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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 72 238 it is the complementary color RGB 29 183 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 72 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 72 238 shade: RGB 231 72 233, RGB 248 90 252, RGB 255 108 255, RGB 255 126 255 and RGB 255 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 72 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 72 238 shade: RGB 226 72 238, RGB 209 54 219, RGB 192 36 200, RGB 175 18 181 and RGB 158 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 72 238 shade: RGB 226 73 238, RGB 238 73 205, RGB 238 73 160, RGB 238 73 116 and RGB 238 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 72 238 shade: RGB 226 73 238, RGB 181 73 238, RGB 137 73 238, RGB 92 73 238 and RGB 73 73 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 72 238 shade matches the following richer shades: RGB 226 73 238 and RGB 239 56 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 72 238 shade: RGB 226 73 238, RGB 212 89 222, RGB 198 105 205, RGB 184 121 189 and RGB 171 137 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 72 238 shade: RGB 136 73 238, RGB 180 73 238, RGB 224 73 238, RGB 238 73 207 and RGB 238 73 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 72 238 shade: RGB 195 19 209, RGB 220 35 234, RGB 226 73 238, RGB 232 110 241 and RGB 238 148 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 72 238 shade: RGB 226 72 238, RGB 238 92 73 and RGB 73 238 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 72 238 shade: RGB 226 72 238, RGB 238 224 73 and RGB 73 238 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 72 238 shade: RGB 226 72 238, RGB 238 92 73, RGB 86 238 73 and RGB 73 218 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 72 238 shade: RGB 226 72 238, RGB 238 141 73, RGB 86 238 73 and RGB 73 169 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 70 / 0 / 7

HEX #E248EE

RGB 226 72 238

HSL 295.66, 0.83%, 0.61%

LAB 58.95, 78.16, -53.84

 

Complementary color

CMYK 84 / 0 / 91 / 28

HEX #1DB711

RGB 29 183 17

HSL 115.66, 0.83%, 0.39%

LAB 65.1, -64.88, 62.87

 

CMYK 1 / 69 / 0 / 9

HEX #E748E9

RGB 231 72 233

HSL 299.25, 0.79%, 0.6%

LAB 59.44, 78.4, -50.22

 

CMYK 2 / 64 / 0 / 1

HEX #F85AFC

RGB 248 90 252

HSL 298.52, 0.96%, 0.67%

LAB 65.2, 78.78, -51.49

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 5 / 70 / 0 / 7

HEX #E248EE

RGB 226 72 238

HSL 295.66, 0.83%, 0.61%

LAB 58.95, 78.16, -53.84

 

CMYK 5 / 75 / 0 / 14

HEX #D136DB

RGB 209 54 219

HSL 296.36, 0.7%, 0.54%

LAB 53.29, 77.3, -52.33

 

CMYK 4 / 82 / 0 / 22

HEX #C024C8

RGB 192 36 200

HSL 297.07, 0.69%, 0.46%

LAB 47.8, 75.69, -50.36

 

CMYK 3 / 90 / 0 / 29

HEX #AF12B5

RGB 175 18 181

HSL 297.79, 0.82%, 0.39%

LAB 42.59, 73.03, -47.77

 

CMYK 2 / 100 / 0 / 36

HEX #9E00A2

RGB 158 0 162

HSL 298.52, 1%, 0.32%

LAB 37.62, 69.32, -44.55

 

CMYK 5 / 69 / 0 / 7

HEX #E249EE

RGB 226 73 238

HSL 295.64, 0.83%, 0.61%

LAB 59.07, 77.82, -53.65

 

CMYK 0 / 69 / 14 / 7

HEX #EE49CD

RGB 238 73 205

HSL 312, 0.83%, 0.61%

LAB 59.3, 75.44, -34.57

 

CMYK 0 / 69 / 33 / 7

HEX #EE49A0

RGB 238 73 160

HSL 328.36, 0.83%, 0.61%

LAB 57.54, 69.77, -11.32

 

CMYK 0 / 69 / 51 / 7

HEX #EE4974

RGB 238 73 116

HSL 344.36, 0.83%, 0.61%

LAB 56.29, 65.56, 12.79

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 5 / 69 / 0 / 7

HEX #E249EE

RGB 226 73 238

HSL 295.64, 0.83%, 0.61%

LAB 59.07, 77.82, -53.65

 

CMYK 24 / 69 / 0 / 7

HEX #B549EE

RGB 181 73 238

HSL 279.27, 0.83%, 0.61%

LAB 52.69, 68.59, -64.24

 

CMYK 42 / 69 / 0 / 7

HEX #8949EE

RGB 137 73 238

HSL 263.27, 0.83%, 0.61%

LAB 47.31, 60.33, -73.21

 

CMYK 61 / 69 / 0 / 7

HEX #5C49EE

RGB 92 73 238

HSL 246.91, 0.83%, 0.61%

LAB 43.08, 53.39, -80.29

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 5 / 69 / 0 / 7

HEX #E249EE

RGB 226 73 238

HSL 295.64, 0.83%, 0.61%

LAB 59.07, 77.82, -53.65

 

CMYK 6 / 78 / 0 / 0

HEX #EF38FE

RGB 239 56 254

HSL 295.45, 0.99%, 0.61%

LAB 60.19, 88, -60.64

 

CMYK 5 / 69 / 0 / 7

HEX #E249EE

RGB 226 73 238

HSL 295.64, 0.83%, 0.61%

LAB 59.07, 77.82, -53.65

 

