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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 119 205 it is the complementary color RGB 27 136 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 119 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 119 205 shade: RGB 233 119 200, RGB 250 137 219, RGB 255 155 238, RGB 255 173 255 and RGB 255 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 119 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 119 205 shade: RGB 228 119 205, RGB 211 101 186, RGB 194 83 167, RGB 177 65 148 and RGB 160 47 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 119 205 shade: RGB 228 118 205, RGB 228 118 175, RGB 228 118 146 and RGB 228 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 119 205 shade: RGB 228 118 205, RGB 221 118 228, RGB 192 118 228, RGB 162 118 228 and RGB 133 118 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 119 205 shade matches the following richer shades: RGB 228 118 205, RGB 241 105 212 and RGB 254 92 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 119 205 shade: RGB 228 118 205, RGB 214 131 197, RGB 201 145 189, RGB 188 158 182 and RGB 175 171 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 119 205 shade: RGB 191 118 228, RGB 220 118 228, RGB 228 118 206, RGB 228 118 177 and RGB 228 118 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 119 205 shade: RGB 214 49 179, RGB 221 84 192, RGB 228 118 205, RGB 234 153 217 and RGB 241 187 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 119 205 shade: RGB 228 119 205, RGB 228 162 118 and RGB 118 228 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 119 205 shade: RGB 228 119 205, RGB 206 228 118 and RGB 118 206 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 119 205 shade: RGB 228 119 205, RGB 228 162 118, RGB 118 228 140 and RGB 118 184 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 119 205 shade: RGB 228 119 205, RGB 228 195 118, RGB 118 228 140 and RGB 118 151 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 10 / 11

HEX #E477CD

RGB 228 119 205

HSL 312.66, 0.67%, 0.68%

LAB 65.04, 53.28, -25.8

 

Complementary color

CMYK 80 / 0 / 63 / 47

HEX #1B8832

RGB 27 136 50

HSL 132.66, 0.67%, 0.32%

LAB 49.58, -47.97, 37.02

 

CMYK 0 / 49 / 14 / 9

HEX #E977C8

RGB 233 119 200

HSL 317.37, 0.72%, 0.69%

LAB 65.5, 53.99, -22.22

 

CMYK 0 / 45 / 12 / 2

HEX #FA89DB

RGB 250 137 219

HSL 316.46, 0.92%, 0.76%

LAB 71.78, 53.3, -23.03

 

CMYK 0 / 39 / 7 / 0

HEX #FF9BEE

RGB 255 155 238

HSL 310.2, 1%, 0.8%

LAB 76.6, 48.9, -26

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 48 / 10 / 11

HEX #E477CD

RGB 228 119 205

HSL 312.66, 0.67%, 0.68%

LAB 65.04, 53.28, -25.8

 

CMYK 0 / 52 / 12 / 17

HEX #D365BA

RGB 211 101 186

HSL 313.64, 0.56%, 0.61%

LAB 58.7, 53.91, -24.98

 

CMYK 0 / 57 / 14 / 24

HEX #C253A7

RGB 194 83 167

HSL 314.59, 0.48%, 0.54%

LAB 52.34, 54.42, -23.97

 

CMYK 0 / 63 / 16 / 31

HEX #B14194

RGB 177 65 148

HSL 315.54, 0.46%, 0.47%

LAB 46, 54.69, -22.71

 

CMYK 0 / 71 / 19 / 37

HEX #A02F81

RGB 160 47 129

HSL 316.46, 0.55%, 0.41%

LAB 39.73, 54.54, -21.06

 

CMYK 0 / 48 / 10 / 11

HEX #E476CD

RGB 228 118 205

HSL 312.55, 0.67%, 0.68%

LAB 64.85, 53.77, -26.09

 

CMYK 0 / 48 / 23 / 11

HEX #E476AF

RGB 228 118 175

HSL 328.91, 0.67%, 0.68%

LAB 63.79, 49.23, -10.74

 

