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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 194 85 it is the complementary color RGB 30 61 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 194 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 194 85 shade: RGB 230 194 80, RGB 247 212 99, RGB 255 230 118, RGB 255 248 137 and RGB 255 255 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 194 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 208 176 66, RGB 191 158 47, RGB 174 140 28 and RGB 157 122 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 225 156 85, RGB 225 119 85 and RGB 225 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 218 225 85, RGB 180 225 85, RGB 143 225 85 and RGB 105 225 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 194 85 shade matches the following richer shades: RGB 225 194 85 and RGB 241 203 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 209 185 102, RGB 192 176 118, RGB 176 167 134 and RGB 160 158 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 194 85 shade: RGB 225 118 85, RGB 225 155 85, RGB 225 192 85, RGB 220 225 85 and RGB 183 225 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 194 85 shade: RGB 194 158 34, RGB 218 181 50, RGB 225 194 85, RGB 231 206 121 and RGB 237 219 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 90 225 85 and RGB 136 85 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 85 225 192 and RGB 192 85 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 90 225 85, RGB 85 118 225 and RGB 220 85 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 194 85 shade: RGB 225 194 85, RGB 85 225 123, RGB 85 118 225 and RGB 225 85 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

Complementary color

CMYK 82 / 64 / 0 / 33

HEX #1E3DAA

RGB 30 61 170

HSL 226.71, 0.7%, 0.39%

LAB 30.68, 30.52, -61.3

 

CMYK 0 / 16 / 65 / 10

HEX #E6C250

RGB 230 194 80

HSL 45.6, 0.75%, 0.61%

LAB 79.61, 0.41, 60.22

 

CMYK 0 / 14 / 60 / 3

HEX #F7D463

RGB 247 212 99

HSL 45.81, 0.9%, 0.68%

LAB 85.89, -0.57, 59.2

 

CMYK 0 / 10 / 54 / 0

HEX #FFE676

RGB 255 230 118

HSL 49.05, 1%, 0.73%

LAB 91.31, -5.04, 56.95

 

CMYK 0 / 3 / 46 / 0

HEX #FFF889

RGB 255 248 137

HSL 56.44, 1%, 0.77%

LAB 96.08, -12.35, 53.81

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 0 / 15 / 68 / 18

HEX #D0B042

RGB 208 176 66

HSL 46.48, 0.6%, 0.54%

LAB 72.8, -0.33, 58.36

 

CMYK 0 / 17 / 75 / 25

HEX #BF9E2F

RGB 191 158 47

HSL 46.25, 0.61%, 0.47%

LAB 66.32, 0.9, 58.92

 

CMYK 0 / 20 / 84 / 32

HEX #AE8C1C

RGB 174 140 28

HSL 46.03, 0.72%, 0.4%

LAB 59.74, 2.38, 58.75

 

CMYK 0 / 22 / 94 / 38

HEX #9D7A09

RGB 157 122 9

HSL 45.81, 0.89%, 0.33%

LAB 53.07, 4.16, 57.17

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 0 / 31 / 62 / 12

HEX #E19C55

RGB 225 156 85

HSL 30.43, 0.7%, 0.61%

LAB 69.78, 18.73, 46.83

 

CMYK 0 / 47 / 62 / 12

HEX #E17755

RGB 225 119 85

HSL 14.57, 0.7%, 0.61%

LAB 61.53, 38.27, 37.03

 

CMYK 0 / 62 / 62 / 12

HEX #E15555

RGB 225 85 85

HSL 0, 0.7%, 0.61%

LAB 55.24, 54.5, 29.2

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 3 / 0 / 62 / 12

HEX #DAE155

RGB 218 225 85

HSL 63, 0.7%, 0.61%

LAB 86.71, -19.88, 65.39

 

CMYK 20 / 0 / 62 / 12

HEX #B4E155

RGB 180 225 85

HSL 79.29, 0.7%, 0.61%

LAB 84.07, -34.89, 61.79

 

CMYK 36 / 0 / 62 / 12

HEX #8FE155

RGB 143 225 85

HSL 95.14, 0.7%, 0.61%

LAB 82.03, -48.17, 58.96

 

CMYK 53 / 0 / 62 / 12

HEX #69E155

RGB 105 225 85

HSL 111.43, 0.7%, 0.61%

LAB 80.47, -59.51, 56.79

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 0 / 16 / 71 / 5

HEX #F1CB45

RGB 241 203 69

HSL 46.74, 0.86%, 0.61%

LAB 82.83, -0.18, 68.33

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 0 / 11 / 51 / 18

HEX #D1B966

RGB 209 185 102

HSL 46.54, 0.54%, 0.61%

LAB 75.58, -2.07, 44.89

 

