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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 5 224 it is the complementary color RGB 31 250 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 5 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 5 224 shade: RGB 229 5 219, RGB 246 23 238, RGB 255 41 255, RGB 255 59 255 and RGB 255 77 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 5 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 5 224 shade: RGB 224 5 224, RGB 207 0 205, RGB 190 0 186, RGB 173 0 167 and RGB 156 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 5 224 shade: RGB 224 4 224, RGB 224 4 165, RGB 224 4 106, RGB 224 4 46 and RGB 224 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 5 224 shade: RGB 224 4 224, RGB 165 4 224, RGB 106 4 224, RGB 46 4 224 and RGB 4 4 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 5 224 shade matches the following richer shades: RGB 224 4 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 5 224 shade: RGB 224 4 224, RGB 206 23 206, RGB 187 41 187, RGB 169 60 169 and RGB 150 78 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 5 224 shade: RGB 107 4 224, RGB 166 4 224, RGB 224 4 224, RGB 224 4 166 and RGB 224 4 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 5 224 shade: RGB 144 2 144, RGB 184 3 184, RGB 224 4 224, RGB 250 20 250 and RGB 251 60 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 5 224 shade: RGB 224 5 224, RGB 224 48 4 and RGB 4 224 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 5 224 shade: RGB 224 5 224, RGB 224 224 4 and RGB 4 224 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 5 224 shade: RGB 224 5 224, RGB 224 48 4, RGB 4 224 4 and RGB 4 180 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 5 224 shade: RGB 224 5 224, RGB 224 114 4, RGB 4 224 4 and RGB 4 114 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 0 / 12

HEX #E005E0

RGB 224 5 224

HSL 300, 0.96%, 0.45%

LAB 53.32, 88.74, -54.98

 

Complementary color

CMYK 88 / 0 / 88 / 2

HEX #1FFA1F

RGB 31 250 31

HSL 120, 0.96%, 0.55%

LAB 86.39, -82.94, 78.75

 

CMYK 0 / 98 / 4 / 10

HEX #E505DB

RGB 229 5 219

HSL 302.68, 0.96%, 0.46%

LAB 53.9, 88.85, -51.15

 

CMYK 0 / 91 / 3 / 4

HEX #F617EE

RGB 246 23 238

HSL 302.15, 0.93%, 0.53%

LAB 58.39, 92.8, -54.54

 

CMYK 0 / 84 / 0 / 0

HEX #FF29FF

RGB 255 41 255

HSL 300, 1%, 0.58%

LAB 61.71, 94.15, -58.62

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 98 / 0 / 12

HEX #E005E0

RGB 224 5 224

HSL 300, 0.96%, 0.45%

LAB 53.32, 88.74, -54.98

 

CMYK 0 / 100 / 1 / 19

HEX #CF00CD

RGB 207 0 205

HSL 300.58, 1%, 0.41%

LAB 49.1, 83.67, -51.03

 

CMYK 0 / 100 / 2 / 25

HEX #BE00BA

RGB 190 0 186

HSL 301.26, 1%, 0.37%

LAB 44.93, 78.17, -46.81

 

CMYK 0 / 100 / 3 / 32

HEX #AD00A7

RGB 173 0 167

HSL 302.08, 1%, 0.34%

LAB 40.69, 72.57, -42.49

 

CMYK 0 / 100 / 5 / 39

HEX #9C0094

RGB 156 0 148

HSL 303.08, 1%, 0.31%

LAB 36.38, 66.87, -38.06

 

CMYK 0 / 98 / 0 / 12

HEX #E004E0

RGB 224 4 224

HSL 300, 0.96%, 0.45%

LAB 53.29, 88.81, -55.02

 

CMYK 0 / 98 / 26 / 12

HEX #E004A5

RGB 224 4 165

HSL 316.09, 0.96%, 0.45%

LAB 50.28, 81.29, -25.57

 

CMYK 0 / 98 / 53 / 12

HEX #E0046A

RGB 224 4 106

HSL 332.18, 0.96%, 0.45%

LAB 48.23, 75.94, 7.1

 

CMYK 0 / 98 / 79 / 12

HEX #E0042E

RGB 224 4 46

HSL 348.55, 0.96%, 0.45%

LAB 47.15, 73.01, 42.11

 

CMYK 0 / 98 / 98 / 12

HEX #E00404

RGB 224 4 4

HSL 0, 0.96%, 0.45%

LAB 46.9, 72.34, 59.78

 

CMYK 0 / 98 / 0 / 12

HEX #E004E0

RGB 224 4 224

HSL 300, 0.96%, 0.45%

LAB 53.29, 88.81, -55.02

 

CMYK 26 / 98 / 0 / 12

HEX #A504E0

RGB 165 4 224

HSL 283.91, 0.96%, 0.45%

LAB 43.46, 80.37, -71.39

 

CMYK 53 / 98 / 0 / 12

HEX #6A04E0

RGB 106 4 224

HSL 267.82, 0.96%, 0.45%

LAB 35.07, 74.48, -85.5

 

CMYK 79 / 98 / 0 / 12

HEX #2E04E0

RGB 46 4 224

HSL 251.45, 0.96%, 0.45%

LAB 29.54, 71.65, -94.85

 

CMYK 98 / 98 / 0 / 12

HEX #0404E0

RGB 4 4 224

HSL 240, 0.96%, 0.45%

LAB 28.1, 71.1, -97.29

 

CMYK 0 / 98 / 0 / 12

HEX #E004E0

RGB 224 4 224

HSL 300, 0.96%, 0.45%

LAB 53.29, 88.81, -55.02

 

