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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 237 198 it is the complementary color RGB 29 18 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 237 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 237 198 shade: RGB 231 237 193, RGB 248 255 212, RGB 255 255 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 237 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 237 198 shade: RGB 226 237 198, RGB 209 219 179, RGB 192 201 160, RGB 175 183 141 and RGB 158 165 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 237 198 shade: RGB 225 236 196, RGB 236 236 196, RGB 236 226 196, RGB 236 215 196 and RGB 236 204 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 237 198 shade: RGB 225 236 196, RGB 214 236 196, RGB 203 236 196, RGB 196 236 200 and RGB 196 236 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 237 198 shade matches the following richer shades: RGB 225 236 196, RGB 228 242 190 and RGB 230 249 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 237 198 shade: RGB 225 236 196, RGB 222 230 203, RGB 220 224 209, RGB 217 218 215 and RGB 214 211 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 237 198 shade: RGB 236 226 196, RGB 236 236 196, RGB 226 236 196, RGB 215 236 196 and RGB 204 236 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 237 198 shade: RGB 193 216 134, RGB 209 226 165, RGB 225 236 196 and RGB 241 246 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 237 198 shade: RGB 226 237 198, RGB 196 236 215 and RGB 231 196 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 237 198 shade: RGB 226 237 198, RGB 196 226 236 and RGB 236 196 226

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 237 198 shade: RGB 226 237 198, RGB 196 236 215, RGB 207 196 236 and RGB 236 196 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 237 198 shade: RGB 226 237 198, RGB 196 236 227, RGB 207 196 236 and RGB 236 196 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 16 / 7

HEX #E2EDC6

RGB 226 237 198

HSL 76.92, 0.52%, 0.85%

LAB 92.05, -10.27, 17.68

 

Complementary color

CMYK 49 / 68 / 0 / 78

HEX #1D1239

RGB 29 18 57

HSL 256.92, 0.52%, 0.15%

LAB 8.9, 17, -23.47

 

CMYK 3 / 0 / 19 / 7

HEX #E7EDC1

RGB 231 237 193

HSL 68.18, 0.55%, 0.84%

LAB 92.31, -9.25, 20.69

 

CMYK 3 / 0 / 17 / 0

HEX #F8FFD4

RGB 248 255 212

HSL 69.77, 1%, 0.92%

LAB 98.52, -9.37, 19.8

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 5 / 0 / 16 / 7

HEX #E2EDC6

RGB 226 237 198

HSL 76.92, 0.52%, 0.85%

LAB 92.05, -10.27, 17.68

 

CMYK 5 / 0 / 18 / 14

HEX #D1DBB3

RGB 209 219 179

HSL 75, 0.36%, 0.78%

LAB 85.74, -10.19, 18.57

 

CMYK 4 / 0 / 20 / 21

HEX #C0C9A0

RGB 192 201 160

HSL 73.17, 0.28%, 0.71%

LAB 79.34, -10.11, 19.49

 

CMYK 4 / 0 / 23 / 28

HEX #AFB78D

RGB 175 183 141

HSL 71.43, 0.23%, 0.64%

LAB 72.83, -10.01, 20.47

 

CMYK 4 / 0 / 26 / 35

HEX #9EA57A

RGB 158 165 122

HSL 69.77, 0.19%, 0.56%

LAB 66.2, -9.89, 21.51

 

CMYK 5 / 0 / 17 / 7

HEX #E1ECC4

RGB 225 236 196

HSL 76.5, 0.51%, 0.85%

LAB 91.68, -10.43, 18.19

 

CMYK 0 / 0 / 17 / 7

HEX #ECECC4

RGB 236 236 196

HSL 60, 0.51%, 0.85%

LAB 92.49, -6.52, 19.44

 

CMYK 0 / 4 / 17 / 7

HEX #ECE2C4

RGB 236 226 196

HSL 45, 0.51%, 0.85%

LAB 89.96, -1.44, 15.89

 

