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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 25 190 it is the complementary color RGB 29 230 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 25 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 25 190 shade: RGB 231 25 185, RGB 248 43 204, RGB 255 61 223, RGB 255 79 242 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 25 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 25 190 shade: RGB 226 25 190, RGB 209 7 171, RGB 192 0 152, RGB 175 0 133 and RGB 158 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 25 190 shade: RGB 224 24 189, RGB 224 24 135, RGB 224 24 81, RGB 224 24 27 and RGB 224 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 25 190 shade: RGB 224 24 189, RGB 206 24 224, RGB 152 24 224, RGB 98 24 224 and RGB 45 24 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 25 190 shade matches the following richer shades: RGB 224 24 189 and RGB 245 4 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 25 190 shade: RGB 224 24 189, RGB 204 45 176, RGB 184 65 163, RGB 164 85 150 and RGB 144 105 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 25 190 shade: RGB 151 24 224, RGB 204 24 224, RGB 224 24 191, RGB 224 24 138 and RGB 224 24 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 25 190 shade: RGB 150 16 126, RGB 187 20 157, RGB 224 24 189, RGB 233 58 201 and RGB 237 95 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 25 190 shade: RGB 226 25 190, RGB 224 98 24 and RGB 24 224 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 25 190 shade: RGB 226 25 190, RGB 191 224 24 and RGB 24 191 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 25 190 shade: RGB 226 25 190, RGB 224 98 24, RGB 24 224 58 and RGB 24 151 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 25 190 shade: RGB 226 25 190, RGB 224 158 24, RGB 24 224 58 and RGB 24 91 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 16 / 11

HEX #E219BE

RGB 226 25 190

HSL 310.75, 0.8%, 0.49%

LAB 52.49, 82.6, -36.76

 

Complementary color

CMYK 87 / 0 / 72 / 10

HEX #1DE641

RGB 29 230 65

HSL 130.75, 0.8%, 0.51%

LAB 80.31, -75.63, 63.97

 

CMYK 0 / 89 / 20 / 9

HEX #E719B9

RGB 231 25 185

HSL 313.4, 0.81%, 0.5%

LAB 53.15, 82.94, -32.74

 

CMYK 0 / 83 / 18 / 3

HEX #F82BCC

RGB 248 43 204

HSL 312.88, 0.94%, 0.57%

LAB 58.08, 85.6, -35.78

 

CMYK 0 / 76 / 13 / 0

HEX #FF3DDF

RGB 255 61 223

HSL 309.9, 1%, 0.62%

LAB 61.59, 85.3, -40.97

 

CMYK 0 / 69 / 5 / 0

HEX #FF4FF2

RGB 255 79 242

HSL 304.43, 1%, 0.65%

LAB 64.37, 82.63, -47.2

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 16 / 11

HEX #E219BE

RGB 226 25 190

HSL 310.75, 0.8%, 0.49%

LAB 52.49, 82.6, -36.76

 

CMYK 0 / 97 / 18 / 18

HEX #D107AB

RGB 209 7 171

HSL 311.29, 0.94%, 0.42%

LAB 47.81, 78.91, -33.17

 

CMYK 0 / 100 / 21 / 25

HEX #C00098

RGB 192 0 152

HSL 312.5, 1%, 0.38%

LAB 43.47, 73.99, -28.85

 

CMYK 0 / 100 / 24 / 31

HEX #AF0085

RGB 175 0 133

HSL 314.4, 1%, 0.34%

LAB 39.25, 68.42, -24.05

 

CMYK 0 / 100 / 28 / 38

HEX #9E0072

RGB 158 0 114

HSL 316.71, 1%, 0.31%

LAB 34.97, 62.77, -19.08

 

CMYK 0 / 89 / 16 / 12

HEX #E018BD

RGB 224 24 189

HSL 310.5, 0.81%, 0.49%

LAB 52.03, 82.23, -36.91

 

