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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 127 183 it is the complementary color RGB 30 128 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 127 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 127 183 shade: RGB 230 127 178, RGB 247 145 197, RGB 255 163 216, RGB 255 181 235 and RGB 255 199 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 127 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 127 183 shade: RGB 225 127 183, RGB 208 109 164, RGB 191 91 145, RGB 174 73 126 and RGB 157 55 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 127 183 shade: RGB 224 126 182, RGB 224 126 156, RGB 224 126 130 and RGB 224 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 127 183 shade: RGB 224 126 182, RGB 224 126 209, RGB 214 126 224, RGB 187 126 224 and RGB 161 126 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 127 183 shade matches the following richer shades: RGB 224 126 182, RGB 237 114 184 and RGB 250 101 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 127 183 shade: RGB 224 126 182, RGB 212 139 181, RGB 199 152 179, RGB 186 165 177 and RGB 173 178 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 127 183 shade: RGB 213 126 224, RGB 224 126 210, RGB 224 126 184, RGB 224 126 157 and RGB 224 126 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 127 183 shade: RGB 209 60 145, RGB 217 93 164, RGB 224 126 182, RGB 232 160 201 and RGB 240 193 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 127 183 shade: RGB 225 127 183, RGB 224 187 126 and RGB 126 223 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 127 183 shade: RGB 225 127 183, RGB 184 224 126 and RGB 126 184 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 127 183 shade: RGB 225 127 183, RGB 224 187 126, RGB 126 224 167 and RGB 126 164 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 127 183 shade: RGB 225 127 183, RGB 224 216 126, RGB 126 224 167 and RGB 126 135 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 19 / 12

HEX #E17FB7

RGB 225 127 183

HSL 325.71, 0.62%, 0.69%

LAB 65.44, 44.88, -12.84

 

Complementary color

CMYK 77 / 0 / 44 / 50

HEX #1E8048

RGB 30 128 72

HSL 145.71, 0.62%, 0.31%

LAB 47.21, -41.05, 22.66

 

CMYK 0 / 45 / 23 / 10

HEX #E67FB2

RGB 230 127 178

HSL 330.29, 0.67%, 0.7%

LAB 65.92, 45.8, -9.24

 

CMYK 0 / 41 / 20 / 3

HEX #F791C5

RGB 247 145 197

HSL 329.41, 0.86%, 0.77%

LAB 72.27, 45, -10.17

 

CMYK 0 / 36 / 15 / 0

HEX #FFA3D8

RGB 255 163 216

HSL 325.43, 1%, 0.82%

LAB 77.53, 41.26, -12.64

 

CMYK 0 / 29 / 8 / 0

HEX #FFB5EB

RGB 255 181 235

HSL 316.22, 1%, 0.85%

LAB 82, 34.96, -16.19

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FE

RGB 255 199 254

HSL 301.07, 1%, 0.89%

LAB 86.63, 28.82, -19.34

 

CMYK 0 / 44 / 19 / 12

HEX #E17FB7

RGB 225 127 183

HSL 325.71, 0.62%, 0.69%

LAB 65.44, 44.88, -12.84

 

CMYK 0 / 48 / 21 / 18

HEX #D06DA4

RGB 208 109 164

HSL 326.67, 0.51%, 0.62%

LAB 59, 45.65, -11.9

 

CMYK 0 / 52 / 24 / 25

HEX #BF5B91

RGB 191 91 145

HSL 327.6, 0.44%, 0.55%

LAB 52.51, 46.39, -10.8

 

CMYK 0 / 58 / 28 / 32

HEX #AE497E

RGB 174 73 126

HSL 328.51, 0.41%, 0.48%

LAB 46, 47.03, -9.46

 

CMYK 0 / 65 / 32 / 38

HEX #9D376B

RGB 157 55 107

HSL 329.41, 0.48%, 0.42%

LAB 39.52, 47.44, -7.76

 

CMYK 0 / 44 / 19 / 12

HEX #E07EB6

RGB 224 126 182

HSL 325.71, 0.61%, 0.69%

LAB 65.08, 44.91, -12.83

 

