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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 116 141 it is the complementary color RGB 30 139 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 116 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 116 141 shade: RGB 230 116 136, RGB 247 134 155, RGB 255 152 174, RGB 255 170 193 and RGB 255 188 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 116 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 116 141 shade: RGB 225 116 141, RGB 208 98 122, RGB 191 80 103, RGB 174 62 84 and RGB 157 44 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 116 141 shade: RGB 224 116 141 and RGB 224 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 116 141 shade: RGB 224 116 141, RGB 224 116 170, RGB 224 116 199, RGB 220 116 224 and RGB 191 116 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 116 141 shade matches the following richer shades: RGB 224 116 141, RGB 238 103 134 and RGB 251 89 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 116 141 shade: RGB 224 116 141, RGB 211 130 149, RGB 197 144 156, RGB 183 157 163 and RGB 170 171 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 116 141 shade: RGB 224 116 199, RGB 224 116 170, RGB 224 116 142, RGB 224 120 116 and RGB 224 149 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 116 141 shade: RGB 209 49 86, RGB 217 83 113, RGB 224 116 141, RGB 232 150 169 and RGB 239 184 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 116 141 shade: RGB 225 116 141, RGB 224 221 116 and RGB 116 185 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 116 141 shade: RGB 225 116 141, RGB 142 224 116 and RGB 116 142 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 116 141 shade: RGB 225 116 141, RGB 224 221 116, RGB 116 224 199 and RGB 116 120 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 116 141 shade: RGB 225 116 141, RGB 195 224 116, RGB 116 224 199 and RGB 145 116 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 37 / 12

HEX #E1748D

RGB 225 116 141

HSL 346.24, 0.64%, 0.67%

LAB 62.02, 44.88, 6.05

 

Complementary color

CMYK 78 / 0 / 18 / 45

HEX #1E8B72

RGB 30 139 114

HSL 166.24, 0.64%, 0.33%

LAB 51.79, -35.87, 4.92

 

CMYK 0 / 50 / 41 / 10

HEX #E67488

RGB 230 116 136

HSL 349.47, 0.7%, 0.68%

LAB 62.58, 46.07, 9.82

 

CMYK 0 / 46 / 37 / 3

HEX #F7869B

RGB 247 134 155

HSL 348.85, 0.88%, 0.75%

LAB 68.89, 45.12, 8.33

 

CMYK 0 / 40 / 32 / 0

HEX #FF98AE

RGB 255 152 174

HSL 347.18, 1%, 0.8%

LAB 74.04, 41.06, 5.28

 

CMYK 0 / 33 / 24 / 0

HEX #FFAAC1

RGB 255 170 193

HSL 343.76, 1%, 0.83%

LAB 78.38, 34.25, 1.15

 

CMYK 0 / 26 / 17 / 0

HEX #FFBCD4

RGB 255 188 212

HSL 338.51, 1%, 0.87%

LAB 82.9, 27.6, -2.5

 

CMYK 0 / 48 / 37 / 12

HEX #E1748D

RGB 225 116 141

HSL 346.24, 0.64%, 0.67%

LAB 62.02, 44.88, 6.05

 

CMYK 0 / 53 / 41 / 18

HEX #D0627A

RGB 208 98 122

HSL 346.91, 0.54%, 0.6%

LAB 55.63, 45.79, 7.64

 

CMYK 0 / 58 / 46 / 25

HEX #BF5067

RGB 191 80 103

HSL 347.57, 0.46%, 0.53%

LAB 49.24, 46.66, 9.53

 

CMYK 0 / 64 / 52 / 32

HEX #AE3E54

RGB 174 62 84

HSL 348.21, 0.47%, 0.46%

LAB 42.89, 47.37, 11.85

 

CMYK 0 / 72 / 59 / 38

HEX #9D2C41

RGB 157 44 65

HSL 348.85, 0.56%, 0.39%

LAB 36.65, 47.74, 14.78

 

CMYK 0 / 48 / 37 / 12

HEX #E0748D

RGB 224 116 141

HSL 346.11, 0.64%, 0.67%

LAB 61.88, 44.53, 5.84

 

CMYK 0 / 48 / 48 / 12

HEX #E07474

RGB 224 116 116

HSL 0, 0.64%, 0.67%

LAB 61.31, 41.91, 19.37

 

CMYK 0 / 48 / 37 / 12

HEX #E0748D

RGB 224 116 141

HSL 346.11, 0.64%, 0.67%

LAB 61.88, 44.53, 5.84

 

CMYK 0 / 48 / 24 / 12

HEX #E074AA

RGB 224 116 170

HSL 330, 0.64%, 0.67%

LAB 62.71, 48.23, -9.57

 

CMYK 0 / 48 / 11 / 12

HEX #E074C7

RGB 224 116 199

HSL 313.89, 0.64%, 0.67%

LAB 63.72, 52.58, -24.49

 

CMYK 2 / 48 / 0 / 12

HEX #DC74E0

RGB 220 116 224

HSL 297.78, 0.64%, 0.67%

LAB 64.23, 55.68, -37.76

 

CMYK 15 / 48 / 0 / 12

HEX #BF74E0

RGB 191 116 224

HSL 281.67, 0.64%, 0.67%

LAB 60.74, 47.6, -43.49

 

CMYK 0 / 48 / 37 / 12

HEX #E0748D

RGB 224 116 141

HSL 346.11, 0.64%, 0.67%

LAB 61.88, 44.53, 5.84

 

CMYK 0 / 57 / 44 / 7

HEX #EE6786

RGB 238 103 134

HSL 346.22, 0.8%, 0.67%

LAB 61.31, 54.78, 9.32

 

