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Color name
RGB 225 39 186

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 39 186 it is the complementary color RGB 30 216 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 39 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 39 186 shade: RGB 230 39 181, RGB 247 57 200, RGB 255 75 219, RGB 255 93 238 and RGB 255 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 39 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 208 21 167, RGB 191 3 148, RGB 174 0 129 and RGB 157 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 225 39 136, RGB 225 39 86 and RGB 225 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 214 39 225, RGB 164 39 225, RGB 114 39 225 and RGB 63 39 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 39 186 shade matches the following richer shades: RGB 225 39 186 and RGB 245 19 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 205 59 175, RGB 186 79 163, RGB 166 98 152 and RGB 146 118 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 39 186 shade: RGB 163 39 225, RGB 213 39 225, RGB 225 39 188, RGB 225 39 138 and RGB 225 39 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 39 186 shade: RGB 160 21 131, RGB 197 26 161, RGB 225 39 186, RGB 230 75 198 and RGB 235 112 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 225 113 39 and RGB 39 225 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 188 225 39 and RGB 39 188 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 225 113 39, RGB 39 225 76 and RGB 39 151 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 39 186 shade: RGB 225 39 186, RGB 225 169 39, RGB 39 225 76 and RGB 39 95 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

Complementary color

CMYK 86 / 0 / 68 / 15

HEX #1ED845

RGB 30 216 69

HSL 132.58, 0.76%, 0.48%

LAB 75.96, -71.1, 57.92

 

CMYK 0 / 83 / 21 / 10

HEX #E627B5

RGB 230 39 181

HSL 315.39, 0.79%, 0.53%

LAB 53.61, 79.88, -29.71

 

CMYK 0 / 77 / 19 / 3

HEX #F739C8

RGB 247 57 200

HSL 314.84, 0.92%, 0.6%

LAB 58.85, 81.64, -32.3

 

CMYK 0 / 71 / 14 / 0

HEX #FF4BDB

RGB 255 75 219

HSL 312, 1%, 0.65%

LAB 62.85, 80.65, -36.75

 

CMYK 0 / 64 / 7 / 0

HEX #FF5DEE

RGB 255 93 238

HSL 306.3, 1%, 0.68%

LAB 65.95, 77.07, -42.5

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 90 / 20 / 18

HEX #D015A7

RGB 208 21 167

HSL 313.16, 0.82%, 0.45%

LAB 47.93, 76.78, -30.64

 

CMYK 0 / 98 / 23 / 25

HEX #BF0394

RGB 191 3 148

HSL 313.72, 0.97%, 0.38%

LAB 43.18, 73.04, -26.88

 

CMYK 0 / 100 / 26 / 32

HEX #AE0081

RGB 174 0 129

HSL 315.52, 1%, 0.34%

LAB 38.87, 67.75, -22.19

 

CMYK 0 / 100 / 30 / 38

HEX #9D006E

RGB 157 0 110

HSL 317.96, 1%, 0.31%

LAB 34.59, 62.1, -17.14

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 83 / 40 / 12

HEX #E12788

RGB 225 39 136

HSL 328.71, 0.76%, 0.52%

LAB 50.96, 73.87, -7.17

 

CMYK 0 / 83 / 62 / 12

HEX #E12756

RGB 225 39 86

HSL 344.84, 0.76%, 0.52%

LAB 49.65, 70.04, 21.36

 

CMYK 0 / 83 / 83 / 12

HEX #E12727

RGB 225 39 39

HSL 0, 0.76%, 0.52%

LAB 49.01, 68.12, 47.76

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 5 / 83 / 0 / 12

HEX #D627E1

RGB 214 39 225

HSL 296.45, 0.76%, 0.52%

LAB 53.15, 82.92, -55.91

 

CMYK 27 / 83 / 0 / 12

HEX #A427E1

RGB 164 39 225

HSL 280.32, 0.76%, 0.52%

LAB 45.33, 74.65, -68.92

 

CMYK 49 / 83 / 0 / 12

HEX #7227E1

RGB 114 39 225

HSL 264.19, 0.76%, 0.52%

LAB 38.66, 67.87, -80.1

 

CMYK 72 / 83 / 0 / 12

HEX #3F27E1

RGB 63 39 225

HSL 247.74, 0.76%, 0.52%

LAB 33.87, 63.23, -88.19

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 92 / 19 / 4

HEX #F513C6

RGB 245 19 198

HSL 312.48, 0.92%, 0.52%

LAB 56.04, 87.87, -35.57

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 71 / 15 / 20

HEX #CD3BAF

RGB 205 59 175

HSL 312.33, 0.59%, 0.52%

LAB 50.92, 68.13, -30.72

 