CMYK 0 / 9 / 17 / 7

HEX #ECD7C4

RGB 236 215 196

HSL 28.5, 0.51%, 0.85%

LAB 87.2, 4.22, 12

 

CMYK 0 / 14 / 17 / 7

HEX #ECCCC4

RGB 236 204 196

HSL 12, 0.51%, 0.85%

LAB 84.49, 9.97, 8.12

 

CMYK 5 / 0 / 17 / 7

HEX #E1ECC4

RGB 225 236 196

HSL 76.5, 0.51%, 0.85%

LAB 91.68, -10.43, 18.19

 

CMYK 9 / 0 / 17 / 7

HEX #D6ECC4

RGB 214 236 196

HSL 93, 0.51%, 0.85%

LAB 90.9, -14.28, 16.99

 

CMYK 14 / 0 / 17 / 7

HEX #CBECC4

RGB 203 236 196

HSL 109.5, 0.51%, 0.85%

LAB 90.17, -18.05, 15.85

 

CMYK 17 / 0 / 15 / 7

HEX #C4ECC8

RGB 196 236 200

HSL 126, 0.51%, 0.85%

LAB 89.81, -19.7, 13.2

 

CMYK 17 / 0 / 11 / 7

HEX #C4ECD3

RGB 196 236 211

HSL 142.5, 0.51%, 0.85%

LAB 90.06, -17.72, 7.83

 

CMYK 5 / 0 / 17 / 7

HEX #E1ECC4

RGB 225 236 196

HSL 76.5, 0.51%, 0.85%

LAB 91.68, -10.43, 18.19

 

CMYK 6 / 0 / 21 / 5

HEX #E4F2BE

RGB 228 242 190

HSL 76.15, 0.67%, 0.85%

LAB 93.33, -13.26, 23.6

 

CMYK 8 / 0 / 26 / 2

HEX #E6F9B8

RGB 230 249 184

HSL 77.54, 0.84%, 0.85%

LAB 95.18, -16.84, 29.2

 

CMYK 5 / 0 / 17 / 7

HEX #E1ECC4

RGB 225 236 196

HSL 76.5, 0.51%, 0.85%

LAB 91.68, -10.43, 18.19

 

CMYK 3 / 0 / 12 / 10

HEX #DEE6CB

RGB 222 230 203

HSL 77.78, 0.35%, 0.85%

LAB 90.06, -7.35, 12.24

 

CMYK 2 / 0 / 7 / 12

HEX #DCE0D1

RGB 220 224 209

HSL 76, 0.19%, 0.85%

LAB 88.51, -3.99, 6.86

 

CMYK 0 / 0 / 1 / 15

HEX #D9DAD7

RGB 217 218 215

HSL 80, 0.04%, 0.85%

LAB 86.9, -0.87, 1.34

 

CMYK 3 / 5 / 0 / 13

HEX #D6D3DD

RGB 214 211 221

HSL 258, 0.13%, 0.85%

LAB 85.05, 2.86, -4.57

 

CMYK 0 / 4 / 17 / 7

HEX #ECE2C4

RGB 236 226 196

HSL 45, 0.51%, 0.85%

LAB 89.96, -1.44, 15.89

 

CMYK 0 / 0 / 17 / 7

HEX #ECECC4

RGB 236 236 196

HSL 60, 0.51%, 0.85%

LAB 92.49, -6.52, 19.44

 

CMYK 4 / 0 / 17 / 7

HEX #E2ECC4

RGB 226 236 196

HSL 75, 0.51%, 0.85%

LAB 91.75, -10.08, 18.3

 

CMYK 9 / 0 / 17 / 7

HEX #D7ECC4

RGB 215 236 196

HSL 91.5, 0.51%, 0.85%

LAB 90.97, -13.93, 17.1

 

