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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 33 151 it is the complementary color RGB 30 222 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 33 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 33 151 shade: RGB 230 33 146, RGB 247 51 165, RGB 255 69 184, RGB 255 87 203 and RGB 255 105 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 33 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 33 151 shade: RGB 225 33 151, RGB 208 15 132, RGB 191 0 113, RGB 174 0 94 and RGB 157 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 33 151 shade: RGB 225 35 151, RGB 225 35 100, RGB 225 35 49 and RGB 225 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 33 151 shade: RGB 225 35 151, RGB 225 35 203, RGB 195 35 225, RGB 144 35 225 and RGB 93 35 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 33 151 shade matches the following richer shades: RGB 225 35 151 and RGB 245 14 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 33 151 shade: RGB 225 35 151, RGB 204 55 147, RGB 184 75 142, RGB 164 95 137 and RGB 144 115 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 33 151 shade: RGB 196 35 225, RGB 225 35 202, RGB 225 35 152, RGB 225 35 101 and RGB 225 35 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 33 151 shade: RGB 156 21 104, RGB 192 26 128, RGB 225 35 151, RGB 229 71 168 and RGB 234 107 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 33 151 shade: RGB 225 33 151, RGB 225 145 35 and RGB 35 225 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 33 151 shade: RGB 225 33 151, RGB 152 225 35 and RGB 35 152 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 33 151 shade: RGB 225 33 151, RGB 225 145 35, RGB 35 225 107 and RGB 35 114 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 33 151 shade: RGB 225 33 151, RGB 225 202 35, RGB 35 225 107 and RGB 35 57 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 33 / 12

HEX #E12197

RGB 225 33 151

HSL 323.13, 0.76%, 0.51%

LAB 51.07, 76.58, -16

 

Complementary color

CMYK 86 / 0 / 53 / 13

HEX #1EDE68

RGB 30 222 104

HSL 143.13, 0.76%, 0.49%

LAB 78.18, -68.74, 45.22

 

CMYK 0 / 86 / 37 / 10

HEX #E62192

RGB 230 33 146

HSL 325.58, 0.8%, 0.52%

LAB 51.82, 77.19, -11.79

 

CMYK 0 / 79 / 33 / 3

HEX #F733A5

RGB 247 51 165

HSL 325.1, 0.92%, 0.58%

LAB 56.94, 79.12, -15

 

CMYK 0 / 73 / 28 / 0

HEX #FF45B8

RGB 255 69 184

HSL 322.9, 1%, 0.64%

LAB 60.76, 78.12, -20.08

 

CMYK 0 / 66 / 20 / 0

HEX #FF57CB

RGB 255 87 203

HSL 318.57, 1%, 0.67%

LAB 63.66, 74.36, -26.46

 

CMYK 0 / 59 / 13 / 0

HEX #FF69DE

RGB 255 105 222

HSL 313.2, 1%, 0.71%

LAB 67, 69.89, -31.97

 

CMYK 0 / 85 / 33 / 12

HEX #E12197

RGB 225 33 151

HSL 323.13, 0.76%, 0.51%

LAB 51.07, 76.58, -16

 

CMYK 0 / 93 / 37 / 18

HEX #D00F84

RGB 208 15 132

HSL 323.63, 0.87%, 0.44%

LAB 46.2, 73.64, -12.22

 

CMYK 0 / 100 / 41 / 25

HEX #BF0071

RGB 191 0 113

HSL 324.5, 1%, 0.37%

LAB 41.64, 69.62, -7.68

 

CMYK 0 / 100 / 46 / 32

HEX #AE005E

RGB 174 0 94

HSL 327.59, 1%, 0.34%

LAB 37.49, 64.2, -2.19

 

CMYK 0 / 100 / 52 / 38

HEX #9D004B

RGB 157 0 75

HSL 331.34, 1%, 0.31%

LAB 33.3, 58.75, 3.61

 

