 / 2 / 11

HEX #E46CE0

RGB 228 108 224

HSL 302, 0.69%, 0.66%

LAB 63.84, 61.68, -38.3

 

CMYK 0 / 8 / 52 / 11

HEX #E4D16D

RGB 228 209 109

HSL 50.42, 0.69%, 0.66%

LAB 83.55, -6.07, 51.44

 

CMYK 53 / 0 / 35 / 11

HEX #6CE494

RGB 108 228 148

HSL 140, 0.69%, 0.66%

LAB 82.28, -51.2, 29.02

 

CMYK 53 / 44 / 0 / 11

HEX #6C80E4

RGB 108 128 228

HSL 230, 0.69%, 0.66%

LAB 56.32, 20.62, -53.2

 

CMYK 0 / 53 / 18 / 11

HEX #E46CBC

RGB 228 108 188

HSL 320, 0.69%, 0.66%

LAB 62.38, 55.95, -20.27

 

Description

Color code: RGB 228 209 109 | qconv.com Color code: RGB 228 209 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 209 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 209 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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