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Color name
RGB 226 116 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 226 116 60 it is the complementary color RGB 29 139 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 226 116 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 226 116 60 shade: RGB 231 116 55, RGB 248 134 74, RGB 255 152 93, RGB 255 170 112 and RGB 255 188 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 226 116 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 226 116 60 shade: RGB 226 116 60, RGB 209 98 41, RGB 192 80 22, RGB 175 62 3 and RGB 158 44 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 226 116 60 shade: RGB 225 115 59, RGB 225 71 59 and RGB 225 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 226 116 60 shade: RGB 225 115 59, RGB 225 160 59, RGB 225 205 59, RGB 201 225 59 and RGB 156 225 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 226 116 60 shade matches the following richer shades: RGB 225 115 59 and RGB 243 109 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 226 116 60 shade: RGB 225 115 59, RGB 207 121 77, RGB 189 127 96, RGB 171 133 114 and RGB 153 139 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 226 116 60 shade: RGB 225 59 92, RGB 225 70 59, RGB 225 115 59, RGB 225 159 59 and RGB 225 203 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 226 116 60 shade: RGB 176 77 26, RGB 212 92 31, RGB 225 115 59, RGB 231 141 95 and RGB 236 166 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 226 116 60 shade: RGB 226 116 60, RGB 137 225 59 and RGB 59 70 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 226 116 60 shade: RGB 226 116 60, RGB 59 225 115 and RGB 115 59 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 226 116 60 shade: RGB 226 116 60, RGB 137 225 59, RGB 59 170 225 and RGB 148 59 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 226 116 60 shade: RGB 226 116 60, RGB 87 225 59, RGB 59 170 225 and RGB 198 59 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 73 / 11

HEX #E2743C

RGB 226 116 60

HSL 20.24, 0.74%, 0.56%

LAB 60.77, 38.81, 49.14

 

Complementary color

CMYK 85 / 29 / 0 / 24

HEX #1D8BC3

RGB 29 139 195

HSL 200.24, 0.74%, 0.44%

LAB 54.73, -9.51, -37.31

 

CMYK 0 / 50 / 76 / 9

HEX #E77437

RGB 231 116 55

HSL 20.8, 0.79%, 0.56%

LAB 61.44, 40.55, 52.44

 

CMYK 0 / 46 / 70 / 3

HEX #F8864A

RGB 248 134 74

HSL 20.69, 0.93%, 0.63%

LAB 67.65, 38.91, 50.62

 

CMYK 0 / 40 / 64 / 0

HEX #FF985D

RGB 255 152 93

HSL 21.85, 1%, 0.68%

LAB 72.57, 33.5, 46.99

 

CMYK 0 / 33 / 56 / 0

HEX #FFAA70

RGB 255 170 112

HSL 24.34, 1%, 0.72%

LAB 76.79, 25.46, 42.4

 

CMYK 0 / 26 / 49 / 0

HEX #FFBC83

RGB 255 188 131

HSL 27.58, 1%, 0.76%

LAB 81.22, 17.65, 38.21

 

CMYK 0 / 49 / 73 / 11

HEX #E2743C

RGB 226 116 60

HSL 20.24, 0.74%, 0.56%

LAB 60.77, 38.81, 49.14

 

CMYK 0 / 53 / 80 / 18

HEX #D16229

RGB 209 98 41

HSL 20.36, 0.67%, 0.49%

LAB 54.5, 40.52, 50.93

 

CMYK 0 / 58 / 89 / 25

HEX #C05016

RGB 192 80 22

HSL 20.47, 0.79%, 0.42%

LAB 48.26, 42.3, 52.22

 

CMYK 0 / 65 / 98 / 31

HEX #AF3E03

RGB 175 62 3

HSL 20.58, 0.97%, 0.35%

LAB 42.1, 44.05, 52.36

 

CMYK 0 / 72 / 100 / 38

HEX #9E2C00

RGB 158 44 0

HSL 16.71, 1%, 0.31%

LAB 36.12, 45.56, 48.54

 

CMYK 0 / 49 / 74 / 12

HEX #E1733B

RGB 225 115 59

HSL 20.24, 0.73%, 0.56%

LAB 60.41, 38.88, 49.21

 

CMYK 0 / 68 / 74 / 12

HEX #E1473B

RGB 225 71 59

HSL 4.34, 0.73%, 0.56%

LAB 52.76, 58.87, 40.95

 

CMYK 0 / 74 / 74 / 12

HEX #E13B3B

RGB 225 59 59

HSL 0, 0.73%, 0.56%

LAB 51.21, 63.15, 39.22

 

CMYK 0 / 49 / 74 / 12

HEX #E1733B

RGB 225 115 59

HSL 20.24, 0.73%, 0.56%

LAB 60.41, 38.88, 49.21

 

CMYK 0 / 29 / 74 / 12

HEX #E1A03B

RGB 225 160 59

HSL 36.51, 0.73%, 0.56%

LAB 70.5, 15.15, 59.51

 

CMYK 0 / 9 / 74 / 12

HEX #E1CD3B

RGB 225 205 59

HSL 52.77, 0.73%, 0.56%

LAB 81.83, -8.41, 70.48

 

CMYK 11 / 0 / 74 / 12

HEX #C9E13B

RGB 201 225 59

HSL 68.67, 0.73%, 0.56%

LAB 85.29, -28.19, 73.08

 

CMYK 31 / 0 / 74 / 12

HEX #9CE13B

RGB 156 225 59

HSL 84.94, 0.73%, 0.56%

LAB 82.5, -45.5, 69.44

 

CMYK 0 / 49 / 74 / 12

HEX #E1733B

RGB 225 115 59

HSL 20.24, 0.73%, 0.56%

LAB 60.41, 38.88, 49.21

 

