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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 97 197 it is the complementary color RGB 29 158 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 97 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 97 197 shade: RGB 231 97 192, RGB 248 115 211, RGB 255 133 230, RGB 255 151 249 and RGB 255 169 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 97 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 97 197 shade: RGB 226 97 197, RGB 209 79 178, RGB 192 61 159, RGB 175 43 140 and RGB 158 25 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 97 197 shade: RGB 225 95 196, RGB 225 95 161, RGB 225 95 126 and RGB 225 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 97 197 shade: RGB 225 95 196, RGB 219 95 225, RGB 184 95 225, RGB 149 95 225 and RGB 114 95 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 97 197 shade matches the following richer shades: RGB 225 95 196 and RGB 241 80 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 97 197 shade: RGB 225 95 196, RGB 210 110 188, RGB 195 126 179, RGB 179 141 171 and RGB 164 156 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 97 197 shade: RGB 184 95 225, RGB 219 95 225, RGB 225 95 197, RGB 225 95 162 and RGB 225 95 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 97 197 shade: RGB 201 37 164, RGB 219 60 183, RGB 225 95 196, RGB 232 130 209 and RGB 238 165 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 97 197 shade: RGB 226 97 197, RGB 225 149 95 and RGB 95 225 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 97 197 shade: RGB 226 97 197, RGB 197 225 95 and RGB 95 197 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 97 197 shade: RGB 226 97 197, RGB 225 149 95, RGB 95 225 123 and RGB 95 171 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 97 197 shade: RGB 226 97 197, RGB 225 188 95, RGB 95 225 123 and RGB 95 132 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 13 / 11

HEX #E261C5

RGB 226 97 197

HSL 313.49, 0.69%, 0.63%

LAB 60.56, 61.76, -28.21

 

Complementary color

CMYK 82 / 0 / 63 / 38

HEX #1D9E3A

RGB 29 158 58

HSL 133.49, 0.69%, 0.37%

LAB 57.1, -54.21, 41.84

 

CMYK 0 / 58 / 17 / 9

HEX #E761C0

RGB 231 97 192

HSL 317.46, 0.74%, 0.64%

LAB 61.08, 62.41, -24.49

 

CMYK 0 / 54 / 15 / 3

HEX #F873D3

RGB 248 115 211

HSL 316.69, 0.9%, 0.71%

LAB 67.22, 61.96, -25.59

 

CMYK 0 / 48 / 10 / 0

HEX #FF85E6

RGB 255 133 230

HSL 312.3, 1%, 0.76%

LAB 72.06, 58.47, -28.6

 

CMYK 0 / 41 / 2 / 0

HEX #FF97F9

RGB 255 151 249

HSL 303.46, 1%, 0.8%

LAB 76.21, 52.79, -32.57

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 57 / 13 / 11

HEX #E261C5

RGB 226 97 197

HSL 313.49, 0.69%, 0.63%

LAB 60.56, 61.76, -28.21

 

CMYK 0 / 62 / 15 / 18

HEX #D14FB2

RGB 209 79 178

HSL 314.31, 0.59%, 0.56%

LAB 54.41, 62.01, -27

 

CMYK 0 / 68 / 17 / 25

HEX #C03D9F

RGB 192 61 159

HSL 315.11, 0.52%, 0.5%

LAB 48.32, 61.92, -25.49

 

CMYK 0 / 75 / 20 / 31

HEX #AF2B8C

RGB 175 43 140

HSL 315.91, 0.61%, 0.43%

LAB 42.36, 61.26, -23.52

 

CMYK 0 / 84 / 23 / 38

HEX #9E1979

RGB 158 25 121

HSL 316.69, 0.73%, 0.36%

LAB 36.64, 59.7, -20.9

 

CMYK 0 / 58 / 13 / 12

HEX #E15FC4

RGB 225 95 196

HSL 313.38, 0.68%, 0.63%

LAB 60.05, 62.21, -28.44

 

