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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 121 89 it is the complementary color RGB 27 134 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 121 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 121 89 shade: RGB 233 121 84, RGB 250 139 103, RGB 255 157 122, RGB 255 175 141 and RGB 255 193 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 121 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 121 89 shade: RGB 228 121 89, RGB 211 103 70, RGB 194 85 51, RGB 177 67 32 and RGB 160 49 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 121 89 shade: RGB 227 120 88 and RGB 227 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 121 89 shade: RGB 227 120 88, RGB 227 158 88, RGB 227 195 88, RGB 222 227 88 and RGB 184 227 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 121 89 shade matches the following richer shades: RGB 227 120 88 and RGB 243 111 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 121 89 shade: RGB 227 120 88, RGB 212 128 104, RGB 196 137 119, RGB 180 145 135 and RGB 165 154 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 121 89 shade: RGB 227 88 132, RGB 227 88 95, RGB 227 118 88, RGB 227 155 88 and RGB 227 192 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 121 89 shade: RGB 200 71 32, RGB 222 91 52, RGB 227 120 88, RGB 233 149 123 and RGB 239 177 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 121 89 shade: RGB 228 121 89, RGB 169 227 88 and RGB 88 113 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 121 89 shade: RGB 228 121 89, RGB 88 227 118 and RGB 118 88 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 121 89 shade: RGB 228 121 89, RGB 169 227 88, RGB 88 197 227 and RGB 146 88 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 121 89 shade: RGB 228 121 89, RGB 127 227 88, RGB 88 197 227 and RGB 188 88 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 61 / 11

HEX #E47959

RGB 228 121 89

HSL 13.81, 0.72%, 0.62%

LAB 62.41, 38.67, 36.03

 

Complementary color

CMYK 84 / 19 / 0 / 35

HEX #1B86A6

RGB 27 134 166

HSL 193.81, 0.72%, 0.38%

LAB 51.88, -17.31, -25.14

 

CMYK 0 / 48 / 64 / 9

HEX #E97954

RGB 233 121 84

HSL 14.9, 0.77%, 0.62%

LAB 63.04, 40.26, 39.66

 

CMYK 0 / 44 / 59 / 2

HEX #FA8B67

RGB 250 139 103

HSL 14.69, 0.94%, 0.69%

LAB 69.3, 38.89, 37.69

 

CMYK 0 / 38 / 52 / 0

HEX #FF9D7A

RGB 255 157 122

HSL 15.79, 1%, 0.74%

LAB 74.05, 33.04, 33.7

 

CMYK 0 / 31 / 45 / 0

HEX #FFAF8D

RGB 255 175 141

HSL 17.89, 1%, 0.78%

LAB 78.37, 25.41, 29.24

 

CMYK 0 / 24 / 37 / 0

HEX #FFC1A0

RGB 255 193 160

HSL 20.84, 1%, 0.81%

LAB 82.88, 18.01, 25.24

 

CMYK 0 / 47 / 61 / 11

HEX #E47959

RGB 228 121 89

HSL 13.81, 0.72%, 0.62%

LAB 62.41, 38.67, 36.03

 

CMYK 0 / 51 / 67 / 17

HEX #D36746

RGB 211 103 70

HSL 14.04, 0.62%, 0.55%

LAB 56.08, 40.09, 38.15

 

CMYK 0 / 56 / 74 / 24

HEX #C25533

RGB 194 85 51

HSL 14.27, 0.58%, 0.48%

LAB 49.74, 41.59, 40.46

 

CMYK 0 / 62 / 82 / 31

HEX #B14320

RGB 177 67 32

HSL 14.48, 0.69%, 0.41%

LAB 43.46, 43.08, 42.85

 

CMYK 0 / 69 / 92 / 37

HEX #A0310D

RGB 160 49 13

HSL 14.69, 0.85%, 0.34%

LAB 37.3, 44.43, 44.74

 

CMYK 0 / 47 / 61 / 11

HEX #E37858

RGB 227 120 88

HSL 13.81, 0.71%, 0.62%

LAB 62.06, 38.73, 36.11

 

CMYK 0 / 61 / 61 / 11

HEX #E35858

RGB 227 88 88

HSL 0, 0.71%, 0.62%

LAB 56.1, 54.06, 28.64

 

CMYK 0 / 47 / 61 / 11

HEX #E37858

RGB 227 120 88

HSL 13.81, 0.71%, 0.62%

LAB 62.06, 38.73, 36.11

 

CMYK 0 / 30 / 61 / 11

HEX #E39E58

RGB 227 158 88

HSL 30.22, 0.71%, 0.62%

LAB 70.52, 18.69, 46.26

 

CMYK 0 / 14 / 61 / 11

HEX #E3C358

RGB 227 195 88

HSL 46.19, 0.71%, 0.62%

LAB 79.65, -0.86, 56.67

 

CMYK 2 / 0 / 61 / 11

HEX #DEE358

RGB 222 227 88

HSL 62.16, 0.71%, 0.62%

LAB 87.57, -19.04, 65.18

 

CMYK 19 / 0 / 61 / 11

HEX #B8E358

RGB 184 227 88

HSL 78.56, 0.71%, 0.62%

LAB 84.91, -34.05, 61.53

 

CMYK 0 / 47 / 61 / 11

HEX #E37858

RGB 227 120 88

HSL 13.81, 0.71%, 0.62%

LAB 62.06, 38.73, 36.11

 

CMYK 0 / 54 / 70 / 5

HEX #F36F48

RGB 243 111 72

HSL 13.68, 0.88%, 0.62%

LAB 62.42, 48.25, 45.62

 

