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Color name
RGB 227 166 26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 227 166 26 it is the complementary color RGB 28 89 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 227 166 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 227 166 26 shade: RGB 232 166 21, RGB 249 184 40, RGB 255 202 59, RGB 255 220 78 and RGB 255 238 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 227 166 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 227 166 26 shade: RGB 227 166 26, RGB 210 148 7, RGB 193 130 0, RGB 176 112 0 and RGB 159 94 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 227 166 26 shade: RGB 228 167 26, RGB 228 112 26, RGB 228 58 26 and RGB 228 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 227 166 26 shade: RGB 228 167 26, RGB 228 221 26, RGB 180 228 26, RGB 126 228 26 and RGB 72 228 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 227 166 26 shade matches the following richer shades: RGB 228 167 26 and RGB 248 175 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 227 166 26 shade: RGB 228 167 26, RGB 207 158 47, RGB 186 150 68, RGB 166 142 88 and RGB 145 134 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 227 166 26 shade: RGB 228 56 26, RGB 228 110 26, RGB 228 164 26, RGB 228 218 26 and RGB 184 228 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 227 166 26 shade: RGB 154 113 18, RGB 191 140 22, RGB 228 167 26, RGB 232 181 63 and RGB 236 195 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 227 166 26 shade: RGB 227 166 26, RGB 50 228 26 and RGB 83 26 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 227 166 26 shade: RGB 227 166 26, RGB 26 228 164 and RGB 164 26 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 227 166 26 shade: RGB 227 166 26, RGB 50 228 26, RGB 26 90 228 and RGB 204 26 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 227 166 26 shade: RGB 227 166 26, RGB 26 228 63, RGB 26 90 228 and RGB 228 26 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 89 / 11

HEX #E3A61A

RGB 227 166 26

HSL 41.79, 0.79%, 0.5%

LAB 72.01, 11.77, 71.59

 

Complementary color

CMYK 88 / 61 / 0 / 10

HEX #1C59E5

RGB 28 89 229

HSL 221.79, 0.79%, 0.5%

LAB 42.84, 34.55, -75.73

 

CMYK 0 / 28 / 91 / 9

HEX #E8A615

RGB 232 166 21

HSL 41.23, 0.83%, 0.5%

LAB 72.55, 13.85, 73.26

 

CMYK 0 / 26 / 84 / 2

HEX #F9B828

RGB 249 184 40

HSL 41.34, 0.95%, 0.57%

LAB 78.8, 12.03, 74.55

 

CMYK 0 / 21 / 77 / 0

HEX #FFCA3B

RGB 255 202 59

HSL 43.78, 1%, 0.62%

LAB 83.87, 5.82, 73.39

 

CMYK 0 / 14 / 69 / 0

HEX #FFDC4E

RGB 255 220 78

HSL 48.14, 1%, 0.65%

LAB 88.45, -2.55, 70.92

 

CMYK 0 / 7 / 62 / 0

HEX #FFEE61

RGB 255 238 97

HSL 53.54, 1%, 0.69%

LAB 93.13, -10.49, 68.22

 

CMYK 0 / 27 / 89 / 11

HEX #E3A61A

RGB 227 166 26

HSL 41.79, 0.79%, 0.5%

LAB 72.01, 11.77, 71.59

 

CMYK 0 / 30 / 97 / 18

HEX #D29407

RGB 210 148 7

HSL 41.67, 0.94%, 0.43%

LAB 65.67, 13.74, 69.3

 

CMYK 0 / 33 / 100 / 24

HEX #C18200

RGB 193 130 0

HSL 40.41, 1%, 0.38%

LAB 59.25, 15.97, 65.02

 

CMYK 0 / 36 / 100 / 31

HEX #B07000

RGB 176 112 0

HSL 38.18, 1%, 0.35%

LAB 52.75, 18.36, 59.72

 

CMYK 0 / 41 / 100 / 38

HEX #9F5E00

RGB 159 94 0

HSL 35.47, 1%, 0.31%

LAB 46.15, 20.85, 54.35

 