CMYK 0 / 89 / 40 / 12

HEX #E01887

RGB 224 24 135

HSL 326.7, 0.81%, 0.49%

LAB 49.8, 76.27, -8.33

 

CMYK 0 / 89 / 64 / 12

HEX #E01851

RGB 224 24 81

HSL 342.9, 0.81%, 0.49%

LAB 48.38, 72.33, 22.7

 

CMYK 0 / 89 / 88 / 12

HEX #E0181B

RGB 224 24 27

HSL 359.1, 0.81%, 0.49%

LAB 47.73, 70.47, 52.36

 

CMYK 0 / 89 / 89 / 12

HEX #E01818

RGB 224 24 24

HSL 0, 0.81%, 0.49%

LAB 47.71, 70.42, 53.64

 

CMYK 0 / 89 / 16 / 12

HEX #E018BD

RGB 224 24 189

HSL 310.5, 0.81%, 0.49%

LAB 52.03, 82.23, -36.91

 

CMYK 8 / 89 / 0 / 12

HEX #CE18E0

RGB 206 24 224

HSL 294.6, 0.81%, 0.49%

LAB 50.87, 84.06, -59.07

 

CMYK 32 / 89 / 0 / 12

HEX #9818E0

RGB 152 24 224

HSL 278.4, 0.81%, 0.49%

LAB 42.32, 76.19, -73.33

 

CMYK 56 / 89 / 0 / 12

HEX #6218E0

RGB 98 24 224

HSL 262.2, 0.81%, 0.49%

LAB 35.27, 70.45, -85.2

 

CMYK 80 / 89 / 0 / 12

HEX #2D18E0

RGB 45 24 224

HSL 246.3, 0.81%, 0.49%

LAB 30.86, 67.39, -92.64

 

CMYK 0 / 89 / 16 / 12

HEX #E018BD

RGB 224 24 189

HSL 310.5, 0.81%, 0.49%

LAB 52.03, 82.23, -36.91

 

CMYK 0 / 98 / 18 / 4

HEX #F504CA

RGB 245 4 202

HSL 310.71, 0.97%, 0.49%

LAB 55.85, 89.47, -38.17

 

CMYK 0 / 89 / 16 / 12

HEX #E018BD

RGB 224 24 189

HSL 310.5, 0.81%, 0.49%

LAB 52.03, 82.23, -36.91

 

CMYK 0 / 78 / 14 / 20

HEX #CC2DB0

RGB 204 45 176

HSL 310.57, 0.64%, 0.49%

LAB 49.31, 72.29, -33.84

 

CMYK 0 / 65 / 11 / 28

HEX #B841A3

RGB 184 65 163

HSL 310.59, 0.48%, 0.49%

LAB 47.77, 58.87, -28.81

 

CMYK 0 / 48 / 9 / 36

HEX #A45596

RGB 164 85 150

HSL 310.63, 0.32%, 0.49%

LAB 47.74, 41.56, -21.37

 

CMYK 0 / 27 / 5 / 44

HEX #906989

RGB 144 105 137

HSL 310.77, 0.16%, 0.49%

LAB 49.3, 21.14, -11.49

 

CMYK 33 / 89 / 0 / 12

HEX #9718E0

RGB 151 24 224

HSL 278.1, 0.81%, 0.49%

LAB 42.18, 76.06, -73.58

 

CMYK 9 / 89 / 0 / 12

HEX #CC18E0

RGB 204 24 224

HSL 294, 0.81%, 0.49%

LAB 50.54, 83.74, -59.62

 

CMYK 0 / 89 / 15 / 12

HEX #E018BF

RGB 224 24 191

HSL 309.9, 0.81%, 0.49%

LAB 52.13, 82.49, -37.92

 

CMYK 0 / 89 / 38 / 12

HEX #E0188A

RGB 224 24 138

HSL 325.8, 0.81%, 0.49%

LAB 49.9, 76.55, -9.99

 

