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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 55 144 it is the complementary color RGB 30 200 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 55 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 55 144 shade: RGB 230 55 139, RGB 247 73 158, RGB 255 91 177, RGB 255 109 196 and RGB 255 127 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 55 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 208 37 125, RGB 191 19 106, RGB 174 1 87 and RGB 157 0 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 225 55 98 and RGB 225 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 225 55 190, RGB 214 55 225, RGB 168 55 225 and RGB 122 55 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 55 144 shade matches the following richer shades: RGB 225 55 144 and RGB 243 36 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 206 73 143, RGB 188 92 142, RGB 169 111 141 and RGB 150 129 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 55 144 shade: RGB 213 55 225, RGB 225 55 191, RGB 225 55 145, RGB 225 55 100 and RGB 225 55 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 55 144 shade: RGB 172 25 102, RGB 208 31 123, RGB 225 55 144, RGB 230 91 164 and RGB 235 127 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 225 168 55 and RGB 55 213 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 145 225 55 and RGB 55 145 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 225 168 55, RGB 55 225 134 and RGB 55 111 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 55 144 shade: RGB 225 55 144, RGB 225 219 55, RGB 55 225 134 and RGB 55 60 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

Complementary color

CMYK 85 / 0 / 45 / 22

HEX #1EC86F

RGB 30 200 111

HSL 148.59, 0.74%, 0.45%

LAB 71.37, -60.32, 33.25

 

CMYK 0 / 76 / 40 / 10

HEX #E6378B

RGB 230 55 139

HSL 331.2, 0.78%, 0.56%

LAB 53.41, 71.3, -5.24

 

CMYK 0 / 70 / 36 / 3

HEX #F7499E

RGB 247 73 158

HSL 330.69, 0.92%, 0.63%

LAB 58.98, 71.94, -7.84

 

CMYK 0 / 64 / 31 / 0

HEX #FF5BB1

RGB 255 91 177

HSL 328.54, 1%, 0.68%

LAB 63.27, 69.63, -12.26

 

CMYK 0 / 57 / 23 / 0

HEX #FF6DC4

RGB 255 109 196

HSL 324.25, 1%, 0.71%

LAB 66.66, 64.55, -17.94

 

CMYK 0 / 50 / 16 / 0

HEX #FF7FD7

RGB 255 127 215

HSL 318.75, 1%, 0.75%

LAB 70.42, 59.02, -22.83

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 82 / 40 / 18

HEX #D0257D

RGB 208 37 125

HSL 329.12, 0.7%, 0.48%

LAB 47.25, 69.2, -6.37

 

CMYK 0 / 90 / 45 / 25

HEX #BF136A

RGB 191 19 106

HSL 329.65, 0.82%, 0.41%

LAB 42.13, 66.88, -2.57

 

CMYK 0 / 99 / 50 / 32

HEX #AE0157

RGB 174 1 87

HSL 330.17, 0.99%, 0.34%

LAB 37.31, 63.51, 2.05

 

CMYK 0 / 100 / 57 / 38

HEX #9D0044

RGB 157 0 68

HSL 334.01, 1%, 0.31%

LAB 33.1, 58.23, 7.95

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 76 / 56 / 12

HEX #E13762

RGB 225 55 98

HSL 344.82, 0.74%, 0.55%

LAB 51.41, 66.54, 16.45

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 76 / 16 / 12

HEX #E137BE

RGB 225 55 190

HSL 312.35, 0.74%, 0.55%

LAB 54.51, 76.05, -33.6

 

CMYK 5 / 76 / 0 / 12

HEX #D637E1

RGB 214 55 225

HSL 296.12, 0.74%, 0.55%

LAB 54.52, 78.96, -53.72

 

CMYK 25 / 76 / 0 / 12

HEX #A837E1

RGB 168 55 225

HSL 279.88, 0.74%, 0.55%

LAB 47.62, 70.36, -65.19

 

CMYK 46 / 76 / 0 / 12

HEX #7A37E1

RGB 122 55 225

HSL 263.65, 0.74%, 0.55%

LAB 41.7, 62.8, -75.08

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 85 / 40 / 5

HEX #F32491

RGB 243 36 145

HSL 328.41, 0.9%, 0.55%

LAB 54.41, 79.47, -7.07

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 65 / 31 / 19

HEX #CE498F

RGB 206 73 143

HSL 328.42, 0.58%, 0.55%

LAB 51.69, 58.92, -10.62

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 34 / 17 / 34

HEX #A96F8D

RGB 169 111 141

HSL 328.97, 0.25%, 0.55%

LAB 53.74, 27.51, -6.91

 