CMYK 0 / 58 / 12 / 27

HEX #BA4FA3

RGB 186 79 163

HSL 312.9, 0.44%, 0.52%

LAB 50.31, 53.33, -24.86

 

CMYK 0 / 41 / 8 / 35

HEX #A66298

RGB 166 98 152

HSL 312.35, 0.28%, 0.52%

LAB 50.81, 35.58, -17.82

 

CMYK 0 / 19 / 4 / 43

HEX #92768C

RGB 146 118 140

HSL 312.86, 0.11%, 0.52%

LAB 52.91, 14.86, -7.83

 

CMYK 28 / 83 / 0 / 12

HEX #A327E1

RGB 163 39 225

HSL 280, 0.76%, 0.52%

LAB 45.18, 74.5, -69.17

 

CMYK 5 / 83 / 0 / 12

HEX #D527E1

RGB 213 39 225

HSL 296.13, 0.76%, 0.52%

LAB 52.99, 82.75, -56.18

 

CMYK 0 / 83 / 16 / 12

HEX #E127BC

RGB 225 39 188

HSL 311.94, 0.76%, 0.52%

LAB 53.05, 79.72, -34.73

 

CMYK 0 / 83 / 39 / 12

HEX #E1278A

RGB 225 39 138

HSL 328.06, 0.76%, 0.52%

LAB 51.03, 74.06, -8.28

 

CMYK 0 / 83 / 60 / 12

HEX #E12759

RGB 225 39 89

HSL 343.87, 0.76%, 0.52%

LAB 49.71, 70.22, 19.62

 

CMYK 0 / 87 / 18 / 37

HEX #A01583

RGB 160 21 131

HSL 312.52, 0.77%, 0.35%

LAB 37.2, 62.32, -26.23

 

CMYK 0 / 87 / 18 / 23

HEX #C51AA1

RGB 197 26 161

HSL 312.63, 0.77%, 0.44%

LAB 45.88, 73.05, -30.41

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 67 / 14 / 10

HEX #E64BC6

RGB 230 75 198

HSL 312.39, 0.76%, 0.6%

LAB 57.97, 71.84, -32.74

 

CMYK 0 / 52 / 11 / 8

HEX #EB70D1

RGB 235 112 209

HSL 312.68, 0.75%, 0.68%

LAB 64.85, 59.32, -28.26

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 50 / 83 / 12

HEX #E17127

RGB 225 113 39

HSL 23.87, 0.76%, 0.52%

LAB 59.86, 39.17, 57.53

 

CMYK 83 / 0 / 16 / 12

HEX #27E1BC

RGB 39 225 188

HSL 168.06, 0.76%, 0.52%

LAB 80.69, -52.22, 5.69

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 83 / 16 / 0 / 12

HEX #27BCE1

RGB 39 188 225

HSL 191.94, 0.76%, 0.52%

LAB 70.76, -24.63, -29.07

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 50 / 83 / 12

HEX #E17127

RGB 225 113 39

HSL 23.87, 0.76%, 0.52%

LAB 59.86, 39.17, 57.53

 

CMYK 83 / 0 / 66 / 12

HEX #27E14C

RGB 39 225 76

HSL 131.94, 0.76%, 0.52%

LAB 78.93, -72.31, 58.39

 

CMYK 83 / 33 / 0 / 12

HEX #2797E1

RGB 39 151 225

HSL 203.87, 0.76%, 0.52%

LAB 59.89, -4.65, -46.02

 

CMYK 0 / 83 / 17 / 12

HEX #E127BA

RGB 225 39 186

HSL 312.58, 0.76%, 0.52%

LAB 52.95, 79.47, -33.72

 

CMYK 0 / 25 / 83 / 12

HEX #E1A927

RGB 225 169 39

HSL 41.94, 0.76%, 0.52%

LAB 72.58, 9.62, 68.57

 

CMYK 83 / 0 / 66 / 12

HEX #27E14C

RGB 39 225 76

HSL 131.94, 0.76%, 0.52%

LAB 78.93, -72.31, 58.39

 

CMYK 83 / 58 / 0 / 12

HEX #275FE1

RGB 39 95 225

HSL 221.94, 0.76%, 0.52%

LAB 44.31, 29.92, -71.04

 

Description

Color code: RGB 225 39 186 | qconv.com Color code: RGB 225 39 186 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 39 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 39 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 17% 12% C M Y K

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Provide designers and agencies with accurate color values.

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