CMYK 0 / 58 / 28 / 12

HEX #E15FA1

RGB 225 95 161

HSL 329.54, 0.68%, 0.63%

LAB 58.76, 57.33, -10.29

 

CMYK 0 / 58 / 44 / 12

HEX #E15F7E

RGB 225 95 126

HSL 345.69, 0.68%, 0.63%

LAB 57.75, 53.37, 8.65

 

CMYK 0 / 58 / 58 / 12

HEX #E15F5F

RGB 225 95 95

HSL 0, 0.68%, 0.63%

LAB 57.09, 50.71, 25.82

 

CMYK 0 / 58 / 13 / 12

HEX #E15FC4

RGB 225 95 196

HSL 313.38, 0.68%, 0.63%

LAB 60.05, 62.21, -28.44

 

CMYK 3 / 58 / 0 / 12

HEX #DB5FE1

RGB 219 95 225

HSL 297.23, 0.68%, 0.63%

LAB 60.5, 65.36, -44.18

 

CMYK 18 / 58 / 0 / 12

HEX #B85FE1

RGB 184 95 225

HSL 281.08, 0.68%, 0.63%

LAB 55.9, 56.65, -51.77

 

CMYK 34 / 58 / 0 / 12

HEX #955FE1

RGB 149 95 225

HSL 264.92, 0.68%, 0.63%

LAB 51.85, 48.27, -58.47

 

CMYK 49 / 58 / 0 / 12

HEX #725FE1

RGB 114 95 225

HSL 248.77, 0.68%, 0.63%

LAB 48.51, 40.68, -64.03

 

CMYK 0 / 58 / 13 / 12

HEX #E15FC4

RGB 225 95 196

HSL 313.38, 0.68%, 0.63%

LAB 60.05, 62.21, -28.44

 

CMYK 0 / 67 / 15 / 5

HEX #F150CC

RGB 241 80 204

HSL 313.79, 0.85%, 0.63%

LAB 60.6, 73.56, -31.94

 

CMYK 0 / 58 / 13 / 12

HEX #E15FC4

RGB 225 95 196

HSL 313.38, 0.68%, 0.63%

LAB 60.05, 62.21, -28.44

 

CMYK 0 / 48 / 10 / 18

HEX #D26EBC

RGB 210 110 188

HSL 313.2, 0.53%, 0.63%

LAB 60.32, 49.52, -23.63

 

CMYK 0 / 35 / 8 / 24

HEX #C37EB3

RGB 195 126 179

HSL 313.91, 0.37%, 0.63%

LAB 61.46, 34.79, -16.93

 

CMYK 0 / 21 / 4 / 30

HEX #B38DAB

RGB 179 141 171

HSL 312.63, 0.2%, 0.63%

LAB 62.99, 19.5, -10.27

 

CMYK 0 / 5 / 1 / 36

HEX #A49CA2

RGB 164 156 162

HSL 315, 0.04%, 0.63%

LAB 65.18, 4.03, -2.09

 

CMYK 18 / 58 / 0 / 12

HEX #B85FE1

RGB 184 95 225

HSL 281.08, 0.68%, 0.63%

LAB 55.9, 56.65, -51.77

 

CMYK 3 / 58 / 0 / 12

HEX #DB5FE1

RGB 219 95 225

HSL 297.23, 0.68%, 0.63%

LAB 60.5, 65.36, -44.18

 

CMYK 0 / 58 / 12 / 12

HEX #E15FC5

RGB 225 95 197

HSL 312.92, 0.68%, 0.63%

LAB 60.09, 62.36, -28.94

 

CMYK 0 / 58 / 28 / 12

HEX #E15FA2

RGB 225 95 162

HSL 329.08, 0.68%, 0.63%

LAB 58.79, 57.46, -10.82

 

CMYK 0 / 58 / 43 / 12

HEX #E15F80

RGB 225 95 128

HSL 344.77, 0.68%, 0.63%

LAB 57.8, 53.57, 7.55

 

