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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 88 20 it is the complementary color RGB 31 167 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 88 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 88 20 shade: RGB 229 88 15, RGB 246 106 34, RGB 255 124 53, RGB 255 142 72 and RGB 255 160 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 88 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 88 20 shade: RGB 224 88 20, RGB 207 70 1, RGB 190 52 0, RGB 173 34 0 and RGB 156 16 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 88 20 shade: RGB 225 88 19, RGB 225 32 19 and RGB 225 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 88 20 shade: RGB 225 88 19, RGB 225 143 19, RGB 225 199 19, RGB 195 225 19 and RGB 140 225 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 88 20 shade matches the following richer shades: RGB 225 88 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 88 20 shade: RGB 225 88 19, RGB 205 94 39, RGB 185 101 59, RGB 165 107 78 and RGB 145 114 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 88 20 shade: RGB 225 19 60, RGB 225 33 19, RGB 225 88 19, RGB 225 142 19 and RGB 225 197 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 88 20 shade: RGB 149 58 12, RGB 187 73 16, RGB 225 88 19, RGB 237 111 48 and RGB 240 138 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 88 20 shade: RGB 224 88 20, RGB 115 225 19 and RGB 19 33 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 88 20 shade: RGB 224 88 20, RGB 19 225 88 and RGB 88 19 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 88 20 shade: RGB 224 88 20, RGB 115 225 19, RGB 19 156 225 and RGB 129 19 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 88 20 shade: RGB 224 88 20, RGB 53 225 19, RGB 19 156 225 and RGB 190 19 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 91 / 12

HEX #E05814

RGB 224 88 20

HSL 20, 0.84%, 0.48%

LAB 54.95, 50.37, 60.17

 

Complementary color

CMYK 87 / 29 / 0 / 8

HEX #1FA7EB

RGB 31 167 235

HSL 200, 0.84%, 0.52%

LAB 64.9, -10.66, -43.65

 

CMYK 0 / 62 / 93 / 10

HEX #E5580F

RGB 229 88 15

HSL 20.47, 0.88%, 0.48%

LAB 55.76, 52.09, 62.46

 

CMYK 0 / 57 / 86 / 4

HEX #F66A22

RGB 246 106 34

HSL 20.38, 0.92%, 0.55%

LAB 61.67, 50.39, 62.21

 

CMYK 0 / 51 / 79 / 0

HEX #FF7C35

RGB 255 124 53

HSL 21.09, 1%, 0.6%

LAB 66.47, 45.7, 59.42

 

CMYK 0 / 44 / 72 / 0

HEX #FF8E48

RGB 255 142 72

HSL 22.95, 1%, 0.64%

LAB 70.23, 37.48, 54.64

 

CMYK 0 / 37 / 64 / 0

HEX #FFA05B

RGB 255 160 91

HSL 25.24, 1%, 0.68%

LAB 74.29, 29.23, 49.99

 

CMYK 0 / 61 / 91 / 12

HEX #E05814

RGB 224 88 20

HSL 20, 0.84%, 0.48%

LAB 54.95, 50.37, 60.17

 

CMYK 0 / 66 / 100 / 19

HEX #CF4601

RGB 207 70 1

HSL 20.1, 0.99%, 0.41%

LAB 49.07, 51.95, 59.74

 

CMYK 0 / 73 / 100 / 25

HEX #BE3400

RGB 190 52 0

HSL 16.42, 1%, 0.37%

LAB 43.36, 53.25, 55.46

 

CMYK 0 / 80 / 100 / 32

HEX #AD2200

RGB 173 34 0

HSL 11.79, 1%, 0.34%

LAB 37.89, 53.8, 51.07

 

CMYK 0 / 90 / 100 / 39

HEX #9C1000

RGB 156 16 0

HSL 6.15, 1%, 0.31%

LAB 32.79, 53.12, 46.46

 

CMYK 0 / 61 / 92 / 12

HEX #E15813

RGB 225 88 19

HSL 20.1, 0.84%, 0.48%

LAB 55.11, 50.72, 60.65

 

CMYK 0 / 86 / 92 / 12

HEX #E12013

RGB 225 32 19

HSL 3.79, 0.84%, 0.48%

LAB 48.37, 69.23, 56.15

 

CMYK 0 / 92 / 92 / 12

HEX #E11313

RGB 225 19 19

HSL 0, 0.84%, 0.48%

LAB 47.65, 71.3, 55.69

 

CMYK 0 / 61 / 92 / 12

HEX #E15813

RGB 225 88 19

HSL 20.1, 0.84%, 0.48%

LAB 55.11, 50.72, 60.65

 

CMYK 0 / 36 / 92 / 12

HEX #E18F13

RGB 225 143 19

HSL 36.12, 0.84%, 0.48%

LAB 66.29, 23.07, 68.64

 

CMYK 0 / 12 / 92 / 12

HEX #E1C713

RGB 225 199 19

HSL 52.43, 0.84%, 0.48%

LAB 80.12, -6.46, 79

 

CMYK 13 / 0 / 92 / 12

HEX #C3E113

RGB 195 225 19

HSL 68.74, 0.84%, 0.48%

LAB 84.74, -31.82, 81.55

 

CMYK 38 / 0 / 92 / 12

HEX #8CE113

RGB 140 225 19

HSL 84.76, 0.84%, 0.48%

LAB 81.55, -52.59, 77.66

 

CMYK 0 / 61 / 92 / 12

HEX #E15813

RGB 225 88 19

HSL 20.1, 0.84%, 0.48%

LAB 55.11, 50.72, 60.65

 