CMYK 0 / 27 / 89 / 11

HEX #E4A71A

RGB 228 167 26

HSL 41.88, 0.8%, 0.5%

LAB 72.37, 11.68, 71.91

 

CMYK 0 / 51 / 89 / 11

HEX #E4701A

RGB 228 112 26

HSL 25.54, 0.8%, 0.5%

LAB 60.03, 40.55, 62.4

 

CMYK 0 / 75 / 89 / 11

HEX #E43A1A

RGB 228 58 26

HSL 9.5, 0.8%, 0.5%

LAB 51.38, 63.46, 55.87

 

CMYK 0 / 89 / 89 / 11

HEX #E41A1A

RGB 228 26 26

HSL 0, 0.8%, 0.5%

LAB 48.64, 71.18, 53.85

 

CMYK 0 / 27 / 89 / 11

HEX #E4A71A

RGB 228 167 26

HSL 41.88, 0.8%, 0.5%

LAB 72.37, 11.68, 71.91

 

CMYK 0 / 3 / 89 / 11

HEX #E4DD1A

RGB 228 221 26

HSL 57.92, 0.8%, 0.5%

LAB 86.15, -16.1, 82.69

 

CMYK 21 / 0 / 89 / 11

HEX #B4E41A

RGB 180 228 26

HSL 74.26, 0.8%, 0.5%

LAB 84.62, -39.01, 80.02

 

CMYK 45 / 0 / 89 / 11

HEX #7EE41A

RGB 126 228 26

HSL 90.3, 0.8%, 0.5%

LAB 81.84, -58.17, 76.59

 

CMYK 68 / 0 / 89 / 11

HEX #48E41A

RGB 72 228 26

HSL 106.34, 0.8%, 0.5%

LAB 80.15, -71.72, 74.48

 

CMYK 0 / 27 / 89 / 11

HEX #E4A71A

RGB 228 167 26

HSL 41.88, 0.8%, 0.5%

LAB 72.37, 11.68, 71.91

 

CMYK 0 / 29 / 98 / 3

HEX #F8AF06

RGB 248 175 6

HSL 41.9, 0.95%, 0.5%

LAB 76.45, 15.8, 78.92

 

CMYK 0 / 27 / 89 / 11

HEX #E4A71A

RGB 228 167 26

HSL 41.88, 0.8%, 0.5%

LAB 72.37, 11.68, 71.91

 

CMYK 0 / 24 / 77 / 19

HEX #CF9E2F

RGB 207 158 47

HSL 41.63, 0.63%, 0.5%

LAB 67.96, 7.94, 61.06

 

CMYK 0 / 19 / 63 / 27

HEX #BA9644

RGB 186 150 68

HSL 41.69, 0.46%, 0.5%

LAB 63.89, 4.19, 47.28

 

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

CMYK 0 / 8 / 25 / 43

HEX #91866D

RGB 145 134 109

HSL 41.67, 0.14%, 0.5%

LAB 56.26, -0.06, 14.98

 

CMYK 0 / 75 / 89 / 11

HEX #E4381A

RGB 228 56 26

HSL 8.91, 0.8%, 0.5%

LAB 51.15, 64.09, 55.7

 

CMYK 0 / 52 / 89 / 11

HEX #E46E1A

RGB 228 110 26

HSL 24.95, 0.8%, 0.5%

LAB 59.64, 41.54, 62.1

 

CMYK 0 / 28 / 89 / 11

HEX #E4A41A

RGB 228 164 26

HSL 40.99, 0.8%, 0.5%

LAB 71.64, 13.27, 71.34

 

CMYK 0 / 4 / 89 / 11

HEX #E4DA1A

RGB 228 218 26

HSL 57.03, 0.8%, 0.5%

LAB 85.36, -14.62, 82.07

 

CMYK 19 / 0 / 89 / 11

HEX #B8E41A

RGB 184 228 26

HSL 73.07, 0.8%, 0.5%

LAB 84.87, -37.45, 80.33

 

