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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 119 14 it is the complementary color RGB 30 136 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 119 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 119 14 shade: RGB 230 119 9, RGB 247 137 28, RGB 255 155 47, RGB 255 173 66 and RGB 255 191 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 119 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 208 101 0, RGB 191 83 0, RGB 174 65 0 and RGB 157 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 225 62 14 and RGB 225 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 225 176 14, RGB 217 225 14, RGB 160 225 14 and RGB 103 225 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 119 14 shade matches the following richer shades: RGB 225 119 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 205 119 33, RGB 186 119 53, RGB 167 119 72 and RGB 147 119 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 119 14 shade: RGB 225 14 24, RGB 225 60 14, RGB 225 116 14, RGB 225 172 14 and RGB 221 225 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 119 14 shade: RGB 147 78 9, RGB 186 98 11, RGB 225 119 14, RGB 241 140 39 and RGB 243 160 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 81 225 14 and RGB 31 14 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 14 225 116 and RGB 116 14 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 81 225 14, RGB 14 123 225 and RGB 158 14 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 119 14 shade: RGB 225 119 14, RGB 17 225 14, RGB 14 123 225 and RGB 221 14 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

Complementary color

CMYK 88 / 44 / 0 / 5

HEX #1E88F1

RGB 30 136 241

HSL 209.86, 0.88%, 0.53%

LAB 56.32, 9.55, -60.59

 

CMYK 0 / 48 / 96 / 10

HEX #E67709

RGB 230 119 9

HSL 29.86, 0.92%, 0.47%

LAB 61.69, 37.58, 67.53

 

CMYK 0 / 45 / 89 / 3

HEX #F7891C

RGB 247 137 28

HSL 29.86, 0.93%, 0.54%

LAB 67.84, 35.46, 68.94

 

CMYK 0 / 39 / 82 / 0

HEX #FF9B2F

RGB 255 155 47

HSL 31.15, 1%, 0.59%

LAB 72.83, 29.87, 67.55

 

CMYK 0 / 32 / 74 / 0

HEX #FFAD42

RGB 255 173 66

HSL 33.97, 1%, 0.63%

LAB 77.01, 21.17, 64.23

 

CMYK 0 / 25 / 67 / 0

HEX #FFBF55

RGB 255 191 85

HSL 37.41, 1%, 0.67%

LAB 81.39, 12.71, 60.7

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 0 / 51 / 100 / 18

HEX #D06500

RGB 208 101 0

HSL 29.13, 1%, 0.41%

LAB 54.78, 37.85, 63.22

 

CMYK 0 / 57 / 100 / 25

HEX #BF5300

RGB 191 83 0

HSL 26.07, 1%, 0.37%

LAB 48.59, 40.15, 58.27

 

CMYK 0 / 63 / 100 / 32

HEX #AE4100

RGB 174 65 0

HSL 22.41, 1%, 0.34%

LAB 42.43, 42.27, 53.37

 

CMYK 0 / 70 / 100 / 38

HEX #9D2F00

RGB 157 47 0

HSL 17.96, 1%, 0.31%

LAB 36.37, 44, 48.55

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 0 / 72 / 94 / 12

HEX #E13E0E

RGB 225 62 14

HSL 13.65, 0.88%, 0.47%

LAB 51.25, 61.03, 59.52

 

CMYK 0 / 94 / 94 / 12

HEX #E10E0E

RGB 225 14 14

HSL 0, 0.88%, 0.47%

LAB 47.43, 71.81, 57.29

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 0 / 22 / 94 / 12

HEX #E1B00E

RGB 225 176 14

HSL 46.07, 0.88%, 0.47%

LAB 74.25, 5.42, 75.3

 

CMYK 4 / 0 / 94 / 12

HEX #D9E10E

RGB 217 225 14

HSL 62.27, 0.88%, 0.47%

LAB 86.32, -22.83, 84.03

 

CMYK 29 / 0 / 94 / 12

HEX #A0E10E

RGB 160 225 14

HSL 78.48, 0.88%, 0.47%

LAB 82.57, -45.54, 79.5

 

CMYK 54 / 0 / 94 / 12

HEX #67E10E

RGB 103 225 14

HSL 94.69, 0.88%, 0.47%

LAB 80.05, -64.01, 76.42

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 0 / 42 / 84 / 20

HEX #CD7721

RGB 205 119 33

HSL 30, 0.72%, 0.47%

LAB 58.3, 27.73, 57.35

 