CMYK 0 / 61 / 92 / 12

HEX #E15813

RGB 225 88 19

HSL 20.1, 0.84%, 0.48%

LAB 55.11, 50.72, 60.65

 

CMYK 0 / 54 / 81 / 20

HEX #CD5E27

RGB 205 94 39

HSL 19.88, 0.68%, 0.48%

LAB 53.09, 40.89, 50.28

 

CMYK 0 / 45 / 68 / 27

HEX #B9653B

RGB 185 101 59

HSL 20, 0.52%, 0.48%

LAB 51.77, 30.18, 38.1

 

CMYK 0 / 35 / 53 / 35

HEX #A56B4E

RGB 165 107 78

HSL 20, 0.36%, 0.48%

LAB 50.76, 19.92, 25.72

 

CMYK 0 / 21 / 32 / 43

HEX #917262

RGB 145 114 98

HSL 20.43, 0.19%, 0.48%

LAB 50.61, 9.77, 13.52

 

CMYK 0 / 92 / 73 / 12

HEX #E1133C

RGB 225 19 60

HSL 348.06, 0.84%, 0.48%

LAB 48.01, 72.31, 34.99

 

CMYK 0 / 85 / 92 / 12

HEX #E12113

RGB 225 33 19

HSL 4.08, 0.84%, 0.48%

LAB 48.44, 69.04, 56.19

 

CMYK 0 / 61 / 92 / 12

HEX #E15813

RGB 225 88 19

HSL 20.1, 0.84%, 0.48%

LAB 55.11, 50.72, 60.65

 

CMYK 0 / 37 / 92 / 12

HEX #E18E13

RGB 225 142 19

HSL 35.83, 0.84%, 0.48%

LAB 66.06, 23.6, 68.47

 

CMYK 0 / 12 / 92 / 12

HEX #E1C513

RGB 225 197 19

HSL 51.84, 0.84%, 0.48%

LAB 79.61, -5.44, 78.61

 

CMYK 0 / 61 / 92 / 42

HEX #953A0C

RGB 149 58 12

HSL 20.15, 0.85%, 0.32%

LAB 36.82, 36.21, 43.84

 

CMYK 0 / 61 / 91 / 27

HEX #BB4910

RGB 187 73 16

HSL 20, 0.84%, 0.4%

LAB 46.13, 43.62, 52.28

 

CMYK 0 / 61 / 92 / 12

HEX #E15813

RGB 225 88 19

HSL 20.1, 0.84%, 0.48%

LAB 55.11, 50.72, 60.65

 

CMYK 0 / 53 / 80 / 7

HEX #ED6F30

RGB 237 111 48

HSL 20, 0.84%, 0.56%

LAB 61.3, 45.06, 55.76

 

CMYK 0 / 43 / 64 / 6

HEX #F08A56

RGB 240 138 86

HSL 20.26, 0.84%, 0.64%

LAB 67.56, 34.4, 44.2

 

CMYK 0 / 61 / 91 / 12

HEX #E05814

RGB 224 88 20

HSL 20, 0.84%, 0.48%

LAB 54.95, 50.37, 60.17

 

CMYK 49 / 0 / 92 / 12

HEX #73E113

RGB 115 225 19

HSL 92.04, 0.84%, 0.48%

LAB 80.48, -60.55, 76.34

 

CMYK 92 / 85 / 0 / 12

HEX #1321E1

RGB 19 33 225

HSL 235.92, 0.84%, 0.48%

LAB 31.03, 63.87, -92.97

 

CMYK 0 / 61 / 91 / 12

HEX #E05814

RGB 224 88 20

HSL 20, 0.84%, 0.48%

LAB 54.95, 50.37, 60.17

 

CMYK 92 / 0 / 61 / 12

HEX #13E158

RGB 19 225 88

HSL 140.1, 0.84%, 0.48%

LAB 78.86, -72.46, 53.26

 

CMYK 61 / 92 / 0 / 12

HEX #5813E1

RGB 88 19 225

HSL 260.1, 0.84%, 0.48%

LAB 33.93, 71.09, -88.01

 

CMYK 0 / 61 / 91 / 12

HEX #E05814

RGB 224 88 20

HSL 20, 0.84%, 0.48%

LAB 54.95, 50.37, 60.17

 

CMYK 49 / 0 / 92 / 12

HEX #73E113

RGB 115 225 19

HSL 92.04, 0.84%, 0.48%

LAB 80.48, -60.55, 76.34

 

CMYK 92 / 31 / 0 / 12

HEX #139CE1

RGB 19 156 225

HSL 200.1, 0.84%, 0.48%

LAB 61.09, -8.77, -44.14

 

CMYK 43 / 92 / 0 / 12

HEX #8113E1

RGB 129 19 225

HSL 272.04, 0.84%, 0.48%

LAB 38.85, 74.62, -79.74

 

CMYK 0 / 61 / 91 / 12

HEX #E05814

RGB 224 88 20

HSL 20, 0.84%, 0.48%

LAB 54.95, 50.37, 60.17

 

CMYK 76 / 0 / 92 / 12

HEX #35E113

RGB 53 225 19

HSL 110.1, 0.84%, 0.48%

LAB 78.84, -74.1, 74.31

 

CMYK 92 / 31 / 0 / 12

HEX #139CE1

RGB 19 156 225

HSL 200.1, 0.84%, 0.48%

LAB 61.09, -8.77, -44.14

 

CMYK 16 / 92 / 0 / 12

HEX #BE13E1

RGB 190 19 225

HSL 289.81, 0.84%, 0.48%

LAB 48.07, 82.42, -64.29

 

Description

Color code: RGB 224 88 20 | qconv.com Color code: RGB 224 88 20 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 88 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 88 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 91 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 91% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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