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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 71 236 it is the complementary color RGB 30 184 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 71 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 71 236 shade: RGB 230 71 231, RGB 247 89 250, RGB 255 107 255, RGB 255 125 255 and RGB 255 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 71 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 71 236 shade: RGB 225 71 236, RGB 208 53 217, RGB 191 35 198, RGB 174 17 179 and RGB 157 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 71 236 shade: RGB 224 70 235, RGB 235 70 202, RGB 235 70 157, RGB 235 70 112 and RGB 235 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 71 236 shade: RGB 224 70 235, RGB 180 70 235, RGB 135 70 235, RGB 90 70 235 and RGB 70 70 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 71 236 shade matches the following richer shades: RGB 224 70 235 and RGB 238 53 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 71 236 shade: RGB 224 70 235, RGB 210 86 219, RGB 195 103 202, RGB 181 119 186 and RGB 167 136 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 71 236 shade: RGB 136 70 235, RGB 180 70 235, RGB 224 70 235, RGB 235 70 202 and RGB 235 70 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 71 236 shade: RGB 190 21 202, RGB 218 33 231, RGB 224 70 235, RGB 230 107 239 and RGB 236 145 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 71 236 shade: RGB 225 71 236, RGB 235 92 70 and RGB 70 235 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 71 236 shade: RGB 225 71 236, RGB 235 224 70 and RGB 70 235 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 71 236 shade: RGB 225 71 236, RGB 235 92 70, RGB 81 235 70 and RGB 70 213 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 71 236 shade: RGB 225 71 236, RGB 235 141 70, RGB 81 235 70 and RGB 70 164 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 70 / 0 / 7

HEX #E147EC

RGB 225 71 236

HSL 296, 0.81%, 0.6%

LAB 58.57, 77.96, -53.34

 

Complementary color

CMYK 84 / 0 / 90 / 28

HEX #1EB813

RGB 30 184 19

HSL 116, 0.81%, 0.4%

LAB 65.44, -65, 62.82

 

CMYK 0 / 69 / 0 / 9

HEX #E647E7

RGB 230 71 231

HSL 299.63, 0.77%, 0.59%

LAB 59.07, 78.2, -49.71

 

CMYK 1 / 64 / 0 / 2

HEX #F759FA

RGB 247 89 250

HSL 298.88, 0.94%, 0.66%

LAB 64.82, 78.6, -50.99

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 5 / 70 / 0 / 7

HEX #E147EC

RGB 225 71 236

HSL 296, 0.81%, 0.6%

LAB 58.57, 77.96, -53.34

 

CMYK 4 / 76 / 0 / 15

HEX #D035D9

RGB 208 53 217

HSL 296.71, 0.68%, 0.53%

LAB 52.91, 77.06, -51.8

 

CMYK 4 / 82 / 0 / 22

HEX #BF23C6

RGB 191 35 198

HSL 297.42, 0.7%, 0.46%

LAB 47.44, 75.41, -49.79

 

CMYK 3 / 91 / 0 / 30

HEX #AE11B3

RGB 174 17 179

HSL 298.15, 0.83%, 0.38%

LAB 42.24, 72.69, -47.15

 

CMYK 2 / 100 / 0 / 37

HEX #9D00A0

RGB 157 0 160

HSL 298.88, 1%, 0.31%

LAB 37.31, 68.84, -43.86

 

CMYK 5 / 70 / 0 / 8

HEX #E046EB

RGB 224 70 235

HSL 296, 0.8%, 0.6%

LAB 58.25, 77.92, -53.3

 

CMYK 0 / 70 / 14 / 8

HEX #EB46CA

RGB 235 70 202

HSL 312, 0.8%, 0.6%

LAB 58.33, 75.33, -34.41

 

CMYK 0 / 70 / 33 / 8

HEX #EB469D

RGB 235 70 157

HSL 328.36, 0.8%, 0.6%

LAB 56.56, 69.69, -11.08

 

CMYK 0 / 70 / 52 / 8

HEX #EB4670

RGB 235 70 112

HSL 344.73, 0.8%, 0.6%

LAB 55.29, 65.45, 13.69

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 5 / 70 / 0 / 8

HEX #E046EB

RGB 224 70 235

HSL 296, 0.8%, 0.6%

LAB 58.25, 77.92, -53.3

 

CMYK 23 / 70 / 0 / 8

HEX #B446EB

RGB 180 70 235

HSL 280, 0.8%, 0.6%

LAB 51.93, 68.99, -63.78

 

CMYK 43 / 70 / 0 / 8

HEX #8746EB

RGB 135 70 235

HSL 263.64, 0.8%, 0.6%

LAB 46.35, 60.65, -73.09

 

CMYK 62 / 70 / 0 / 8

HEX #5A46EB

RGB 90 70 235

HSL 247.27, 0.8%, 0.6%

LAB 42.08, 53.84, -80.25

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 5 / 70 / 0 / 8

HEX #E046EB

RGB 224 70 235

HSL 296, 0.8%, 0.6%

LAB 58.25, 77.92, -53.3

 

CMYK 6 / 79 / 0 / 1

HEX #EE35FC

RGB 238 53 252

HSL 295.78, 0.97%, 0.6%

LAB 59.66, 88.24, -60.39

 

CMYK 5 / 70 / 0 / 8

HEX #E046EB

RGB 224 70 235

HSL 296, 0.8%, 0.6%

LAB 58.25, 77.92, -53.3

 

