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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 12 132 it is the complementary color RGB 27 243 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 12 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 12 132 shade: RGB 233 12 127, RGB 250 30 146, RGB 255 48 165, RGB 255 66 184 and RGB 255 84 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 12 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 12 132 shade: RGB 228 12 132, RGB 211 0 113, RGB 194 0 94, RGB 177 0 75 and RGB 160 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 12 132 shade: RGB 227 11 131, RGB 227 11 73, RGB 227 11 15 and RGB 227 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 12 132 shade: RGB 227 11 131, RGB 227 11 189, RGB 207 11 227, RGB 149 11 227 and RGB 90 11 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 12 132 shade matches the following richer shades: RGB 227 11 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 12 132 shade: RGB 227 11 131, RGB 208 31 129, RGB 188 50 127, RGB 169 70 125 and RGB 150 89 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 12 132 shade: RGB 206 11 227, RGB 227 11 191, RGB 227 11 134, RGB 227 11 76 and RGB 227 11 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 12 132 shade: RGB 149 7 86, RGB 188 9 109, RGB 227 11 131, RGB 243 37 151 and RGB 245 76 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 12 132 shade: RGB 228 12 132, RGB 227 148 11 and RGB 11 220 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 12 132 shade: RGB 228 12 132, RGB 134 227 11 and RGB 11 134 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 12 132 shade: RGB 228 12 132, RGB 227 148 11, RGB 11 227 105 and RGB 11 91 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 12 132 shade: RGB 228 12 132, RGB 227 213 11, RGB 11 227 105 and RGB 11 26 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 42 / 11

HEX #E40C84

RGB 228 12 132

HSL 326.67, 0.9%, 0.47%

LAB 50.01, 78.23, -6.12

 

Complementary color

CMYK 89 / 0 / 49 / 5

HEX #1BF37B

RGB 27 243 123

HSL 146.67, 0.9%, 0.53%

LAB 84.88, -72.79, 44.46

 

CMYK 0 / 95 / 45 / 9

HEX #E90C7F

RGB 233 12 127

HSL 328.78, 0.9%, 0.48%

LAB 50.83, 78.89, -1.77

 

CMYK 0 / 88 / 42 / 2

HEX #FA1E92

RGB 250 30 146

HSL 328.36, 0.96%, 0.55%

LAB 55.41, 82.12, -6.03

 

CMYK 0 / 81 / 35 / 0

HEX #FF30A5

RGB 255 48 165

HSL 326.09, 1%, 0.59%

LAB 58.12, 81.66, -13.07

 

CMYK 0 / 74 / 28 / 0

HEX #FF42B8

RGB 255 66 184

HSL 322.54, 1%, 0.63%

LAB 60.44, 79.03, -20.56

 

CMYK 0 / 67 / 20 / 0

HEX #FF54CB

RGB 255 84 203

HSL 318.25, 1%, 0.66%

LAB 63.27, 75.45, -27.07

 

CMYK 0 / 95 / 42 / 11

HEX #E40C84

RGB 228 12 132

HSL 326.67, 0.9%, 0.47%

LAB 50.01, 78.23, -6.12

 

CMYK 0 / 100 / 46 / 17

HEX #D30071

RGB 211 0 113

HSL 327.87, 1%, 0.41%

LAB 45.69, 73.94, -1.23

 

CMYK 0 / 100 / 52 / 24

HEX #C2005E

RGB 194 0 94

HSL 330.93, 1%, 0.38%

LAB 41.65, 68.7, 4.37

 

CMYK 0 / 100 / 58 / 31

HEX #B1004B

RGB 177 0 75

HSL 334.58, 1%, 0.35%

LAB 37.58, 63.45, 10.27

 

CMYK 0 / 100 / 65 / 37

HEX #A00038

RGB 160 0 56

HSL 339, 1%, 0.31%

LAB 33.48, 58.2, 16.48

 