CMYK 14 / 0 / 17 / 7

HEX #CCECC4

RGB 204 236 196

HSL 108, 0.51%, 0.85%

LAB 90.24, -17.71, 15.95

 

CMYK 11 / 0 / 38 / 15

HEX #C1D886

RGB 193 216 134

HSL 76.83, 0.51%, 0.69%

LAB 83, -20.84, 37.9

 

CMYK 8 / 0 / 27 / 11

HEX #D1E2A5

RGB 209 226 165

HSL 76.72, 0.51%, 0.77%

LAB 87.32, -15.76, 28.01

 

CMYK 5 / 0 / 17 / 7

HEX #E1ECC4

RGB 225 236 196

HSL 76.5, 0.51%, 0.85%

LAB 91.68, -10.43, 18.19

 

CMYK 2 / 0 / 7 / 4

HEX #F1F6E4

RGB 241 246 228

HSL 76.67, 0.5%, 0.93%

LAB 96.09, -4.76, 8.07

 

CMYK 5 / 0 / 16 / 7

HEX #E2EDC6

RGB 226 237 198

HSL 76.92, 0.52%, 0.85%

LAB 92.05, -10.27, 17.68

 

CMYK 17 / 0 / 9 / 7

HEX #C4ECD7

RGB 196 236 215

HSL 148.5, 0.51%, 0.85%

LAB 90.15, -16.98, 5.88

 

CMYK 2 / 17 / 0 / 7

HEX #E7C4EC

RGB 231 196 236

HSL 292.5, 0.51%, 0.85%

LAB 83.19, 19.28, -15.17

 

CMYK 5 / 0 / 16 / 7

HEX #E2EDC6

RGB 226 237 198

HSL 76.92, 0.52%, 0.85%

LAB 92.05, -10.27, 17.68

 

CMYK 17 / 4 / 0 / 7

HEX #C4E2EC

RGB 196 226 236

HSL 195, 0.51%, 0.85%

LAB 88.06, -7.78, -8.19

 

CMYK 0 / 17 / 4 / 7

HEX #ECC4E2

RGB 236 196 226

HSL 315, 0.51%, 0.85%

LAB 83.34, 19.14, -9.56

 

CMYK 5 / 0 / 16 / 7

HEX #E2EDC6

RGB 226 237 198

HSL 76.92, 0.52%, 0.85%

LAB 92.05, -10.27, 17.68

 

CMYK 17 / 0 / 9 / 7

HEX #C4ECD7

RGB 196 236 215

HSL 148.5, 0.51%, 0.85%

LAB 90.15, -16.98, 5.88

 

CMYK 12 / 17 / 0 / 7

HEX #CFC4EC

RGB 207 196 236

HSL 256.5, 0.51%, 0.85%

LAB 81.18, 11.48, -18.4

 

CMYK 0 / 17 / 8 / 7

HEX #ECC4DA

RGB 236 196 218

HSL 327, 0.51%, 0.85%

LAB 83.11, 17.75, -5.62

 

CMYK 5 / 0 / 16 / 7

HEX #E2EDC6

RGB 226 237 198

HSL 76.92, 0.52%, 0.85%

LAB 92.05, -10.27, 17.68

 

CMYK 17 / 0 / 4 / 7

HEX #C4ECE3

RGB 196 236 227

HSL 166.5, 0.51%, 0.85%

LAB 90.45, -14.67, 0.04

 

CMYK 12 / 17 / 0 / 7

HEX #CFC4EC

RGB 207 196 236

HSL 256.5, 0.51%, 0.85%

LAB 81.18, 11.48, -18.4

 

CMYK 0 / 17 / 13 / 7

HEX #ECC4CE

RGB 236 196 206

HSL 345, 0.51%, 0.85%

LAB 82.79, 15.76, 0.33

 

Description

Color code: RGB 226 237 198 | qconv.com Color code: RGB 226 237 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 237 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 237 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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