CMYK 0 / 65 / 50 / 2

HEX #FB597E

RGB 251 89 126

HSL 346.3, 0.95%, 0.67%

LAB 60.92, 64.17, 13.72

 

CMYK 0 / 48 / 37 / 12

HEX #E0748D

RGB 224 116 141

HSL 346.11, 0.64%, 0.67%

LAB 61.88, 44.53, 5.84

 

CMYK 0 / 38 / 29 / 17

HEX #D38295

RGB 211 130 149

HSL 345.93, 0.48%, 0.67%

LAB 63.33, 33.6, 3.14

 

CMYK 0 / 27 / 21 / 23

HEX #C5909C

RGB 197 144 156

HSL 346.42, 0.31%, 0.67%

LAB 65.13, 21.83, 1.59

 

CMYK 0 / 14 / 11 / 28

HEX #B79DA3

RGB 183 157 163

HSL 346.15, 0.15%, 0.67%

LAB 67.15, 10.59, 0.42

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 0 / 48 / 11 / 12

HEX #E074C7

RGB 224 116 199

HSL 313.89, 0.64%, 0.67%

LAB 63.72, 52.58, -24.49

 

CMYK 0 / 48 / 24 / 12

HEX #E074AA

RGB 224 116 170

HSL 330, 0.64%, 0.67%

LAB 62.71, 48.23, -9.57

 

CMYK 0 / 48 / 37 / 12

HEX #E0748E

RGB 224 116 142

HSL 345.56, 0.64%, 0.67%

LAB 61.9, 44.64, 5.3

 

CMYK 0 / 46 / 48 / 12

HEX #E07874

RGB 224 120 116

HSL 2.22, 0.64%, 0.67%

LAB 62.12, 39.87, 20.47

 

CMYK 0 / 33 / 48 / 12

HEX #E09574

RGB 224 149 116

HSL 18.33, 0.64%, 0.67%

LAB 68.46, 24.59, 28.94

 

CMYK 0 / 77 / 59 / 18

HEX #D13156

RGB 209 49 86

HSL 346.13, 0.63%, 0.51%

LAB 47.53, 63.07, 17.98

 

CMYK 0 / 62 / 48 / 15

HEX #D95371

RGB 217 83 113

HSL 346.57, 0.64%, 0.59%

LAB 54.17, 54.88, 11.07

 

CMYK 0 / 48 / 37 / 12

HEX #E0748D

RGB 224 116 141

HSL 346.11, 0.64%, 0.67%

LAB 61.88, 44.53, 5.84

 

CMYK 0 / 35 / 27 / 9

HEX #E896A9

RGB 232 150 169

HSL 346.1, 0.64%, 0.75%

LAB 70.76, 33.27, 2.95

 

CMYK 0 / 23 / 18 / 6

HEX #EFB8C5

RGB 239 184 197

HSL 345.82, 0.63%, 0.83%

LAB 79.99, 21.78, 1.12

 

CMYK 0 / 48 / 37 / 12

HEX #E1748D

RGB 225 116 141

HSL 346.24, 0.64%, 0.67%

LAB 62.02, 44.88, 6.05

 

CMYK 0 / 1 / 48 / 12

HEX #E0DD74

RGB 224 221 116

HSL 58.33, 0.64%, 0.67%

LAB 86.42, -13.13, 51.46

 

CMYK 48 / 17 / 0 / 12

HEX #74B9E0

RGB 116 185 224

HSL 201.67, 0.64%, 0.67%

LAB 72.09, -11.34, -26.28

 

CMYK 0 / 48 / 37 / 12

HEX #E1748D

RGB 225 116 141

HSL 346.24, 0.64%, 0.67%

LAB 62.02, 44.88, 6.05

 

CMYK 37 / 0 / 48 / 12

HEX #8EE074

RGB 142 224 116

HSL 105.56, 0.64%, 0.67%

LAB 82.01, -44.79, 44.9

 

CMYK 48 / 37 / 0 / 12

HEX #748EE0

RGB 116 142 224

HSL 225.56, 0.64%, 0.67%

LAB 60.28, 12.86, -44.64

 

CMYK 0 / 48 / 37 / 12

HEX #E1748D

RGB 225 116 141

HSL 346.24, 0.64%, 0.67%

LAB 62.02, 44.88, 6.05

 

CMYK 0 / 1 / 48 / 12

HEX #E0DD74

RGB 224 221 116

HSL 58.33, 0.64%, 0.67%

LAB 86.42, -13.13, 51.46

 

CMYK 48 / 0 / 11 / 12

HEX #74E0C7

RGB 116 224 199

HSL 166.11, 0.64%, 0.67%

LAB 82.46, -37.11, 2.65

 

CMYK 48 / 46 / 0 / 12

HEX #7478E0

RGB 116 120 224

HSL 237.78, 0.64%, 0.67%

LAB 54.58, 25.96, -53.69

 

CMYK 0 / 48 / 37 / 12

HEX #E1748D

RGB 225 116 141

HSL 346.24, 0.64%, 0.67%

LAB 62.02, 44.88, 6.05

 

CMYK 13 / 0 / 48 / 12

HEX #C3E074

RGB 195 224 116

HSL 76.11, 0.64%, 0.67%

LAB 85.09, -25.95, 49.35

 

CMYK 48 / 0 / 11 / 12

HEX #74E0C7

RGB 116 224 199

HSL 166.11, 0.64%, 0.67%

LAB 82.46, -37.11, 2.65

 

CMYK 35 / 48 / 0 / 12

HEX #9174E0

RGB 145 116 224

HSL 256.11, 0.64%, 0.67%

LAB 55.98, 35.31, -51.32

 

Description

Color code: RGB 225 116 141 | qconv.com Color code: RGB 225 116 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 116 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 116 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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