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Color name
RGB 225 161 178

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 161 178 it is the complementary color RGB 30 94 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 161 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 161 178 shade: RGB 230 161 173, RGB 247 179 192, RGB 255 197 211, RGB 255 215 230 and RGB 255 233 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 161 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 208 143 159, RGB 191 125 140, RGB 174 107 121 and RGB 157 89 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 161 178 shade: RGB 225 161 178 and RGB 225 161 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 225 161 196, RGB 225 161 213, RGB 220 161 225 and RGB 203 161 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 161 178 shade matches the following richer shades: RGB 225 161 178, RGB 235 152 174 and RGB 245 142 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 215 171 183, RGB 205 181 188, RGB 195 191 192 and RGB 186 201 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 161 178 shade: RGB 225 161 212, RGB 225 161 195, RGB 225 161 178, RGB 225 161 161 and RGB 225 178 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 161 178 shade: RGB 205 99 127, RGB 215 130 153, RGB 225 161 178, RGB 235 193 204 and RGB 245 224 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 225 221 161 and RGB 161 204 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 178 225 161 and RGB 161 178 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 225 221 161, RGB 161 225 208 and RGB 161 166 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 161 178 shade: RGB 225 161 178, RGB 210 225 161, RGB 161 225 208 and RGB 176 161 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

Complementary color

CMYK 68 / 0 / 18 / 63

HEX #1E5E4D

RGB 30 94 77

HSL 164.06, 0.52%, 0.24%

LAB 35.63, -24.82, 3.83

 

CMYK 0 / 30 / 25 / 10

HEX #E6A1AD

RGB 230 161 173

HSL 349.57, 0.58%, 0.77%

LAB 73.11, 27.25, 4.12

 

CMYK 0 / 28 / 22 / 3

HEX #F7B3C0

RGB 247 179 192

HSL 348.53, 0.81%, 0.84%

LAB 79.51, 26.54, 3.23

 

CMYK 0 / 23 / 17 / 0

HEX #FFC5D3

RGB 255 197 211

HSL 345.52, 1%, 0.89%

LAB 84.94, 22.72, 1.01

 

CMYK 0 / 16 / 10 / 0

HEX #FFD7E6

RGB 255 215 230

HSL 337.5, 1%, 0.92%

LAB 89.66, 16.3, -2.16

 

CMYK 0 / 9 / 2 / 0

HEX #FFE9F9

RGB 255 233 249

HSL 316.36, 1%, 0.96%

LAB 94.47, 10.18, -5.02

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 31 / 24 / 18

HEX #D08F9F

RGB 208 143 159

HSL 345.23, 0.41%, 0.69%

LAB 66.18, 26.89, 1.57

 

CMYK 0 / 35 / 27 / 25

HEX #BF7D8C

RGB 191 125 140

HSL 346.36, 0.34%, 0.62%

LAB 59.56, 27.69, 2.52

 

CMYK 0 / 39 / 30 / 32

HEX #AE6B79

RGB 174 107 121

HSL 347.46, 0.29%, 0.55%

LAB 52.83, 28.56, 3.6

 

CMYK 0 / 43 / 35 / 38

HEX #9D5966

RGB 157 89 102

HSL 348.53, 0.28%, 0.48%

LAB 46, 29.51, 4.84

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 28 / 28 / 12

HEX #E1A1A1

RGB 225 161 161

HSL 0, 0.52%, 0.76%

LAB 72.28, 23.74, 9.47

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 28 / 13 / 12

HEX #E1A1C4

RGB 225 161 196

HSL 327.19, 0.52%, 0.76%

LAB 73.21, 28.98, -8.48

 

CMYK 0 / 28 / 5 / 12

HEX #E1A1D5

RGB 225 161 213

HSL 311.25, 0.52%, 0.76%

LAB 73.74, 31.87, -17.02

 

CMYK 2 / 28 / 0 / 12

HEX #DCA1E1

RGB 220 161 225

HSL 295.31, 0.52%, 0.76%

LAB 73.64, 32.43, -23.79

 

CMYK 10 / 28 / 0 / 12

HEX #CBA1E1

RGB 203 161 225

HSL 279.38, 0.52%, 0.76%

LAB 71.98, 27, -26.48

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 35 / 26 / 8

HEX #EB98AE

RGB 235 152 174

HSL 344.1, 0.67%, 0.76%

LAB 71.67, 33.98, 1.55

 

CMYK 0 / 42 / 31 / 4

HEX #F58EA9

RGB 245 142 169

HSL 344.27, 0.84%, 0.76%

LAB 70.61, 42.05, 2.94

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 20 / 15 / 16

HEX #D7ABB7

RGB 215 171 183

HSL 343.64, 0.35%, 0.76%

LAB 74.18, 17.93, -0.01

 

