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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 178 224 it is the complementary color RGB 30 77 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 178 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 178 224 shade: RGB 230 178 219, RGB 247 196 238, RGB 255 214 255, RGB 255 232 255 and RGB 255 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 178 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 178 224 shade: RGB 225 178 224, RGB 208 160 205, RGB 191 142 186, RGB 174 124 167 and RGB 157 106 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 178 224 shade: RGB 225 177 224, RGB 225 177 211, RGB 225 177 198, RGB 225 177 185 and RGB 225 177 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 178 224 shade: RGB 225 177 224, RGB 213 177 225, RGB 200 177 225, RGB 187 177 225 and RGB 177 177 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 178 224 shade matches the following richer shades: RGB 225 177 224, RGB 233 169 232, RGB 242 160 240 and RGB 251 151 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 178 224 shade: RGB 225 177 224, RGB 216 186 215, RGB 207 195 207, RGB 199 203 199 and RGB 190 212 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 178 224 shade: RGB 200 177 225, RGB 213 177 225, RGB 225 177 224, RGB 225 177 211 and RGB 225 177 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 178 224 shade: RGB 201 118 200, RGB 213 148 212, RGB 225 177 224, RGB 236 207 235 and RGB 248 237 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 178 224 shade: RGB 225 178 224, RGB 225 188 177 and RGB 177 225 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 178 224 shade: RGB 225 178 224, RGB 224 225 177 and RGB 177 224 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 178 224 shade: RGB 225 178 224, RGB 225 188 177, RGB 177 225 178 and RGB 177 214 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 178 224 shade: RGB 225 178 224, RGB 225 202 177, RGB 177 225 178 and RGB 177 200 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 0 / 12

HEX #E1B2E0

RGB 225 178 224

HSL 301.28, 0.44%, 0.79%

LAB 78.01, 24.71, -16.57

 

Complementary color

CMYK 61 / 0 / 60 / 70

HEX #1E4D1F

RGB 30 77 31

HSL 121.28, 0.44%, 0.21%

LAB 28.6, -26.89, 22.32

 

CMYK 0 / 23 / 5 / 10

HEX #E6B2DB

RGB 230 178 219

HSL 312.69, 0.51%, 0.8%

LAB 78.33, 25.48, -13.33

 

CMYK 0 / 21 / 4 / 3

HEX #F7C4EE

RGB 247 196 238

HSL 310.59, 0.76%, 0.87%

LAB 84.7, 24.93, -13.82

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 21 / 0 / 12

HEX #E1B2E0

RGB 225 178 224

HSL 301.28, 0.44%, 0.79%

LAB 78.01, 24.71, -16.57

 

CMYK 0 / 23 / 1 / 18

HEX #D0A0CD

RGB 208 160 205

HSL 303.75, 0.34%, 0.72%

LAB 71.53, 25.28, -16.13

 

CMYK 0 / 26 / 3 / 25

HEX #BF8EBA

RGB 191 142 186

HSL 306.12, 0.28%, 0.65%

LAB 64.94, 25.9, -15.68

 

CMYK 0 / 29 / 4 / 32

HEX #AE7CA7

RGB 174 124 167

HSL 308.4, 0.24%, 0.58%

LAB 58.23, 26.56, -15.2

 

CMYK 0 / 32 / 6 / 38

HEX #9D6A94

RGB 157 106 148

HSL 310.59, 0.21%, 0.52%

LAB 51.4, 27.28, -14.68

 

CMYK 0 / 21 / 0 / 12

HEX #E1B1E0

RGB 225 177 224

HSL 301.25, 0.44%, 0.79%

LAB 77.78, 25.25, -16.92

 

CMYK 0 / 21 / 6 / 12

HEX #E1B1D3

RGB 225 177 211

HSL 317.5, 0.44%, 0.79%

LAB 77.37, 22.92, -10.48

 

CMYK 0 / 21 / 12 / 12

HEX #E1B1C6

RGB 225 177 198

HSL 333.75, 0.44%, 0.79%

LAB 77, 20.71, -3.96

 