CMYK 0 / 95 / 42 / 11

HEX #E30B83

RGB 227 11 131

HSL 326.67, 0.91%, 0.47%

LAB 49.75, 78.01, -5.92

 

CMYK 0 / 95 / 68 / 11

HEX #E30B49

RGB 227 11 73

HSL 342.78, 0.91%, 0.47%

LAB 48.32, 74.16, 27.65

 

CMYK 0 / 95 / 93 / 11

HEX #E30B0F

RGB 227 11 15

HSL 358.89, 0.91%, 0.47%

LAB 47.76, 72.6, 57.37

 

CMYK 0 / 95 / 95 / 11

HEX #E30B0B

RGB 227 11 11

HSL 0, 0.91%, 0.47%

LAB 47.74, 72.56, 58.58

 

CMYK 0 / 95 / 42 / 11

HEX #E30B83

RGB 227 11 131

HSL 326.67, 0.91%, 0.47%

LAB 49.75, 78.01, -5.92

 

CMYK 0 / 95 / 17 / 11

HEX #E30BBD

RGB 227 11 189

HSL 310.56, 0.91%, 0.47%

LAB 52.11, 84.15, -36.75

 

CMYK 9 / 95 / 0 / 11

HEX #CF0BE3

RGB 207 11 227

HSL 294.44, 0.91%, 0.47%

LAB 50.75, 86.11, -60.96

 

CMYK 34 / 95 / 0 / 11

HEX #950BE3

RGB 149 11 227

HSL 278.33, 0.91%, 0.47%

LAB 41.49, 78.33, -76.42

 

CMYK 60 / 95 / 0 / 11

HEX #5A0BE3

RGB 90 11 227

HSL 261.94, 0.91%, 0.47%

LAB 33.9, 73.12, -89.21

 

CMYK 0 / 95 / 42 / 11

HEX #E30B83

RGB 227 11 131

HSL 326.67, 0.91%, 0.47%

LAB 49.75, 78.01, -5.92

 

CMYK 0 / 95 / 42 / 11

HEX #E30B83

RGB 227 11 131

HSL 326.67, 0.91%, 0.47%

LAB 49.75, 78.01, -5.92

 

CMYK 0 / 85 / 38 / 18

HEX #D01F81

RGB 208 31 129

HSL 326.78, 0.74%, 0.47%

LAB 46.94, 70.88, -9.28

 

CMYK 0 / 73 / 32 / 26

HEX #BC327F

RGB 188 50 127

HSL 326.52, 0.58%, 0.47%

LAB 44.95, 60.66, -11.42

 

CMYK 0 / 59 / 26 / 34

HEX #A9467D

RGB 169 70 125

HSL 326.67, 0.41%, 0.47%

LAB 44.65, 46.73, -10.96

 

CMYK 0 / 41 / 18 / 41

HEX #96597B

RGB 150 89 123

HSL 326.56, 0.26%, 0.47%

LAB 45.71, 30.02, -8.42

 

CMYK 9 / 95 / 0 / 11

HEX #CE0BE3

RGB 206 11 227

HSL 294.17, 0.91%, 0.47%

LAB 50.58, 85.96, -61.24

 

CMYK 0 / 95 / 16 / 11

HEX #E30BBF

RGB 227 11 191

HSL 310, 0.91%, 0.47%

LAB 52.21, 84.4, -37.76

 

CMYK 0 / 95 / 41 / 11

HEX #E30B86

RGB 227 11 134

HSL 325.83, 0.91%, 0.47%

LAB 49.85, 78.28, -7.59

 

CMYK 0 / 95 / 67 / 11

HEX #E30B4C

RGB 227 11 76

HSL 341.94, 0.91%, 0.47%

LAB 48.38, 74.3, 25.88

 

CMYK 0 / 95 / 92 / 11

HEX #E30B13

RGB 227 11 19

HSL 357.78, 0.91%, 0.47%

LAB 47.77, 72.64, 55.97

 