CMYK 5 / 60 / 0 / 13

HEX #D459DE

RGB 212 89 222

HSL 295.49, 0.67%, 0.61%

LAB 58.43, 65.7, -45.83

 

CMYK 3 / 49 / 0 / 20

HEX #C669CD

RGB 198 105 205

HSL 295.8, 0.5%, 0.61%

LAB 58.52, 51.46, -36.21

 

CMYK 3 / 36 / 0 / 26

HEX #B879BD

RGB 184 121 189

HSL 295.59, 0.34%, 0.61%

LAB 59.47, 35.76, -25.78

 

CMYK 1 / 21 / 0 / 32

HEX #AB89AD

RGB 171 137 173

HSL 296.67, 0.18%, 0.61%

LAB 61.28, 19.33, -14.05

 

CMYK 43 / 69 / 0 / 7

HEX #8849EE

RGB 136 73 238

HSL 262.91, 0.83%, 0.61%

LAB 47.2, 60.15, -73.39

 

CMYK 24 / 69 / 0 / 7

HEX #B449EE

RGB 180 73 238

HSL 278.91, 0.83%, 0.61%

LAB 52.55, 68.39, -64.46

 

CMYK 6 / 69 / 0 / 7

HEX #E049EE

RGB 224 73 238

HSL 294.91, 0.83%, 0.61%

LAB 58.78, 77.4, -54.14

 

CMYK 0 / 69 / 13 / 7

HEX #EE49CF

RGB 238 73 207

HSL 311.27, 0.83%, 0.61%

LAB 59.39, 75.72, -35.57

 

CMYK 0 / 69 / 32 / 7

HEX #EE49A3

RGB 238 73 163

HSL 327.27, 0.83%, 0.61%

LAB 57.64, 70.11, -12.92

 

CMYK 7 / 91 / 0 / 18

HEX #C313D1

RGB 195 19 209

HSL 295.58, 0.83%, 0.45%

LAB 47.84, 80.61, -55.46

 

CMYK 6 / 85 / 0 / 8

HEX #DC23EA

RGB 220 35 234

HSL 295.78, 0.83%, 0.53%

LAB 54.41, 86.13, -58.92

 

CMYK 5 / 69 / 0 / 7

HEX #E249EE

RGB 226 73 238

HSL 295.64, 0.83%, 0.61%

LAB 59.07, 77.82, -53.65

 

CMYK 4 / 54 / 0 / 5

HEX #E86EF1

RGB 232 110 241

HSL 295.88, 0.82%, 0.69%

LAB 65.48, 64.76, -45.12

 

CMYK 3 / 40 / 0 / 4

HEX #EE94F5

RGB 238 148 245

HSL 295.67, 0.83%, 0.77%

LAB 73.51, 48.57, -34.72

 

CMYK 5 / 70 / 0 / 7

HEX #E248EE

RGB 226 72 238

HSL 295.66, 0.83%, 0.61%

LAB 58.95, 78.16, -53.84

 

CMYK 0 / 61 / 69 / 7

HEX #EE5C49

RGB 238 92 73

HSL 6.91, 0.83%, 0.61%

LAB 58.33, 55.2, 40.21

 

CMYK 69 / 0 / 34 / 7

HEX #49EE9E

RGB 73 238 158

HSL 150.91, 0.83%, 0.61%

LAB 84.5, -60.09, 26.75

 

CMYK 5 / 70 / 0 / 7

HEX #E248EE

RGB 226 72 238

HSL 295.66, 0.83%, 0.61%

LAB 58.95, 78.16, -53.84

 

CMYK 0 / 6 / 69 / 7

HEX #EEE049

RGB 238 224 73

HSL 54.91, 0.83%, 0.61%

LAB 87.95, -11.85, 71.82

 

CMYK 69 / 0 / 6 / 7

HEX #49EEE0

RGB 73 238 224

HSL 174.91, 0.83%, 0.61%

LAB 85.98, -44.81, -5.52

 

CMYK 5 / 70 / 0 / 7

HEX #E248EE

RGB 226 72 238

HSL 295.66, 0.83%, 0.61%

LAB 58.95, 78.16, -53.84

 

CMYK 0 / 61 / 69 / 7

HEX #EE5C49

RGB 238 92 73

HSL 6.91, 0.83%, 0.61%

LAB 58.33, 55.2, 40.21

 

CMYK 64 / 0 / 69 / 7

HEX #56EE49

RGB 86 238 73

HSL 115.27, 0.83%, 0.61%

LAB 83.76, -69.54, 64.94

 

CMYK 69 / 8 / 0 / 7

HEX #49DAEE

RGB 73 218 238

HSL 187.27, 0.83%, 0.61%

LAB 80.59, -31.75, -20.99

 

CMYK 5 / 70 / 0 / 7

HEX #E248EE

RGB 226 72 238

HSL 295.66, 0.83%, 0.61%

LAB 58.95, 78.16, -53.84

 

CMYK 0 / 41 / 69 / 7

HEX #EE8D49

RGB 238 141 73

HSL 24.73, 0.83%, 0.61%

LAB 67.8, 31.3, 50.9

 

CMYK 64 / 0 / 69 / 7

HEX #56EE49

RGB 86 238 73

HSL 115.27, 0.83%, 0.61%

LAB 83.76, -69.54, 64.94

 

CMYK 69 / 29 / 0 / 7

HEX #49A9EE

RGB 73 169 238

HSL 205.09, 0.83%, 0.61%

LAB 66.49, -6.41, -42.73

 

Description

Color code: RGB 226 72 238 | qconv.com Color code: RGB 226 72 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 72 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 72 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 70 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 70% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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