CMYK 0 / 98 / 0 / 12

HEX #E004E0

RGB 224 4 224

HSL 300, 0.96%, 0.45%

LAB 53.29, 88.81, -55.02

 

CMYK 0 / 89 / 0 / 19

HEX #CE17CE

RGB 206 23 206

HSL 300, 0.8%, 0.45%

LAB 49.73, 81.45, -50.61

 

CMYK 0 / 78 / 0 / 27

HEX #BB29BB

RGB 187 41 187

HSL 300, 0.64%, 0.45%

LAB 46.63, 71.44, -44.71

RGB 187 41 187

CMYK 0 / 64 / 0 / 34

HEX #A93CA9

RGB 169 60 169

HSL 300, 0.48%, 0.45%

LAB 44.99, 58.09, -36.91

RGB 169 60 169

CMYK 0 / 48 / 0 / 41

HEX #964E96

RGB 150 78 150

HSL 300, 0.32%, 0.45%

LAB 44.43, 40.89, -26.66

RGB 150 78 150

CMYK 52 / 98 / 0 / 12

HEX #6B04E0

RGB 107 4 224

HSL 268.09, 0.96%, 0.45%

LAB 35.19, 74.55, -85.29

 

CMYK 26 / 98 / 0 / 12

HEX #A604E0

RGB 166 4 224

HSL 284.18, 0.96%, 0.45%

LAB 43.62, 80.5, -71.13

 

CMYK 0 / 98 / 0 / 12

HEX #E004E0

RGB 224 4 224

HSL 300, 0.96%, 0.45%

LAB 53.29, 88.81, -55.02

 

CMYK 0 / 98 / 26 / 12

HEX #E004A6

RGB 224 4 166

HSL 315.82, 0.96%, 0.45%

LAB 50.32, 81.4, -26.09

 

CMYK 0 / 98 / 52 / 12

HEX #E0046B

RGB 224 4 107

HSL 331.91, 0.96%, 0.45%

LAB 48.25, 76.01, 6.52

 

CMYK 0 / 99 / 0 / 44

HEX #900290

RGB 144 2 144

HSL 300, 0.97%, 0.29%

LAB 33.95, 63.93, -39.61

 

CMYK 0 / 98 / 0 / 28

HEX #B803B8

RGB 184 3 184

HSL 300, 0.97%, 0.37%

LAB 43.82, 76.61, -47.46

 

CMYK 0 / 98 / 0 / 12

HEX #E004E0

RGB 224 4 224

HSL 300, 0.96%, 0.45%

LAB 53.29, 88.81, -55.02

 

CMYK 0 / 92 / 0 / 2

HEX #FA14FA

RGB 250 20 250

HSL 300, 0.96%, 0.53%

LAB 59.64, 95.44, -59.2

 

CMYK 0 / 76 / 0 / 2

HEX #FB3CFB

RGB 251 60 251

HSL 300, 0.96%, 0.61%

LAB 62.26, 88.75, -55.57

 

CMYK 0 / 98 / 0 / 12

HEX #E005E0

RGB 224 5 224

HSL 300, 0.96%, 0.45%

LAB 53.32, 88.74, -54.98

 

CMYK 0 / 79 / 98 / 12

HEX #E03004

RGB 224 48 4

HSL 12, 0.96%, 0.45%

LAB 49.46, 65.03, 60.93

 

CMYK 98 / 0 / 39 / 12

HEX #04E088

RGB 4 224 136

HSL 156, 0.96%, 0.45%

LAB 79.11, -65.22, 30.61

 

CMYK 0 / 98 / 0 / 12

HEX #E005E0

RGB 224 5 224

HSL 300, 0.96%, 0.45%

LAB 53.32, 88.74, -54.98

 

CMYK 0 / 0 / 98 / 12

HEX #E0E004

RGB 224 224 4

HSL 60, 0.96%, 0.45%

LAB 86.59, -19.51, 85.34

 

CMYK 98 / 0 / 0 / 12

HEX #04E0E0

RGB 4 224 224

HSL 180, 0.96%, 0.45%

LAB 81.14, -43.5, -12.8

 

CMYK 0 / 98 / 0 / 12

HEX #E005E0

RGB 224 5 224

HSL 300, 0.96%, 0.45%

LAB 53.32, 88.74, -54.98

 

CMYK 0 / 79 / 98 / 12

HEX #E03004

RGB 224 48 4

HSL 12, 0.96%, 0.45%

LAB 49.46, 65.03, 60.93

 

CMYK 98 / 0 / 98 / 12

HEX #04E004

RGB 4 224 4

HSL 120, 0.96%, 0.45%

LAB 78.08, -77.94, 75.07

 

CMYK 98 / 20 / 0 / 12

HEX #04B4E0

RGB 4 180 224

HSL 192, 0.96%, 0.45%

LAB 68.06, -22.54, -32.71

 

CMYK 0 / 98 / 0 / 12

HEX #E005E0

RGB 224 5 224

HSL 300, 0.96%, 0.45%

LAB 53.32, 88.74, -54.98

 

CMYK 0 / 49 / 98 / 12

HEX #E07204

RGB 224 114 4

HSL 30, 0.96%, 0.45%

LAB 59.79, 37.68, 66.72

 

CMYK 98 / 0 / 98 / 12

HEX #04E004

RGB 4 224 4

HSL 120, 0.96%, 0.45%

LAB 78.08, -77.94, 75.07

 

CMYK 98 / 49 / 0 / 12

HEX #0472E0

RGB 4 114 224

HSL 210, 0.96%, 0.45%

LAB 48.81, 15.64, -63.19

 

Description

Color code: RGB 224 5 224 | qconv.com Color code: RGB 224 5 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 5 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 5 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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