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Color name
RGB 225 127 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 127 144 it is the complementary color RGB 30 128 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 127 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 127 144 shade: RGB 230 127 139, RGB 247 145 158, RGB 255 163 177, RGB 255 181 196 and RGB 255 199 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 127 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 127 144 shade: RGB 225 127 144, RGB 208 109 125, RGB 191 91 106, RGB 174 73 87 and RGB 157 55 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 127 144 shade: RGB 224 126 143 and RGB 224 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 127 144 shade: RGB 224 126 143, RGB 224 126 170, RGB 224 126 196, RGB 224 126 223 and RGB 200 126 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 127 144 shade matches the following richer shades: RGB 224 126 143, RGB 237 114 135 and RGB 250 101 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 127 144 shade: RGB 224 126 143, RGB 212 139 152, RGB 199 152 160, RGB 186 165 169 and RGB 173 178 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 127 144 shade: RGB 224 126 197, RGB 224 126 171, RGB 224 126 144, RGB 224 135 126 and RGB 224 161 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 127 144 shade: RGB 209 60 85, RGB 217 93 114, RGB 224 126 143, RGB 232 160 172 and RGB 240 193 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 127 144 shade: RGB 225 127 144, RGB 223 224 126 and RGB 126 184 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 127 144 shade: RGB 225 127 144, RGB 144 224 126 and RGB 126 144 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 127 144 shade: RGB 225 127 144, RGB 223 224 126, RGB 126 224 206 and RGB 128 126 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 127 144 shade: RGB 225 127 144, RGB 193 224 126, RGB 126 224 206 and RGB 157 126 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 36 / 12

HEX #E17F90

RGB 225 127 144

HSL 349.59, 0.62%, 0.69%

LAB 64.32, 39.62, 7.64

 

Complementary color

CMYK 77 / 0 / 13 / 50

HEX #1E806F

RGB 30 128 111

HSL 169.59, 0.62%, 0.31%

LAB 48.09, -31.66, 1.32

 

CMYK 0 / 45 / 40 / 10

HEX #E67F8B

RGB 230 127 139

HSL 353.01, 0.67%, 0.7%

LAB 64.86, 40.84, 11.33

 

CMYK 0 / 41 / 36 / 3

HEX #F7919E

RGB 247 145 158

HSL 352.35, 0.86%, 0.77%

LAB 71.21, 39.88, 9.96

 

CMYK 0 / 36 / 31 / 0

HEX #FFA3B1

RGB 255 163 177

HSL 350.87, 1%, 0.82%

LAB 76.45, 35.76, 7.1

 

CMYK 0 / 29 / 23 / 0

HEX #FFB5C4

RGB 255 181 196

HSL 347.84, 1%, 0.85%

LAB 80.9, 28.91, 3.19

 

CMYK 0 / 22 / 16 / 0

HEX #FFC7D7

RGB 255 199 215

HSL 342.86, 1%, 0.89%

LAB 85.51, 22.28, -0.29

 

CMYK 0 / 44 / 36 / 12

HEX #E17F90

RGB 225 127 144

HSL 349.59, 0.62%, 0.69%

LAB 64.32, 39.62, 7.64

 

CMYK 0 / 48 / 40 / 18

HEX #D06D7D

RGB 208 109 125

HSL 350.3, 0.51%, 0.62%

LAB 57.87, 40.59, 9.07

 

CMYK 0 / 52 / 45 / 25

HEX #BF5B6A

RGB 191 91 106

HSL 351, 0.44%, 0.55%

LAB 51.38, 41.58, 10.74

 

CMYK 0 / 58 / 50 / 32

HEX #AE4957

RGB 174 73 87

HSL 351.68, 0.41%, 0.48%

LAB 44.87, 42.54, 12.75

 

CMYK 0 / 65 / 57 / 38

HEX #9D3744

RGB 157 55 68

HSL 352.35, 0.48%, 0.42%

LAB 38.41, 43.36, 15.24

 

