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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 220 119 it is the complementary color RGB 30 35 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 220 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 220 119 shade: RGB 230 220 114, RGB 247 238 133, RGB 255 255 152, RGB 255 255 171 and RGB 255 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 220 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 220 119 shade: RGB 225 220 119, RGB 208 202 100, RGB 191 184 81, RGB 174 166 62 and RGB 157 148 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 220 119 shade: RGB 224 219 116, RGB 224 190 116, RGB 224 161 116, RGB 224 132 116 and RGB 224 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 220 119 shade: RGB 224 219 116, RGB 200 224 116, RGB 171 224 116, RGB 142 224 116 and RGB 116 224 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 220 119 shade matches the following richer shades: RGB 224 219 116, RGB 238 231 103 and RGB 251 244 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 220 119 shade: RGB 224 219 116, RGB 211 207 130, RGB 197 194 144, RGB 183 182 157 and RGB 170 170 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 220 119 shade: RGB 224 161 116, RGB 224 190 116, RGB 224 219 116, RGB 201 224 116 and RGB 172 224 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 220 119 shade: RGB 209 202 49, RGB 217 210 83, RGB 224 219 116, RGB 232 228 150 and RGB 239 236 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 220 119 shade: RGB 225 220 119, RGB 116 224 133 and RGB 176 116 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 220 119 shade: RGB 225 220 119, RGB 116 224 219 and RGB 219 116 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 220 119 shade: RGB 225 220 119, RGB 116 224 133, RGB 116 122 224 and RGB 224 116 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 220 119 shade: RGB 225 220 119, RGB 116 224 165, RGB 116 122 224 and RGB 224 116 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 47 / 12

HEX #E1DC77

RGB 225 220 119

HSL 57.17, 0.64%, 0.67%

LAB 86.27, -11.96, 49.88

 

Complementary color

CMYK 78 / 74 / 0 / 47

HEX #1E2388

RGB 30 35 136

HSL 237.17, 0.64%, 0.33%

LAB 21.04, 34.68, -56.32

 

CMYK 0 / 4 / 50 / 10

HEX #E6DC72

RGB 230 220 114

HSL 54.83, 0.7%, 0.67%

LAB 86.61, -10.4, 52.76

 

CMYK 0 / 4 / 46 / 3

HEX #F7EE85

RGB 247 238 133

HSL 55.26, 0.88%, 0.75%

LAB 92.85, -10.92, 51.61

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 2 / 47 / 12

HEX #E1DC77

RGB 225 220 119

HSL 57.17, 0.64%, 0.67%

LAB 86.27, -11.96, 49.88

 

CMYK 0 / 3 / 52 / 18

HEX #D0CA64

RGB 208 202 100

HSL 56.67, 0.53%, 0.6%

LAB 79.94, -11.43, 51.02

 

CMYK 0 / 4 / 58 / 25

HEX #BFB851

RGB 191 184 81

HSL 56.18, 0.46%, 0.53%

LAB 73.51, -10.79, 52.11

 

CMYK 0 / 5 / 64 / 32

HEX #AEA63E

RGB 174 166 62

HSL 55.71, 0.47%, 0.46%

LAB 66.99, -10.02, 53.03

 

CMYK 0 / 6 / 73 / 38

HEX #9D942B

RGB 157 148 43

HSL 55.26, 0.57%, 0.39%

LAB 60.36, -9.07, 53.58

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB74

RGB 224 219 116

HSL 57.22, 0.64%, 0.67%

LAB 85.89, -12.13, 50.83

 

CMYK 0 / 15 / 48 / 12

HEX #E0BE74

RGB 224 190 116

HSL 41.11, 0.64%, 0.67%

LAB 78.42, 2.74, 41.69

 

CMYK 0 / 28 / 48 / 12

HEX #E0A174

RGB 224 161 116

HSL 25, 0.64%, 0.67%

LAB 71.28, 18.16, 32.62

 

CMYK 0 / 41 / 48 / 12

HEX #E08474

RGB 224 132 116

HSL 8.89, 0.64%, 0.67%

LAB 64.65, 33.63, 23.89

 

CMYK 0 / 48 / 48 / 12

HEX #E07474

RGB 224 116 116

HSL 0, 0.64%, 0.67%

LAB 61.31, 41.91, 19.37

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB74

RGB 224 219 116

HSL 57.22, 0.64%, 0.67%

LAB 85.89, -12.13, 50.83

 

CMYK 11 / 0 / 48 / 12

HEX #C8E074

RGB 200 224 116

HSL 73.33, 0.64%, 0.67%

LAB 85.43, -24.03, 49.85

 

CMYK 24 / 0 / 48 / 12

HEX #ABE074

RGB 171 224 116

HSL 89.44, 0.64%, 0.67%

LAB 83.56, -34.88, 47.15

 

CMYK 37 / 0 / 48 / 12

HEX #8EE074

RGB 142 224 116

HSL 105.56, 0.64%, 0.67%

LAB 82.01, -44.79, 44.9

 

CMYK 48 / 0 / 46 / 12

HEX #74E078

RGB 116 224 120

HSL 122.22, 0.64%, 0.67%

LAB 80.95, -51.99, 41.39

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB74

RGB 224 219 116

HSL 57.22, 0.64%, 0.67%

LAB 85.89, -12.13, 50.83

 

CMYK 0 / 3 / 57 / 7

HEX #EEE767

RGB 238 231 103

HSL 56.89, 0.8%, 0.67%

LAB 90, -13.51, 61.84

 

