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Color name
RGB 225 59 202

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 59 202 it is the complementary color RGB 30 196 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 59 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 59 202 shade: RGB 230 59 197, RGB 247 77 216, RGB 255 95 235, RGB 255 113 254 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 59 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 59 202 shade: RGB 225 59 202, RGB 208 41 183, RGB 191 23 164, RGB 174 5 145 and RGB 157 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 59 202 shade: RGB 224 60 202, RGB 224 60 157, RGB 224 60 113, RGB 224 60 69 and RGB 224 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 59 202 shade: RGB 224 60 202, RGB 203 60 224, RGB 159 60 224, RGB 114 60 224 and RGB 70 60 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 59 202 shade matches the following richer shades: RGB 224 60 202 and RGB 242 42 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 59 202 shade: RGB 224 60 202, RGB 206 79 188, RGB 188 97 175, RGB 170 115 162 and RGB 152 133 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 59 202 shade: RGB 159 60 224, RGB 202 60 224, RGB 224 60 202, RGB 224 60 159 and RGB 224 60 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 59 202 shade: RGB 175 27 155, RGB 211 32 186, RGB 224 60 202, RGB 230 96 211 and RGB 235 132 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 59 202 shade: RGB 225 59 202, RGB 224 115 60 and RGB 60 224 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 59 202 shade: RGB 225 59 202, RGB 202 224 60 and RGB 60 202 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 59 202 shade: RGB 225 59 202, RGB 224 115 60, RGB 60 224 82 and RGB 60 170 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 59 202 shade: RGB 225 59 202, RGB 224 164 60, RGB 60 224 82 and RGB 60 120 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 10 / 12

HEX #E13BCA

RGB 225 59 202

HSL 308.31, 0.73%, 0.56%

LAB 55.48, 76.55, -38.99

 

Complementary color

CMYK 85 / 0 / 73 / 23

HEX #1EC435

RGB 30 196 53

HSL 128.31, 0.73%, 0.44%

LAB 69.48, -66.57, 57.18

 

CMYK 0 / 74 / 14 / 10

HEX #E63BC5

RGB 230 59 197

HSL 311.58, 0.77%, 0.57%

LAB 56.07, 76.95, -35.14

 

CMYK 0 / 69 / 13 / 3

HEX #F74DD8

RGB 247 77 216

HSL 310.94, 0.91%, 0.64%

LAB 61.69, 77.73, -36.97

 

CMYK 0 / 63 / 8 / 0

HEX #FF5FEB

RGB 255 95 235

HSL 307.5, 1%, 0.69%

LAB 66.09, 75.85, -40.62

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FE

RGB 255 113 254

HSL 300.42, 1%, 0.72%

LAB 69.63, 71.5, -45.53

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCA

RGB 225 59 202

HSL 308.31, 0.73%, 0.56%

LAB 55.48, 76.55, -38.99

 

CMYK 0 / 80 / 12 / 18

HEX #D029B7

RGB 208 41 183

HSL 308.98, 0.67%, 0.49%

LAB 50, 75.12, -36.82

 

CMYK 0 / 88 / 14 / 25

HEX #BF17A4

RGB 191 23 164

HSL 309.64, 0.79%, 0.42%

LAB 44.76, 72.75, -34.04

 

CMYK 0 / 97 / 17 / 32

HEX #AE0591

RGB 174 5 145

HSL 310.3, 0.94%, 0.35%

LAB 39.83, 69.19, -30.53

 

CMYK 0 / 100 / 20 / 38

HEX #9D007E

RGB 157 0 126

HSL 311.85, 1%, 0.31%

LAB 35.35, 64.03, -26.06

 

CMYK 0 / 73 / 10 / 12

HEX #E03CCA

RGB 224 60 202

HSL 308.05, 0.73%, 0.56%

LAB 55.42, 76.02, -39.09

 

CMYK 0 / 73 / 30 / 12

HEX #E03C9D

RGB 224 60 157

HSL 324.51, 0.73%, 0.56%

LAB 53.51, 70.17, -15.88

 

CMYK 0 / 73 / 50 / 12

HEX #E03C71

RGB 224 60 113

HSL 340.61, 0.73%, 0.56%

LAB 52.14, 65.81, 8.39

 

CMYK 0 / 73 / 69 / 12

HEX #E03C45

RGB 224 60 69

HSL 356.71, 0.73%, 0.56%

LAB 51.28, 62.96, 33.53

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 0 / 73 / 10 / 12

HEX #E03CCA

RGB 224 60 202

HSL 308.05, 0.73%, 0.56%

LAB 55.42, 76.02, -39.09

 

CMYK 9 / 73 / 0 / 12

HEX #CB3CE0

RGB 203 60 224

HSL 292.32, 0.73%, 0.56%

LAB 53.29, 75.1, -55.22

 

CMYK 29 / 73 / 0 / 12

HEX #9F3CE0

RGB 159 60 224

HSL 276.22, 0.73%, 0.56%

LAB 46.95, 66.67, -65.75

 

CMYK 49 / 73 / 0 / 12

HEX #723CE0

RGB 114 60 224

HSL 259.76, 0.73%, 0.56%

LAB 41.52, 59.12, -74.84

 

CMYK 69 / 73 / 0 / 12

HEX #463CE0

RGB 70 60 224

HSL 243.66, 0.73%, 0.56%

LAB 37.69, 53.54, -81.27

 

CMYK 0 / 73 / 10 / 12

HEX #E03CCA

RGB 224 60 202

HSL 308.05, 0.73%, 0.56%

LAB 55.42, 76.02, -39.09

 

CMYK 0 / 83 / 11 / 5

HEX #F22AD7

RGB 242 42 215

HSL 308.1, 0.88%, 0.56%

LAB 57.5, 86.03, -43.03

 