CMYK 0 / 48 / 36 / 11

HEX #E47692

RGB 228 118 146

HSL 344.73, 0.67%, 0.68%

LAB 62.95, 45.5, 4.58

 

CMYK 0 / 48 / 48 / 11

HEX #E47676

RGB 228 118 118

HSL 0, 0.67%, 0.68%

LAB 62.3, 42.55, 19.68

 

CMYK 0 / 48 / 10 / 11

HEX #E476CD

RGB 228 118 205

HSL 312.55, 0.67%, 0.68%

LAB 64.85, 53.77, -26.09

 

CMYK 3 / 48 / 0 / 11

HEX #DD76E4

RGB 221 118 228

HSL 296.18, 0.67%, 0.68%

LAB 64.91, 55.7, -38.92

 

CMYK 16 / 48 / 0 / 11

HEX #C076E4

RGB 192 118 228

HSL 280.36, 0.67%, 0.68%

LAB 61.45, 47.66, -44.59

 

CMYK 29 / 48 / 0 / 11

HEX #A276E4

RGB 162 118 228

HSL 264, 0.67%, 0.68%

LAB 58.26, 39.58, -49.83

 

CMYK 42 / 48 / 0 / 11

HEX #8576E4

RGB 133 118 228

HSL 248.18, 0.67%, 0.68%

LAB 55.63, 32.27, -54.19

 

CMYK 0 / 48 / 10 / 11

HEX #E476CD

RGB 228 118 205

HSL 312.55, 0.67%, 0.68%

LAB 64.85, 53.77, -26.09

 

CMYK 0 / 56 / 12 / 5

HEX #F169D4

RGB 241 105 212

HSL 312.79, 0.83%, 0.68%

LAB 64.61, 64.63, -30.24

 

CMYK 0 / 64 / 13 / 0

HEX #FE5CDC

RGB 254 92 220

HSL 312.59, 0.99%, 0.68%

LAB 64.88, 74.56, -34.16

 

CMYK 0 / 48 / 10 / 11

HEX #E476CD

RGB 228 118 205

HSL 312.55, 0.67%, 0.68%

LAB 64.85, 53.77, -26.09

 

CMYK 0 / 39 / 8 / 16

HEX #D683C5

RGB 214 131 197

HSL 312.29, 0.5%, 0.68%

LAB 65.4, 41.47, -20.91

 

CMYK 0 / 28 / 6 / 21

HEX #C991BD

RGB 201 145 189

HSL 312.86, 0.34%, 0.68%

LAB 66.78, 28.2, -14.47

 

CMYK 0 / 16 / 3 / 26

HEX #BC9EB6

RGB 188 158 182

HSL 312, 0.18%, 0.68%

LAB 68.4, 15.23, -8.27

 

CMYK 0 / 2 / 1 / 31

HEX #AFABAE

RGB 175 171 174

HSL 315, 0.02%, 0.68%

LAB 70.38, 1.99, -1.04

 

CMYK 16 / 48 / 0 / 11

HEX #BF76E4

RGB 191 118 228

HSL 279.82, 0.67%, 0.68%

LAB 61.34, 47.39, -44.77

 

CMYK 4 / 48 / 0 / 11

HEX #DC76E4

RGB 220 118 228

HSL 295.64, 0.67%, 0.68%

LAB 64.78, 55.42, -39.12

 

CMYK 0 / 48 / 10 / 11

HEX #E476CE

RGB 228 118 206

HSL 312, 0.67%, 0.68%

LAB 64.89, 53.93, -26.59

 

CMYK 0 / 48 / 22 / 11

HEX #E476B1

RGB 228 118 177

HSL 327.82, 0.67%, 0.68%

LAB 63.86, 49.52, -11.78

 

CMYK 0 / 48 / 36 / 11

HEX #E47693

RGB 228 118 147

HSL 344.18, 0.67%, 0.68%

LAB 62.98, 45.61, 4.04

 