CMYK 0 / 27 / 88 / 40

HEX #9A7112

RGB 154 113 18

HSL 41.91, 0.79%, 0.34%

LAB 50.36, 8.04, 52.91

 

CMYK 0 / 27 / 88 / 25

HEX #BF8C16

RGB 191 140 22

HSL 41.89, 0.79%, 0.42%

LAB 61.56, 9.9, 62.61

 

CMYK 0 / 27 / 89 / 11

HEX #E4A71A

RGB 228 167 26

HSL 41.88, 0.8%, 0.5%

LAB 72.37, 11.68, 71.91

 

CMYK 0 / 22 / 73 / 9

HEX #E8B53F

RGB 232 181 63

HSL 41.89, 0.79%, 0.58%

LAB 76.41, 7.17, 64.01

 

CMYK 0 / 17 / 58 / 7

HEX #ECC364

RGB 236 195 100

HSL 41.91, 0.78%, 0.66%

LAB 80.62, 3.72, 52.45

 

CMYK 0 / 27 / 89 / 11

HEX #E3A61A

RGB 227 166 26

HSL 41.79, 0.79%, 0.5%

LAB 72.01, 11.77, 71.59

 

CMYK 78 / 0 / 89 / 11

HEX #32E41A

RGB 50 228 26

HSL 112.87, 0.8%, 0.5%

LAB 79.75, -75.16, 73.98

 

CMYK 64 / 89 / 0 / 11

HEX #531AE4

RGB 83 26 228

HSL 256.93, 0.8%, 0.5%

LAB 34.35, 69.77, -89.05

 

CMYK 0 / 27 / 89 / 11

HEX #E3A61A

RGB 227 166 26

HSL 41.79, 0.79%, 0.5%

LAB 72.01, 11.77, 71.59

 

CMYK 89 / 0 / 28 / 11

HEX #1AE4A4

RGB 26 228 164

HSL 160.99, 0.8%, 0.5%

LAB 80.95, -59.96, 18.68

 

CMYK 28 / 89 / 0 / 11

HEX #A41AE4

RGB 164 26 228

HSL 280.99, 0.8%, 0.5%

LAB 44.56, 78.17, -71.88

 

CMYK 0 / 27 / 89 / 11

HEX #E3A61A

RGB 227 166 26

HSL 41.79, 0.79%, 0.5%

LAB 72.01, 11.77, 71.59

 

CMYK 78 / 0 / 89 / 11

HEX #32E41A

RGB 50 228 26

HSL 112.87, 0.8%, 0.5%

LAB 79.75, -75.16, 73.98

 

CMYK 89 / 61 / 0 / 11

HEX #1A5AE4

RGB 26 90 228

HSL 220.99, 0.8%, 0.5%

LAB 42.96, 33.43, -74.95

 

CMYK 11 / 89 / 0 / 11

HEX #CC1AE4

RGB 204 26 228

HSL 292.87, 0.8%, 0.5%

LAB 50.89, 84.08, -61.32

 

CMYK 0 / 27 / 89 / 11

HEX #E3A61A

RGB 227 166 26

HSL 41.79, 0.79%, 0.5%

LAB 72.01, 11.77, 71.59

 

CMYK 89 / 0 / 72 / 11

HEX #1AE43F

RGB 26 228 63

HSL 130.99, 0.8%, 0.5%

LAB 79.65, -75.42, 63.99

 

CMYK 89 / 61 / 0 / 11

HEX #1A5AE4

RGB 26 90 228

HSL 220.99, 0.8%, 0.5%

LAB 42.96, 33.43, -74.95

 

CMYK 0 / 89 / 16 / 11

HEX #E41ABF

RGB 228 26 191

HSL 310.99, 0.8%, 0.5%

LAB 52.94, 82.97, -36.6

 

Description

Color code: RGB 227 166 26 | qconv.com Color code: RGB 227 166 26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 166 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 166 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 89 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 89% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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