CMYK 0 / 36 / 72 / 27

HEX #BA7735

RGB 186 119 53

HSL 29.77, 0.56%, 0.47%

LAB 55.98, 20.41, 45.81

 

CMYK 0 / 29 / 57 / 35

HEX #A77748

RGB 167 119 72

HSL 29.68, 0.4%, 0.47%

LAB 53.9, 13.44, 33.05

 

CMYK 0 / 19 / 38 / 42

HEX #93775B

RGB 147 119 91

HSL 30, 0.24%, 0.47%

LAB 52.01, 6.8, 19.52

 

CMYK 0 / 94 / 89 / 12

HEX #E10E18

RGB 225 14 24

HSL 357.16, 0.88%, 0.47%

LAB 47.48, 71.93, 53.58

 

CMYK 0 / 73 / 94 / 12

HEX #E13C0E

RGB 225 60 14

HSL 13.08, 0.88%, 0.47%

LAB 51, 61.71, 59.37

 

CMYK 0 / 48 / 94 / 12

HEX #E1740E

RGB 225 116 14

HSL 29, 0.88%, 0.47%

LAB 60.36, 37.16, 65.44

 

CMYK 0 / 24 / 94 / 12

HEX #E1AC0E

RGB 225 172 14

HSL 44.93, 0.88%, 0.47%

LAB 73.25, 7.54, 74.57

 

CMYK 2 / 0 / 94 / 12

HEX #DDE10E

RGB 221 225 14

HSL 61.14, 0.88%, 0.47%

LAB 86.63, -21.16, 84.4

 

CMYK 0 / 47 / 94 / 42

HEX #934E09

RGB 147 78 9

HSL 30, 0.88%, 0.31%

LAB 40.69, 24.68, 47.45

 

CMYK 0 / 47 / 94 / 27

HEX #BA620B

RGB 186 98 11

HSL 29.83, 0.89%, 0.39%

LAB 50.92, 30.53, 56.9

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 0 / 42 / 84 / 5

HEX #F18C27

RGB 241 140 39

HSL 30, 0.88%, 0.55%

LAB 67.73, 31.73, 65.19

 

CMYK 0 / 34 / 68 / 5

HEX #F3A04E

RGB 243 160 78

HSL 29.82, 0.87%, 0.63%

LAB 72.72, 23.62, 54.09

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 64 / 0 / 94 / 12

HEX #51E10E

RGB 81 225 14

HSL 100.95, 0.88%, 0.47%

LAB 79.4, -69.29, 75.62

 

CMYK 86 / 94 / 0 / 12

HEX #1F0EE1

RGB 31 14 225

HSL 244.83, 0.88%, 0.47%

LAB 29.52, 69.81, -95.48

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 94 / 0 / 48 / 12

HEX #0EE174

RGB 14 225 116

HSL 149, 0.88%, 0.47%

LAB 79.16, -68.76, 40.65

 

CMYK 48 / 94 / 0 / 12

HEX #740EE1

RGB 116 14 225

HSL 269, 0.88%, 0.47%

LAB 36.86, 74.18, -83.07

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 64 / 0 / 94 / 12

HEX #51E10E

RGB 81 225 14

HSL 100.95, 0.88%, 0.47%

LAB 79.4, -69.29, 75.62

 

CMYK 94 / 45 / 0 / 12

HEX #0E7BE1

RGB 14 123 225

HSL 209, 0.88%, 0.47%

LAB 51.49, 10.66, -59.43

 

CMYK 30 / 94 / 0 / 12

HEX #9E0EE1

RGB 158 14 225

HSL 280.95, 0.88%, 0.47%

LAB 42.79, 78.67, -73.1

 

CMYK 0 / 47 / 94 / 12

HEX #E1770E

RGB 225 119 14

HSL 29.86, 0.88%, 0.47%

LAB 60.99, 35.62, 65.87

 

CMYK 92 / 0 / 94 / 12

HEX #11E10E

RGB 17 225 14

HSL 119.15, 0.88%, 0.47%

LAB 78.46, -77.53, 74.46

 

CMYK 94 / 45 / 0 / 12

HEX #0E7BE1

RGB 14 123 225

HSL 209, 0.88%, 0.47%

LAB 51.49, 10.66, -59.43

 

CMYK 2 / 94 / 0 / 12

HEX #DD0EE1

RGB 221 14 225

HSL 298.86, 0.88%, 0.47%

LAB 53.08, 87.74, -55.95

 

Description

Color code: RGB 225 119 14 | qconv.com Color code: RGB 225 119 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 119 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 119 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 94 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 94% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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