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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 72 151 it is the complementary color RGB 30 183 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 72 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 72 151 shade: RGB 230 72 146, RGB 247 90 165, RGB 255 108 184, RGB 255 126 203 and RGB 255 144 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 72 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 72 151 shade: RGB 225 72 151, RGB 208 54 132, RGB 191 36 113, RGB 174 18 94 and RGB 157 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 72 151 shade: RGB 225 70 150, RGB 225 70 108 and RGB 225 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 72 151 shade: RGB 225 70 150, RGB 225 70 192, RGB 216 70 225, RGB 174 70 225 and RGB 133 70 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 72 151 shade matches the following richer shades: RGB 225 70 150 and RGB 242 53 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 72 151 shade: RGB 225 70 150, RGB 207 88 149, RGB 190 105 149, RGB 173 122 148 and RGB 155 140 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 72 151 shade: RGB 217 70 225, RGB 225 70 191, RGB 225 70 150, RGB 225 70 109 and RGB 225 73 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 72 151 shade: RGB 183 29 109, RGB 218 35 130, RGB 225 70 150, RGB 230 106 170 and RGB 236 141 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 72 151 shade: RGB 225 72 151, RGB 225 176 70 and RGB 70 212 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 72 151 shade: RGB 225 72 151, RGB 150 225 70 and RGB 70 150 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 72 151 shade: RGB 225 72 151, RGB 225 176 70, RGB 70 225 145 and RGB 70 119 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 72 151 shade: RGB 225 72 151, RGB 225 222 70, RGB 70 225 145 and RGB 70 73 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 33 / 12

HEX #E14897

RGB 225 72 151

HSL 329.02, 0.72%, 0.58%

LAB 54.95, 65.6, -10.15

 

Complementary color

CMYK 84 / 0 / 43 / 28

HEX #1EB768

RGB 30 183 104

HSL 149.02, 0.72%, 0.42%

LAB 65.86, -55.61, 29.71

 

CMYK 0 / 69 / 37 / 10

HEX #E64892

RGB 230 72 146

HSL 331.9, 0.76%, 0.59%

LAB 55.62, 66.43, -6.11

 

CMYK 0 / 64 / 33 / 3

HEX #F75AA5

RGB 247 90 165

HSL 331.34, 0.91%, 0.66%

LAB 61.48, 66.4, -8.17

 

CMYK 0 / 58 / 28 / 0

HEX #FF6CB8

RGB 255 108 184

HSL 328.98, 1%, 0.71%

LAB 66.09, 63.44, -12.01

 

CMYK 0 / 51 / 20 / 0

HEX #FF7ECB

RGB 255 126 203

HSL 324.19, 1%, 0.75%

LAB 69.82, 57.76, -17.07

 

CMYK 0 / 44 / 13 / 0

HEX #FF90DE

RGB 255 144 222

HSL 317.84, 1%, 0.78%

LAB 73.86, 51.84, -21.46

 

CMYK 0 / 68 / 33 / 12

HEX #E14897

RGB 225 72 151

HSL 329.02, 0.72%, 0.58%

LAB 54.95, 65.6, -10.15

 

CMYK 0 / 74 / 37 / 18

HEX #D03684

RGB 208 54 132

HSL 329.61, 0.62%, 0.51%

LAB 49.15, 65.19, -7.8

 

CMYK 0 / 81 / 41 / 25

HEX #BF2471

RGB 191 36 113

HSL 330.19, 0.68%, 0.45%

LAB 43.55, 64.09, -4.83

 

CMYK 0 / 90 / 46 / 32

HEX #AE125E

RGB 174 18 94

HSL 330.77, 0.81%, 0.38%

LAB 38.27, 61.94, -1.05

 

CMYK 0 / 100 / 52 / 38

HEX #9D004B

RGB 157 0 75

HSL 331.34, 1%, 0.31%

LAB 33.3, 58.75, 3.61

 