CMYK 0 / 3 / 65 / 2

HEX #FBF459

RGB 251 244 89

HSL 57.41, 0.95%, 0.67%

LAB 94.28, -15.51, 72.53

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB74

RGB 224 219 116

HSL 57.22, 0.64%, 0.67%

LAB 85.89, -12.13, 50.83

 

CMYK 0 / 2 / 38 / 17

HEX #D3CF82

RGB 211 207 130

HSL 57.04, 0.48%, 0.67%

LAB 81.89, -9.84, 38.75

 

CMYK 0 / 2 / 27 / 23

HEX #C5C290

RGB 197 194 144

HSL 56.6, 0.31%, 0.67%

LAB 77.56, -6.9, 25.6

 

CMYK 0 / 1 / 14 / 28

HEX #B7B69D

RGB 183 182 157

HSL 57.69, 0.15%, 0.67%

LAB 73.52, -3.98, 12.87

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 0 / 28 / 48 / 12

HEX #E0A174

RGB 224 161 116

HSL 25, 0.64%, 0.67%

LAB 71.28, 18.16, 32.62

 

CMYK 0 / 15 / 48 / 12

HEX #E0BE74

RGB 224 190 116

HSL 41.11, 0.64%, 0.67%

LAB 78.42, 2.74, 41.69

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB74

RGB 224 219 116

HSL 57.22, 0.64%, 0.67%

LAB 85.89, -12.13, 50.83

 

CMYK 10 / 0 / 48 / 12

HEX #C9E074

RGB 201 224 116

HSL 72.78, 0.64%, 0.67%

LAB 85.5, -23.65, 49.95

 

CMYK 23 / 0 / 48 / 12

HEX #ACE074

RGB 172 224 116

HSL 88.89, 0.64%, 0.67%

LAB 83.62, -34.52, 47.24

 

CMYK 0 / 3 / 77 / 18

HEX #D1CA31

RGB 209 202 49

HSL 57.38, 0.63%, 0.51%

LAB 79.62, -14.09, 71.19

 

CMYK 0 / 3 / 62 / 15

HEX #D9D253

RGB 217 210 83

HSL 56.87, 0.64%, 0.59%

LAB 82.63, -13.01, 61.85

 

CMYK 0 / 2 / 48 / 12

HEX #E0DB74

RGB 224 219 116

HSL 57.22, 0.64%, 0.67%

LAB 85.89, -12.13, 50.83

 

CMYK 0 / 2 / 35 / 9

HEX #E8E496

RGB 232 228 150

HSL 57.07, 0.64%, 0.75%

LAB 89.32, -10.03, 38.59

 

CMYK 0 / 1 / 23 / 6

HEX #EFECB8

RGB 239 236 184

HSL 56.73, 0.63%, 0.83%

LAB 92.49, -7.14, 25.65

 

CMYK 0 / 2 / 47 / 12

HEX #E1DC77

RGB 225 220 119

HSL 57.17, 0.64%, 0.67%

LAB 86.27, -11.96, 49.88

 

CMYK 48 / 0 / 41 / 12

HEX #74E085

RGB 116 224 133

HSL 129.44, 0.64%, 0.67%

LAB 81.14, -50.05, 35.18

 

CMYK 21 / 48 / 0 / 12

HEX #B074E0

RGB 176 116 224

HSL 273.33, 0.64%, 0.67%

LAB 59.07, 43.49, -46.23

 

CMYK 0 / 2 / 47 / 12

HEX #E1DC77

RGB 225 220 119

HSL 57.17, 0.64%, 0.67%

LAB 86.27, -11.96, 49.88

 

CMYK 48 / 0 / 2 / 12

HEX #74E0DB

RGB 116 224 219

HSL 177.22, 0.64%, 0.67%

LAB 82.99, -32.28, -7.17

 

CMYK 2 / 48 / 0 / 12

HEX #DB74E0

RGB 219 116 224

HSL 297.22, 0.64%, 0.67%

LAB 64.11, 55.4, -37.96

 

CMYK 0 / 2 / 47 / 12

HEX #E1DC77

RGB 225 220 119

HSL 57.17, 0.64%, 0.67%

LAB 86.27, -11.96, 49.88

 

CMYK 48 / 0 / 41 / 12

HEX #74E085

RGB 116 224 133

HSL 129.44, 0.64%, 0.67%

LAB 81.14, -50.05, 35.18

 

CMYK 48 / 46 / 0 / 12

HEX #747AE0

RGB 116 122 224

HSL 236.67, 0.64%, 0.67%

LAB 55.09, 24.76, -52.89

 

CMYK 0 / 48 / 7 / 12

HEX #E074D0

RGB 224 116 208

HSL 308.89, 0.64%, 0.67%

LAB 64.07, 54.05, -29.02

 

CMYK 0 / 2 / 47 / 12

HEX #E1DC77

RGB 225 220 119

HSL 57.17, 0.64%, 0.67%

LAB 86.27, -11.96, 49.88

 

CMYK 48 / 0 / 26 / 12

HEX #74E0A5

RGB 116 224 165

HSL 147.22, 0.64%, 0.67%

LAB 81.7, -44.4, 19.48

 

CMYK 48 / 46 / 0 / 12

HEX #747AE0

RGB 116 122 224

HSL 236.67, 0.64%, 0.67%

LAB 55.09, 24.76, -52.89

 

CMYK 0 / 48 / 21 / 12

HEX #E074B0

RGB 224 116 176

HSL 326.67, 0.64%, 0.67%

LAB 62.9, 49.08, -12.7

 

Description

Color code: RGB 225 220 119 | qconv.com Color code: RGB 225 220 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 220 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 220 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 47 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 47% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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