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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 18 102 it is the complementary color RGB 28 237 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 18 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 18 102 shade: RGB 232 18 97, RGB 249 36 116, RGB 255 54 135, RGB 255 72 154 and RGB 255 90 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 18 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 18 102 shade: RGB 227 18 102, RGB 210 0 83, RGB 193 0 64, RGB 176 0 45 and RGB 159 0 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 18 102 shade: RGB 226 18 101, RGB 226 18 45 and RGB 226 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 18 102 shade: RGB 226 18 101, RGB 226 18 158, RGB 226 18 214, RGB 182 18 226 and RGB 126 18 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 18 102 shade matches the following richer shades: RGB 226 18 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 18 102 shade: RGB 226 18 101, RGB 206 38 105, RGB 186 57 109, RGB 167 77 113 and RGB 147 97 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 18 102 shade: RGB 226 18 216, RGB 226 18 160, RGB 226 18 105, RGB 226 18 49 and RGB 226 42 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 18 102 shade: RGB 150 12 67, RGB 188 15 84, RGB 226 18 101, RGB 238 47 124 and RGB 241 86 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 18 102 shade: RGB 227 18 102, RGB 226 181 18 and RGB 18 188 226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 18 102 shade: RGB 227 18 102, RGB 105 226 18 and RGB 18 105 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 18 102 shade: RGB 227 18 102, RGB 226 181 18, RGB 18 226 139 and RGB 18 63 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 18 102 shade: RGB 227 18 102, RGB 209 226 18, RGB 18 226 139 and RGB 35 18 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 55 / 11

HEX #E31266

RGB 227 18 102

HSL 335.89, 0.85%, 0.48%

LAB 49.16, 75.1, 10.96

 

Complementary color

CMYK 88 / 0 / 35 / 7

HEX #1CED99

RGB 28 237 153

HSL 155.89, 0.85%, 0.52%

LAB 83.5, -65.42, 27.85

 

CMYK 0 / 92 / 58 / 9

HEX #E81261

RGB 232 18 97

HSL 337.85, 0.86%, 0.49%

LAB 50.04, 75.94, 15.4

 

CMYK 0 / 86 / 53 / 2

HEX #F92474

RGB 249 36 116

HSL 337.46, 0.95%, 0.56%

LAB 54.72, 78.55, 10.89

 

CMYK 0 / 79 / 47 / 0

HEX #FF3687

RGB 255 54 135

HSL 335.82, 1%, 0.61%

LAB 57.7, 77.52, 3.96

 

CMYK 0 / 72 / 40 / 0

HEX #FF489A

RGB 255 72 154

HSL 333.11, 1%, 0.64%

LAB 60.09, 73.99, -3.71

 

CMYK 0 / 65 / 32 / 0

HEX #FF5AAD

RGB 255 90 173

HSL 329.82, 1%, 0.68%

LAB 63, 69.56, -10.37

 

CMYK 0 / 92 / 55 / 11

HEX #E31266

RGB 227 18 102

HSL 335.89, 0.85%, 0.48%

LAB 49.16, 75.1, 10.96

 

CMYK 0 / 100 / 60 / 18

HEX #D20053

RGB 210 0 83

HSL 336.29, 1%, 0.41%

LAB 44.7, 71.62, 16.05

 

CMYK 0 / 100 / 67 / 24

HEX #C10040

RGB 193 0 64

HSL 340.1, 1%, 0.38%

LAB 40.75, 66.6, 22.15

 

CMYK 0 / 100 / 74 / 31

HEX #B0002D

RGB 176 0 45

HSL 344.66, 1%, 0.35%

LAB 36.78, 61.63, 28.44

 

CMYK 0 / 100 / 84 / 38

HEX #9F001A

RGB 159 0 26

HSL 350.19, 1%, 0.31%

LAB 32.8, 56.72, 34.64

 

CMYK 0 / 92 / 55 / 11

HEX #E21265

RGB 226 18 101

HSL 336.06, 0.85%, 0.48%

LAB 48.93, 74.8, 11.23

 

CMYK 0 / 92 / 80 / 11

HEX #E2122D

RGB 226 18 45

HSL 352.21, 0.85%, 0.48%

LAB 48, 72.19, 43.66

 

CMYK 0 / 92 / 92 / 11

HEX #E21212

RGB 226 18 18

HSL 0, 0.85%, 0.48%

LAB 47.81, 71.67, 56.26

 

CMYK 0 / 92 / 55 / 11

HEX #E21265

RGB 226 18 101

HSL 336.06, 0.85%, 0.48%

LAB 48.93, 74.8, 11.23

 

CMYK 0 / 92 / 30 / 11

HEX #E2129E

RGB 226 18 158

HSL 319.62, 0.85%, 0.48%

LAB 50.77, 79.74, -20.62

 

CMYK 0 / 92 / 5 / 11

HEX #E212D6

RGB 226 18 214

HSL 303.46, 0.85%, 0.48%

LAB 53.45, 86.63, -49.06

 

CMYK 19 / 92 / 0 / 11

HEX #B612E2

RGB 182 18 226

HSL 287.31, 0.85%, 0.48%

LAB 46.8, 81.56, -66.98

 

CMYK 44 / 92 / 0 / 11

HEX #7E12E2

RGB 126 18 226

HSL 271.15, 0.85%, 0.48%

LAB 38.48, 74.7, -80.93

 

CMYK 0 / 92 / 55 / 11

HEX #E21265

RGB 226 18 101

HSL 336.06, 0.85%, 0.48%

LAB 48.93, 74.8, 11.23

 