CMYK 0 / 8 / 39 / 25

HEX #C0B076

RGB 192 176 118

HSL 47.03, 0.37%, 0.61%

LAB 71.94, -2.69, 31.8

 

CMYK 0 / 5 / 24 / 31

HEX #B0A786

RGB 176 167 134

HSL 47.14, 0.21%, 0.61%

LAB 68.45, -2.17, 18.27

 

CMYK 0 / 1 / 6 / 37

HEX #A09E96

RGB 160 158 150

HSL 48, 0.05%, 0.61%

LAB 65.07, -0.75, 4.42

 

CMYK 0 / 48 / 62 / 12

HEX #E17655

RGB 225 118 85

HSL 14.14, 0.7%, 0.61%

LAB 61.33, 38.78, 36.78

 

CMYK 0 / 31 / 62 / 12

HEX #E19B55

RGB 225 155 85

HSL 30, 0.7%, 0.61%

LAB 69.55, 19.27, 46.56

 

CMYK 0 / 15 / 62 / 12

HEX #E1C055

RGB 225 192 85

HSL 45.86, 0.7%, 0.61%

LAB 78.67, -0.34, 56.88

 

CMYK 2 / 0 / 62 / 12

HEX #DCE155

RGB 220 225 85

HSL 62.14, 0.7%, 0.61%

LAB 86.86, -19.07, 65.6

 

CMYK 19 / 0 / 62 / 12

HEX #B7E155

RGB 183 225 85

HSL 78, 0.7%, 0.61%

LAB 84.26, -33.74, 62.05

 

CMYK 0 / 19 / 82 / 24

HEX #C29E22

RGB 194 158 34

HSL 46.5, 0.7%, 0.45%

LAB 66.55, 1.76, 63.61

 

CMYK 0 / 17 / 77 / 15

HEX #DAB532

RGB 218 181 50

HSL 46.79, 0.69%, 0.53%

LAB 74.94, 0.62, 66.88

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 0 / 11 / 48 / 9

HEX #E7CE79

RGB 231 206 121

HSL 46.36, 0.7%, 0.69%

LAB 83.18, -2.26, 45.24

 

CMYK 0 / 8 / 34 / 7

HEX #EDDB9C

RGB 237 219 156

HSL 46.67, 0.69%, 0.77%

LAB 87.52, -2.86, 33.26

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 60 / 0 / 62 / 12

HEX #5AE155

RGB 90 225 85

HSL 117.86, 0.7%, 0.61%

LAB 80, -63.15, 56.14

 

CMYK 40 / 62 / 0 / 12

HEX #8855E1

RGB 136 85 225

HSL 261.86, 0.7%, 0.61%

LAB 48.47, 50.76, -63.99

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 62 / 0 / 15 / 12

HEX #55E1C0

RGB 85 225 192

HSL 165.86, 0.7%, 0.61%

LAB 81.61, -45.47, 5.01

 

CMYK 15 / 62 / 0 / 12

HEX #C055E1

RGB 192 85 225

HSL 285.86, 0.7%, 0.61%

LAB 55.22, 63.23, -52.79

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 60 / 0 / 62 / 12

HEX #5AE155

RGB 90 225 85

HSL 117.86, 0.7%, 0.61%

LAB 80, -63.15, 56.14

 

CMYK 62 / 48 / 0 / 12

HEX #5576E1

RGB 85 118 225

HSL 225.86, 0.7%, 0.61%

LAB 52.2, 21.24, -58.17

 

CMYK 2 / 62 / 0 / 12

HEX #DC55E1

RGB 220 85 225

HSL 297.86, 0.7%, 0.61%

LAB 59.11, 69.81, -46.36

 

CMYK 0 / 14 / 62 / 12

HEX #E1C255

RGB 225 194 85

HSL 46.71, 0.7%, 0.61%

LAB 79.18, -1.38, 57.44

 

CMYK 62 / 0 / 45 / 12

HEX #55E17B

RGB 85 225 123

HSL 136.29, 0.7%, 0.61%

LAB 80.3, -59.29, 38.88

 

CMYK 62 / 48 / 0 / 12

HEX #5576E1

RGB 85 118 225

HSL 225.86, 0.7%, 0.61%

LAB 52.2, 21.24, -58.17

 

CMYK 0 / 62 / 16 / 12

HEX #E155BC

RGB 225 85 188

HSL 315.86, 0.7%, 0.61%

LAB 58.17, 65.28, -26.77

 

Description

Color code: RGB 225 194 85 | qconv.com Color code: RGB 225 194 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 194 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 194 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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