CMYK 0 / 73 / 10 / 12

HEX #E03CCA

RGB 224 60 202

HSL 308.05, 0.73%, 0.56%

LAB 55.42, 76.02, -39.09

 

CMYK 0 / 62 / 9 / 19

HEX #CE4FBC

RGB 206 79 188

HSL 308.5, 0.56%, 0.56%

LAB 54.39, 62.75, -32.86

 

CMYK 0 / 48 / 7 / 26

HEX #BC61AF

RGB 188 97 175

HSL 308.57, 0.4%, 0.56%

LAB 54.38, 47.17, -25.55

 

CMYK 0 / 32 / 5 / 33

HEX #AA73A2

RGB 170 115 162

HSL 308.73, 0.24%, 0.56%

LAB 55.5, 29.31, -16.49

 

CMYK 0 / 13 / 2 / 40

HEX #988595

RGB 152 133 149

HSL 309.47, 0.08%, 0.56%

LAB 57.67, 10.15, -5.9

 

CMYK 29 / 73 / 0 / 12

HEX #9F3CE0

RGB 159 60 224

HSL 276.22, 0.73%, 0.56%

LAB 46.95, 66.67, -65.75

 

CMYK 10 / 73 / 0 / 12

HEX #CA3CE0

RGB 202 60 224

HSL 291.95, 0.73%, 0.56%

LAB 53.14, 74.9, -55.47

 

CMYK 0 / 73 / 10 / 12

HEX #E03CCA

RGB 224 60 202

HSL 308.05, 0.73%, 0.56%

LAB 55.42, 76.02, -39.09

 

CMYK 0 / 73 / 29 / 12

HEX #E03C9F

RGB 224 60 159

HSL 323.78, 0.73%, 0.56%

LAB 53.58, 70.4, -16.95

 

CMYK 0 / 73 / 49 / 12

HEX #E03C73

RGB 224 60 115

HSL 339.88, 0.73%, 0.56%

LAB 52.19, 65.98, 7.26

 

CMYK 0 / 85 / 11 / 31

HEX #AF1B9B

RGB 175 27 155

HSL 308.11, 0.73%, 0.4%

LAB 41.63, 67.56, -33.76

 

CMYK 0 / 85 / 12 / 17

HEX #D320BA

RGB 211 32 186

HSL 308.38, 0.74%, 0.48%

LAB 50.01, 78.05, -38.51

 

CMYK 0 / 73 / 10 / 12

HEX #E03CCA

RGB 224 60 202

HSL 308.05, 0.73%, 0.56%

LAB 55.42, 76.02, -39.09

 

CMYK 0 / 58 / 8 / 10

HEX #E660D3

RGB 230 96 211

HSL 308.51, 0.73%, 0.64%

LAB 61.56, 65.44, -34.54

 

CMYK 0 / 44 / 6 / 8

HEX #EB84DD

RGB 235 132 221

HSL 308.16, 0.72%, 0.72%

LAB 69.03, 51.57, -28.51

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCA

RGB 225 59 202

HSL 308.31, 0.73%, 0.56%

LAB 55.48, 76.55, -38.99

 

CMYK 0 / 49 / 73 / 12

HEX #E0733C

RGB 224 115 60

HSL 20.12, 0.73%, 0.56%

LAB 60.28, 38.54, 48.53

 

CMYK 73 / 0 / 19 / 12

HEX #3CE0B5

RGB 60 224 181

HSL 164.27, 0.73%, 0.56%

LAB 80.52, -51.42, 9.19

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCA

RGB 225 59 202

HSL 308.31, 0.73%, 0.56%

LAB 55.48, 76.55, -38.99

 

CMYK 10 / 0 / 73 / 12

HEX #CAE03C

RGB 202 224 60

HSL 68.05, 0.73%, 0.56%

LAB 85.1, -27.27, 72.59

 

CMYK 73 / 10 / 0 / 12

HEX #3CCAE0

RGB 60 202 224

HSL 188.05, 0.73%, 0.56%

LAB 75.19, -29.84, -21.71

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCA

RGB 225 59 202

HSL 308.31, 0.73%, 0.56%

LAB 55.48, 76.55, -38.99

 

CMYK 0 / 49 / 73 / 12

HEX #E0733C

RGB 224 115 60

HSL 20.12, 0.73%, 0.56%

LAB 60.28, 38.54, 48.53

 

CMYK 73 / 0 / 63 / 12

HEX #3CE052

RGB 60 224 82

HSL 128.05, 0.73%, 0.56%

LAB 78.97, -68.77, 56.07

 

CMYK 73 / 24 / 0 / 12

HEX #3CAAE0

RGB 60 170 224

HSL 199.76, 0.73%, 0.56%

LAB 65.82, -13.41, -36.13

 

CMYK 0 / 74 / 10 / 12

HEX #E13BCA

RGB 225 59 202

HSL 308.31, 0.73%, 0.56%

LAB 55.48, 76.55, -38.99

 

CMYK 0 / 27 / 73 / 12

HEX #E0A43C

RGB 224 164 60

HSL 38.05, 0.73%, 0.56%

LAB 71.37, 12.63, 59.92

 

CMYK 73 / 0 / 63 / 12

HEX #3CE052

RGB 60 224 82

HSL 128.05, 0.73%, 0.56%

LAB 78.97, -68.77, 56.07

 

CMYK 73 / 46 / 0 / 12

HEX #3C78E0

RGB 60 120 224

HSL 218.05, 0.73%, 0.56%

LAB 51.58, 15.85, -58.67

 

Description

Color code: RGB 225 59 202 | qconv.com Color code: RGB 225 59 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 59 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 59 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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