CMYK 0 / 55 / 83 / 5

HEX #F36D29

RGB 243 109 41

HSL 20.2, 0.89%, 0.56%

LAB 61.79, 48.05, 59.47

 

CMYK 0 / 49 / 74 / 12

HEX #E1733B

RGB 225 115 59

HSL 20.24, 0.73%, 0.56%

LAB 60.41, 38.88, 49.21

 

CMYK 0 / 42 / 63 / 19

HEX #CF794D

RGB 207 121 77

HSL 20.31, 0.58%, 0.56%

LAB 59.41, 29.57, 38.2

 

CMYK 0 / 33 / 49 / 26

HEX #BD7F60

RGB 189 127 96

HSL 20, 0.41%, 0.56%

LAB 58.83, 20.48, 26.58

 

CMYK 0 / 22 / 33 / 33

HEX #AB8572

RGB 171 133 114

HSL 20, 0.25%, 0.56%

LAB 58.65, 11.81, 15.82

 

CMYK 0 / 9 / 14 / 40

HEX #998B84

RGB 153 139 132

HSL 20, 0.09%, 0.56%

LAB 58.88, 4, 5.63

 

CMYK 0 / 74 / 59 / 12

HEX #E13B5C

RGB 225 59 92

HSL 348.07, 0.73%, 0.56%

LAB 51.73, 64.88, 20.5

 

CMYK 0 / 69 / 74 / 12

HEX #E1463B

RGB 225 70 59

HSL 3.98, 0.73%, 0.56%

LAB 52.62, 59.25, 40.8

 

CMYK 0 / 49 / 74 / 12

HEX #E1733B

RGB 225 115 59

HSL 20.24, 0.73%, 0.56%

LAB 60.41, 38.88, 49.21

 

CMYK 0 / 29 / 74 / 12

HEX #E19F3B

RGB 225 159 59

HSL 36.14, 0.73%, 0.56%

LAB 70.26, 15.68, 59.27

 

CMYK 0 / 10 / 74 / 12

HEX #E1CB3B

RGB 225 203 59

HSL 52.05, 0.73%, 0.56%

LAB 81.31, -7.39, 69.98

 

CMYK 0 / 56 / 85 / 31

HEX #B04D1A

RGB 176 77 26

HSL 20.4, 0.74%, 0.4%

LAB 45.1, 37.69, 46.99

 

CMYK 0 / 57 / 85 / 17

HEX #D45C1F

RGB 212 92 31

HSL 20.22, 0.74%, 0.48%

LAB 53.76, 44.31, 54.64

 

CMYK 0 / 49 / 74 / 12

HEX #E1733B

RGB 225 115 59

HSL 20.24, 0.73%, 0.56%

LAB 60.41, 38.88, 49.21

 

CMYK 0 / 39 / 59 / 9

HEX #E78D5F

RGB 231 141 95

HSL 20.29, 0.74%, 0.64%

LAB 67.18, 29.87, 38.77

 

CMYK 0 / 30 / 44 / 7

HEX #ECA683

RGB 236 166 131

HSL 20, 0.73%, 0.72%

LAB 74.03, 21.75, 28.43

 

CMYK 0 / 49 / 73 / 11

HEX #E2743C

RGB 226 116 60

HSL 20.24, 0.74%, 0.56%

LAB 60.77, 38.81, 49.14

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 74 / 69 / 0 / 12

HEX #3B46E1

RGB 59 70 225

HSL 236.02, 0.73%, 0.56%

LAB 39.15, 47.19, -79.46

 

CMYK 0 / 49 / 73 / 11

HEX #E2743C

RGB 226 116 60

HSL 20.24, 0.74%, 0.56%

LAB 60.77, 38.81, 49.14

 

CMYK 74 / 0 / 49 / 12

HEX #3BE173

RGB 59 225 115

HSL 140.24, 0.73%, 0.56%

LAB 79.62, -64.98, 41.82

 

CMYK 49 / 74 / 0 / 12

HEX #733BE1

RGB 115 59 225

HSL 260.24, 0.73%, 0.56%

LAB 41.55, 59.99, -75.36

 

CMYK 0 / 49 / 73 / 11

HEX #E2743C

RGB 226 116 60

HSL 20.24, 0.74%, 0.56%

LAB 60.77, 38.81, 49.14

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

CMYK 74 / 24 / 0 / 12

HEX #3BAAE1

RGB 59 170 225

HSL 199.88, 0.73%, 0.56%

LAB 65.84, -13.2, -36.65

 

CMYK 34 / 74 / 0 / 12

HEX #943BE1

RGB 148 59 225

HSL 272.17, 0.73%, 0.56%

LAB 45.44, 65.33, -68.84

 

CMYK 0 / 49 / 73 / 11

HEX #E2743C

RGB 226 116 60

HSL 20.24, 0.74%, 0.56%

LAB 60.77, 38.81, 49.14

 

CMYK 61 / 0 / 74 / 12

HEX #57E13B

RGB 87 225 59

HSL 109.88, 0.73%, 0.56%

LAB 79.72, -66.06, 65.77

 

CMYK 74 / 24 / 0 / 12

HEX #3BAAE1

RGB 59 170 225

HSL 199.88, 0.73%, 0.56%

LAB 65.84, -13.2, -36.65

 

CMYK 12 / 74 / 0 / 12

HEX #C63BE1

RGB 198 59 225

HSL 290.24, 0.73%, 0.56%

LAB 52.48, 74.62, -57.13

 

Description

Color code: RGB 226 116 60 | qconv.com Color code: RGB 226 116 60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 116 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 116 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 73 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 73% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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