CMYK 0 / 44 / 30 / 12

HEX #E07E9C

RGB 224 126 156

HSL 341.63, 0.61%, 0.69%

LAB 64.3, 41.27, 0.76

 

CMYK 0 / 44 / 42 / 12

HEX #E07E82

RGB 224 126 130

HSL 357.55, 0.61%, 0.69%

LAB 63.66, 38.19, 14.64

 

CMYK 0 / 44 / 44 / 12

HEX #E07E7E

RGB 224 126 126

HSL 0, 0.61%, 0.69%

LAB 63.57, 37.77, 16.79

 

CMYK 0 / 44 / 19 / 12

HEX #E07EB6

RGB 224 126 182

HSL 325.71, 0.61%, 0.69%

LAB 65.08, 44.91, -12.83

 

CMYK 0 / 44 / 7 / 12

HEX #E07ED1

RGB 224 126 209

HSL 309.18, 0.61%, 0.69%

LAB 66.04, 49.23, -26.55

 

CMYK 4 / 44 / 0 / 12

HEX #D67EE0

RGB 214 126 224

HSL 293.88, 0.61%, 0.69%

LAB 65.44, 48.94, -35.94

 

CMYK 17 / 44 / 0 / 12

HEX #BB7EE0

RGB 187 126 224

HSL 277.35, 0.61%, 0.69%

LAB 62.4, 41.13, -40.91

 

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 0 / 44 / 19 / 12

HEX #E07EB6

RGB 224 126 182

HSL 325.71, 0.61%, 0.69%

LAB 65.08, 44.91, -12.83

 

CMYK 0 / 52 / 22 / 7

HEX #ED72B8

RGB 237 114 184

HSL 325.85, 0.77%, 0.69%

LAB 64.56, 55.28, -14.57

 

CMYK 0 / 60 / 26 / 2

HEX #FA65BA

RGB 250 101 186

HSL 325.77, 0.94%, 0.69%

LAB 64.3, 65.25, -15.92

 

CMYK 0 / 44 / 19 / 12

HEX #E07EB6

RGB 224 126 182

HSL 325.71, 0.61%, 0.69%

LAB 65.08, 44.91, -12.83

 

CMYK 0 / 34 / 15 / 17

HEX #D48BB5

RGB 212 139 181

HSL 325.48, 0.46%, 0.69%

LAB 66.37, 33.88, -10.49

 

CMYK 0 / 24 / 10 / 22

HEX #C798B3

RGB 199 152 179

HSL 325.53, 0.3%, 0.69%

LAB 67.91, 21.9, -7.21

 

CMYK 0 / 11 / 5 / 27

HEX #BAA5B1

RGB 186 165 177

HSL 325.71, 0.13%, 0.69%

LAB 69.84, 9.74, -3.39

 

CMYK 3 / 0 / 2 / 30

HEX #ADB2AF

RGB 173 178 175

HSL 144, 0.03%, 0.69%

LAB 72.11, -2.32, 0.91

 

CMYK 5 / 44 / 0 / 12

HEX #D57EE0

RGB 213 126 224

HSL 293.27, 0.61%, 0.69%

LAB 65.32, 48.65, -36.13

 

CMYK 0 / 44 / 6 / 12

HEX #E07ED2

RGB 224 126 210

HSL 308.57, 0.61%, 0.69%

LAB 66.08, 49.4, -27.05

 

CMYK 0 / 44 / 18 / 12

HEX #E07EB8

RGB 224 126 184

HSL 324.49, 0.61%, 0.69%

LAB 65.14, 45.21, -13.86

 

CMYK 0 / 44 / 30 / 12

HEX #E07E9D

RGB 224 126 157

HSL 341.02, 0.61%, 0.69%

LAB 64.33, 41.4, 0.23

 

CMYK 0 / 44 / 42 / 12

HEX #E07E83

RGB 224 126 131

HSL 356.94, 0.61%, 0.69%

LAB 63.68, 38.3, 14.1

 

