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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 69 207 it is the complementary color RGB 30 186 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 69 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 69 207 shade: RGB 230 69 202, RGB 247 87 221, RGB 255 105 240, RGB 255 123 255 and RGB 255 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 69 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 69 207 shade: RGB 225 69 207, RGB 208 51 188, RGB 191 33 169, RGB 174 15 150 and RGB 157 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 69 207 shade: RGB 225 70 207, RGB 225 70 165, RGB 225 70 124, RGB 225 70 82 and RGB 225 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 69 207 shade: RGB 225 70 207, RGB 201 70 225, RGB 159 70 225, RGB 118 70 225 and RGB 76 70 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 69 207 shade matches the following richer shades: RGB 225 70 207 and RGB 242 53 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 69 207 shade: RGB 225 70 207, RGB 207 88 193, RGB 190 105 180, RGB 173 122 167 and RGB 155 140 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 69 207 shade: RGB 158 70 225, RGB 199 70 225, RGB 225 70 209, RGB 225 70 168 and RGB 225 70 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 69 207 shade: RGB 183 29 165, RGB 218 35 197, RGB 225 70 207, RGB 230 106 216 and RGB 236 141 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 69 207 shade: RGB 225 69 207, RGB 225 117 70 and RGB 70 225 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 69 207 shade: RGB 225 69 207, RGB 209 225 70 and RGB 70 209 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 69 207 shade: RGB 225 69 207, RGB 225 117 70, RGB 70 225 86 and RGB 70 178 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 69 207 shade: RGB 225 69 207, RGB 225 163 70, RGB 70 225 86 and RGB 70 132 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 8 / 12

HEX #E145CF

RGB 225 69 207

HSL 306.92, 0.72%, 0.58%

LAB 56.85, 74.07, -39.69

 

Complementary color

CMYK 84 / 0 / 74 / 27

HEX #1EBA30

RGB 30 186 48

HSL 126.92, 0.72%, 0.42%

LAB 66.22, -63.96, 55.66

 

CMYK 0 / 70 / 12 / 10

HEX #E645CA

RGB 230 69 202

HSL 310.43, 0.76%, 0.59%

LAB 57.41, 74.5, -35.91

 

CMYK 0 / 65 / 11 / 3

HEX #F757DD

RGB 247 87 221

HSL 309.75, 0.91%, 0.65%

LAB 63.19, 74.87, -37.44

 

CMYK 0 / 59 / 6 / 0

HEX #FF69F0

RGB 255 105 240

HSL 306, 1%, 0.71%

LAB 67.77, 72.62, -40.76

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 69 / 8 / 12

HEX #E145CF

RGB 225 69 207

HSL 306.92, 0.72%, 0.58%

LAB 56.85, 74.07, -39.69

 

CMYK 0 / 75 / 10 / 18

HEX #D033BC

RGB 208 51 188

HSL 307.64, 0.63%, 0.51%

LAB 51.16, 73.19, -37.9

 

CMYK 0 / 83 / 12 / 25

HEX #BF21A9

RGB 191 33 169

HSL 308.35, 0.71%, 0.44%

LAB 45.67, 71.51, -35.58

 

CMYK 0 / 91 / 14 / 32

HEX #AE0F96

RGB 174 15 150

HSL 309.06, 0.84%, 0.37%

LAB 40.48, 68.72, -32.57

 

CMYK 0 / 100 / 17 / 38

HEX #9D0083

RGB 157 0 131

HSL 309.94, 1%, 0.31%

LAB 35.61, 64.68, -28.77

 

CMYK 0 / 69 / 8 / 12

HEX #E146CF

RGB 225 70 207

HSL 306.97, 0.72%, 0.58%

LAB 56.97, 73.73, -39.5

 

CMYK 0 / 69 / 27 / 12

HEX #E146A5

RGB 225 70 165

HSL 323.23, 0.72%, 0.58%

LAB 55.18, 67.99, -18.02

 

