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Color name
RGB 224 98 10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 98 10 it is the complementary color RGB 31 157 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 98 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 98 10 shade: RGB 229 98 5, RGB 246 116 24, RGB 255 134 43, RGB 255 152 62 and RGB 255 170 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 98 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 207 80 0, RGB 190 62 0, RGB 173 44 0 and RGB 156 26 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 224 40 10 and RGB 224 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 224 155 10, RGB 224 213 10, RGB 177 224 10 and RGB 119 224 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 98 10 shade matches the following richer shades: RGB 224 98 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 205 101 29, RGB 186 105 48, RGB 167 108 67 and RGB 148 111 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 98 10 shade: RGB 224 10 39, RGB 224 39 10, RGB 224 95 10, RGB 224 152 10 and RGB 224 209 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 98 10 shade: RGB 145 63 6, RGB 184 81 8, RGB 224 98 10, RGB 244 119 31 and RGB 246 142 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 95 224 10 and RGB 10 10 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 10 224 95 and RGB 95 10 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 95 224 10, RGB 10 138 224 and RGB 138 10 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 98 10 shade: RGB 224 98 10, RGB 31 224 10, RGB 10 138 224 and RGB 202 10 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

Complementary color

CMYK 87 / 36 / 0 / 4

HEX #1F9DF5

RGB 31 157 245

HSL 204.67, 0.91%, 0.54%

LAB 62.51, -1.38, -52.92

 

CMYK 0 / 57 / 98 / 10

HEX #E56205

RGB 229 98 5

HSL 24.91, 0.96%, 0.46%

LAB 57.47, 47.45, 65.52

 

CMYK 0 / 53 / 90 / 4

HEX #F67418

RGB 246 116 24

HSL 24.86, 0.93%, 0.53%

LAB 63.47, 45.48, 66.71

 

CMYK 0 / 47 / 83 / 0

HEX #FF862B

RGB 255 134 43

HSL 25.75, 1%, 0.58%

LAB 68.38, 40.48, 65.1

 

CMYK 0 / 40 / 76 / 0

HEX #FF983E

RGB 255 152 62

HSL 27.98, 1%, 0.62%

LAB 72.27, 31.94, 61.21

 

CMYK 0 / 33 / 68 / 0

HEX #FFAA51

RGB 255 170 81

HSL 30.69, 1%, 0.66%

LAB 76.44, 23.45, 57.14

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 0 / 61 / 100 / 19

HEX #CF5000

RGB 207 80 0

HSL 23.19, 1%, 0.41%

LAB 50.69, 47.6, 60.84

 

CMYK 0 / 67 / 100 / 25

HEX #BE3E00

RGB 190 62 0

HSL 19.58, 1%, 0.37%

LAB 44.79, 49.36, 56.15

 

CMYK 0 / 75 / 100 / 32

HEX #AD2C00

RGB 173 44 0

HSL 15.26, 1%, 0.34%

LAB 39.05, 50.58, 51.58

 

CMYK 0 / 83 / 100 / 39

HEX #9C1A00

RGB 156 26 0

HSL 10, 1%, 0.31%

LAB 33.58, 50.86, 46.95

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 0 / 82 / 96 / 12

HEX #E0280A

RGB 224 40 10

HSL 8.41, 0.91%, 0.46%

LAB 48.74, 67.14, 59.03

 

CMYK 0 / 96 / 96 / 12

HEX #E00A0A

RGB 224 10 10

HSL 0, 0.91%, 0.46%

LAB 47.09, 71.89, 58.17

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 0 / 31 / 96 / 12

HEX #E09B0A

RGB 224 155 10

HSL 40.65, 0.91%, 0.46%

LAB 68.98, 16.11, 71.98

 

CMYK 0 / 5 / 96 / 12

HEX #E0D50A

RGB 224 213 10

HSL 56.92, 0.91%, 0.46%

LAB 83.68, -14.05, 82.67

 

CMYK 21 / 0 / 96 / 12

HEX #B1E00A

RGB 177 224 10

HSL 73.18, 0.91%, 0.46%

LAB 83.27, -38.66, 80.86

 

CMYK 47 / 0 / 96 / 12

HEX #77E00A

RGB 119 224 10

HSL 89.44, 0.91%, 0.46%

LAB 80.32, -59.15, 77.28

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 0 / 51 / 86 / 20

HEX #CD651D

RGB 205 101 29

HSL 24.55, 0.75%, 0.46%

LAB 54.42, 37.08, 55.51

 