CMYK 0 / 71 / 31 / 18

HEX #D13C91

RGB 209 60 145

HSL 325.77, 0.62%, 0.53%

LAB 50.49, 64.9, -13.57

 

CMYK 0 / 57 / 24 / 15

HEX #D95DA4

RGB 217 93 164

HSL 325.65, 0.62%, 0.61%

LAB 57.33, 56.2, -14.3

 

CMYK 0 / 44 / 19 / 12

HEX #E07EB6

RGB 224 126 182

HSL 325.71, 0.61%, 0.69%

LAB 65.08, 44.91, -12.83

 

CMYK 0 / 31 / 13 / 9

HEX #E8A0C9

RGB 232 160 201

HSL 325.83, 0.61%, 0.77%

LAB 73.88, 32.74, -10.15

 

CMYK 0 / 20 / 8 / 6

HEX #F0C1DC

RGB 240 193 220

HSL 325.53, 0.61%, 0.85%

LAB 82.82, 21.06, -7.08

 

CMYK 0 / 44 / 19 / 12

HEX #E17FB7

RGB 225 127 183

HSL 325.71, 0.62%, 0.69%

LAB 65.44, 44.88, -12.84

 

CMYK 0 / 17 / 44 / 12

HEX #E0BB7E

RGB 224 187 126

HSL 37.35, 0.61%, 0.69%

LAB 77.81, 5.3, 35.8

 

CMYK 44 / 0 / 0 / 12

HEX #7EDFE0

RGB 126 223 224

HSL 180.61, 0.61%, 0.69%

LAB 83.23, -28.3, -9.43

 

CMYK 0 / 44 / 19 / 12

HEX #E17FB7

RGB 225 127 183

HSL 325.71, 0.62%, 0.69%

LAB 65.44, 44.88, -12.84

 

CMYK 18 / 0 / 44 / 12

HEX #B8E07E

RGB 184 224 126

HSL 84.49, 0.61%, 0.69%

LAB 84.49, -29, 43.63

 

CMYK 44 / 18 / 0 / 12

HEX #7EB8E0

RGB 126 184 224

HSL 204.49, 0.61%, 0.69%

LAB 72.29, -8.4, -25.93

 

CMYK 0 / 44 / 19 / 12

HEX #E17FB7

RGB 225 127 183

HSL 325.71, 0.62%, 0.69%

LAB 65.44, 44.88, -12.84

 

CMYK 0 / 17 / 44 / 12

HEX #E0BB7E

RGB 224 187 126

HSL 37.35, 0.61%, 0.69%

LAB 77.81, 5.3, 35.8

 

CMYK 44 / 0 / 25 / 12

HEX #7EE0A7

RGB 126 224 167

HSL 145.1, 0.61%, 0.69%

LAB 82.13, -41.42, 19.1

 

CMYK 44 / 27 / 0 / 12

HEX #7EA4E0

RGB 126 164 224

HSL 216.73, 0.61%, 0.69%

LAB 66.8, 2.62, -34.4

 

CMYK 0 / 44 / 19 / 12

HEX #E17FB7

RGB 225 127 183

HSL 325.71, 0.62%, 0.69%

LAB 65.44, 44.88, -12.84

 

CMYK 0 / 4 / 44 / 12

HEX #E0D87E

RGB 224 216 126

HSL 55.1, 0.61%, 0.69%

LAB 85.23, -9.68, 45.19

 

CMYK 44 / 0 / 25 / 12

HEX #7EE0A7

RGB 126 224 167

HSL 145.1, 0.61%, 0.69%

LAB 82.13, -41.42, 19.1

 

CMYK 44 / 40 / 0 / 12

HEX #7E87E0

RGB 126 135 224

HSL 234.49, 0.61%, 0.69%

LAB 59.11, 19.4, -46.46

 

Description

Color code: RGB 225 127 183 | qconv.com Color code: RGB 225 127 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 127 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 127 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 19 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 19% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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