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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 63 46 it is the complementary color RGB 30 192 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 63 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 63 46 shade: RGB 230 63 41, RGB 247 81 60, RGB 255 99 79, RGB 255 117 98 and RGB 255 135 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 63 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 63 46 shade: RGB 225 63 46, RGB 208 45 27, RGB 191 27 8, RGB 174 9 0 and RGB 157 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 63 46 shade: RGB 225 62 45 and RGB 225 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 63 46 shade: RGB 225 62 45, RGB 225 110 45, RGB 225 159 45, RGB 225 207 45 and RGB 193 225 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 63 46 shade matches the following richer shades: RGB 225 62 45 and RGB 244 46 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 63 46 shade: RGB 225 62 45, RGB 205 78 64, RGB 186 93 84, RGB 166 109 103 and RGB 147 125 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 63 46 shade: RGB 225 45 126, RGB 225 45 78, RGB 225 60 45, RGB 225 108 45 and RGB 225 156 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 63 46 shade: RGB 164 36 23, RGB 200 44 28, RGB 225 62 45, RGB 230 95 81 and RGB 235 128 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 63 46 shade: RGB 225 63 46, RGB 174 225 45 and RGB 45 102 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 63 46 shade: RGB 225 63 46, RGB 45 225 60 and RGB 60 45 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 63 46 shade: RGB 225 63 46, RGB 174 225 45, RGB 45 210 225 and RGB 96 45 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 63 46 shade: RGB 225 63 46, RGB 120 225 45, RGB 45 210 225 and RGB 150 45 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 80 / 12

HEX #E13F2E

RGB 225 63 46

HSL 5.7, 0.75%, 0.53%

LAB 51.56, 61.33, 46.62

 

Complementary color

CMYK 86 / 8 / 0 / 18

HEX #1EC0D1

RGB 30 192 209

HSL 185.7, 0.75%, 0.47%

LAB 71.27, -32.38, -19.58

 

CMYK 0 / 73 / 82 / 10

HEX #E63F29

RGB 230 63 41

HSL 6.98, 0.79%, 0.53%

LAB 52.44, 62.73, 50.28

 

CMYK 0 / 67 / 76 / 3

HEX #F7513C

RGB 247 81 60

HSL 6.74, 0.92%, 0.6%

LAB 58.02, 62.12, 47.24

 

CMYK 0 / 61 / 69 / 0

HEX #FF634F

RGB 255 99 79

HSL 6.82, 1%, 0.65%

LAB 62.29, 58.23, 42.27

 

CMYK 0 / 54 / 62 / 0

HEX #FF7562

RGB 255 117 98

HSL 7.26, 1%, 0.69%

LAB 65.64, 51.19, 35.98

 

CMYK 0 / 47 / 54 / 0

HEX #FF8775

RGB 255 135 117

HSL 7.83, 1%, 0.73%

LAB 69.38, 43.83, 30.33

 

CMYK 0 / 72 / 80 / 12

HEX #E13F2E

RGB 225 63 46

HSL 5.7, 0.75%, 0.53%

LAB 51.56, 61.33, 46.62

 

CMYK 0 / 78 / 87 / 18

HEX #D02D1B

RGB 208 45 27

HSL 5.97, 0.77%, 0.46%

LAB 46.13, 61.48, 49.74

 

CMYK 0 / 86 / 96 / 25

HEX #BF1B08

RGB 191 27 8

HSL 6.23, 0.92%, 0.39%

LAB 41.02, 60.85, 51.83

 

CMYK 0 / 95 / 100 / 32

HEX #AE0900

RGB 174 9 0

HSL 3.1, 1%, 0.34%

LAB 36.36, 59.07, 50.53

 

CMYK 0 / 100 / 100 / 38

HEX #9D0000

RGB 157 0 0

HSL 0, 1%, 0.31%

LAB 32.19, 55.76, 46.19

 

CMYK 0 / 72 / 80 / 12

HEX #E13E2D

RGB 225 62 45

HSL 5.67, 0.75%, 0.53%

LAB 51.43, 61.65, 47

 

CMYK 0 / 80 / 80 / 12

HEX #E12D2D

RGB 225 45 45

HSL 0, 0.75%, 0.53%

LAB 49.59, 66.81, 45.18

 

CMYK 0 / 72 / 80 / 12

HEX #E13E2D

RGB 225 62 45

HSL 5.67, 0.75%, 0.53%

LAB 51.43, 61.65, 47

 

CMYK 0 / 51 / 80 / 12

HEX #E16E2D

RGB 225 110 45

HSL 21.67, 0.75%, 0.53%

LAB 59.3, 40.86, 54.54

 

CMYK 0 / 29 / 80 / 12

HEX #E19F2D

RGB 225 159 45

HSL 38, 0.75%, 0.53%

LAB 70.17, 15.14, 64.53

 

CMYK 0 / 8 / 80 / 12

HEX #E1CF2D

RGB 225 207 45

HSL 54, 0.75%, 0.53%

LAB 82.28, -9.93, 75.23

 

CMYK 14 / 0 / 80 / 12

HEX #C1E12D

RGB 193 225 45

HSL 70.67, 0.75%, 0.53%

LAB 84.68, -31.97, 76.38

 

CMYK 0 / 72 / 80 / 12

HEX #E13E2D

RGB 225 62 45

HSL 5.67, 0.75%, 0.53%

LAB 51.43, 61.65, 47

 

CMYK 0 / 81 / 90 / 4

HEX #F42E19

RGB 244 46 25

HSL 5.75, 0.91%, 0.53%

LAB 53.23, 71.42, 58.98

 

