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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 79 195 it is the complementary color RGB 31 176 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 79 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 79 195 shade: RGB 229 79 190, RGB 246 97 209, RGB 255 115 228, RGB 255 133 247 and RGB 255 151 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 79 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 79 195 shade: RGB 224 79 195, RGB 207 61 176, RGB 190 43 157, RGB 173 25 138 and RGB 156 7 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 79 195 shade: RGB 223 77 194, RGB 223 77 154, RGB 223 77 115 and RGB 223 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 79 195 shade: RGB 223 77 194, RGB 213 77 223, RGB 173 77 223, RGB 134 77 223 and RGB 95 77 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 79 195 shade matches the following richer shades: RGB 223 77 194 and RGB 240 60 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 79 195 shade: RGB 223 77 194, RGB 206 94 184, RGB 189 111 174, RGB 172 128 163 and RGB 155 144 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 79 195 shade: RGB 174 77 223, RGB 213 77 223, RGB 223 77 194, RGB 223 77 155 and RGB 223 77 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 79 195 shade: RGB 185 32 155, RGB 217 42 182, RGB 223 77 194, RGB 229 112 206 and RGB 236 147 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 79 195 shade: RGB 224 79 195, RGB 223 135 77 and RGB 77 223 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 79 195 shade: RGB 224 79 195, RGB 194 223 77 and RGB 77 194 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 79 195 shade: RGB 224 79 195, RGB 223 135 77, RGB 77 223 106 and RGB 77 165 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 79 195 shade: RGB 224 79 195, RGB 223 179 77, RGB 77 223 106 and RGB 77 121 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 13 / 12

HEX #E04FC3

RGB 224 79 195

HSL 312, 0.7%, 0.59%

LAB 57.44, 68.42, -31.92

 

Complementary color

CMYK 82 / 0 / 66 / 31

HEX #1FB03C

RGB 31 176 60

HSL 132, 0.7%, 0.41%

LAB 63.07, -59.62, 47.63

 

CMYK 0 / 66 / 17 / 10

HEX #E54FBE

RGB 229 79 190

HSL 315.6, 0.74%, 0.6%

LAB 58.01, 68.97, -28.12

 

CMYK 0 / 61 / 15 / 4

HEX #F661D1

RGB 246 97 209

HSL 314.9, 0.89%, 0.67%

LAB 63.95, 68.95, -29.51

 

CMYK 0 / 55 / 11 / 0

HEX #FF73E4

RGB 255 115 228

HSL 311.57, 1%, 0.73%

LAB 68.84, 66.48, -32.46

 

CMYK 0 / 48 / 3 / 0

HEX #FF85F7

RGB 255 133 247

HSL 303.93, 1%, 0.76%

LAB 72.73, 61.25, -36.87

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 65 / 13 / 12

HEX #E04FC3

RGB 224 79 195

HSL 312, 0.7%, 0.59%

LAB 57.44, 68.42, -31.92

 

CMYK 0 / 71 / 15 / 19

HEX #CF3DB0

RGB 207 61 176

HSL 312.74, 0.6%, 0.53%

LAB 51.54, 68.07, -30.32

 

CMYK 0 / 77 / 17 / 25

HEX #BE2B9D

RGB 190 43 157

HSL 313.47, 0.63%, 0.46%

LAB 45.78, 67.12, -28.26

 

CMYK 0 / 86 / 20 / 32

HEX #AD198A

RGB 173 25 138

HSL 314.19, 0.75%, 0.39%

LAB 40.27, 65.23, -25.58

 

CMYK 0 / 96 / 24 / 39

HEX #9C0777

RGB 156 7 119

HSL 314.9, 0.91%, 0.32%

LAB 35.11, 62.07, -22.06

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 65 / 31 / 13

HEX #DF4D9A

RGB 223 77 154

HSL 328.36, 0.7%, 0.59%

LAB 55.41, 63.49, -11.26

 

CMYK 0 / 65 / 48 / 13

HEX #DF4D73

RGB 223 77 115

HSL 344.38, 0.7%, 0.59%

LAB 54.27, 59.46, 10.18

 

CMYK 0 / 65 / 65 / 13

HEX #DF4D4D

RGB 223 77 77

HSL 0, 0.7%, 0.59%

LAB 53.53, 56.73, 31.6

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 4 / 65 / 0 / 13

HEX #D54DDF

RGB 213 77 223

HSL 295.89, 0.7%, 0.59%

LAB 56.86, 71, -48.87

 

CMYK 22 / 65 / 0 / 13

HEX #AD4DDF

RGB 173 77 223

HSL 279.45, 0.7%, 0.59%

LAB 51.29, 62.11, -58.09

 

CMYK 40 / 65 / 0 / 13

HEX #864DDF

RGB 134 77 223

HSL 263.42, 0.7%, 0.59%

LAB 46.58, 54, -65.92

 

CMYK 57 / 65 / 0 / 13

HEX #5F4DDF

RGB 95 77 223

HSL 247.4, 0.7%, 0.59%

LAB 42.87, 47.06, -72.14

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 75 / 15 / 6

HEX #F03CCC

RGB 240 60 204

HSL 312, 0.86%, 0.59%

LAB 58.15, 79.81, -35.78

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 54 / 11 / 19

HEX #CE5EB8

RGB 206 94 184

HSL 311.79, 0.53%, 0.59%

LAB 56.67, 55.45, -27.01

 