CMYK 0 / 84 / 33 / 12

HEX #E12397

RGB 225 35 151

HSL 323.37, 0.76%, 0.51%

LAB 51.2, 76.2, -15.8

 

CMYK 0 / 84 / 56 / 12

HEX #E12364

RGB 225 35 100

HSL 339.47, 0.76%, 0.51%

LAB 49.65, 71.78, 12.81

 

CMYK 0 / 84 / 78 / 12

HEX #E12331

RGB 225 35 49

HSL 355.58, 0.76%, 0.51%

LAB 48.8, 69.28, 42.2

 

CMYK 0 / 84 / 84 / 12

HEX #E12323

RGB 225 35 35

HSL 0, 0.76%, 0.51%

LAB 48.67, 68.91, 49.46

 

CMYK 0 / 84 / 33 / 12

HEX #E12397

RGB 225 35 151

HSL 323.37, 0.76%, 0.51%

LAB 51.2, 76.2, -15.8

 

CMYK 0 / 84 / 10 / 12

HEX #E123CB

RGB 225 35 203

HSL 306.95, 0.76%, 0.51%

LAB 53.52, 82.5, -42.66

 

CMYK 13 / 84 / 0 / 12

HEX #C323E1

RGB 195 35 225

HSL 290.53, 0.76%, 0.51%

LAB 49.79, 80.52, -61.48

 

CMYK 36 / 84 / 0 / 12

HEX #9023E1

RGB 144 35 225

HSL 274.42, 0.76%, 0.51%

LAB 42.1, 72.84, -74.31

 

CMYK 59 / 84 / 0 / 12

HEX #5D23E1

RGB 93 35 225

HSL 258.32, 0.76%, 0.51%

LAB 35.92, 67.05, -84.71

 

CMYK 0 / 84 / 33 / 12

HEX #E12397

RGB 225 35 151

HSL 323.37, 0.76%, 0.51%

LAB 51.2, 76.2, -15.8

 

CMYK 0 / 94 / 36 / 4

HEX #F50E9C

RGB 245 14 156

HSL 323.12, 0.92%, 0.51%

LAB 54.16, 83.82, -13.93

 

CMYK 0 / 84 / 33 / 12

HEX #E12397

RGB 225 35 151

HSL 323.37, 0.76%, 0.51%

LAB 51.2, 76.2, -15.8

 

CMYK 0 / 73 / 28 / 20

HEX #CC3793

RGB 204 55 147

HSL 322.95, 0.59%, 0.51%

LAB 49.1, 65.53, -16.96

 

CMYK 0 / 59 / 23 / 28

HEX #B84B8E

RGB 184 75 142

HSL 323.12, 0.43%, 0.51%

LAB 48.48, 51.42, -15.21

 

CMYK 0 / 42 / 16 / 36

HEX #A45F89

RGB 164 95 137

HSL 323.48, 0.27%, 0.51%

LAB 49.35, 33.97, -11.17

 

CMYK 0 / 20 / 8 / 44

HEX #907385

RGB 144 115 133

HSL 322.76, 0.12%, 0.51%

LAB 51.71, 14.53, -5.53

 

CMYK 13 / 84 / 0 / 12

HEX #C423E1

RGB 196 35 225

HSL 290.84, 0.76%, 0.51%

LAB 49.95, 80.69, -61.21

 

CMYK 0 / 84 / 10 / 12

HEX #E123CA

RGB 225 35 202

HSL 307.26, 0.76%, 0.51%

LAB 53.46, 82.37, -42.17

 

CMYK 0 / 84 / 32 / 12

HEX #E12398

RGB 225 35 152

HSL 323.05, 0.76%, 0.51%

LAB 51.24, 76.3, -16.34

 

CMYK 0 / 84 / 55 / 12

HEX #E12365

RGB 225 35 101

HSL 339.16, 0.76%, 0.51%

LAB 49.68, 71.85, 12.23

 