CMYK 4 / 61 / 0 / 14

HEX #D256DB

RGB 210 86 219

HSL 295.94, 0.65%, 0.6%

LAB 57.53, 65.97, -45.57

 

CMYK 3 / 49 / 0 / 21

HEX #C367CA

RGB 195 103 202

HSL 295.76, 0.48%, 0.6%

LAB 57.62, 51.05, -35.94

 

CMYK 3 / 36 / 0 / 27

HEX #B577BA

RGB 181 119 186

HSL 295.52, 0.33%, 0.6%

LAB 58.57, 35.31, -25.49

 

CMYK 1 / 20 / 0 / 34

HEX #A788A9

RGB 167 136 169

HSL 296.36, 0.16%, 0.6%

LAB 60.51, 17.71, -12.98

 

CMYK 42 / 70 / 0 / 8

HEX #8846EB

RGB 136 70 235

HSL 264, 0.8%, 0.6%

LAB 46.46, 60.82, -72.9

 

CMYK 23 / 70 / 0 / 8

HEX #B446EB

RGB 180 70 235

HSL 280, 0.8%, 0.6%

LAB 51.93, 68.99, -63.78

 

CMYK 5 / 70 / 0 / 8

HEX #E046EB

RGB 224 70 235

HSL 296, 0.8%, 0.6%

LAB 58.25, 77.92, -53.3

 

CMYK 0 / 70 / 14 / 8

HEX #EB46CA

RGB 235 70 202

HSL 312, 0.8%, 0.6%

LAB 58.33, 75.33, -34.41

 

CMYK 0 / 70 / 33 / 8

HEX #EB469E

RGB 235 70 158

HSL 328, 0.8%, 0.6%

LAB 56.6, 69.8, -11.62

 

CMYK 6 / 90 / 0 / 21

HEX #BE15CA

RGB 190 21 202

HSL 296.02, 0.81%, 0.44%

LAB 46.64, 78.42, -53.39

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 5 / 70 / 0 / 8

HEX #E046EB

RGB 224 70 235

HSL 296, 0.8%, 0.6%

LAB 58.25, 77.92, -53.3

 

CMYK 4 / 55 / 0 / 6

HEX #E66BEF

RGB 230 107 239

HSL 295.91, 0.8%, 0.68%

LAB 64.62, 65.26, -45.39

 

CMYK 3 / 40 / 0 / 5

HEX #EC91F3

RGB 236 145 243

HSL 295.71, 0.8%, 0.76%

LAB 72.6, 49.15, -35.07

 

CMYK 5 / 70 / 0 / 7

HEX #E147EC

RGB 225 71 236

HSL 296, 0.81%, 0.6%

LAB 58.57, 77.96, -53.34

 

CMYK 0 / 61 / 70 / 8

HEX #EB5C46

RGB 235 92 70

HSL 8, 0.8%, 0.6%

LAB 57.81, 54.02, 41.11

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9E

RGB 70 235 158

HSL 152, 0.8%, 0.6%

LAB 83.54, -59.41, 25.44

 

CMYK 5 / 70 / 0 / 7

HEX #E147EC

RGB 225 71 236

HSL 296, 0.81%, 0.6%

LAB 58.57, 77.96, -53.34

 

CMYK 0 / 5 / 70 / 8

HEX #EBE046

RGB 235 224 70

HSL 56, 0.8%, 0.6%

LAB 87.69, -13.24, 72.55

 

CMYK 70 / 0 / 5 / 8

HEX #46EBE0

RGB 70 235 224

HSL 176, 0.8%, 0.6%

LAB 85.05, -43.87, -6.9

 

CMYK 5 / 70 / 0 / 7

HEX #E147EC

RGB 225 71 236

HSL 296, 0.81%, 0.6%

LAB 58.57, 77.96, -53.34

 

CMYK 0 / 61 / 70 / 8

HEX #EB5C46

RGB 235 92 70

HSL 8, 0.8%, 0.6%

LAB 57.81, 54.02, 41.11

 

CMYK 66 / 0 / 70 / 8

HEX #51EB46

RGB 81 235 70

HSL 116, 0.8%, 0.6%

LAB 82.7, -69.8, 64.9

 

CMYK 70 / 9 / 0 / 8

HEX #46D5EB

RGB 70 213 235

HSL 188, 0.8%, 0.6%

LAB 78.98, -30.63, -21.84

 

CMYK 5 / 70 / 0 / 7

HEX #E147EC

RGB 225 71 236

HSL 296, 0.81%, 0.6%

LAB 58.57, 77.96, -53.34

 

CMYK 0 / 40 / 70 / 8

HEX #EB8D46

RGB 235 141 70

HSL 25.82, 0.8%, 0.6%

LAB 67.39, 29.93, 51.78

 

CMYK 66 / 0 / 70 / 8

HEX #51EB46

RGB 81 235 70

HSL 116, 0.8%, 0.6%

LAB 82.7, -69.8, 64.9

 

CMYK 70 / 30 / 0 / 8

HEX #46A4EB

RGB 70 164 235

HSL 205.82, 0.8%, 0.6%

LAB 64.84, -5.05, -43.68

 

Description

Color code: RGB 225 71 236 | qconv.com Color code: RGB 225 71 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 71 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 71 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 70 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 70% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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