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Color name
RGB 225 80 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 80 198 it is the complementary color RGB 30 175 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 80 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 80 198 shade: RGB 230 80 193, RGB 247 98 212, RGB 255 116 231, RGB 255 134 250 and RGB 255 152 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 80 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 208 62 179, RGB 191 44 160, RGB 174 26 141 and RGB 157 8 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 225 80 159, RGB 225 80 120, RGB 225 80 81 and RGB 225 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 213 80 225, RGB 174 80 225, RGB 135 80 225 and RGB 96 80 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 80 198 shade matches the following richer shades: RGB 225 80 198 and RGB 241 64 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 208 97 188, RGB 192 113 177, RGB 175 130 167 and RGB 159 146 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 80 198 shade: RGB 174 80 225, RGB 213 80 225, RGB 225 80 198, RGB 225 80 160 and RGB 225 80 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 80 198 shade: RGB 191 32 161, RGB 219 45 187, RGB 225 80 198, RGB 231 115 209 and RGB 237 151 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 225 136 80 and RGB 80 225 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 198 225 80 and RGB 80 198 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 225 136 80, RGB 80 225 107 and RGB 80 169 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 80 198 shade: RGB 225 80 198, RGB 225 179 80, RGB 80 225 107 and RGB 80 126 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

Complementary color

CMYK 83 / 0 / 67 / 31

HEX #1EAF39

RGB 30 175 57

HSL 131.17, 0.71%, 0.4%

LAB 62.7, -59.73, 48.5

 

CMYK 0 / 65 / 16 / 10

HEX #E650C1

RGB 230 80 193

HSL 314.8, 0.75%, 0.61%

LAB 58.42, 69.27, -29.18

 

CMYK 0 / 60 / 14 / 3

HEX #F762D4

RGB 247 98 212

HSL 314.09, 0.9%, 0.68%

LAB 64.37, 69.23, -30.54

 

CMYK 0 / 55 / 9 / 0

HEX #FF74E7

RGB 255 116 231

HSL 310.36, 1%, 0.73%

LAB 69.13, 66.5, -33.68

 

CMYK 0 / 47 / 2 / 0

HEX #FF86FA

RGB 255 134 250

HSL 302.48, 1%, 0.76%

LAB 73.03, 61.28, -38.03

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 70 / 14 / 18

HEX #D03EB3

RGB 208 62 179

HSL 311.92, 0.61%, 0.53%

LAB 51.96, 68.4, -31.4

 

CMYK 0 / 77 / 16 / 25

HEX #BF2CA0

RGB 191 44 160

HSL 312.65, 0.63%, 0.46%

LAB 46.2, 67.47, -29.4

 

CMYK 0 / 85 / 19 / 32

HEX #AE1A8D

RGB 174 26 141

HSL 313.38, 0.74%, 0.39%

LAB 40.67, 65.64, -26.78

 

CMYK 0 / 95 / 22 / 38

HEX #9D087A

RGB 157 8 122

HSL 314.09, 0.9%, 0.32%

LAB 35.49, 62.52, -23.33

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 64 / 29 / 12

HEX #E1509F

RGB 225 80 159

HSL 327.31, 0.71%, 0.6%

LAB 56.34, 63.46, -12.76

 

CMYK 0 / 64 / 47 / 12

HEX #E15078

RGB 225 80 120

HSL 343.45, 0.71%, 0.6%

LAB 55.18, 59.31, 8.53

 

CMYK 0 / 64 / 64 / 12

HEX #E15051

RGB 225 80 81

HSL 359.59, 0.71%, 0.6%

LAB 54.38, 56.38, 30.43

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 5 / 64 / 0 / 12

HEX #D550E1

RGB 213 80 225

HSL 295.03, 0.71%, 0.6%

LAB 57.39, 70.18, -49.16

 

CMYK 23 / 64 / 0 / 12

HEX #AE50E1

RGB 174 80 225

HSL 278.9, 0.71%, 0.6%

LAB 52.03, 61.4, -58.02

 

CMYK 40 / 64 / 0 / 12

HEX #8750E1

RGB 135 80 225

HSL 262.76, 0.71%, 0.6%

LAB 47.4, 53.18, -65.73

 

CMYK 57 / 64 / 0 / 12

HEX #6050E1

RGB 96 80 225

HSL 246.62, 0.71%, 0.6%

LAB 43.74, 46.12, -71.84

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 73 / 14 / 5

HEX #F140D0

RGB 241 64 208

HSL 311.19, 0.86%, 0.6%

LAB 58.9, 79.41, -36.86

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 53 / 10 / 18

HEX #D061BC

RGB 208 97 188

HSL 310.81, 0.54%, 0.6%

LAB 57.65, 55.26, -27.78

 