CMYK 0 / 41 / 8 / 26

HEX #BD6FAE

RGB 189 111 174

HSL 311.54, 0.37%, 0.59%

LAB 57.31, 40.01, -20.46

 

CMYK 0 / 26 / 5 / 33

HEX #AC80A3

RGB 172 128 163

HSL 312.27, 0.21%, 0.59%

LAB 58.84, 22.86, -12

 

CMYK 0 / 7 / 1 / 39

HEX #9B9099

RGB 155 144 153

HSL 310.91, 0.05%, 0.59%

LAB 60.97, 5.76, -3.29

 

CMYK 22 / 65 / 0 / 13

HEX #AE4DDF

RGB 174 77 223

HSL 279.86, 0.7%, 0.59%

LAB 51.42, 62.33, -57.87

 

CMYK 4 / 65 / 0 / 13

HEX #D54DDF

RGB 213 77 223

HSL 295.89, 0.7%, 0.59%

LAB 56.86, 71, -48.87

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9B

RGB 223 77 155

HSL 327.95, 0.7%, 0.59%

LAB 55.44, 63.6, -11.79

 

CMYK 0 / 65 / 48 / 13

HEX #DF4D74

RGB 223 77 116

HSL 343.97, 0.7%, 0.59%

LAB 54.3, 59.55, 9.62

 

CMYK 0 / 83 / 16 / 27

HEX #B9209B

RGB 185 32 155

HSL 311.76, 0.71%, 0.43%

LAB 43.82, 68.55, -30.2

 

CMYK 0 / 81 / 16 / 15

HEX #D92AB6

RGB 217 42 182

HSL 312, 0.7%, 0.51%

LAB 51.59, 76.63, -33.62

 

CMYK 0 / 65 / 13 / 13

HEX #DF4DC2

RGB 223 77 194

HSL 311.92, 0.7%, 0.59%

LAB 56.97, 68.79, -32.1

 

CMYK 0 / 51 / 10 / 10

HEX #E570CE

RGB 229 112 206

HSL 311.79, 0.69%, 0.67%

LAB 63.92, 57.11, -28.08

 

CMYK 0 / 38 / 8 / 7

HEX #EC93DA

RGB 236 147 218

HSL 312.13, 0.7%, 0.75%

LAB 72.07, 43.71, -22.19

 

CMYK 0 / 65 / 13 / 12

HEX #E04FC3

RGB 224 79 195

HSL 312, 0.7%, 0.59%

LAB 57.44, 68.42, -31.92

 

CMYK 0 / 39 / 65 / 13

HEX #DF874D

RGB 223 135 77

HSL 23.84, 0.7%, 0.59%

LAB 64.61, 28.61, 44.8

 

CMYK 65 / 0 / 13 / 13

HEX #4DDFC2

RGB 77 223 194

HSL 168.08, 0.7%, 0.59%

LAB 80.88, -45.44, 2.86

 

CMYK 0 / 65 / 13 / 12

HEX #E04FC3

RGB 224 79 195

HSL 312, 0.7%, 0.59%

LAB 57.44, 68.42, -31.92

 

CMYK 13 / 0 / 65 / 13

HEX #C2DF4D

RGB 194 223 77

HSL 71.92, 0.7%, 0.59%

LAB 84.37, -29.07, 65.59

 

CMYK 65 / 13 / 0 / 13

HEX #4DC2DF

RGB 77 194 223

HSL 191.92, 0.7%, 0.59%

LAB 73.21, -23.88, -24.15

 

CMYK 0 / 65 / 13 / 12

HEX #E04FC3

RGB 224 79 195

HSL 312, 0.7%, 0.59%

LAB 57.44, 68.42, -31.92

 

CMYK 0 / 39 / 65 / 13

HEX #DF874D

RGB 223 135 77

HSL 23.84, 0.7%, 0.59%

LAB 64.61, 28.61, 44.8

 

CMYK 65 / 0 / 52 / 13

HEX #4DDF6A

RGB 77 223 106

HSL 131.92, 0.7%, 0.59%

LAB 79.27, -62.62, 45.77

 

CMYK 65 / 26 / 0 / 13

HEX #4DA5DF

RGB 77 165 223

HSL 203.84, 0.7%, 0.59%

LAB 64.82, -8.54, -37.11

 

CMYK 0 / 65 / 13 / 12

HEX #E04FC3

RGB 224 79 195

HSL 312, 0.7%, 0.59%

LAB 57.44, 68.42, -31.92

 

CMYK 0 / 20 / 65 / 13

HEX #DFB34D

RGB 223 179 77

HSL 41.92, 0.7%, 0.59%

LAB 75.12, 5.13, 56.51

 

CMYK 65 / 0 / 52 / 13

HEX #4DDF6A

RGB 77 223 106

HSL 131.92, 0.7%, 0.59%

LAB 79.27, -62.62, 45.77

 

CMYK 65 / 46 / 0 / 13

HEX #4D79DF

RGB 77 121 223

HSL 221.92, 0.7%, 0.59%

LAB 52.49, 17.35, -56.61

 

Description

Color code: RGB 224 79 195 | qconv.com Color code: RGB 224 79 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 79 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 79 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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