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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 35 155 it is the complementary color RGB 30 220 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 35 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 35 155 shade: RGB 230 35 150, RGB 247 53 169, RGB 255 71 188, RGB 255 89 207 and RGB 255 107 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 35 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 208 17 136, RGB 191 0 117, RGB 174 0 98 and RGB 157 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 225 35 103, RGB 225 35 52 and RGB 225 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 225 35 206, RGB 192 35 225, RGB 141 35 225 and RGB 90 35 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 35 155 shade matches the following richer shades: RGB 225 35 155 and RGB 245 14 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 204 55 149, RGB 184 75 144, RGB 164 95 139 and RGB 144 115 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 35 155 shade: RGB 193 35 225, RGB 225 35 206, RGB 225 35 155, RGB 225 35 104 and RGB 225 35 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 35 155 shade: RGB 156 21 106, RGB 192 26 131, RGB 225 35 155, RGB 229 71 171 and RGB 234 107 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 225 142 35 and RGB 35 225 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 155 225 35 and RGB 35 155 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 225 142 35, RGB 35 225 104 and RGB 35 117 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 35 155 shade: RGB 225 35 155, RGB 225 199 35, RGB 35 225 104 and RGB 35 60 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

Complementary color

CMYK 86 / 0 / 55 / 14

HEX #1EDC64

RGB 30 220 100

HSL 142.11, 0.76%, 0.49%

LAB 77.51, -68.67, 46.28

 

CMYK 0 / 85 / 35 / 10

HEX #E62396

RGB 230 35 150

HSL 324.62, 0.8%, 0.52%

LAB 52.09, 77.21, -13.77

 

CMYK 0 / 79 / 32 / 3

HEX #F735A9

RGB 247 53 169

HSL 324.12, 0.92%, 0.59%

LAB 57.26, 79.05, -16.86

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 65 / 19 / 0

HEX #FF59CF

RGB 255 89 207

HSL 317.35, 1%, 0.67%

LAB 64.09, 74.15, -28.07

 

CMYK 0 / 58 / 11 / 0

HEX #FF6BE2

RGB 255 107 226

HSL 311.76, 1%, 0.71%

LAB 67.48, 69.64, -33.46

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 92 / 35 / 18

HEX #D01188

RGB 208 17 136

HSL 322.62, 0.85%, 0.44%

LAB 46.43, 73.81, -14.32

 

CMYK 0 / 100 / 39 / 25

HEX #BF0075

RGB 191 0 117

HSL 323.25, 1%, 0.37%

LAB 41.78, 69.99, -9.96

 

CMYK 0 / 100 / 44 / 32

HEX #AE0062

RGB 174 0 98

HSL 326.21, 1%, 0.34%

LAB 37.63, 64.55, -4.55

 

CMYK 0 / 100 / 50 / 38

HEX #9D004F

RGB 157 0 79

HSL 329.81, 1%, 0.31%

LAB 33.42, 59.07, 1.15

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 84 / 54 / 12

HEX #E12367

RGB 225 35 103

HSL 338.53, 0.76%, 0.51%

LAB 49.72, 71.99, 11.08

 

CMYK 0 / 84 / 77 / 12

HEX #E12334

RGB 225 35 52

HSL 354.63, 0.76%, 0.51%

LAB 48.83, 69.37, 40.55

 

CMYK 0 / 84 / 84 / 12

HEX #E12323

RGB 225 35 35

HSL 0, 0.76%, 0.51%

LAB 48.67, 68.91, 49.46

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 84 / 8 / 12

HEX #E123CE

RGB 225 35 206

HSL 306, 0.76%, 0.51%

LAB 53.67, 82.92, -44.14

 

CMYK 15 / 84 / 0 / 12

HEX #C023E1

RGB 192 35 225

HSL 289.58, 0.76%, 0.51%

LAB 49.31, 80.03, -62.27

 

CMYK 37 / 84 / 0 / 12

HEX #8D23E1

RGB 141 35 225

HSL 273.47, 0.76%, 0.51%

LAB 41.69, 72.44, -75

 

CMYK 60 / 84 / 0 / 12

HEX #5A23E1

RGB 90 35 225

HSL 257.37, 0.76%, 0.51%

LAB 35.62, 66.79, -85.21

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 94 / 35 / 4

HEX #F50EA0

RGB 245 14 160

HSL 322.08, 0.92%, 0.51%

LAB 54.31, 84.21, -16.08

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 73 / 27 / 20

HEX #CC3795

RGB 204 55 149

HSL 322.15, 0.59%, 0.51%

LAB 49.18, 65.78, -18.04

 