CMYK 0 / 14 / 7 / 41

HEX #96818C

RGB 150 129 140

HSL 328.57, 0.09%, 0.55%

LAB 56.17, 9.99, -2.96

 

CMYK 5 / 76 / 0 / 12

HEX #D537E1

RGB 213 55 225

HSL 295.76, 0.74%, 0.55%

LAB 54.36, 78.76, -53.98

 

CMYK 0 / 76 / 15 / 12

HEX #E137BF

RGB 225 55 191

HSL 312, 0.74%, 0.55%

LAB 54.56, 76.18, -34.11

 

CMYK 0 / 76 / 36 / 12

HEX #E13791

RGB 225 55 145

HSL 328.24, 0.74%, 0.55%

LAB 52.71, 70.64, -9.95

 

CMYK 0 / 76 / 56 / 12

HEX #E13764

RGB 225 55 100

HSL 344.12, 0.74%, 0.55%

LAB 51.45, 66.68, 15.3

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 85 / 41 / 33

HEX #AC1966

RGB 172 25 102

HSL 328.57, 0.75%, 0.39%

LAB 38.6, 60.87, -5.7

 

CMYK 0 / 85 / 41 / 18

HEX #D01F7B

RGB 208 31 123

HSL 328.81, 0.74%, 0.47%

LAB 46.74, 70.31, -5.91

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 60 / 29 / 10

HEX #E65BA4

RGB 230 91 164

HSL 328.49, 0.74%, 0.63%

LAB 58.96, 60.95, -11.64

 

CMYK 0 / 46 / 22 / 8

HEX #EB7FB8

RGB 235 127 184

HSL 328.33, 0.73%, 0.71%

LAB 66.75, 48.29, -11.31

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 25 / 76 / 12

HEX #E1A837

RGB 225 168 55

HSL 39.88, 0.74%, 0.55%

LAB 72.42, 10.71, 62.97

 

CMYK 76 / 5 / 0 / 12

HEX #37D5E1

RGB 55 213 225

HSL 184.24, 0.74%, 0.55%

LAB 78.37, -35.33, -17.45

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 36 / 0 / 76 / 12

HEX #91E137

RGB 145 225 55

HSL 88.24, 0.74%, 0.55%

LAB 81.92, -49.59, 69.96

 

CMYK 76 / 36 / 0 / 12

HEX #3791E1

RGB 55 145 225

HSL 208.24, 0.74%, 0.55%

LAB 58.51, 0.44, -48.18

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 25 / 76 / 12

HEX #E1A837

RGB 225 168 55

HSL 39.88, 0.74%, 0.55%

LAB 72.42, 10.71, 62.97

 

CMYK 76 / 0 / 40 / 12

HEX #37E186

RGB 55 225 134

HSL 147.88, 0.74%, 0.55%

LAB 79.83, -62.34, 32.66

 

CMYK 76 / 51 / 0 / 12

HEX #376FE1

RGB 55 111 225

HSL 220.24, 0.74%, 0.55%

LAB 49.03, 21.26, -63.35

 

CMYK 0 / 76 / 36 / 12

HEX #E13790

RGB 225 55 144

HSL 328.59, 0.74%, 0.55%

LAB 52.68, 70.53, -9.4

 

CMYK 0 / 3 / 76 / 12

HEX #E1DB37

RGB 225 219 55

HSL 57.88, 0.74%, 0.55%

LAB 85.48, -15.57, 75.16

 

CMYK 76 / 0 / 40 / 12

HEX #37E186

RGB 55 225 134

HSL 147.88, 0.74%, 0.55%

LAB 79.83, -62.34, 32.66

 

CMYK 76 / 73 / 0 / 12

HEX #373CE1

RGB 55 60 225

HSL 238.24, 0.74%, 0.55%

LAB 36.89, 52.52, -83.19

 

Description

Color code: RGB 225 55 144 | qconv.com Color code: RGB 225 55 144 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 55 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 55 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 36 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 36% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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