CMYK 0 / 44 / 36 / 12

HEX #E07E8F

RGB 224 126 143

HSL 349.59, 0.61%, 0.69%

LAB 63.96, 39.66, 7.67

 

CMYK 0 / 44 / 44 / 12

HEX #E07E7E

RGB 224 126 126

HSL 0, 0.61%, 0.69%

LAB 63.57, 37.77, 16.79

 

CMYK 0 / 44 / 36 / 12

HEX #E07E8F

RGB 224 126 143

HSL 349.59, 0.61%, 0.69%

LAB 63.96, 39.66, 7.67

 

CMYK 0 / 44 / 24 / 12

HEX #E07EAA

RGB 224 126 170

HSL 333.06, 0.61%, 0.69%

LAB 64.7, 43.16, -6.6

 

CMYK 0 / 44 / 13 / 12

HEX #E07EC4

RGB 224 126 196

HSL 317.14, 0.61%, 0.69%

LAB 65.56, 47.09, -20

 

CMYK 0 / 44 / 0 / 12

HEX #E07EDF

RGB 224 126 223

HSL 300.61, 0.61%, 0.69%

LAB 66.59, 51.67, -33.49

 

CMYK 11 / 44 / 0 / 12

HEX #C87EE0

RGB 200 126 224

HSL 285.31, 0.61%, 0.69%

LAB 63.82, 44.87, -38.58

 

CMYK 0 / 44 / 36 / 12

HEX #E07E8F

RGB 224 126 143

HSL 349.59, 0.61%, 0.69%

LAB 63.96, 39.66, 7.67

 

CMYK 0 / 52 / 43 / 7

HEX #ED7287

RGB 237 114 135

HSL 349.76, 0.77%, 0.69%

LAB 63.17, 49.37, 11.36

 

CMYK 0 / 60 / 49 / 2

HEX #FA657F

RGB 250 101 127

HSL 349.53, 0.94%, 0.69%

LAB 62.65, 58.93, 15.51

 

CMYK 0 / 44 / 36 / 12

HEX #E07E8F

RGB 224 126 143

HSL 349.59, 0.61%, 0.69%

LAB 63.96, 39.66, 7.67

 

CMYK 0 / 34 / 28 / 17

HEX #D48B98

RGB 212 139 152

HSL 349.32, 0.46%, 0.69%

LAB 65.54, 29.54, 4.64

 

CMYK 0 / 24 / 20 / 22

HEX #C798A0

RGB 199 152 160

HSL 349.79, 0.3%, 0.69%

LAB 67.38, 18.79, 2.63

 

CMYK 0 / 11 / 9 / 27

HEX #BAA5A9

RGB 186 165 169

HSL 348.57, 0.13%, 0.69%

LAB 69.62, 8.32, 0.72

 

CMYK 3 / 0 / 1 / 30

HEX #ADB2B1

RGB 173 178 177

HSL 168, 0.03%, 0.69%

LAB 72.16, -1.94, -0.11

 

CMYK 0 / 44 / 12 / 12

HEX #E07EC5

RGB 224 126 197

HSL 316.53, 0.61%, 0.69%

LAB 65.59, 47.25, -20.51

 

CMYK 0 / 44 / 24 / 12

HEX #E07EAB

RGB 224 126 171

HSL 332.45, 0.61%, 0.69%

LAB 64.73, 43.31, -7.13

 

CMYK 0 / 44 / 36 / 12

HEX #E07E90

RGB 224 126 144

HSL 348.98, 0.61%, 0.69%

LAB 63.98, 39.78, 7.14

 

CMYK 0 / 40 / 44 / 12

HEX #E0877E

RGB 224 135 126

HSL 5.51, 0.61%, 0.69%

LAB 65.5, 33.05, 19.44

 

CMYK 0 / 28 / 44 / 12

HEX #E0A17E

RGB 224 161 126

HSL 21.43, 0.61%, 0.69%

LAB 71.45, 19.16, 27.47

 

