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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 220 190 it is the complementary color RGB 28 35 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 220 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 220 190 shade: RGB 232 220 185, RGB 249 238 204, RGB 255 255 223 and RGB 255 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 220 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 210 202 171, RGB 193 184 152, RGB 176 166 133 and RGB 159 148 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 227 210 190, RGB 227 200 190, RGB 227 190 190 and RGB 227 190 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 224 227 190, RGB 214 227 190, RGB 204 227 190 and RGB 194 227 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 220 190 shade matches the following richer shades: RGB 227 220 190, RGB 234 225 183, RGB 242 229 175 and RGB 249 234 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 220 215 198, RGB 212 211 205, RGB 205 206 213 and RGB 197 202 220

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 220 190 shade: RGB 227 200 190, RGB 227 210 190, RGB 227 220 190, RGB 225 227 190 and RGB 215 227 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 220 190 shade: RGB 202 189 132, RGB 215 205 161, RGB 227 220 190, RGB 239 236 219 and RGB 252 251 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 190 227 190 and RGB 205 190 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 190 227 220 and RGB 220 190 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 190 227 190, RGB 190 198 227 and RGB 227 190 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 220 190 shade: RGB 227 220 190, RGB 190 227 201, RGB 190 198 227 and RGB 227 190 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

Complementary color

CMYK 57 / 46 / 0 / 75

HEX #1C2341

RGB 28 35 65

HSL 228.65, 0.4%, 0.18%

LAB 14.57, 7.04, -20.07

 

CMYK 0 / 5 / 20 / 9

HEX #E8DCB9

RGB 232 220 185

HSL 44.68, 0.51%, 0.82%

LAB 87.89, -1.44, 18.69

 

CMYK 0 / 4 / 18 / 2

HEX #F9EECC

RGB 249 238 204

HSL 45.33, 0.79%, 0.89%

LAB 94.16, -1.69, 17.8

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 0 / 4 / 19 / 18

HEX #D2CAAB

RGB 210 202 171

HSL 47.69, 0.3%, 0.75%

LAB 81.23, -2.3, 16.49

 

CMYK 0 / 5 / 21 / 24

HEX #C1B898

RGB 193 184 152

HSL 46.83, 0.25%, 0.68%

LAB 74.75, -2.05, 17.43

 

CMYK 0 / 6 / 24 / 31

HEX #B0A685

RGB 176 166 133

HSL 46.05, 0.21%, 0.61%

LAB 68.16, -1.77, 18.42

 

CMYK 0 / 7 / 28 / 38

HEX #9F9472

RGB 159 148 114

HSL 45.33, 0.19%, 0.54%

LAB 61.45, -1.45, 19.48

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 0 / 7 / 16 / 11

HEX #E3D2BE

RGB 227 210 190

HSL 32.43, 0.4%, 0.82%

LAB 85.07, 2.65, 12.03

 

CMYK 0 / 12 / 16 / 11

HEX #E3C8BE

RGB 227 200 190

HSL 16.22, 0.4%, 0.82%

LAB 82.57, 7.89, 8.47

 

CMYK 0 / 16 / 16 / 11

HEX #E3BEBE

RGB 227 190 190

HSL 0, 0.4%, 0.82%

LAB 80.11, 13.19, 4.93

 

CMYK 0 / 16 / 16 / 11

HEX #E3BEBE

RGB 227 190 190

HSL 0, 0.4%, 0.82%

LAB 80.11, 13.19, 4.93

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 1 / 0 / 16 / 11

HEX #E0E3BE

RGB 224 227 190

HSL 64.86, 0.4%, 0.82%

LAB 89.16, -7.17, 17.76

 

CMYK 6 / 0 / 16 / 11

HEX #D6E3BE

RGB 214 227 190

HSL 81.08, 0.4%, 0.82%

LAB 88.42, -10.74, 16.63

 

CMYK 10 / 0 / 16 / 11

HEX #CCE3BE

RGB 204 227 190

HSL 97.3, 0.4%, 0.82%

LAB 87.72, -14.24, 15.54

 

CMYK 15 / 0 / 16 / 11

HEX #C2E3BE

RGB 194 227 190

HSL 113.51, 0.4%, 0.82%

LAB 87.06, -17.67, 14.5

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 0 / 4 / 22 / 8

HEX #EAE1B7

RGB 234 225 183

HSL 49.41, 0.55%, 0.82%

LAB 89.28, -3.55, 21.69

 

CMYK 0 / 5 / 28 / 5

HEX #F2E5AF

RGB 242 229 175

HSL 48.36, 0.72%, 0.82%

LAB 90.78, -3.7, 27.98

 