CMYK 0 / 77 / 16 / 16

HEX #D631B3

RGB 214 49 179

HSL 312.73, 0.67%, 0.52%

LAB 51.55, 73.81, -31.97

 

CMYK 0 / 62 / 13 / 13

HEX #DD54C0

RGB 221 84 192

HSL 312.7, 0.67%, 0.6%

LAB 57.58, 65.21, -30.03

 

CMYK 0 / 48 / 10 / 11

HEX #E476CD

RGB 228 118 205

HSL 312.55, 0.67%, 0.68%

LAB 64.85, 53.77, -26.09

 

CMYK 0 / 35 / 7 / 8

HEX #EA99D9

RGB 234 153 217

HSL 312.59, 0.66%, 0.76%

LAB 73.08, 39.76, -20.12

 

CMYK 0 / 22 / 5 / 5

HEX #F1BBE6

RGB 241 187 230

HSL 312.22, 0.66%, 0.84%

LAB 81.81, 26.3, -13.93

 

CMYK 0 / 48 / 10 / 11

HEX #E477CD

RGB 228 119 205

HSL 312.66, 0.67%, 0.68%

LAB 65.04, 53.28, -25.8

 

CMYK 0 / 29 / 48 / 11

HEX #E4A276

RGB 228 162 118

HSL 24, 0.67%, 0.68%

LAB 71.99, 19.42, 32.55

 

CMYK 48 / 0 / 10 / 11

HEX #76E4CE

RGB 118 228 206

HSL 168, 0.67%, 0.68%

LAB 83.86, -36.85, 1

 

CMYK 0 / 48 / 10 / 11

HEX #E477CD

RGB 228 119 205

HSL 312.66, 0.67%, 0.68%

LAB 65.04, 53.28, -25.8

 

CMYK 10 / 0 / 48 / 11

HEX #CEE476

RGB 206 228 118

HSL 72, 0.67%, 0.68%

LAB 86.96, -23.45, 50.85

 

CMYK 48 / 10 / 0 / 11

HEX #76CEE4

RGB 118 206 228

HSL 192, 0.67%, 0.68%

LAB 78.23, -20.69, -19.1

 

CMYK 0 / 48 / 10 / 11

HEX #E477CD

RGB 228 119 205

HSL 312.66, 0.67%, 0.68%

LAB 65.04, 53.28, -25.8

 

CMYK 0 / 29 / 48 / 11

HEX #E4A276

RGB 228 162 118

HSL 24, 0.67%, 0.68%

LAB 71.99, 19.42, 32.55

 

CMYK 48 / 0 / 39 / 11

HEX #76E48C

RGB 118 228 140

HSL 132, 0.67%, 0.68%

LAB 82.5, -50.05, 33.45

 

CMYK 48 / 19 / 0 / 11

HEX #76B8E4

RGB 118 184 228

HSL 204, 0.67%, 0.68%

LAB 72.05, -9.21, -28.51

 

CMYK 0 / 48 / 10 / 11

HEX #E477CD

RGB 228 119 205

HSL 312.66, 0.67%, 0.68%

LAB 65.04, 53.28, -25.8

 

CMYK 0 / 14 / 48 / 11

HEX #E4C376

RGB 228 195 118

HSL 42, 0.67%, 0.68%

LAB 80.09, 1.94, 42.83

 

CMYK 48 / 0 / 39 / 11

HEX #76E48C

RGB 118 228 140

HSL 132, 0.67%, 0.68%

LAB 82.5, -50.05, 33.45

 

CMYK 48 / 34 / 0 / 11

HEX #7697E4

RGB 118 151 228

HSL 222, 0.67%, 0.68%

LAB 63, 9.27, -42.58

 

Description

Color code: RGB 228 119 205 | qconv.com Color code: RGB 228 119 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 119 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 119 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 10 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 10% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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