CMYK 0 / 41 / 8 / 25

HEX #C071B1

RGB 192 113 177

HSL 311.39, 0.39%, 0.6%

LAB 58.22, 40.44, -20.76

 

CMYK 0 / 26 / 5 / 31

HEX #AF82A7

RGB 175 130 167

HSL 310.67, 0.22%, 0.6%

LAB 59.77, 23.53, -12.86

 

CMYK 0 / 8 / 1 / 38

HEX #9F929D

RGB 159 146 157

HSL 309.23, 0.06%, 0.6%

LAB 61.97, 6.86, -4.05

 

CMYK 23 / 64 / 0 / 12

HEX #AE50E1

RGB 174 80 225

HSL 278.9, 0.71%, 0.6%

LAB 52.03, 61.4, -58.02

 

CMYK 5 / 64 / 0 / 12

HEX #D550E1

RGB 213 80 225

HSL 295.03, 0.71%, 0.6%

LAB 57.39, 70.18, -49.16

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 64 / 29 / 12

HEX #E150A0

RGB 225 80 160

HSL 326.9, 0.71%, 0.6%

LAB 56.37, 63.58, -13.29

 

CMYK 0 / 64 / 46 / 12

HEX #E15079

RGB 225 80 121

HSL 343.03, 0.71%, 0.6%

LAB 55.2, 59.4, 7.98

 

CMYK 0 / 83 / 16 / 25

HEX #BF20A1

RGB 191 32 161

HSL 311.32, 0.71%, 0.44%

LAB 45.2, 70.63, -31.56

 

CMYK 0 / 79 / 15 / 14

HEX #DB2DBB

RGB 219 45 187

HSL 311.03, 0.71%, 0.52%

LAB 52.43, 76.99, -35.2

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 50 / 10 / 9

HEX #E773D1

RGB 231 115 209

HSL 311.38, 0.71%, 0.68%

LAB 64.85, 56.74, -28.31

 

CMYK 0 / 36 / 7 / 7

HEX #ED97DD

RGB 237 151 221

HSL 311.16, 0.7%, 0.76%

LAB 73.13, 42.46, -22.21

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 40 / 64 / 12

HEX #E18850

RGB 225 136 80

HSL 23.17, 0.71%, 0.6%

LAB 65.12, 29.08, 43.93

 

CMYK 64 / 0 / 14 / 12

HEX #50E1C2

RGB 80 225 194

HSL 167.17, 0.71%, 0.6%

LAB 81.54, -45.82, 3.83

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 12 / 0 / 64 / 12

HEX #C6E150

RGB 198 225 80

HSL 71.17, 0.71%, 0.6%

LAB 85.22, -28.23, 65.38

 

CMYK 64 / 12 / 0 / 12

HEX #50C6E1

RGB 80 198 225

HSL 191.17, 0.71%, 0.6%

LAB 74.53, -24.82, -23.22

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 40 / 64 / 12

HEX #E18850

RGB 225 136 80

HSL 23.17, 0.71%, 0.6%

LAB 65.12, 29.08, 43.93

 

CMYK 64 / 0 / 52 / 12

HEX #50E16B

RGB 80 225 107

HSL 131.17, 0.71%, 0.6%

LAB 79.96, -62.62, 46.16

 

CMYK 64 / 25 / 0 / 12

HEX #50A9E1

RGB 80 169 225

HSL 203.17, 0.71%, 0.6%

LAB 66.15, -9.6, -36.12

 

CMYK 0 / 64 / 12 / 12

HEX #E150C6

RGB 225 80 198

HSL 311.17, 0.71%, 0.6%

LAB 57.87, 68.72, -32.96

 

CMYK 0 / 20 / 64 / 12

HEX #E1B350

RGB 225 179 80

HSL 40.97, 0.71%, 0.6%

LAB 75.34, 6.16, 55.47

 

CMYK 64 / 0 / 52 / 12

HEX #50E16B

RGB 80 225 107

HSL 131.17, 0.71%, 0.6%

LAB 79.96, -62.62, 46.16

 

CMYK 64 / 44 / 0 / 12

HEX #507EE1

RGB 80 126 225

HSL 220.97, 0.71%, 0.6%

LAB 54.09, 15.47, -55.15

 

Description

Color code: RGB 225 80 198 | qconv.com Color code: RGB 225 80 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 80 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 80 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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