CMYK 0 / 95 / 42 / 42

HEX #950756

RGB 149 7 86

HSL 326.62, 0.91%, 0.31%

LAB 32.29, 56.86, -5.3

 

CMYK 0 / 95 / 42 / 26

HEX #BC096D

RGB 188 9 109

HSL 326.48, 0.91%, 0.39%

LAB 41.2, 67.69, -5.89

 

CMYK 0 / 95 / 42 / 11

HEX #E30B83

RGB 227 11 131

HSL 326.67, 0.91%, 0.47%

LAB 49.75, 78.01, -5.92

 

CMYK 0 / 85 / 38 / 5

HEX #F32597

RGB 243 37 151

HSL 326.8, 0.9%, 0.55%

LAB 54.67, 79.84, -10.24

 

CMYK 0 / 69 / 31 / 4

HEX #F54CAA

RGB 245 76 170

HSL 326.63, 0.89%, 0.63%

LAB 59.42, 71.69, -14.19

 

CMYK 0 / 95 / 42 / 11

HEX #E40C84

RGB 228 12 132

HSL 326.67, 0.9%, 0.47%

LAB 50.01, 78.23, -6.12

 

CMYK 0 / 35 / 95 / 11

HEX #E3940B

RGB 227 148 11

HSL 38.06, 0.91%, 0.47%

LAB 67.68, 21.16, 71.1

 

CMYK 95 / 3 / 0 / 11

HEX #0BDCE3

RGB 11 220 227

HSL 181.94, 0.91%, 0.47%

LAB 80.07, -40.66, -15.99

 

CMYK 0 / 95 / 42 / 11

HEX #E40C84

RGB 228 12 132

HSL 326.67, 0.9%, 0.47%

LAB 50.01, 78.23, -6.12

 

CMYK 41 / 0 / 95 / 11

HEX #86E30B

RGB 134 227 11

HSL 85.83, 0.91%, 0.47%

LAB 81.85, -55.52, 78.68

 

CMYK 95 / 41 / 0 / 11

HEX #0B86E3

RGB 11 134 227

HSL 205.83, 0.91%, 0.47%

LAB 54.73, 4.57, -55.36

 

CMYK 0 / 95 / 42 / 11

HEX #E40C84

RGB 228 12 132

HSL 326.67, 0.9%, 0.47%

LAB 50.01, 78.23, -6.12

 

CMYK 0 / 35 / 95 / 11

HEX #E3940B

RGB 227 148 11

HSL 38.06, 0.91%, 0.47%

LAB 67.68, 21.16, 71.1

 

CMYK 95 / 0 / 54 / 11

HEX #0BE369

RGB 11 227 105

HSL 146.11, 0.91%, 0.47%

LAB 79.63, -71.18, 46.48

 

CMYK 95 / 60 / 0 / 11

HEX #0B5BE3

RGB 11 91 227

HSL 217.78, 0.91%, 0.47%

LAB 42.91, 31.83, -74.48

 

CMYK 0 / 95 / 42 / 11

HEX #E40C84

RGB 228 12 132

HSL 326.67, 0.9%, 0.47%

LAB 50.01, 78.23, -6.12

 

CMYK 0 / 6 / 95 / 11

HEX #E3D50B

RGB 227 213 11

HSL 56.11, 0.91%, 0.47%

LAB 83.94, -12.76, 82.88

 

CMYK 95 / 0 / 54 / 11

HEX #0BE369

RGB 11 227 105

HSL 146.11, 0.91%, 0.47%

LAB 79.63, -71.18, 46.48

 

CMYK 95 / 89 / 0 / 11

HEX #0B1AE3

RGB 11 26 227

HSL 235.83, 0.91%, 0.47%

LAB 30.29, 66.84, -95.34

 

Description

Color code: RGB 228 12 132 | qconv.com Color code: RGB 228 12 132 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 12 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 12 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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