CMYK 0 / 59 / 22 / 28

HEX #B84B90

RGB 184 75 144

HSL 322.02, 0.43%, 0.51%

LAB 48.56, 51.71, -16.29

 

CMYK 0 / 42 / 15 / 36

HEX #A45F8B

RGB 164 95 139

HSL 321.74, 0.27%, 0.51%

LAB 49.42, 34.3, -12.26

 

CMYK 0 / 20 / 8 / 44

HEX #907385

RGB 144 115 133

HSL 322.76, 0.12%, 0.51%

LAB 51.71, 14.53, -5.53

 

CMYK 14 / 84 / 0 / 12

HEX #C123E1

RGB 193 35 225

HSL 289.89, 0.76%, 0.51%

LAB 49.47, 80.19, -62.01

 

CMYK 0 / 84 / 8 / 12

HEX #E123CE

RGB 225 35 206

HSL 306, 0.76%, 0.51%

LAB 53.67, 82.92, -44.14

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 84 / 54 / 12

HEX #E12368

RGB 225 35 104

HSL 338.21, 0.76%, 0.51%

LAB 49.75, 72.06, 10.5

 

CMYK 0 / 84 / 76 / 12

HEX #E12336

RGB 225 35 54

HSL 354, 0.76%, 0.51%

LAB 48.85, 69.44, 39.44

 

CMYK 0 / 87 / 32 / 39

HEX #9C156A

RGB 156 21 106

HSL 322.22, 0.76%, 0.35%

LAB 35.29, 58.29, -13.54

 

CMYK 0 / 86 / 32 / 25

HEX #C01A83

RGB 192 26 131

HSL 322.05, 0.76%, 0.43%

LAB 43.63, 68.4, -15.8

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 69 / 25 / 10

HEX #E547AB

RGB 229 71 171

HSL 322.03, 0.75%, 0.59%

LAB 56.19, 69.41, -19.92

 

CMYK 0 / 54 / 20 / 8

HEX #EA6BBC

RGB 234 107 188

HSL 321.73, 0.75%, 0.67%

LAB 63.04, 58.2, -19.18

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 37 / 84 / 12

HEX #E18E23

RGB 225 142 35

HSL 33.79, 0.76%, 0.51%

LAB 66.12, 23.92, 64.33

 

CMYK 84 / 0 / 3 / 12

HEX #23E1DA

RGB 35 225 218

HSL 177.79, 0.76%, 0.51%

LAB 81.44, -44.45, -9.14

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 31 / 0 / 84 / 12

HEX #9BE123

RGB 155 225 35

HSL 82.11, 0.76%, 0.51%

LAB 82.35, -46.9, 75.84

 

CMYK 84 / 31 / 0 / 12

HEX #239BE1

RGB 35 155 225

HSL 202.11, 0.76%, 0.51%

LAB 60.99, -7.26, -44.29

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 37 / 84 / 12

HEX #E18E23

RGB 225 142 35

HSL 33.79, 0.76%, 0.51%

LAB 66.12, 23.92, 64.33

 

CMYK 84 / 0 / 54 / 12

HEX #23E168

RGB 35 225 104

HSL 141.79, 0.76%, 0.51%

LAB 79.16, -69.3, 46.42

 

CMYK 84 / 48 / 0 / 12

HEX #2375E1

RGB 35 117 225

HSL 214.11, 0.76%, 0.51%

LAB 50.12, 15.57, -61.63

 

CMYK 0 / 84 / 31 / 12

HEX #E1239B

RGB 225 35 155

HSL 322.11, 0.76%, 0.51%

LAB 51.35, 76.62, -17.95

 

CMYK 0 / 12 / 84 / 12

HEX #E1C723

RGB 225 199 35

HSL 51.79, 0.76%, 0.51%

LAB 80.17, -6.15, 76

 

CMYK 84 / 0 / 54 / 12

HEX #23E168

RGB 35 225 104

HSL 141.79, 0.76%, 0.51%

LAB 79.16, -69.3, 46.42

 

CMYK 84 / 73 / 0 / 12

HEX #233CE1

RGB 35 60 225

HSL 232.11, 0.76%, 0.51%

LAB 36.03, 51.22, -84.64

 

Description

Color code: RGB 225 35 155 | qconv.com Color code: RGB 225 35 155 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 35 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 35 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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