CMYK 0 / 92 / 55 / 11

HEX #E21265

RGB 226 18 101

HSL 336.06, 0.85%, 0.48%

LAB 48.93, 74.8, 11.23

 

CMYK 0 / 82 / 49 / 19

HEX #CE2669

RGB 206 38 105

HSL 336.07, 0.69%, 0.48%

LAB 46.35, 66.68, 4.55

 

CMYK 0 / 69 / 41 / 27

HEX #BA396D

RGB 186 57 109

HSL 335.81, 0.53%, 0.48%

LAB 44.9, 55.6, -0.48

 

CMYK 0 / 54 / 32 / 35

HEX #A74D71

RGB 167 77 113

HSL 336, 0.37%, 0.48%

LAB 45.24, 41.01, -2.79

 

CMYK 0 / 34 / 20 / 42

HEX #936175

RGB 147 97 117

HSL 336, 0.2%, 0.48%

LAB 47.02, 23.34, -2.9

 

CMYK 0 / 92 / 4 / 11

HEX #E212D8

RGB 226 18 216

HSL 302.88, 0.85%, 0.48%

LAB 53.56, 86.91, -50.03

 

CMYK 0 / 92 / 29 / 11

HEX #E212A0

RGB 226 18 160

HSL 319.04, 0.85%, 0.48%

LAB 50.85, 79.96, -21.68

 

CMYK 0 / 92 / 54 / 11

HEX #E21269

RGB 226 18 105

HSL 334.9, 0.85%, 0.48%

LAB 49.03, 75.07, 8.91

 

CMYK 0 / 92 / 78 / 11

HEX #E21231

RGB 226 18 49

HSL 351.06, 0.85%, 0.48%

LAB 48.04, 72.3, 41.47

 

CMYK 0 / 81 / 92 / 11

HEX #E22A12

RGB 226 42 18

HSL 6.92, 0.85%, 0.48%

LAB 49.34, 67.3, 57.21

 

CMYK 0 / 92 / 55 / 41

HEX #960C43

RGB 150 12 67

HSL 336.09, 0.85%, 0.32%

LAB 32.15, 54.75, 7.05

 

CMYK 0 / 92 / 55 / 26

HEX #BC0F54

RGB 188 15 84

HSL 336.07, 0.85%, 0.4%

LAB 40.69, 64.99, 9.18

 

CMYK 0 / 92 / 55 / 11

HEX #E21265

RGB 226 18 101

HSL 336.06, 0.85%, 0.48%

LAB 48.93, 74.8, 11.23

 

CMYK 0 / 80 / 48 / 7

HEX #EE2F7C

RGB 238 47 124

HSL 335.81, 0.85%, 0.56%

LAB 53.67, 74.12, 4.3

 

CMYK 0 / 64 / 39 / 5

HEX #F15694

RGB 241 86 148

HSL 336, 0.85%, 0.64%

LAB 59.43, 64.42, -1.46

 

CMYK 0 / 92 / 55 / 11

HEX #E31266

RGB 227 18 102

HSL 335.89, 0.85%, 0.48%

LAB 49.16, 75.1, 10.96

 

CMYK 0 / 20 / 92 / 11

HEX #E2B512

RGB 226 181 18

HSL 47.02, 0.85%, 0.48%

LAB 75.61, 3.28, 75.78

 

CMYK 92 / 17 / 0 / 11

HEX #12BCE2

RGB 18 188 226

HSL 190.96, 0.85%, 0.48%

LAB 70.58, -25.52, -29.89

 

CMYK 0 / 92 / 55 / 11

HEX #E31266

RGB 227 18 102

HSL 335.89, 0.85%, 0.48%

LAB 49.16, 75.1, 10.96

 

CMYK 54 / 0 / 92 / 11

HEX #69E212

RGB 105 226 18

HSL 94.9, 0.85%, 0.48%

LAB 80.43, -63.74, 76.28

 

CMYK 92 / 54 / 0 / 11

HEX #1269E2

RGB 18 105 226

HSL 214.9, 0.85%, 0.48%

LAB 46.61, 22.63, -67.88

 

CMYK 0 / 92 / 55 / 11

HEX #E31266

RGB 227 18 102

HSL 335.89, 0.85%, 0.48%

LAB 49.16, 75.1, 10.96

 

CMYK 0 / 20 / 92 / 11

HEX #E2B512

RGB 226 181 18

HSL 47.02, 0.85%, 0.48%

LAB 75.61, 3.28, 75.78

 

CMYK 92 / 0 / 38 / 11

HEX #12E28B

RGB 18 226 139

HSL 154.9, 0.85%, 0.48%

LAB 79.83, -64.85, 30.05

 

CMYK 92 / 72 / 0 / 11

HEX #123FE2

RGB 18 63 226

HSL 227.02, 0.85%, 0.48%

LAB 36.32, 49.15, -84.76

 

CMYK 0 / 92 / 55 / 11

HEX #E31266

RGB 227 18 102

HSL 335.89, 0.85%, 0.48%

LAB 49.16, 75.1, 10.96

 

CMYK 8 / 0 / 92 / 11

HEX #D1E212

RGB 209 226 18

HSL 64.9, 0.85%, 0.48%

LAB 86, -26.57, 83.08

 

CMYK 92 / 0 / 38 / 11

HEX #12E28B

RGB 18 226 139

HSL 154.9, 0.85%, 0.48%

LAB 79.83, -64.85, 30.05

 

CMYK 85 / 92 / 0 / 11

HEX #2312E2

RGB 35 18 226

HSL 244.9, 0.85%, 0.48%

LAB 30.11, 69.25, -95.06

 

Description

Color code: RGB 227 18 102 | qconv.com Color code: RGB 227 18 102 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 18 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 18 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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