CMYK 0 / 6 / 33 / 2

HEX #F9EAA8

RGB 249 234 168

HSL 48.89, 0.87%, 0.82%

LAB 92.49, -4.46, 33.94

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 0 / 2 / 10 / 14

HEX #DCD7C6

RGB 220 215 198

HSL 46.36, 0.24%, 0.82%

LAB 85.95, -1.19, 8.99

 

CMYK 0 / 0 / 3 / 17

HEX #D4D3CD

RGB 212 211 205

HSL 51.43, 0.08%, 0.82%

LAB 84.48, -0.72, 3.08

 

CMYK 4 / 3 / 0 / 16

HEX #CDCED5

RGB 205 206 213

HSL 232.5, 0.09%, 0.82%

LAB 82.87, 0.96, -3.59

 

CMYK 10 / 8 / 0 / 14

HEX #C5CADC

RGB 197 202 220

HSL 226.96, 0.25%, 0.82%

LAB 81.44, 1.79, -9.52

 

CMYK 0 / 12 / 16 / 11

HEX #E3C8BE

RGB 227 200 190

HSL 16.22, 0.4%, 0.82%

LAB 82.57, 7.89, 8.47

 

CMYK 0 / 7 / 16 / 11

HEX #E3D2BE

RGB 227 210 190

HSL 32.43, 0.4%, 0.82%

LAB 85.07, 2.65, 12.03

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 1 / 0 / 16 / 11

HEX #E1E3BE

RGB 225 227 190

HSL 63.24, 0.4%, 0.82%

LAB 89.24, -6.81, 17.88

 

CMYK 5 / 0 / 16 / 11

HEX #D7E3BE

RGB 215 227 190

HSL 79.46, 0.4%, 0.82%

LAB 88.5, -10.38, 16.74

 

CMYK 0 / 6 / 35 / 21

HEX #CABD84

RGB 202 189 132

HSL 48.86, 0.4%, 0.65%

LAB 76.45, -3.88, 30.51

 

CMYK 0 / 5 / 25 / 16

HEX #D7CDA1

RGB 215 205 161

HSL 48.89, 0.4%, 0.74%

LAB 82.21, -3.42, 23.2

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 0 / 1 / 8 / 6

HEX #EFECDB

RGB 239 236 219

HSL 51, 0.38%, 0.9%

LAB 93.21, -1.88, 8.59

 

CMYK 0 / 0 / 2 / 1

HEX #FCFBF8

RGB 252 251 248

HSL 45, 0.4%, 0.98%

LAB 98.62, -0.19, 1.54

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 16 / 0 / 16 / 11

HEX #BEE3BE

RGB 190 227 190

HSL 120, 0.4%, 0.82%

LAB 86.8, -19.02, 14.11

 

CMYK 10 / 16 / 0 / 11

HEX #CDBEE3

RGB 205 190 227

HSL 264.32, 0.4%, 0.82%

LAB 79.24, 12.23, -16.5

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 16 / 0 / 3 / 11

HEX #BEE3DC

RGB 190 227 220

HSL 168.65, 0.4%, 0.82%

LAB 87.51, -13.42, -0.62

 

CMYK 3 / 16 / 0 / 11

HEX #DCBEE3

RGB 220 190 227

HSL 288.65, 0.4%, 0.82%

LAB 80.51, 17.16, -14.47

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 16 / 0 / 16 / 11

HEX #BEE3BE

RGB 190 227 190

HSL 120, 0.4%, 0.82%

LAB 86.8, -19.02, 14.11

 

CMYK 16 / 13 / 0 / 11

HEX #BEC6E3

RGB 190 198 227

HSL 227.03, 0.4%, 0.82%

LAB 80.11, 3.12, -15.31

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 0 / 3 / 16 / 11

HEX #E3DCBE

RGB 227 220 190

HSL 48.65, 0.4%, 0.82%

LAB 87.6, -2.52, 15.61

 

CMYK 16 / 0 / 11 / 11

HEX #BEE3C9

RGB 190 227 201

HSL 137.84, 0.4%, 0.82%

LAB 87.05, -17.05, 8.69

 

CMYK 16 / 13 / 0 / 11

HEX #BEC6E3

RGB 190 198 227

HSL 227.03, 0.4%, 0.82%

LAB 80.11, 3.12, -15.31

 

CMYK 0 / 16 / 5 / 11

HEX #E3BED8

RGB 227 190 216

HSL 317.84, 0.4%, 0.82%

LAB 80.8, 17.51, -8.06

 

Description

Color code: RGB 227 220 190 | qconv.com Color code: RGB 227 220 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 220 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 220 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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