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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 237 88 it is the complementary color RGB 30 18 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 237 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 237 88 shade: RGB 230 237 83, RGB 247 255 102, RGB 255 255 121, RGB 255 255 140 and RGB 255 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 237 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 208 219 69, RGB 191 201 50, RGB 174 183 31 and RGB 157 165 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 237 209 88, RGB 237 169 88, RGB 237 129 88 and RGB 237 89 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 185 237 88, RGB 145 237 88, RGB 105 237 88 and RGB 88 237 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 237 88 shade matches the following richer shades: RGB 225 237 88 and RGB 238 252 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 213 222 103, RGB 200 207 118, RGB 188 192 133 and RGB 175 178 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 237 88 shade: RGB 237 168 88, RGB 237 207 88, RGB 227 237 88, RGB 187 237 88 and RGB 148 237 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 237 88 shade: RGB 204 220 23, RGB 218 233 51, RGB 225 237 88, RGB 232 241 126 and RGB 238 245 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 88 237 128 and RGB 187 88 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 88 227 237 and RGB 237 88 227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 88 237 128, RGB 98 88 237 and RGB 237 88 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 237 88 shade: RGB 225 237 88, RGB 88 237 173, RGB 98 88 237 and RGB 237 88 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

Complementary color

CMYK 82 / 89 / 0 / 35

HEX #1E12A7

RGB 30 18 167

HSL 244.83, 0.81%, 0.36%

LAB 21.94, 53.07, -73.93

 

CMYK 3 / 0 / 65 / 7

HEX #E6ED53

RGB 230 237 83

HSL 62.73, 0.81%, 0.63%

LAB 90.79, -20.95, 70.72

 

CMYK 3 / 0 / 60 / 0

HEX #F7FF66

RGB 247 255 102

HSL 63.14, 1%, 0.7%

LAB 96.92, -21.61, 70.07

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 5 / 0 / 68 / 14

HEX #D0DB45

RGB 208 219 69

HSL 64.4, 0.68%, 0.56%

LAB 84.23, -21.98, 68.79

 

CMYK 5 / 0 / 75 / 21

HEX #BFC932

RGB 191 201 50

HSL 63.97, 0.6%, 0.49%

LAB 77.92, -21.15, 68.79

 

CMYK 5 / 0 / 83 / 28

HEX #AEB71F

RGB 174 183 31

HSL 63.55, 0.71%, 0.42%

LAB 71.53, -20.15, 67.98

 

CMYK 5 / 0 / 93 / 35

HEX #9DA50C

RGB 157 165 12

HSL 63.14, 0.86%, 0.35%

LAB 65.05, -18.93, 65.87

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 0 / 12 / 63 / 7

HEX #EDD158

RGB 237 209 88

HSL 48.72, 0.81%, 0.64%

LAB 84.13, -3.89, 61.84

 

CMYK 0 / 29 / 63 / 7

HEX #EDA958

RGB 237 169 88

HSL 32.62, 0.81%, 0.64%

LAB 74.24, 16.98, 50.85

 

CMYK 0 / 46 / 63 / 7

HEX #ED8158

RGB 237 129 88

HSL 16.51, 0.81%, 0.64%

LAB 65.29, 37.98, 40.35

 

CMYK 0 / 62 / 63 / 7

HEX #ED5958

RGB 237 89 88

HSL 0.4, 0.81%, 0.64%

LAB 57.9, 56.97, 31.25

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 22 / 0 / 63 / 7

HEX #B9ED58

RGB 185 237 88

HSL 80.94, 0.81%, 0.64%

LAB 87.77, -38.2, 64.65

 

CMYK 39 / 0 / 63 / 7

HEX #91ED58

RGB 145 237 88

HSL 97.05, 0.81%, 0.64%

LAB 85.65, -52.18, 61.73

 

CMYK 56 / 0 / 63 / 7

HEX #69ED58

RGB 105 237 88

HSL 113.15, 0.81%, 0.64%

LAB 84.11, -63.58, 59.59

 

CMYK 63 / 0 / 53 / 7

HEX #58ED70

RGB 88 237 112

HSL 129.66, 0.81%, 0.64%

LAB 83.87, -64.62, 48.61

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 6 / 0 / 71 / 1

HEX #EEFC49

RGB 238 252 73

HSL 64.69, 0.97%, 0.64%

LAB 95.28, -25.39, 78.96

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 4 / 0 / 54 / 13

HEX #D5DE67

RGB 213 222 103

HSL 64.54, 0.64%, 0.64%

LAB 85.69, -19.12, 56.42

 