CMYK 0 / 84 / 78 / 12

HEX #E12332

RGB 225 35 50

HSL 355.26, 0.76%, 0.51%

LAB 48.81, 69.31, 41.66

 

CMYK 0 / 87 / 33 / 39

HEX #9C1568

RGB 156 21 104

HSL 323.11, 0.76%, 0.35%

LAB 35.21, 58.06, -12.38

 

CMYK 0 / 86 / 33 / 25

HEX #C01A80

RGB 192 26 128

HSL 323.13, 0.76%, 0.43%

LAB 43.51, 68.07, -14.14

 

CMYK 0 / 84 / 33 / 12

HEX #E12397

RGB 225 35 151

HSL 323.37, 0.76%, 0.51%

LAB 51.2, 76.2, -15.8

 

CMYK 0 / 69 / 27 / 10

HEX #E547A8

RGB 229 71 168

HSL 323.16, 0.75%, 0.59%

LAB 56.08, 69.04, -18.34

 

CMYK 0 / 54 / 21 / 8

HEX #EA6BB9

RGB 234 107 185

HSL 323.15, 0.75%, 0.67%

LAB 62.94, 57.78, -17.64

 

CMYK 0 / 85 / 33 / 12

HEX #E12197

RGB 225 33 151

HSL 323.13, 0.76%, 0.51%

LAB 51.07, 76.58, -16

 

CMYK 0 / 36 / 84 / 12

HEX #E19123

RGB 225 145 35

HSL 34.74, 0.76%, 0.51%

LAB 66.81, 22.32, 64.91

 

CMYK 84 / 0 / 2 / 12

HEX #23E1DD

RGB 35 225 221

HSL 178.74, 0.76%, 0.51%

LAB 81.53, -43.6, -10.6

 

CMYK 0 / 85 / 33 / 12

HEX #E12197

RGB 225 33 151

HSL 323.13, 0.76%, 0.51%

LAB 51.07, 76.58, -16

 

CMYK 32 / 0 / 84 / 12

HEX #98E123

RGB 152 225 35

HSL 83.05, 0.76%, 0.51%

LAB 82.19, -47.98, 75.64

 

CMYK 84 / 32 / 0 / 12

HEX #2398E1

RGB 35 152 225

HSL 203.05, 0.76%, 0.51%

LAB 60.11, -5.55, -45.67

 

CMYK 0 / 85 / 33 / 12

HEX #E12197

RGB 225 33 151

HSL 323.13, 0.76%, 0.51%

LAB 51.07, 76.58, -16

 

CMYK 0 / 36 / 84 / 12

HEX #E19123

RGB 225 145 35

HSL 34.74, 0.76%, 0.51%

LAB 66.81, 22.32, 64.91

 

CMYK 84 / 0 / 52 / 12

HEX #23E16B

RGB 35 225 107

HSL 142.74, 0.76%, 0.51%

LAB 79.2, -68.87, 45.05

 

CMYK 84 / 49 / 0 / 12

HEX #2372E1

RGB 35 114 225

HSL 215.05, 0.76%, 0.51%

LAB 49.29, 17.47, -62.96

 

CMYK 0 / 85 / 33 / 12

HEX #E12197

RGB 225 33 151

HSL 323.13, 0.76%, 0.51%

LAB 51.07, 76.58, -16

 

CMYK 0 / 10 / 84 / 12

HEX #E1CA23

RGB 225 202 35

HSL 52.74, 0.76%, 0.51%

LAB 80.94, -7.68, 76.64

 

CMYK 84 / 0 / 52 / 12

HEX #23E16B

RGB 35 225 107

HSL 142.74, 0.76%, 0.51%

LAB 79.2, -68.87, 45.05

 

CMYK 84 / 75 / 0 / 12

HEX #2339E1

RGB 35 57 225

HSL 233.05, 0.76%, 0.51%

LAB 35.44, 52.89, -85.62

 

Description

Color code: RGB 225 33 151 | qconv.com Color code: RGB 225 33 151 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 33 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 33 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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