CMYK 0 / 89 / 63 / 12

HEX #E01854

RGB 224 24 84

HSL 342, 0.81%, 0.49%

LAB 48.44, 72.49, 20.94

 

CMYK 0 / 89 / 16 / 41

HEX #96107E

RGB 150 16 126

HSL 310.75, 0.81%, 0.33%

LAB 34.72, 60.45, -27.14

 

CMYK 0 / 89 / 16 / 27

HEX #BB149D

RGB 187 20 157

HSL 310.78, 0.81%, 0.41%

LAB 43.51, 71.5, -31.87

 

CMYK 0 / 89 / 16 / 12

HEX #E018BD

RGB 224 24 189

HSL 310.5, 0.81%, 0.49%

LAB 52.03, 82.23, -36.91

 

CMYK 0 / 75 / 14 / 9

HEX #E93AC9

RGB 233 58 201

HSL 310.97, 0.8%, 0.57%

LAB 56.65, 78.44, -36.49

 

CMYK 0 / 60 / 11 / 7

HEX #ED5FD3

RGB 237 95 211

HSL 310.99, 0.8%, 0.65%

LAB 62.42, 67.7, -33.13

 

CMYK 0 / 89 / 16 / 11

HEX #E219BE

RGB 226 25 190

HSL 310.75, 0.8%, 0.49%

LAB 52.49, 82.6, -36.76

 

CMYK 0 / 56 / 89 / 12

HEX #E06218

RGB 224 98 24

HSL 22.2, 0.81%, 0.49%

LAB 56.73, 45.81, 60.25

 

CMYK 89 / 0 / 21 / 12

HEX #18E0B2

RGB 24 224 178

HSL 166.2, 0.81%, 0.49%

LAB 80.02, -55.27, 10.01

 

CMYK 0 / 89 / 16 / 11

HEX #E219BE

RGB 226 25 190

HSL 310.75, 0.8%, 0.49%

LAB 52.49, 82.6, -36.76

 

CMYK 15 / 0 / 89 / 12

HEX #BFE018

RGB 191 224 24

HSL 69.9, 0.81%, 0.49%

LAB 84.2, -32.88, 80.3

 

CMYK 89 / 15 / 0 / 12

HEX #18BFE0

RGB 24 191 224

HSL 189.9, 0.81%, 0.49%

LAB 71.44, -27.41, -27.48

 

CMYK 0 / 89 / 16 / 11

HEX #E219BE

RGB 226 25 190

HSL 310.75, 0.8%, 0.49%

LAB 52.49, 82.6, -36.76

 

CMYK 0 / 56 / 89 / 12

HEX #E06218

RGB 224 98 24

HSL 22.2, 0.81%, 0.49%

LAB 56.73, 45.81, 60.25

 

CMYK 89 / 0 / 74 / 12

HEX #18E03A

RGB 24 224 58

HSL 130.2, 0.81%, 0.49%

LAB 78.35, -74.8, 64.38

 

CMYK 89 / 33 / 0 / 12

HEX #1897E0

RGB 24 151 224

HSL 201.9, 0.81%, 0.49%

LAB 59.63, -6.05, -45.89

 

CMYK 0 / 89 / 16 / 11

HEX #E219BE

RGB 226 25 190

HSL 310.75, 0.8%, 0.49%

LAB 52.49, 82.6, -36.76

 

CMYK 0 / 29 / 89 / 12

HEX #E09E18

RGB 224 158 24

HSL 40.2, 0.81%, 0.49%

LAB 69.73, 14.7, 70.12

 

CMYK 89 / 0 / 74 / 12

HEX #18E03A

RGB 24 224 58

HSL 130.2, 0.81%, 0.49%

LAB 78.35, -74.8, 64.38

 

CMYK 89 / 59 / 0 / 12

HEX #185BE0

RGB 24 91 224

HSL 219.9, 0.81%, 0.49%

LAB 42.85, 31.17, -72.87

 

Description

Color code: RGB 226 25 190 | qconv.com Color code: RGB 226 25 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 25 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 25 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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