CMYK 0 / 47 / 61 / 11

HEX #E37858

RGB 227 120 88

HSL 13.81, 0.71%, 0.62%

LAB 62.06, 38.73, 36.11

 

CMYK 0 / 40 / 51 / 17

HEX #D48068

RGB 212 128 104

HSL 13.33, 0.56%, 0.62%

LAB 62.03, 29.97, 26.83

 

CMYK 0 / 30 / 39 / 23

HEX #C48977

RGB 196 137 119

HSL 14.03, 0.39%, 0.62%

LAB 62.47, 20.27, 18.69

 

CMYK 0 / 19 / 25 / 29

HEX #B49187

RGB 180 145 135

HSL 13.33, 0.23%, 0.62%

LAB 63.1, 11.62, 10.28

 

CMYK 0 / 7 / 8 / 35

HEX #A59A97

RGB 165 154 151

HSL 12.86, 0.07%, 0.62%

LAB 64.44, 3.48, 3.01

 

CMYK 0 / 61 / 42 / 11

HEX #E35884

RGB 227 88 132

HSL 341.01, 0.71%, 0.62%

LAB 57.05, 57.72, 4.18

 

CMYK 0 / 61 / 58 / 11

HEX #E3585F

RGB 227 88 95

HSL 356.98, 0.71%, 0.62%

LAB 56.22, 54.54, 24.74

 

CMYK 0 / 48 / 61 / 11

HEX #E37658

RGB 227 118 88

HSL 12.95, 0.71%, 0.62%

LAB 61.65, 39.75, 35.6

 

CMYK 0 / 32 / 61 / 11

HEX #E39B58

RGB 227 155 88

HSL 28.92, 0.71%, 0.62%

LAB 69.81, 20.3, 45.43

 

CMYK 0 / 15 / 61 / 11

HEX #E3C058

RGB 227 192 88

HSL 44.89, 0.71%, 0.62%

LAB 78.89, 0.7, 55.82

 

CMYK 0 / 65 / 84 / 22

HEX #C84720

RGB 200 71 32

HSL 13.93, 0.72%, 0.45%

LAB 48.12, 49.57, 48.59

 

CMYK 0 / 59 / 77 / 13

HEX #DE5B34

RGB 222 91 52

HSL 13.76, 0.72%, 0.54%

LAB 55.34, 49.12, 47.23

 

CMYK 0 / 47 / 61 / 11

HEX #E37858

RGB 227 120 88

HSL 13.81, 0.71%, 0.62%

LAB 62.06, 38.73, 36.11

 

CMYK 0 / 36 / 47 / 9

HEX #E9957B

RGB 233 149 123

HSL 14.18, 0.71%, 0.7%

LAB 69.65, 28.81, 26.88

 

CMYK 0 / 26 / 33 / 6

HEX #EFB19F

RGB 239 177 159

HSL 13.5, 0.71%, 0.78%

LAB 77.46, 20.22, 18.06

 

CMYK 0 / 47 / 61 / 11

HEX #E47959

RGB 228 121 89

HSL 13.81, 0.72%, 0.62%

LAB 62.41, 38.67, 36.03

 

CMYK 26 / 0 / 61 / 11

HEX #A9E358

RGB 169 227 88

HSL 85.04, 0.71%, 0.62%

LAB 84.01, -39.66, 60.28

 

CMYK 61 / 50 / 0 / 11

HEX #5871E3

RGB 88 113 227

HSL 229.21, 0.71%, 0.62%

LAB 51.19, 25.52, -60.92

 

CMYK 0 / 47 / 61 / 11

HEX #E47959

RGB 228 121 89

HSL 13.81, 0.72%, 0.62%

LAB 62.41, 38.67, 36.03

 

CMYK 61 / 0 / 48 / 11

HEX #58E376

RGB 88 227 118

HSL 132.95, 0.71%, 0.62%

LAB 80.92, -60.17, 42.13

 

CMYK 48 / 61 / 0 / 11

HEX #7658E3

RGB 118 88 227

HSL 252.95, 0.71%, 0.62%

LAB 47.47, 46.06, -66.83

 

CMYK 0 / 47 / 61 / 11

HEX #E47959

RGB 228 121 89

HSL 13.81, 0.72%, 0.62%

LAB 62.41, 38.67, 36.03

 

CMYK 26 / 0 / 61 / 11

HEX #A9E358

RGB 169 227 88

HSL 85.04, 0.71%, 0.62%

LAB 84.01, -39.66, 60.28

 

CMYK 61 / 13 / 0 / 11

HEX #58C5E3

RGB 88 197 227

HSL 192.95, 0.71%, 0.62%

LAB 74.54, -22.39, -24.26

 

CMYK 36 / 61 / 0 / 11

HEX #9258E3

RGB 146 88 227

HSL 265.04, 0.71%, 0.62%

LAB 50.26, 51.81, -62.18

 

CMYK 0 / 47 / 61 / 11

HEX #E47959

RGB 228 121 89

HSL 13.81, 0.72%, 0.62%

LAB 62.41, 38.67, 36.03

 

CMYK 44 / 0 / 61 / 11

HEX #7FE358

RGB 127 227 88

HSL 103.17, 0.71%, 0.62%

LAB 81.92, -53.79, 57.38

 

CMYK 61 / 13 / 0 / 11

HEX #58C5E3

RGB 88 197 227

HSL 192.95, 0.71%, 0.62%

LAB 74.54, -22.39, -24.26

 

CMYK 17 / 61 / 0 / 11

HEX #BC58E3

RGB 188 88 227

HSL 283.17, 0.71%, 0.62%

LAB 55.3, 61.34, -53.82

 

Description

Color code: RGB 228 121 89 | qconv.com Color code: RGB 228 121 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 121 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 121 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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