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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 94 227 it is the complementary color RGB 29 161 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 94 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 94 227 shade: RGB 231 94 222, RGB 248 112 241, RGB 255 130 255, RGB 255 148 255 and RGB 255 166 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 94 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 94 227 shade: RGB 226 94 227, RGB 209 76 208, RGB 192 58 189, RGB 175 40 170 and RGB 158 22 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 94 227 shade: RGB 225 94 226, RGB 226 94 192, RGB 226 94 156, RGB 226 94 120 and RGB 226 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 94 227 shade: RGB 225 94 226, RGB 190 94 226, RGB 154 94 226, RGB 118 94 226 and RGB 94 94 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 94 227 shade matches the following richer shades: RGB 225 94 226 and RGB 240 79 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 94 227 shade: RGB 225 94 226, RGB 210 109 211, RGB 195 125 196, RGB 180 140 180 and RGB 165 155 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 94 227 shade: RGB 154 94 226, RGB 189 94 226, RGB 224 94 226, RGB 226 94 193 and RGB 226 94 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 94 227 shade: RGB 201 35 202, RGB 219 59 220, RGB 225 94 226, RGB 232 129 232 and RGB 238 164 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 94 227 shade: RGB 226 94 227, RGB 226 118 94 and RGB 94 226 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 94 227 shade: RGB 226 94 227, RGB 226 224 94 and RGB 94 226 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 94 227 shade: RGB 226 94 227, RGB 226 118 94, RGB 96 226 94 and RGB 94 202 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 94 227 shade: RGB 226 94 227, RGB 226 158 94, RGB 96 226 94 and RGB 94 162 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 0 / 11

HEX #E25EE3

RGB 226 94 227

HSL 299.55, 0.7%, 0.63%

LAB 61.41, 67.88, -43.8

 

Complementary color

CMYK 82 / 0 / 83 / 37

HEX #1DA11C

RGB 29 161 28

HSL 119.55, 0.7%, 0.37%

LAB 57.88, -57.82, 54.01

 

CMYK 0 / 59 / 4 / 9

HEX #E75EDE

RGB 231 94 222

HSL 303.94, 0.74%, 0.64%

LAB 61.88, 68.3, -40.21

 

CMYK 0 / 55 / 3 / 3

HEX #F870F1

RGB 248 112 241

HSL 303.09, 0.91%, 0.71%

LAB 67.94, 68, -41.11

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 59 / 0 / 11

HEX #E25EE3

RGB 226 94 227

HSL 299.55, 0.7%, 0.63%

LAB 61.41, 67.88, -43.8

 

CMYK 0 / 64 / 0 / 18

HEX #D14CD0

RGB 209 76 208

HSL 300.45, 0.59%, 0.56%

LAB 55.36, 67.94, -42.78

 

CMYK 0 / 70 / 2 / 25

HEX #C03ABD

RGB 192 58 189

HSL 301.34, 0.54%, 0.49%

LAB 49.38, 67.59, -41.46

 

CMYK 0 / 77 / 3 / 31

HEX #AF28AA

RGB 175 40 170

HSL 302.22, 0.63%, 0.42%

LAB 43.56, 66.58, -39.7

 

CMYK 0 / 86 / 4 / 38

HEX #9E1697

RGB 158 22 151

HSL 303.09, 0.76%, 0.35%

LAB 37.98, 64.59, -37.32

 

CMYK 0 / 58 / 0 / 11

HEX #E15EE2

RGB 225 94 226

HSL 299.55, 0.69%, 0.63%

LAB 61.22, 67.46, -43.54

 

CMYK 0 / 58 / 15 / 11

HEX #E25EC0

RGB 226 94 192

HSL 315.45, 0.69%, 0.63%

LAB 59.87, 62.33, -26.42

 

CMYK 0 / 58 / 31 / 11

HEX #E25E9C

RGB 226 94 156

HSL 331.82, 0.69%, 0.63%

LAB 58.58, 57.46, -7.64

 

CMYK 0 / 58 / 47 / 11

HEX #E25E78

RGB 226 94 120

HSL 348.18, 0.69%, 0.63%

LAB 57.59, 53.58, 11.96

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 0 / 58 / 0 / 11

HEX #E15EE2

RGB 225 94 226

HSL 299.55, 0.69%, 0.63%

LAB 61.22, 67.46, -43.54

 

CMYK 16 / 58 / 0 / 11

HEX #BE5EE2

RGB 190 94 226

HSL 283.64, 0.69%, 0.63%

LAB 56.53, 58.81, -51.28

 

CMYK 32 / 58 / 0 / 11

HEX #9A5EE2

RGB 154 94 226

HSL 267.27, 0.69%, 0.63%

LAB 52.25, 50.21, -58.36

 

CMYK 48 / 58 / 0 / 11

HEX #765EE2

RGB 118 94 226

HSL 250.91, 0.69%, 0.63%

LAB 48.7, 42.36, -64.27

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 0 / 58 / 0 / 11

HEX #E15EE2

RGB 225 94 226

HSL 299.55, 0.69%, 0.63%

LAB 61.22, 67.46, -43.54

 

CMYK 0 / 67 / 0 / 5

HEX #F04FF1

RGB 240 79 241

HSL 299.63, 0.85%, 0.63%

LAB 62.06, 79.22, -50.45

 

CMYK 0 / 58 / 0 / 11

HEX #E15EE2

RGB 225 94 226

HSL 299.55, 0.69%, 0.63%

LAB 61.22, 67.46, -43.54

 