CMYK 0 / 69 / 33 / 12

HEX #E14696

RGB 225 70 150

HSL 329.03, 0.72%, 0.58%

LAB 54.65, 66.22, -10.01

 

CMYK 0 / 69 / 52 / 12

HEX #E1466C

RGB 225 70 108

HSL 345.29, 0.72%, 0.58%

LAB 53.46, 62.19, 13.27

 

CMYK 0 / 69 / 69 / 12

HEX #E14646

RGB 225 70 70

HSL 0, 0.72%, 0.58%

LAB 52.76, 59.75, 34.77

 

CMYK 0 / 69 / 33 / 12

HEX #E14696

RGB 225 70 150

HSL 329.03, 0.72%, 0.58%

LAB 54.65, 66.22, -10.01

 

CMYK 0 / 69 / 15 / 12

HEX #E146C0

RGB 225 70 192

HSL 312.77, 0.72%, 0.58%

LAB 56.28, 71.55, -31.99

 

CMYK 4 / 69 / 0 / 12

HEX #D846E1

RGB 216 70 225

HSL 296.52, 0.72%, 0.58%

LAB 56.5, 74.58, -50.54

 

CMYK 23 / 69 / 0 / 12

HEX #AE46E1

RGB 174 70 225

HSL 280.26, 0.72%, 0.58%

LAB 50.47, 65.75, -60.53

 

CMYK 41 / 69 / 0 / 12

HEX #8546E1

RGB 133 70 225

HSL 264.39, 0.72%, 0.58%

LAB 45.36, 57.79, -69.05

 

CMYK 0 / 69 / 33 / 12

HEX #E14696

RGB 225 70 150

HSL 329.03, 0.72%, 0.58%

LAB 54.65, 66.22, -10.01

 

CMYK 0 / 78 / 38 / 5

HEX #F23596

RGB 242 53 150

HSL 329.21, 0.88%, 0.58%

LAB 55.71, 75.91, -8.11

 

CMYK 0 / 69 / 33 / 12

HEX #E14696

RGB 225 70 150

HSL 329.03, 0.72%, 0.58%

LAB 54.65, 66.22, -10.01

 

CMYK 0 / 57 / 28 / 19

HEX #CF5895

RGB 207 88 149

HSL 329.24, 0.55%, 0.58%

LAB 54.46, 53.45, -9.99

 

CMYK 0 / 45 / 22 / 25

HEX #BE6995

RGB 190 105 149

HSL 328.94, 0.4%, 0.58%

LAB 55.3, 39.47, -8.99

 

CMYK 0 / 29 / 14 / 32

HEX #AD7A94

RGB 173 122 148

HSL 329.41, 0.24%, 0.58%

LAB 57.02, 23.94, -6.07

 

CMYK 0 / 10 / 5 / 39

HEX #9B8C94

RGB 155 140 148

HSL 328, 0.07%, 0.58%

LAB 59.76, 7.07, -2.21

 

CMYK 4 / 69 / 0 / 12

HEX #D946E1

RGB 217 70 225

HSL 296.9, 0.72%, 0.58%

LAB 56.65, 74.79, -50.29

 

CMYK 0 / 69 / 15 / 12

HEX #E146BF

RGB 225 70 191

HSL 313.16, 0.72%, 0.58%

LAB 56.24, 71.41, -31.49

 

CMYK 0 / 69 / 33 / 12

HEX #E14696

RGB 225 70 150

HSL 329.03, 0.72%, 0.58%

LAB 54.65, 66.22, -10.01

 

CMYK 0 / 69 / 52 / 12

HEX #E1466D

RGB 225 70 109

HSL 344.9, 0.72%, 0.58%

LAB 53.48, 62.27, 12.7

 

CMYK 0 / 68 / 69 / 12

HEX #E14946

RGB 225 73 70

HSL 1.16, 0.72%, 0.58%

LAB 53.18, 58.6, 35.28

 