CMYK 0 / 21 / 18 / 12

HEX #E1B1B9

RGB 225 177 185

HSL 350, 0.44%, 0.79%

LAB 76.65, 18.63, 2.61

 

CMYK 0 / 21 / 21 / 12

HEX #E1B1B1

RGB 225 177 177

HSL 0, 0.44%, 0.79%

LAB 76.45, 17.42, 6.68

 

CMYK 0 / 21 / 0 / 12

HEX #E1B1E0

RGB 225 177 224

HSL 301.25, 0.44%, 0.79%

LAB 77.78, 25.25, -16.92

 

CMYK 5 / 21 / 0 / 12

HEX #D5B1E1

RGB 213 177 225

HSL 285, 0.44%, 0.79%

LAB 76.7, 21.49, -19.21

 

CMYK 11 / 21 / 0 / 12

HEX #C8B1E1

RGB 200 177 225

HSL 268.75, 0.44%, 0.79%

LAB 75.55, 17.27, -21.05

 

CMYK 17 / 21 / 0 / 12

HEX #BBB1E1

RGB 187 177 225

HSL 252.5, 0.44%, 0.79%

LAB 74.47, 13.13, -22.79

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 0 / 21 / 0 / 12

HEX #E1B1E0

RGB 225 177 224

HSL 301.25, 0.44%, 0.79%

LAB 77.78, 25.25, -16.92

 

CMYK 0 / 27 / 0 / 9

HEX #E9A9E8

RGB 233 169 232

HSL 300.94, 0.59%, 0.79%

LAB 77, 33.62, -22.36

 

CMYK 0 / 34 / 1 / 5

HEX #F2A0F0

RGB 242 160 240

HSL 301.46, 0.76%, 0.79%

LAB 76.26, 42.66, -27.74

 

CMYK 0 / 40 / 1 / 2

HEX #FB97F8

RGB 251 151 248

HSL 301.8, 0.93%, 0.79%

LAB 75.71, 51.43, -32.83

 

CMYK 0 / 21 / 0 / 12

HEX #E1B1E0

RGB 225 177 224

HSL 301.25, 0.44%, 0.79%

LAB 77.78, 25.25, -16.92

 

CMYK 0 / 14 / 0 / 15

HEX #D8BAD7

RGB 216 186 215

HSL 302, 0.28%, 0.79%

LAB 78.82, 15.73, -10.57

 

CMYK 0 / 6 / 0 / 19

HEX #CFC3CF

RGB 207 195 207

HSL 300, 0.11%, 0.79%

LAB 80.07, 6.35, -4.49

 

CMYK 2 / 0 / 2 / 20

HEX #C7CBC7

RGB 199 203 199

HSL 120, 0.04%, 0.79%

LAB 81.28, -2.1, 1.5

 

CMYK 10 / 0 / 10 / 17

HEX #BED4BE

RGB 190 212 190

HSL 120, 0.2%, 0.79%

LAB 82.78, -11.48, 8.39

 

CMYK 11 / 21 / 0 / 12

HEX #C8B1E1

RGB 200 177 225

HSL 268.75, 0.44%, 0.79%

LAB 75.55, 17.27, -21.05

 

CMYK 5 / 21 / 0 / 12

HEX #D5B1E1

RGB 213 177 225

HSL 285, 0.44%, 0.79%

LAB 76.7, 21.49, -19.21

 

CMYK 0 / 21 / 0 / 12

HEX #E1B1E0

RGB 225 177 224

HSL 301.25, 0.44%, 0.79%

LAB 77.78, 25.25, -16.92

 

CMYK 0 / 21 / 6 / 12

HEX #E1B1D3

RGB 225 177 211

HSL 317.5, 0.44%, 0.79%

LAB 77.37, 22.92, -10.48

 

CMYK 0 / 21 / 12 / 12

HEX #E1B1C7

RGB 225 177 199

HSL 332.5, 0.44%, 0.79%

LAB 77.03, 20.87, -4.47

 