CMYK 0 / 71 / 59 / 18

HEX #D13C55

RGB 209 60 85

HSL 349.93, 0.62%, 0.53%

LAB 48.81, 59.35, 20.31

 

CMYK 0 / 57 / 47 / 15

HEX #D95D72

RGB 217 93 114

HSL 349.84, 0.62%, 0.61%

LAB 55.88, 50.47, 12.89

 

CMYK 0 / 44 / 36 / 12

HEX #E07E8F

RGB 224 126 143

HSL 349.59, 0.61%, 0.69%

LAB 63.96, 39.66, 7.67

 

CMYK 0 / 31 / 26 / 9

HEX #E8A0AC

RGB 232 160 172

HSL 350, 0.61%, 0.77%

LAB 73.07, 28.37, 4.64

 

CMYK 0 / 20 / 16 / 6

HEX #F0C1C9

RGB 240 193 201

HSL 349.79, 0.61%, 0.85%

LAB 82.32, 17.98, 2.36

 

CMYK 0 / 44 / 36 / 12

HEX #E17F90

RGB 225 127 144

HSL 349.59, 0.62%, 0.69%

LAB 64.32, 39.62, 7.64

 

CMYK 0 / 0 / 44 / 12

HEX #DFE07E

RGB 223 224 126

HSL 60.61, 0.61%, 0.69%

LAB 87.24, -14.08, 47.66

 

CMYK 44 / 18 / 0 / 12

HEX #7EB8E0

RGB 126 184 224

HSL 204.49, 0.61%, 0.69%

LAB 72.29, -8.4, -25.93

 

CMYK 0 / 44 / 36 / 12

HEX #E17F90

RGB 225 127 144

HSL 349.59, 0.62%, 0.69%

LAB 64.32, 39.62, 7.64

 

CMYK 36 / 0 / 44 / 12

HEX #90E07E

RGB 144 224 126

HSL 108.98, 0.61%, 0.69%

LAB 82.24, -42.85, 40.33

 

CMYK 44 / 36 / 0 / 12

HEX #7E90E0

RGB 126 144 224

HSL 228.98, 0.61%, 0.69%

LAB 61.45, 14.12, -42.76

 

CMYK 0 / 44 / 36 / 12

HEX #E17F90

RGB 225 127 144

HSL 349.59, 0.62%, 0.69%

LAB 64.32, 39.62, 7.64

 

CMYK 0 / 0 / 44 / 12

HEX #DFE07E

RGB 223 224 126

HSL 60.61, 0.61%, 0.69%

LAB 87.24, -14.08, 47.66

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CE

RGB 126 224 206

HSL 168.98, 0.61%, 0.69%

LAB 83.02, -33.12, -0.19

 

CMYK 43 / 44 / 0 / 12

HEX #807EE0

RGB 128 126 224

HSL 241.22, 0.61%, 0.69%

LAB 56.97, 25.21, -49.83

 

CMYK 0 / 44 / 36 / 12

HEX #E17F90

RGB 225 127 144

HSL 349.59, 0.62%, 0.69%

LAB 64.32, 39.62, 7.64

 

CMYK 14 / 0 / 44 / 12

HEX #C1E07E

RGB 193 224 126

HSL 78.98, 0.61%, 0.69%

LAB 85.08, -25.65, 44.5

 

CMYK 44 / 0 / 8 / 12

HEX #7EE0CE

RGB 126 224 206

HSL 168.98, 0.61%, 0.69%

LAB 83.02, -33.12, -0.19

 

CMYK 30 / 44 / 0 / 12

HEX #9D7EE0

RGB 157 126 224

HSL 258.98, 0.61%, 0.69%

LAB 59.41, 32.73, -45.82

 

Description

Color code: RGB 225 127 144 | qconv.com Color code: RGB 225 127 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 127 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 127 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 36 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 36% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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