CMYK 3 / 0 / 43 / 19

HEX #C8CF76

RGB 200 207 118

HSL 64.72, 0.48%, 0.64%

LAB 80.86, -15.47, 43.28

 

CMYK 2 / 0 / 31 / 25

HEX #BCC085

RGB 188 192 133

HSL 64.07, 0.32%, 0.64%

LAB 76.12, -10.8, 29.34

 

CMYK 2 / 0 / 17 / 30

HEX #AFB294

RGB 175 178 148

HSL 66, 0.16%, 0.64%

LAB 71.62, -6.29, 15

 

CMYK 0 / 29 / 63 / 7

HEX #EDA858

RGB 237 168 88

HSL 32.21, 0.81%, 0.64%

LAB 74.01, 17.51, 50.58

 

CMYK 0 / 13 / 63 / 7

HEX #EDCF58

RGB 237 207 88

HSL 47.92, 0.81%, 0.64%

LAB 83.62, -2.87, 61.29

 

CMYK 4 / 0 / 63 / 7

HEX #E3ED58

RGB 227 237 88

HSL 64.03, 0.81%, 0.64%

LAB 90.6, -21.86, 68.51

 

CMYK 21 / 0 / 63 / 7

HEX #BBED58

RGB 187 237 88

HSL 80.13, 0.81%, 0.64%

LAB 87.89, -37.46, 64.81

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 7 / 0 / 90 / 14

HEX #CCDC17

RGB 204 220 23

HSL 64.87, 0.81%, 0.48%

LAB 84.01, -25.71, 80.69

 

CMYK 6 / 0 / 78 / 9

HEX #DAE933

RGB 218 233 51

HSL 64.95, 0.81%, 0.56%

LAB 88.65, -25.4, 78.97

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 4 / 0 / 48 / 5

HEX #E8F17E

RGB 232 241 126

HSL 64.7, 0.8%, 0.72%

LAB 92.39, -18.9, 54.08

 

CMYK 3 / 0 / 33 / 4

HEX #EEF5A3

RGB 238 245 163

HSL 65.12, 0.8%, 0.8%

LAB 94.37, -14.66, 38.77

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 63 / 0 / 46 / 7

HEX #58ED80

RGB 88 237 128

HSL 136.11, 0.81%, 0.64%

LAB 84.07, -62.34, 41.25

 

CMYK 21 / 63 / 0 / 7

HEX #BB58ED

RGB 187 88 237

HSL 279.87, 0.81%, 0.64%

LAB 55.74, 63.16, -58.72

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 63 / 4 / 0 / 7

HEX #58E3ED

RGB 88 227 237

HSL 184.03, 0.81%, 0.64%

LAB 83.51, -34.15, -16.02

 

CMYK 0 / 63 / 4 / 7

HEX #ED58E3

RGB 237 88 227

HSL 304.03, 0.81%, 0.64%

LAB 62.11, 73, -42.59

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 63 / 0 / 46 / 7

HEX #58ED80

RGB 88 237 128

HSL 136.11, 0.81%, 0.64%

LAB 84.07, -62.34, 41.25

 

CMYK 59 / 63 / 0 / 7

HEX #6258ED

RGB 98 88 237

HSL 244.03, 0.81%, 0.64%

LAB 46.57, 45.53, -74.01

 

CMYK 0 / 63 / 17 / 7

HEX #ED58C5

RGB 237 88 197

HSL 316.11, 0.81%, 0.64%

LAB 60.8, 68.52, -27.71

 

CMYK 5 / 0 / 63 / 7

HEX #E1ED58

RGB 225 237 88

HSL 64.83, 0.81%, 0.64%

LAB 90.45, -22.66, 68.31

 

CMYK 63 / 0 / 27 / 7

HEX #58EDAD

RGB 88 237 173

HSL 154.23, 0.81%, 0.64%

LAB 84.82, -54.19, 19.53

 

CMYK 59 / 63 / 0 / 7

HEX #6258ED

RGB 98 88 237

HSL 244.03, 0.81%, 0.64%

LAB 46.57, 45.53, -74.01

 

CMYK 0 / 63 / 35 / 7

HEX #ED5899

RGB 237 88 153

HSL 333.83, 0.81%, 0.64%

LAB 59.24, 62.98, -4.73

 

Description

Color code: RGB 225 237 88 | qconv.com Color code: RGB 225 237 88 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 237 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 237 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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