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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 57 228 it is the complementary color RGB 28 198 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 57 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 57 228 shade: RGB 232 57 223, RGB 249 75 242, RGB 255 93 255, RGB 255 111 255 and RGB 255 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 57 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 210 39 209, RGB 193 21 190, RGB 176 3 171 and RGB 159 0 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 228 57 183, RGB 228 57 137, RGB 228 57 91 and RGB 228 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 181 57 228, RGB 135 57 228, RGB 89 57 228 and RGB 57 57 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 57 228 shade matches the following richer shades: RGB 227 57 228 and RGB 245 39 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 209 75 209, RGB 191 93 191, RGB 173 111 173 and RGB 155 130 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 57 228 shade: RGB 134 57 228, RGB 179 57 228, RGB 225 57 228, RGB 228 57 185 and RGB 228 57 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 57 228 shade: RGB 177 24 178, RGB 213 29 215, RGB 227 57 228, RGB 232 93 233 and RGB 237 130 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 228 88 57 and RGB 57 228 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 228 225 57 and RGB 57 228 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 228 88 57, RGB 60 228 57 and RGB 57 196 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 57 228 shade: RGB 227 57 228, RGB 228 139 57, RGB 60 228 57 and RGB 57 145 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

Complementary color

CMYK 86 / 0 / 86 / 22

HEX #1CC61B

RGB 28 198 27

HSL 119.65, 0.76%, 0.44%

LAB 69.98, -68.93, 65.19

 

CMYK 0 / 75 / 4 / 9

HEX #E839DF

RGB 232 57 223

HSL 303.09, 0.79%, 0.57%

LAB 57.47, 81.65, -47.71

 

CMYK 0 / 70 / 3 / 2

HEX #F94BF2

RGB 249 75 242

HSL 302.41, 0.94%, 0.64%

LAB 63, 82.64, -49.43

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 81 / 0 / 18

HEX #D227D1

RGB 210 39 209

HSL 300.35, 0.69%, 0.49%

LAB 51.56, 79.74, -49.37

 

CMYK 0 / 89 / 2 / 24

HEX #C115BE

RGB 193 21 190

HSL 301.05, 0.8%, 0.42%

LAB 46.43, 77.1, -46.72

 

CMYK 0 / 98 / 3 / 31

HEX #B003AB

RGB 176 3 171

HSL 301.73, 0.97%, 0.35%

LAB 41.59, 73.36, -43.42

 

CMYK 0 / 100 / 4 / 38

HEX #9F0098

RGB 159 0 152

HSL 302.64, 1%, 0.31%

LAB 37.18, 67.98, -39.18

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 75 / 20 / 11

HEX #E439B7

RGB 228 57 183

HSL 315.79, 0.76%, 0.56%

LAB 54.91, 75.22, -28.89

 

CMYK 0 / 75 / 40 / 11

HEX #E43989

RGB 228 57 137

HSL 331.93, 0.76%, 0.56%

LAB 53.2, 70, -4.4

 

CMYK 0 / 75 / 60 / 11

HEX #E4395B

RGB 228 57 91

HSL 348.07, 0.76%, 0.56%

LAB 52.04, 66.31, 21.6

 

CMYK 0 / 75 / 75 / 11

HEX #E43939

RGB 228 57 57

HSL 0, 0.76%, 0.56%

LAB 51.51, 64.61, 40.83

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 21 / 75 / 0 / 11

HEX #B539E4

RGB 181 57 228

HSL 283.51, 0.76%, 0.56%

LAB 49.92, 72.61, -63.07

 

CMYK 41 / 75 / 0 / 11

HEX #8739E4

RGB 135 57 228

HSL 267.37, 0.76%, 0.56%

LAB 43.77, 64.68, -73.34

 

CMYK 61 / 75 / 0 / 11

HEX #5939E4

RGB 89 57 228

HSL 251.23, 0.76%, 0.56%

LAB 38.99, 58.32, -81.37

 

CMYK 75 / 75 / 0 / 11

HEX #3939E4

RGB 57 57 228

HSL 240, 0.76%, 0.56%

LAB 36.74, 55.24, -85.16

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 84 / 0 / 4

HEX #F527F6

RGB 245 39 246

HSL 299.71, 0.92%, 0.56%

LAB 59.45, 91.48, -57.33

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 64 / 0 / 18

HEX #D14BD1

RGB 209 75 209

HSL 300, 0.59%, 0.56%

LAB 55.27, 68.5, -43.49

 