CMYK 0 / 69 / 45 / 12

HEX #E1467C

RGB 225 70 124

HSL 339.1, 0.72%, 0.58%

LAB 53.86, 63.56, 4.27

 

CMYK 0 / 69 / 64 / 12

HEX #E14652

RGB 225 70 82

HSL 355.35, 0.72%, 0.58%

LAB 52.95, 60.39, 28.03

 

CMYK 0 / 69 / 69 / 12

HEX #E14646

RGB 225 70 70

HSL 0, 0.72%, 0.58%

LAB 52.76, 59.75, 34.77

 

CMYK 0 / 69 / 8 / 12

HEX #E146CF

RGB 225 70 207

HSL 306.97, 0.72%, 0.58%

LAB 56.97, 73.73, -39.5

 

CMYK 11 / 69 / 0 / 12

HEX #C946E1

RGB 201 70 225

HSL 290.71, 0.72%, 0.58%

LAB 54.27, 71.38, -54.22

 

CMYK 29 / 69 / 0 / 12

HEX #9F46E1

RGB 159 70 225

HSL 274.45, 0.72%, 0.58%

LAB 48.5, 62.73, -63.82

 

CMYK 48 / 69 / 0 / 12

HEX #7646E1

RGB 118 70 225

HSL 258.58, 0.72%, 0.58%

LAB 43.75, 55.15, -71.74

 

CMYK 66 / 69 / 0 / 12

HEX #4C46E1

RGB 76 70 225

HSL 242.32, 0.72%, 0.58%

LAB 40.17, 49.02, -77.75

 

CMYK 0 / 69 / 8 / 12

HEX #E146CF

RGB 225 70 207

HSL 306.97, 0.72%, 0.58%

LAB 56.97, 73.73, -39.5

 

CMYK 0 / 78 / 9 / 5

HEX #F235DC

RGB 242 53 220

HSL 306.98, 0.88%, 0.58%

LAB 58.59, 84.27, -44.14

 

CMYK 0 / 69 / 8 / 12

HEX #E146CF

RGB 225 70 207

HSL 306.97, 0.72%, 0.58%

LAB 56.97, 73.73, -39.5

 

CMYK 0 / 57 / 7 / 19

HEX #CF58C1

RGB 207 88 193

HSL 307.06, 0.55%, 0.58%

LAB 56.18, 59.93, -32.93

 

CMYK 0 / 45 / 5 / 25

HEX #BE69B4

RGB 190 105 180

HSL 307.06, 0.4%, 0.58%

LAB 56.43, 44.55, -25.25

 

CMYK 0 / 29 / 3 / 32

HEX #AD7AA7

RGB 173 122 167

HSL 307.06, 0.24%, 0.58%

LAB 57.65, 27.34, -16.09

 

CMYK 0 / 10 / 1 / 39

HEX #9B8C99

RGB 155 140 153

HSL 308, 0.07%, 0.58%

LAB 59.91, 8.03, -4.85

 

CMYK 30 / 69 / 0 / 12

HEX #9E46E1

RGB 158 70 225

HSL 274.06, 0.72%, 0.58%

LAB 48.37, 62.54, -64.03

 

CMYK 12 / 69 / 0 / 12

HEX #C746E1

RGB 199 70 225

HSL 289.94, 0.72%, 0.58%

LAB 53.98, 70.95, -54.7

 

CMYK 0 / 69 / 7 / 12

HEX #E146D1

RGB 225 70 209

HSL 306.19, 0.72%, 0.58%

LAB 57.07, 74.03, -40.49

 

CMYK 0 / 69 / 25 / 12

HEX #E146A8

RGB 225 70 168

HSL 322.06, 0.72%, 0.58%

LAB 55.29, 68.36, -19.6

 

CMYK 0 / 69 / 44 / 12

HEX #E1467F

RGB 225 70 127

HSL 337.94, 0.72%, 0.58%

LAB 53.94, 63.85, 2.6

 

