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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 230 241 it is the complementary color RGB 28 25 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 230 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 230 241 shade: RGB 232 230 236 and RGB 249 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 230 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 210 212 222, RGB 193 194 203, RGB 176 176 184 and RGB 159 158 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 228 227 241, RGB 232 227 241, RGB 235 227 241 and RGB 239 227 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 230 241 shade: RGB 227 230 241 and RGB 227 227 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 230 241 shade matches the following richer shades: RGB 227 230 241, RGB 224 228 244, RGB 221 226 247, RGB 217 225 251 and RGB 214 223 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 231 232 238, RGB 234 234 234, RGB 237 236 231 and RGB 241 238 228

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 230 241 shade: RGB 227 237 241, RGB 227 234 241, RGB 227 230 241, RGB 228 227 241 and RGB 232 227 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 230 241 shade: RGB 172 181 213, RGB 200 206 227 and RGB 227 230 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 241 227 241 and RGB 236 241 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 241 227 230 and RGB 230 241 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 241 227 241, RGB 241 238 227 and RGB 228 241 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 230 241 shade: RGB 227 230 241, RGB 241 227 237, RGB 241 238 227 and RGB 227 241 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

Complementary color

CMYK 0 / 11 / 50 / 89

HEX #1C190E

RGB 28 25 14

HSL 47.14, 0.33%, 0.08%

LAB 8.77, -0.77, 7.18

 

CMYK 2 / 3 / 0 / 7

HEX #E8E6EC

RGB 232 230 236

HSL 260, 0.14%, 0.91%

LAB 91.6, 1.75, -2.68

 

CMYK 2 / 3 / 0 / 0

HEX #F9F8FF

RGB 249 248 255

HSL 248.57, 1%, 0.99%

LAB 97.83, 1.58, -3.24

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 5 / 5 / 0 / 13

HEX #D2D4DE

RGB 210 212 222

HSL 230, 0.15%, 0.85%

LAB 85.03, 1.19, -5.17

 

CMYK 5 / 4 / 0 / 20

HEX #C1C2CB

RGB 193 194 203

HSL 234, 0.09%, 0.78%

LAB 78.6, 1.36, -4.63

 

CMYK 4 / 4 / 0 / 28

HEX #B0B0B8

RGB 176 176 184

HSL 240, 0.05%, 0.71%

LAB 72.06, 1.54, -4.08

 

CMYK 4 / 4 / 0 / 35

HEX #9F9EA5

RGB 159 158 165

HSL 248.57, 0.04%, 0.63%

LAB 65.39, 1.72, -3.52

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 5 / 6 / 0 / 5

HEX #E4E3F1

RGB 228 227 241

HSL 244.29, 0.33%, 0.92%

LAB 90.68, 2.91, -6.68

 

CMYK 4 / 6 / 0 / 5

HEX #E8E3F1

RGB 232 227 241

HSL 261.43, 0.33%, 0.92%

LAB 90.98, 4.22, -6.2

 

CMYK 2 / 6 / 0 / 5

HEX #EBE3F1

RGB 235 227 241

HSL 274.29, 0.33%, 0.92%

LAB 91.21, 5.21, -5.84

 

CMYK 1 / 6 / 0 / 5

HEX #EFE3F1

RGB 239 227 241

HSL 291.43, 0.33%, 0.92%

LAB 91.52, 6.54, -5.34

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 6 / 6 / 0 / 5

HEX #E3E3F1

RGB 227 227 241

HSL 240, 0.33%, 0.92%

LAB 90.61, 2.58, -6.8

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 8 / 7 / 0 / 4

HEX #E0E4F4

RGB 224 228 244

HSL 228, 0.48%, 0.92%

LAB 90.72, 1.66, -8.23

 

CMYK 11 / 9 / 0 / 3

HEX #DDE2F7

RGB 221 226 247

HSL 228.46, 0.62%, 0.92%

LAB 90.08, 2.32, -10.77

 

CMYK 14 / 10 / 0 / 2

HEX #D9E1FB

RGB 217 225 251

HSL 225.88, 0.81%, 0.92%

LAB 89.66, 2.37, -13.53

 