CMYK 0 / 72 / 80 / 12

HEX #E13E2D

RGB 225 62 45

HSL 5.67, 0.75%, 0.53%

LAB 51.43, 61.65, 47

 

CMYK 0 / 62 / 69 / 20

HEX #CD4E40

RGB 205 78 64

HSL 5.96, 0.59%, 0.53%

LAB 50.45, 49.51, 34.6

 

CMYK 0 / 50 / 55 / 27

HEX #BA5D54

RGB 186 93 84

HSL 5.29, 0.43%, 0.53%

LAB 50.58, 36.61, 22.56

 

CMYK 0 / 34 / 38 / 35

HEX #A66D67

RGB 166 109 103

HSL 5.71, 0.26%, 0.53%

LAB 51.86, 21.94, 12.69

 

CMYK 0 / 15 / 17 / 42

HEX #937D7A

RGB 147 125 122

HSL 7.2, 0.1%, 0.53%

LAB 54.32, 7.94, 4.76

 

CMYK 0 / 80 / 44 / 12

HEX #E12D7E

RGB 225 45 126

HSL 333, 0.75%, 0.53%

LAB 51.14, 71.54, -0.88

 

CMYK 0 / 80 / 65 / 12

HEX #E12D4E

RGB 225 45 78

HSL 349, 0.75%, 0.53%

LAB 50.02, 68.15, 26.68

 

CMYK 0 / 73 / 80 / 12

HEX #E13C2D

RGB 225 60 45

HSL 5, 0.75%, 0.53%

LAB 51.19, 62.33, 46.76

 

CMYK 0 / 52 / 80 / 12

HEX #E16C2D

RGB 225 108 45

HSL 21, 0.75%, 0.53%

LAB 58.9, 41.86, 54.17

 

CMYK 0 / 31 / 80 / 12

HEX #E19C2D

RGB 225 156 45

HSL 37, 0.75%, 0.53%

LAB 69.45, 16.74, 63.88

 

CMYK 0 / 78 / 86 / 36

HEX #A42417

RGB 164 36 23

HSL 5.53, 0.75%, 0.37%

LAB 36.4, 50.77, 39.95

 

CMYK 0 / 78 / 86 / 22

HEX #C82C1C

RGB 200 44 28

HSL 5.58, 0.75%, 0.45%

LAB 44.47, 59.42, 47.27

 

CMYK 0 / 72 / 80 / 12

HEX #E13E2D

RGB 225 62 45

HSL 5.67, 0.75%, 0.53%

LAB 51.43, 61.65, 47

 

CMYK 0 / 59 / 65 / 10

HEX #E65F51

RGB 230 95 81

HSL 5.64, 0.75%, 0.61%

LAB 57.66, 51.54, 34.67

 

CMYK 0 / 46 / 50 / 8

HEX #EB8075

RGB 235 128 117

HSL 5.59, 0.75%, 0.69%

LAB 65.27, 39.96, 24.41

 

CMYK 0 / 72 / 80 / 12

HEX #E13F2E

RGB 225 63 46

HSL 5.7, 0.75%, 0.53%

LAB 51.56, 61.33, 46.62

 

CMYK 23 / 0 / 80 / 12

HEX #AEE12D

RGB 174 225 45

HSL 77, 0.75%, 0.53%

LAB 83.46, -39.44, 74.84

 

CMYK 80 / 55 / 0 / 12

HEX #2D66E1

RGB 45 102 225

HSL 221, 0.75%, 0.53%

LAB 46.31, 25.95, -67.78

 

CMYK 0 / 72 / 80 / 12

HEX #E13F2E

RGB 225 63 46

HSL 5.7, 0.75%, 0.53%

LAB 51.56, 61.33, 46.62

 

CMYK 80 / 0 / 73 / 12

HEX #2DE13C

RGB 45 225 60

HSL 125, 0.75%, 0.53%

LAB 78.89, -73.08, 64.31

 

CMYK 73 / 80 / 0 / 12

HEX #3C2DE1

RGB 60 45 225

HSL 245, 0.75%, 0.53%

LAB 34.55, 60.44, -87.07

 

CMYK 0 / 72 / 80 / 12

HEX #E13F2E

RGB 225 63 46

HSL 5.7, 0.75%, 0.53%

LAB 51.56, 61.33, 46.62

 

CMYK 23 / 0 / 80 / 12

HEX #AEE12D

RGB 174 225 45

HSL 77, 0.75%, 0.53%

LAB 83.46, -39.44, 74.84

 

CMYK 80 / 7 / 0 / 12

HEX #2DD2E1

RGB 45 210 225

HSL 185, 0.75%, 0.53%

LAB 77.33, -34.86, -19.02

 

CMYK 57 / 80 / 0 / 12

HEX #602DE1

RGB 96 45 225

HSL 257, 0.75%, 0.53%

LAB 37.48, 63.63, -82.12

 

CMYK 0 / 72 / 80 / 12

HEX #E13F2E

RGB 225 63 46

HSL 5.7, 0.75%, 0.53%

LAB 51.56, 61.33, 46.62

 

CMYK 47 / 0 / 80 / 12

HEX #78E12D

RGB 120 225 45

HSL 95, 0.75%, 0.53%

LAB 80.76, -58.18, 71.38

 

CMYK 80 / 7 / 0 / 12

HEX #2DD2E1

RGB 45 210 225

HSL 185, 0.75%, 0.53%

LAB 77.33, -34.86, -19.02

 

CMYK 33 / 80 / 0 / 12

HEX #962DE1

RGB 150 45 225

HSL 275, 0.75%, 0.53%

LAB 43.94, 70.75, -71.27

 

Description

Color code: RGB 225 63 46 | qconv.com Color code: RGB 225 63 46 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 63 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 63 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 80 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 80% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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