CMYK 0 / 84 / 10 / 28

HEX #B71DA5

RGB 183 29 165

HSL 307.01, 0.73%, 0.42%

LAB 43.75, 70.18, -36.33

 

CMYK 0 / 84 / 10 / 15

HEX #DA23C5

RGB 218 35 197

HSL 306.89, 0.72%, 0.5%

LAB 51.99, 80.34, -41.69

 

CMYK 0 / 69 / 8 / 12

HEX #E146CF

RGB 225 70 207

HSL 306.97, 0.72%, 0.58%

LAB 56.97, 73.73, -39.5

 

CMYK 0 / 54 / 6 / 10

HEX #E66AD8

RGB 230 106 216

HSL 306.77, 0.71%, 0.66%

LAB 63.42, 61.8, -34.46

 

CMYK 0 / 40 / 5 / 7

HEX #EC8DE1

RGB 236 141 225

HSL 306.95, 0.71%, 0.74%

LAB 71.09, 48, -27.54

 

CMYK 0 / 69 / 8 / 12

HEX #E145CF

RGB 225 69 207

HSL 306.92, 0.72%, 0.58%

LAB 56.85, 74.07, -39.69

 

CMYK 0 / 48 / 69 / 12

HEX #E17546

RGB 225 117 70

HSL 18.19, 0.72%, 0.58%

LAB 60.93, 38.4, 44.27

 

CMYK 69 / 0 / 21 / 12

HEX #46E1B2

RGB 70 225 178

HSL 161.81, 0.72%, 0.58%

LAB 80.94, -51.18, 11.41

 

CMYK 0 / 69 / 8 / 12

HEX #E145CF

RGB 225 69 207

HSL 306.92, 0.72%, 0.58%

LAB 56.85, 74.07, -39.69

 

CMYK 7 / 0 / 69 / 12

HEX #D1E146

RGB 209 225 70

HSL 66.19, 0.72%, 0.58%

LAB 85.93, -24.41, 70.14

 

CMYK 69 / 7 / 0 / 12

HEX #46D1E1

RGB 70 209 225

HSL 186.19, 0.72%, 0.58%

LAB 77.48, -31.66, -18.75

 

CMYK 0 / 69 / 8 / 12

HEX #E145CF

RGB 225 69 207

HSL 306.92, 0.72%, 0.58%

LAB 56.85, 74.07, -39.69

 

CMYK 0 / 48 / 69 / 12

HEX #E17546

RGB 225 117 70

HSL 18.19, 0.72%, 0.58%

LAB 60.93, 38.4, 44.27

 

CMYK 69 / 0 / 62 / 12

HEX #46E156

RGB 70 225 86

HSL 126.19, 0.72%, 0.58%

LAB 79.51, -67.04, 55.04

 

CMYK 69 / 21 / 0 / 12

HEX #46B2E1

RGB 70 178 225

HSL 198.19, 0.72%, 0.58%

LAB 68.45, -16.02, -32.58

 

CMYK 0 / 69 / 8 / 12

HEX #E145CF

RGB 225 69 207

HSL 306.92, 0.72%, 0.58%

LAB 56.85, 74.07, -39.69

 

CMYK 0 / 28 / 69 / 12

HEX #E1A346

RGB 225 163 70

HSL 36, 0.72%, 0.58%

LAB 71.31, 14.08, 55.62

 

CMYK 69 / 0 / 62 / 12

HEX #46E156

RGB 70 225 86

HSL 126.19, 0.72%, 0.58%

LAB 79.51, -67.04, 55.04

 

CMYK 69 / 41 / 0 / 12

HEX #4684E1

RGB 70 132 225

HSL 216, 0.72%, 0.58%

LAB 55.32, 10.22, -53.22

 

Description

Color code: RGB 225 69 207 | qconv.com Color code: RGB 225 69 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 69 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 69 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 8 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 8% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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