CMYK 0 / 84 / 40 / 28

HEX #B71D6D

RGB 183 29 109

HSL 328.83, 0.73%, 0.42%

LAB 41.3, 63.38, -5.86

 

CMYK 0 / 84 / 40 / 15

HEX #DA2382

RGB 218 35 130

HSL 328.85, 0.72%, 0.5%

LAB 49.15, 72.51, -6.38

 

CMYK 0 / 69 / 33 / 12

HEX #E14696

RGB 225 70 150

HSL 329.03, 0.72%, 0.58%

LAB 54.65, 66.22, -10.01

 

CMYK 0 / 54 / 26 / 10

HEX #E66AAA

RGB 230 106 170

HSL 329.03, 0.71%, 0.66%

LAB 61.68, 54.98, -11.02

 

CMYK 0 / 40 / 19 / 7

HEX #EC8DBE

RGB 236 141 190

HSL 329.05, 0.71%, 0.74%

LAB 69.89, 42.37, -9.96

 

CMYK 0 / 68 / 33 / 12

HEX #E14897

RGB 225 72 151

HSL 329.02, 0.72%, 0.58%

LAB 54.95, 65.6, -10.15

 

CMYK 0 / 22 / 69 / 12

HEX #E1B046

RGB 225 176 70

HSL 41.03, 0.72%, 0.58%

LAB 74.51, 7.17, 58.98

 

CMYK 69 / 6 / 0 / 12

HEX #46D4E1

RGB 70 212 225

HSL 185.03, 0.72%, 0.58%

LAB 78.36, -33.09, -17.43

 

CMYK 0 / 68 / 33 / 12

HEX #E14897

RGB 225 72 151

HSL 329.02, 0.72%, 0.58%

LAB 54.95, 65.6, -10.15

 

CMYK 33 / 0 / 69 / 12

HEX #96E146

RGB 150 225 70

HSL 89.03, 0.72%, 0.58%

LAB 82.26, -46.94, 65.24

 

CMYK 69 / 33 / 0 / 12

HEX #4696E1

RGB 70 150 225

HSL 209.03, 0.72%, 0.58%

LAB 60.38, -0.46, -45.19

 

CMYK 0 / 68 / 33 / 12

HEX #E14897

RGB 225 72 151

HSL 329.02, 0.72%, 0.58%

LAB 54.95, 65.6, -10.15

 

CMYK 0 / 22 / 69 / 12

HEX #E1B046

RGB 225 176 70

HSL 41.03, 0.72%, 0.58%

LAB 74.51, 7.17, 58.98

 

CMYK 69 / 0 / 36 / 12

HEX #46E191

RGB 70 225 145

HSL 149.03, 0.72%, 0.58%

LAB 80.29, -58.16, 27.71

 

CMYK 69 / 47 / 0 / 12

HEX #4677E1

RGB 70 119 225

HSL 221.03, 0.72%, 0.58%

LAB 51.76, 18.21, -58.92

 

CMYK 0 / 68 / 33 / 12

HEX #E14897

RGB 225 72 151

HSL 329.02, 0.72%, 0.58%

LAB 54.95, 65.6, -10.15

 

CMYK 0 / 1 / 69 / 12

HEX #E1DE46

RGB 225 222 70

HSL 58.84, 0.72%, 0.58%

LAB 86.35, -16.39, 70.97

 

CMYK 69 / 0 / 36 / 12

HEX #46E191

RGB 70 225 145

HSL 149.03, 0.72%, 0.58%

LAB 80.29, -58.16, 27.71

 

CMYK 69 / 68 / 0 / 12

HEX #4649E1

RGB 70 73 225

HSL 238.84, 0.72%, 0.58%

LAB 40.42, 46.59, -77.36

 

Description

Color code: RGB 225 72 151 | qconv.com Color code: RGB 225 72 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 72 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 72 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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