CMYK 0 / 41 / 0 / 21

HEX #C976C8

RGB 201 118 200

HSL 300.72, 0.43%, 0.63%

LAB 61.26, 44.75, -29.09

 

CMYK 0 / 31 / 0 / 16

HEX #D594D4

RGB 213 148 212

HSL 300.92, 0.44%, 0.71%

LAB 69.53, 34.75, -22.98

 

CMYK 0 / 21 / 0 / 12

HEX #E1B1E0

RGB 225 177 224

HSL 301.25, 0.44%, 0.79%

LAB 77.78, 25.25, -16.92

 

CMYK 0 / 12 / 0 / 7

HEX #ECCFEB

RGB 236 207 235

HSL 302.07, 0.43%, 0.87%

LAB 86.23, 14.92, -10.05

 

CMYK 0 / 4 / 0 / 3

HEX #F8EDF7

RGB 248 237 247

HSL 305.45, 0.44%, 0.95%

LAB 94.84, 5.44, -3.51

 

CMYK 0 / 21 / 0 / 12

HEX #E1B2E0

RGB 225 178 224

HSL 301.28, 0.44%, 0.79%

LAB 78.01, 24.71, -16.57

 

CMYK 0 / 16 / 21 / 12

HEX #E1BCB1

RGB 225 188 177

HSL 13.75, 0.44%, 0.79%

LAB 79.13, 11.55, 10.5

 

CMYK 21 / 0 / 8 / 12

HEX #B1E1CE

RGB 177 225 206

HSL 156.25, 0.44%, 0.79%

LAB 85.83, -19.28, 4.21

 

CMYK 0 / 21 / 0 / 12

HEX #E1B2E0

RGB 225 178 224

HSL 301.28, 0.44%, 0.79%

LAB 78.01, 24.71, -16.57

 

CMYK 0 / 0 / 21 / 12

HEX #E0E1B1

RGB 224 225 177

HSL 61.25, 0.44%, 0.79%

LAB 88.39, -8.07, 23.44

 

CMYK 21 / 0 / 0 / 12

HEX #B1E0E1

RGB 177 224 225

HSL 181.25, 0.44%, 0.79%

LAB 86.05, -14.87, -5.49

 

CMYK 0 / 21 / 0 / 12

HEX #E1B2E0

RGB 225 178 224

HSL 301.28, 0.44%, 0.79%

LAB 78.01, 24.71, -16.57

 

CMYK 0 / 16 / 21 / 12

HEX #E1BCB1

RGB 225 188 177

HSL 13.75, 0.44%, 0.79%

LAB 79.13, 11.55, 10.5

 

CMYK 21 / 0 / 21 / 12

HEX #B1E1B2

RGB 177 225 178

HSL 121.25, 0.44%, 0.79%

LAB 85.21, -24.45, 18.02

 

CMYK 21 / 5 / 0 / 12

HEX #B1D6E1

RGB 177 214 225

HSL 193.75, 0.44%, 0.79%

LAB 83.38, -9.76, -9.45

 

CMYK 0 / 21 / 0 / 12

HEX #E1B2E0

RGB 225 178 224

HSL 301.28, 0.44%, 0.79%

LAB 78.01, 24.71, -16.57

 

CMYK 0 / 10 / 21 / 12

HEX #E1CAB1

RGB 225 202 177

HSL 31.25, 0.44%, 0.79%

LAB 82.61, 4.15, 15.42

 

CMYK 21 / 0 / 21 / 12

HEX #B1E1B2

RGB 177 225 178

HSL 121.25, 0.44%, 0.79%

LAB 85.21, -24.45, 18.02

 

CMYK 21 / 11 / 0 / 12

HEX #B1C8E1

RGB 177 200 225

HSL 211.25, 0.44%, 0.79%

LAB 79.67, -2.43, -15

 

Description

Color code: RGB 225 178 224 | qconv.com Color code: RGB 225 178 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 178 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 178 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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