CMYK 0 / 48 / 0 / 17

HEX #D26DD3

RGB 210 109 211

HSL 299.41, 0.54%, 0.63%

LAB 61.08, 53.97, -35.49

 

CMYK 1 / 36 / 0 / 23

HEX #C37DC4

RGB 195 125 196

HSL 299.15, 0.38%, 0.63%

LAB 61.87, 38.42, -25.94

 

CMYK 0 / 22 / 0 / 29

HEX #B48CB4

RGB 180 140 180

HSL 300, 0.21%, 0.63%

LAB 63.14, 22.11, -15.12

 

CMYK 0 / 6 / 0 / 35

HEX #A59BA5

RGB 165 155 165

HSL 300, 0.05%, 0.63%

LAB 65.09, 5.52, -3.9

 

CMYK 32 / 58 / 0 / 11

HEX #9A5EE2

RGB 154 94 226

HSL 267.27, 0.69%, 0.63%

LAB 52.25, 50.21, -58.36

 

CMYK 16 / 58 / 0 / 11

HEX #BD5EE2

RGB 189 94 226

HSL 283.18, 0.69%, 0.63%

LAB 56.4, 58.57, -51.49

 

CMYK 1 / 58 / 0 / 11

HEX #E05EE2

RGB 224 94 226

HSL 299.09, 0.69%, 0.63%

LAB 61.08, 67.21, -43.77

 

CMYK 0 / 58 / 15 / 11

HEX #E25EC1

RGB 226 94 193

HSL 315, 0.69%, 0.63%

LAB 59.91, 62.47, -26.93

 

CMYK 0 / 58 / 30 / 11

HEX #E25E9E

RGB 226 94 158

HSL 330.91, 0.69%, 0.63%

LAB 58.64, 57.7, -8.7

 

CMYK 0 / 83 / 0 / 21

HEX #C923CA

RGB 201 35 202

HSL 299.64, 0.7%, 0.46%

LAB 49.35, 77.87, -48.95

 

CMYK 0 / 73 / 0 / 14

HEX #DB3BDC

RGB 219 59 220

HSL 299.63, 0.7%, 0.55%

LAB 55.44, 77.98, -49.38

 

CMYK 0 / 58 / 0 / 11

HEX #E15EE2

RGB 225 94 226

HSL 299.55, 0.69%, 0.63%

LAB 61.22, 67.46, -43.54

 

CMYK 0 / 44 / 0 / 9

HEX #E881E8

RGB 232 129 232

HSL 300, 0.69%, 0.71%

LAB 68.52, 54.09, -35.4

 

CMYK 0 / 31 / 0 / 6

HEX #EEA4EF

RGB 238 164 239

HSL 299.2, 0.7%, 0.79%

LAB 76.65, 39.13, -26.63

 

CMYK 0 / 59 / 0 / 11

HEX #E25EE3

RGB 226 94 227

HSL 299.55, 0.7%, 0.63%

LAB 61.41, 67.88, -43.8

 

CMYK 0 / 48 / 58 / 11

HEX #E2765E

RGB 226 118 94

HSL 10.91, 0.69%, 0.63%

LAB 61.6, 39.8, 32.21

 

CMYK 58 / 0 / 24 / 11

HEX #5EE2AB

RGB 94 226 171

HSL 155, 0.69%, 0.63%

LAB 81.68, -48.98, 16.21

 

CMYK 0 / 59 / 0 / 11

HEX #E25EE3

RGB 226 94 227

HSL 299.55, 0.7%, 0.63%

LAB 61.41, 67.88, -43.8

 

CMYK 0 / 1 / 58 / 11

HEX #E2E05E

RGB 226 224 94

HSL 59.09, 0.69%, 0.63%

LAB 87.14, -15.55, 62.28

 

CMYK 58 / 0 / 1 / 11

HEX #5EE2E0

RGB 94 226 224

HSL 179.09, 0.69%, 0.63%

LAB 83, -36.24, -9.89

 

CMYK 0 / 59 / 0 / 11

HEX #E25EE3

RGB 226 94 227

HSL 299.55, 0.7%, 0.63%

LAB 61.41, 67.88, -43.8

 

CMYK 0 / 48 / 58 / 11

HEX #E2765E

RGB 226 118 94

HSL 10.91, 0.69%, 0.63%

LAB 61.6, 39.8, 32.21

 

CMYK 58 / 0 / 58 / 11

HEX #60E25E

RGB 96 226 94

HSL 119.09, 0.69%, 0.63%

LAB 80.56, -61.15, 52.93

 

CMYK 58 / 11 / 0 / 11

HEX #5ECAE2

RGB 94 202 226

HSL 190.91, 0.69%, 0.63%

LAB 76.14, -24.13, -21.27

 

CMYK 0 / 59 / 0 / 11

HEX #E25EE3

RGB 226 94 227

HSL 299.55, 0.7%, 0.63%

LAB 61.41, 67.88, -43.8

 

CMYK 0 / 30 / 58 / 11

HEX #E29E5E

RGB 226 158 94

HSL 29.09, 0.69%, 0.63%

LAB 70.48, 18.71, 43.16

 

CMYK 58 / 0 / 58 / 11

HEX #60E25E

RGB 96 226 94

HSL 119.09, 0.69%, 0.63%

LAB 80.56, -61.15, 52.93

 

CMYK 58 / 28 / 0 / 11

HEX #5EA2E2

RGB 94 162 226

HSL 209.09, 0.69%, 0.63%

LAB 64.73, -2.84, -38.85

 

Description

Color code: RGB 226 94 227 | qconv.com Color code: RGB 226 94 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 94 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 94 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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