CMYK 0 / 44 / 74 / 27

HEX #BA6930

RGB 186 105 48

HSL 24.78, 0.59%, 0.46%

LAB 52.68, 27.85, 44.75

 

CMYK 0 / 35 / 60 / 35

HEX #A76C43

RGB 167 108 67

HSL 24.6, 0.43%, 0.46%

LAB 51.09, 19.26, 32.37

 

CMYK 0 / 25 / 42 / 42

HEX #946F56

RGB 148 111 86

HSL 24.19, 0.26%, 0.46%

LAB 49.9, 11.22, 19.6

 

CMYK 0 / 96 / 83 / 12

HEX #E00A27

RGB 224 10 39

HSL 351.87, 0.91%, 0.46%

LAB 47.25, 72.34, 46.05

 

CMYK 0 / 83 / 96 / 12

HEX #E0270A

RGB 224 39 10

HSL 8.13, 0.91%, 0.46%

LAB 48.66, 67.38, 58.99

 

CMYK 0 / 58 / 96 / 12

HEX #E05F0A

RGB 224 95 10

HSL 23.83, 0.91%, 0.46%

LAB 56.14, 47.04, 63.37

 

CMYK 0 / 32 / 96 / 12

HEX #E0980A

RGB 224 152 10

HSL 39.81, 0.91%, 0.46%

LAB 68.26, 17.72, 71.48

 

CMYK 0 / 7 / 96 / 12

HEX #E0D10A

RGB 224 209 10

HSL 55.79, 0.91%, 0.46%

LAB 82.63, -12.05, 81.89

 

CMYK 0 / 57 / 96 / 43

HEX #913F06

RGB 145 63 6

HSL 24.6, 0.92%, 0.3%

LAB 37.09, 31.95, 45.69

 

CMYK 0 / 56 / 96 / 28

HEX #B85108

RGB 184 81 8

HSL 24.89, 0.92%, 0.38%

LAB 47.1, 38.5, 54.84

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 0 / 51 / 87 / 4

HEX #F4771F

RGB 244 119 31

HSL 24.79, 0.91%, 0.54%

LAB 63.77, 43.38, 64.76

 

CMYK 0 / 42 / 72 / 4

HEX #F68E46

RGB 246 142 70

HSL 24.55, 0.91%, 0.62%

LAB 69.03, 33.84, 53.95

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 58 / 0 / 96 / 12

HEX #5FE00A

RGB 95 224 10

HSL 96.17, 0.91%, 0.46%

LAB 79.48, -65.8, 76.25

 

CMYK 96 / 96 / 0 / 12

HEX #0A0AE0

RGB 10 10 224

HSL 240, 0.91%, 0.46%

LAB 28.55, 70.07, -96.54

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 96 / 0 / 58 / 12

HEX #0AE05F

RGB 10 224 95

HSL 143.83, 0.91%, 0.46%

LAB 78.58, -71.66, 49.82

 

CMYK 58 / 96 / 0 / 12

HEX #5F0AE0

RGB 95 10 224

HSL 263.83, 0.91%, 0.46%

LAB 34.05, 72.9, -87.23

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 58 / 0 / 96 / 12

HEX #5FE00A

RGB 95 224 10

HSL 96.17, 0.91%, 0.46%

LAB 79.48, -65.8, 76.25

 

CMYK 96 / 38 / 0 / 12

HEX #0A8AE0

RGB 10 138 224

HSL 204.11, 0.91%, 0.46%

LAB 55.71, 0.98, -52.12

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 0 / 56 / 96 / 12

HEX #E0620A

RGB 224 98 10

HSL 24.67, 0.91%, 0.46%

LAB 56.69, 45.63, 63.71

 

CMYK 86 / 0 / 96 / 12

HEX #1FE00A

RGB 31 224 10

HSL 114.11, 0.91%, 0.46%

LAB 78.24, -76.42, 74.72

 

CMYK 96 / 38 / 0 / 12

HEX #0A8AE0

RGB 10 138 224

HSL 204.11, 0.91%, 0.46%

LAB 55.71, 0.98, -52.12

 

CMYK 10 / 96 / 0 / 12

HEX #CA0AE0

RGB 202 10 224

HSL 293.83, 0.91%, 0.46%

LAB 49.68, 84.96, -61.02

 

Description

Color code: RGB 224 98 10 | qconv.com Color code: RGB 224 98 10 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 98 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 98 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 96 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 96% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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