CMYK 0 / 51 / 0 / 25

HEX #BF5DBF

RGB 191 93 191

HSL 300, 0.43%, 0.56%

LAB 54.73, 52.85, -34.22

 

CMYK 0 / 36 / 0 / 32

HEX #AD6FAD

RGB 173 111 173

HSL 300, 0.27%, 0.56%

LAB 55.35, 34.63, -23.06

 

CMYK 0 / 16 / 0 / 39

HEX #9B829B

RGB 155 130 155

HSL 300, 0.11%, 0.56%

LAB 57.37, 14.13, -9.79

 

CMYK 41 / 75 / 0 / 11

HEX #8639E4

RGB 134 57 228

HSL 267.02, 0.76%, 0.56%

LAB 43.65, 64.52, -73.54

 

CMYK 21 / 75 / 0 / 11

HEX #B339E4

RGB 179 57 228

HSL 282.81, 0.76%, 0.56%

LAB 49.63, 72.24, -63.55

 

CMYK 1 / 75 / 0 / 11

HEX #E139E4

RGB 225 57 228

HSL 298.95, 0.76%, 0.56%

LAB 56.62, 81.02, -51.96

 

CMYK 0 / 75 / 19 / 11

HEX #E439B9

RGB 228 57 185

HSL 315.09, 0.76%, 0.56%

LAB 54.99, 75.48, -29.92

 

CMYK 0 / 75 / 39 / 11

HEX #E4398B

RGB 228 57 139

HSL 331.23, 0.76%, 0.56%

LAB 53.26, 70.19, -5.5

 

CMYK 1 / 87 / 0 / 30

HEX #B118B2

RGB 177 24 178

HSL 299.61, 0.76%, 0.4%

LAB 43.09, 71.94, -45.17

 

CMYK 1 / 87 / 0 / 16

HEX #D51DD7

RGB 213 29 215

HSL 299.35, 0.76%, 0.48%

LAB 51.76, 83.08, -52.45

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 60 / 0 / 9

HEX #E85DE9

RGB 232 93 233

HSL 299.57, 0.76%, 0.64%

LAB 62.4, 70.77, -45.54

 

CMYK 0 / 45 / 0 / 7

HEX #ED82ED

RGB 237 130 237

HSL 300, 0.75%, 0.72%

LAB 69.53, 55.91, -36.54

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 61 / 75 / 11

HEX #E45839

RGB 228 88 57

HSL 10.88, 0.76%, 0.56%

LAB 55.86, 52.79, 45.53

 

CMYK 75 / 0 / 31 / 11

HEX #39E49D

RGB 57 228 157

HSL 155.09, 0.76%, 0.56%

LAB 81.18, -58.73, 22.68

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 1 / 75 / 11

HEX #E4E139

RGB 228 225 57

HSL 58.95, 0.76%, 0.56%

LAB 87.31, -17.2, 76.31

 

CMYK 75 / 0 / 1 / 11

HEX #39E4E1

RGB 57 228 225

HSL 178.95, 0.76%, 0.56%

LAB 82.8, -41.98, -10.79

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 61 / 75 / 11

HEX #E45839

RGB 228 88 57

HSL 10.88, 0.76%, 0.56%

LAB 55.86, 52.79, 45.53

 

CMYK 74 / 0 / 75 / 11

HEX #3CE439

RGB 60 228 57

HSL 118.95, 0.76%, 0.56%

LAB 80.03, -72.21, 66.53

 

CMYK 75 / 14 / 0 / 11

HEX #39C4E4

RGB 57 196 228

HSL 191.23, 0.76%, 0.56%

LAB 73.51, -25.99, -26.44

 

CMYK 0 / 75 / 0 / 11

HEX #E339E4

RGB 227 57 228

HSL 299.65, 0.76%, 0.56%

LAB 56.94, 81.41, -51.43

 

CMYK 0 / 39 / 75 / 11

HEX #E48B39

RGB 228 139 57

HSL 28.77, 0.76%, 0.56%

LAB 65.95, 27.52, 55.93

 

CMYK 74 / 0 / 75 / 11

HEX #3CE439

RGB 60 228 57

HSL 118.95, 0.76%, 0.56%

LAB 80.03, -72.21, 66.53

 

CMYK 75 / 36 / 0 / 11

HEX #3991E4

RGB 57 145 228

HSL 209.12, 0.76%, 0.56%

LAB 58.72, 1.76, -49.52

 

Description

Color code: RGB 227 57 228 | qconv.com Color code: RGB 227 57 228 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 57 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 57 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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