CMYK 0 / 12 / 8 / 20

HEX #CDB5BC

RGB 205 181 188

HSL 342.5, 0.19%, 0.76%

LAB 75.86, 9.77, -0.41

 

CMYK 0 / 2 / 2 / 24

HEX #C3BFC0

RGB 195 191 192

HSL 345, 0.03%, 0.76%

LAB 77.68, 1.58, -0.02

 

CMYK 7 / 0 / 2 / 21

HEX #BAC9C5

RGB 186 201 197

HSL 164, 0.12%, 0.76%

LAB 79.75, -5.86, 0.23

 

CMYK 0 / 28 / 6 / 12

HEX #E1A1D4

RGB 225 161 212

HSL 312.19, 0.52%, 0.76%

LAB 73.71, 31.69, -16.52

 

CMYK 0 / 28 / 13 / 12

HEX #E1A1C3

RGB 225 161 195

HSL 328.13, 0.52%, 0.76%

LAB 73.18, 28.82, -7.97

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 28 / 28 / 12

HEX #E1A1A1

RGB 225 161 161

HSL 0, 0.52%, 0.76%

LAB 72.28, 23.74, 9.47

 

CMYK 0 / 21 / 28 / 12

HEX #E1B2A1

RGB 225 178 161

HSL 15.94, 0.52%, 0.76%

LAB 76.33, 14.63, 15.19

 

CMYK 0 / 52 / 38 / 20

HEX #CD637F

RGB 205 99 127

HSL 344.15, 0.51%, 0.6%

LAB 55.52, 44.81, 4.48

 

CMYK 0 / 40 / 29 / 16

HEX #D78299

RGB 215 130 153

HSL 343.76, 0.52%, 0.68%

LAB 63.93, 35.59, 1.79

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 18 / 13 / 8

HEX #EBC1CC

RGB 235 193 204

HSL 344.29, 0.51%, 0.84%

LAB 81.93, 16.67, 0.13

 

CMYK 0 / 9 / 6 / 4

HEX #F5E0E6

RGB 245 224 230

HSL 342.86, 0.51%, 0.92%

LAB 90.98, 8.19, -0.33

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 2 / 28 / 12

HEX #E1DDA1

RGB 225 221 161

HSL 56.25, 0.52%, 0.76%

LAB 87.14, -7.84, 30.02

 

CMYK 28 / 9 / 0 / 12

HEX #A1CCE1

RGB 161 204 225

HSL 199.69, 0.52%, 0.76%

LAB 79.73, -9.31, -15.01

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 21 / 0 / 28 / 12

HEX #B2E1A1

RGB 178 225 161

HSL 104.06, 0.52%, 0.76%

LAB 84.94, -26.89, 26.5

 

CMYK 28 / 21 / 0 / 12

HEX #A1B2E1

RGB 161 178 225

HSL 224.06, 0.52%, 0.76%

LAB 72.8, 4.66, -25.52

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 0 / 2 / 28 / 12

HEX #E1DDA1

RGB 225 221 161

HSL 56.25, 0.52%, 0.76%

LAB 87.14, -7.84, 30.02

 

CMYK 28 / 0 / 8 / 12

HEX #A1E1D0

RGB 161 225 208

HSL 164.06, 0.52%, 0.76%

LAB 84.99, -23.72, 1.82

 

CMYK 28 / 26 / 0 / 12

HEX #A1A6E1

RGB 161 166 225

HSL 235.31, 0.52%, 0.76%

LAB 69.67, 11.33, -30.32

 

CMYK 0 / 28 / 21 / 12

HEX #E1A1B2

RGB 225 161 178

HSL 344.06, 0.52%, 0.76%

LAB 72.7, 26.16, 0.7

 

CMYK 7 / 0 / 28 / 12

HEX #D2E1A1

RGB 210 225 161

HSL 74.06, 0.52%, 0.76%

LAB 87.06, -15.45, 29.72

 

CMYK 28 / 0 / 8 / 12

HEX #A1E1D0

RGB 161 225 208

HSL 164.06, 0.52%, 0.76%

LAB 84.99, -23.72, 1.82

 

CMYK 22 / 28 / 0 / 12

HEX #B0A1E1

RGB 176 161 225

HSL 254.06, 0.52%, 0.76%

LAB 69.58, 18.61, -30.37

 

Description

Color code: RGB 225 161 178 | qconv.com Color code: RGB 225 161 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 161 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 161 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 21 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 21% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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