CMYK 0 / 82 / 18 / 21

HEX #C925A4

RGB 201 37 164

HSL 313.54, 0.69%, 0.47%

LAB 47.52, 72.03, -29.58

 

CMYK 0 / 73 / 16 / 14

HEX #DB3CB7

RGB 219 60 183

HSL 313.58, 0.69%, 0.55%

LAB 53.72, 72.23, -30.85

 

CMYK 0 / 58 / 13 / 12

HEX #E15FC4

RGB 225 95 196

HSL 313.38, 0.68%, 0.63%

LAB 60.05, 62.21, -28.44

 

CMYK 0 / 44 / 10 / 9

HEX #E882D1

RGB 232 130 209

HSL 313.53, 0.69%, 0.71%

LAB 67.82, 49.67, -23.74

 

CMYK 0 / 31 / 7 / 7

HEX #EEA5DE

RGB 238 165 222

HSL 313.15, 0.68%, 0.79%

LAB 76.29, 35.59, -17.95

 

CMYK 0 / 57 / 13 / 11

HEX #E261C5

RGB 226 97 197

HSL 313.49, 0.69%, 0.63%

LAB 60.56, 61.76, -28.21

 

CMYK 0 / 34 / 58 / 12

HEX #E1955F

RGB 225 149 95

HSL 24.92, 0.68%, 0.63%

LAB 68.26, 23.19, 39.93

 

CMYK 58 / 0 / 11 / 12

HEX #5FE1C9

RGB 95 225 201

HSL 168.92, 0.68%, 0.63%

LAB 82.11, -41.48, 1

 

CMYK 0 / 57 / 13 / 11

HEX #E261C5

RGB 226 97 197

HSL 313.49, 0.69%, 0.63%

LAB 60.56, 61.76, -28.21

 

CMYK 12 / 0 / 58 / 12

HEX #C5E15F

RGB 197 225 95

HSL 72.92, 0.68%, 0.63%

LAB 85.27, -27.55, 59.19

 

CMYK 58 / 12 / 0 / 12

HEX #5FC5E1

RGB 95 197 225

HSL 192.92, 0.68%, 0.63%

LAB 74.7, -21.71, -22.91

 

CMYK 0 / 57 / 13 / 11

HEX #E261C5

RGB 226 97 197

HSL 313.49, 0.69%, 0.63%

LAB 60.56, 61.76, -28.21

 

CMYK 0 / 34 / 58 / 12

HEX #E1955F

RGB 225 149 95

HSL 24.92, 0.68%, 0.63%

LAB 68.26, 23.19, 39.93

 

CMYK 58 / 0 / 45 / 12

HEX #5FE17B

RGB 95 225 123

HSL 132.92, 0.68%, 0.63%

LAB 80.58, -57.16, 39.3

 

CMYK 58 / 24 / 0 / 12

HEX #5FABE1

RGB 95 171 225

HSL 204.92, 0.68%, 0.63%

LAB 67.27, -7.97, -34.34

 

CMYK 0 / 57 / 13 / 11

HEX #E261C5

RGB 226 97 197

HSL 313.49, 0.69%, 0.63%

LAB 60.56, 61.76, -28.21

 

CMYK 0 / 16 / 58 / 12

HEX #E1BC5F

RGB 225 188 95

HSL 42.92, 0.68%, 0.63%

LAB 77.76, 2.44, 51.23

 

CMYK 58 / 0 / 45 / 12

HEX #5FE17B

RGB 95 225 123

HSL 132.92, 0.68%, 0.63%

LAB 80.58, -57.16, 39.3

 

CMYK 58 / 41 / 0 / 12

HEX #5F84E1

RGB 95 132 225

HSL 222.92, 0.68%, 0.63%

LAB 56.46, 14.57, -51.34

 

Description

Color code: RGB 226 97 197 | qconv.com Color code: RGB 226 97 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 97 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 97 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 13 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 13% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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