CMYK 16 / 12 / 0 / 0

HEX #D6DFFE

RGB 214 223 254

HSL 226.5, 0.95%, 0.92%

LAB 89.03, 3.1, -16.07

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 3 / 3 / 0 / 7

HEX #E7E8EE

RGB 231 232 238

HSL 231.43, 0.17%, 0.92%

LAB 92.08, 0.76, -3.03

 

CMYK 0 / 0 / 0 / 8

HEX #EAEAEA

RGB 234 234 234

HSL 0, 0%, 0.92%

LAB 92.7, 0, -0.01

 

CMYK 0 / 0 / 3 / 7

HEX #EDECE7

RGB 237 236 231

HSL 50, 0.14%, 0.92%

LAB 93.35, -0.54, 2.53

RGB 237 236 231

CMYK 0 / 1 / 5 / 5

HEX #F1EEE4

RGB 241 238 228

HSL 46.15, 0.32%, 0.92%

LAB 94.08, -0.71, 5.18

RGB 241 238 228

CMYK 6 / 2 / 0 / 5

HEX #E3EDF1

RGB 227 237 241

HSL 197.14, 0.33%, 0.92%

LAB 93.12, -2.56, -3.09

 

CMYK 6 / 3 / 0 / 5

HEX #E3EAF1

RGB 227 234 241

HSL 210, 0.33%, 0.92%

LAB 92.37, -1.03, -4.2

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 5 / 6 / 0 / 5

HEX #E4E3F1

RGB 228 227 241

HSL 244.29, 0.33%, 0.92%

LAB 90.68, 2.91, -6.68

 

CMYK 4 / 6 / 0 / 5

HEX #E8E3F1

RGB 232 227 241

HSL 261.43, 0.33%, 0.92%

LAB 90.98, 4.22, -6.2

 

CMYK 19 / 15 / 0 / 16

HEX #ACB5D5

RGB 172 181 213

HSL 226.83, 0.33%, 0.75%

LAB 73.95, 3.57, -17.16

 

CMYK 12 / 9 / 0 / 11

HEX #C8CEE3

RGB 200 206 227

HSL 226.67, 0.33%, 0.84%

LAB 82.9, 2.06, -11.07

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 0 / 6 / 0 / 5

HEX #F1E3F1

RGB 241 227 241

HSL 300, 0.33%, 0.92%

LAB 91.68, 7.2, -5.09

 

CMYK 2 / 0 / 6 / 5

HEX #ECF1E3

RGB 236 241 227

HSL 81.43, 0.33%, 0.92%

LAB 94.44, -4.1, 6.17

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 0 / 6 / 5 / 5

HEX #F1E3E6

RGB 241 227 230

HSL 347.14, 0.33%, 0.92%

LAB 91.39, 5.27, 0.24

 

CMYK 5 / 0 / 6 / 5

HEX #E6F1E3

RGB 230 241 227

HSL 107.14, 0.33%, 0.92%

LAB 94, -6.13, 5.49

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 0 / 6 / 0 / 5

HEX #F1E3F1

RGB 241 227 241

HSL 300, 0.33%, 0.92%

LAB 91.68, 7.2, -5.09

 

CMYK 0 / 1 / 6 / 5

HEX #F1EEE3

RGB 241 238 227

HSL 47.14, 0.33%, 0.92%

LAB 94.05, -0.88, 5.66

 

CMYK 5 / 0 / 6 / 5

HEX #E4F1E3

RGB 228 241 227

HSL 115.71, 0.33%, 0.92%

LAB 93.86, -6.8, 5.27

 

CMYK 6 / 5 / 0 / 5

HEX #E3E6F1

RGB 227 230 241

HSL 227.14, 0.33%, 0.92%

LAB 91.36, 1.03, -5.69

 

CMYK 0 / 6 / 2 / 5

HEX #F1E3ED

RGB 241 227 237

HSL 317.14, 0.33%, 0.92%

LAB 91.57, 6.49, -3.16

 

CMYK 0 / 1 / 6 / 5

HEX #F1EEE3

RGB 241 238 227

HSL 47.14, 0.33%, 0.92%

LAB 94.05, -0.88, 5.66

 

CMYK 6 / 0 / 4 / 5

HEX #E3F1E7

RGB 227 241 231

HSL 137.14, 0.33%, 0.92%

LAB 93.89, -6.42, 3.22

 

Description

Color code: RGB 227 230 241 | qconv.com Color code: RGB 227 230 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 230 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 230 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 5 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 5% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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