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Color name
RGB 224 50 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 50 164 it is the complementary color RGB 31 205 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 50 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 50 164 shade: RGB 229 50 159, RGB 246 68 178, RGB 255 86 197, RGB 255 104 216 and RGB 255 122 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 50 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 207 32 145, RGB 190 14 126, RGB 173 0 107 and RGB 156 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 224 50 117, RGB 224 50 71 and RGB 224 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 224 50 211, RGB 190 50 224, RGB 143 50 224 and RGB 97 50 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 50 164 shade matches the following richer shades: RGB 224 50 164 and RGB 243 31 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 205 69 158, RGB 186 88 152, RGB 167 107 146 and RGB 148 126 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 50 164 shade: RGB 189 50 224, RGB 224 50 212, RGB 224 50 166, RGB 224 50 120 and RGB 224 50 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 50 164 shade: RGB 167 25 118, RGB 203 30 143, RGB 224 50 164, RGB 229 86 180 and RGB 235 122 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 224 143 50 and RGB 50 224 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 166 224 50 and RGB 50 166 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 224 143 50, RGB 50 224 108 and RGB 50 131 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 50 164 shade: RGB 224 50 164, RGB 224 195 50, RGB 50 224 108 and RGB 50 79 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

Complementary color

CMYK 85 / 0 / 56 / 20

HEX #1FCD5B

RGB 31 205 91

HSL 140.69, 0.74%, 0.46%

LAB 72.7, -65.05, 44.72

 

CMYK 0 / 78 / 31 / 10

HEX #E5329F

RGB 229 50 159

HSL 323.46, 0.77%, 0.55%

LAB 53.43, 74.52, -17.1

 

CMYK 0 / 72 / 28 / 4

HEX #F644B2

RGB 246 68 178

HSL 322.92, 0.91%, 0.62%

LAB 58.92, 75.54, -19.56

 

CMYK 0 / 66 / 23 / 0

HEX #FF56C5

RGB 255 86 197

HSL 320.59, 1%, 0.67%

LAB 63.3, 73.95, -23.62

 

CMYK 0 / 59 / 15 / 0

HEX #FF68D8

RGB 255 104 216

HSL 315.5, 1%, 0.7%

LAB 66.61, 69.44, -29.23

 

CMYK 0 / 52 / 8 / 0

HEX #FF7AEB

RGB 255 122 235

HSL 309.02, 1%, 0.74%

LAB 70.3, 64.42, -34.06

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 85 / 30 / 19

HEX #CF2091

RGB 207 32 145

HSL 321.26, 0.73%, 0.47%

LAB 47.42, 72.13, -18.27

 

CMYK 0 / 93 / 34 / 25

HEX #BE0E7E

RGB 190 14 126

HSL 321.82, 0.86%, 0.4%

LAB 42.41, 69.26, -14.62

 

CMYK 0 / 100 / 38 / 32

HEX #AD006B

RGB 173 0 107

HSL 322.89, 1%, 0.34%

LAB 37.74, 65.18, -10.13

 

CMYK 0 / 100 / 44 / 39

HEX #9C0058

RGB 156 0 88

HSL 326.15, 1%, 0.31%

LAB 33.5, 59.62, -4.63

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 78 / 48 / 12

HEX #E03275

RGB 224 50 117

HSL 336.9, 0.74%, 0.54%

LAB 51.17, 69.18, 4.58

 

CMYK 0 / 78 / 68 / 12

HEX #E03247

RGB 224 50 71

HSL 352.76, 0.74%, 0.54%

LAB 50.2, 66.16, 31.04

 

CMYK 0 / 78 / 78 / 12

HEX #E03232

RGB 224 50 50

HSL 0, 0.74%, 0.54%

LAB 49.93, 65.31, 42.77

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 78 / 6 / 12

HEX #E032D3

RGB 224 50 211

HSL 304.48, 0.74%, 0.54%

LAB 54.9, 80.13, -45.06

 

CMYK 15 / 78 / 0 / 12

HEX #BE32E0

RGB 190 50 224

HSL 288.28, 0.74%, 0.54%

LAB 50.23, 75.73, -60.24

 

CMYK 36 / 78 / 0 / 12

HEX #8F32E0

RGB 143 50 224

HSL 272.07, 0.74%, 0.54%

LAB 43.51, 67.74, -71.44

 

CMYK 57 / 78 / 0 / 12

HEX #6132E0

RGB 97 50 224

HSL 256.21, 0.74%, 0.54%

LAB 38.21, 61.37, -80.35

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 87 / 30 / 5

HEX #F31FAA

RGB 243 31 170

HSL 320.66, 0.9%, 0.54%

LAB 55.01, 82.79, -20.93

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 66 / 23 / 20

HEX #CD459E

RGB 205 69 158

HSL 320.74, 0.58%, 0.54%

LAB 51.5, 62.15, -19.82

 

CMYK 0 / 53 / 18 / 27

HEX #BA5898

RGB 186 88 152

HSL 320.82, 0.42%, 0.54%

LAB 51.48, 47.31, -16.57

 

CMYK 0 / 36 / 13 / 35

HEX #A76B92

RGB 167 107 146

HSL 321, 0.25%, 0.54%

LAB 52.74, 29.88, -11.37

 

CMYK 0 / 15 / 5 / 42

HEX #947E8D

RGB 148 126 141

HSL 319.09, 0.09%, 0.54%

LAB 55.22, 11.16, -4.96

 

CMYK 16 / 78 / 0 / 12

HEX #BD32E0

RGB 189 50 224

HSL 287.93, 0.74%, 0.54%

LAB 50.08, 75.55, -60.49

 

CMYK 0 / 78 / 5 / 12

HEX #E032D4

RGB 224 50 212

HSL 304.14, 0.74%, 0.54%

LAB 54.95, 80.28, -45.55

 

CMYK 0 / 78 / 26 / 12

HEX #E032A6

RGB 224 50 166

HSL 320, 0.74%, 0.54%

LAB 52.82, 74.16, -22.24

 

CMYK 0 / 78 / 46 / 12

HEX #E03278

RGB 224 50 120

HSL 335.86, 0.74%, 0.54%

LAB 51.25, 69.44, 2.88

 

CMYK 0 / 78 / 67 / 12

HEX #E0324A

RGB 224 50 74

HSL 351.72, 0.74%, 0.54%

LAB 50.24, 66.31, 29.32

 

CMYK 0 / 85 / 29 / 35

HEX #A71976

RGB 167 25 118

HSL 320.7, 0.74%, 0.38%

LAB 38.23, 61.41, -16.43

 

CMYK 0 / 85 / 30 / 20

HEX #CB1E8F

RGB 203 30 143

HSL 320.81, 0.74%, 0.46%

LAB 46.46, 71.42, -18.61

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 62 / 21 / 10

HEX #E556B4

RGB 229 86 180

HSL 320.56, 0.73%, 0.62%

LAB 58.61, 64.84, -21.44

 

CMYK 0 / 48 / 17 / 8

HEX #EB7AC4

RGB 235 122 196

HSL 320.71, 0.74%, 0.7%

LAB 66.19, 52.53, -18.91

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 36 / 78 / 12

HEX #E08F32

RGB 224 143 50

HSL 32.07, 0.74%, 0.54%

LAB 66.31, 23.44, 59.04

 

CMYK 78 / 0 / 5 / 12

HEX #32E0D4

RGB 50 224 212

HSL 175.86, 0.74%, 0.54%

LAB 81.15, -44.51, -6.36

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 26 / 0 / 78 / 12

HEX #A6E032

RGB 166 224 50

HSL 80, 0.74%, 0.54%

LAB 82.73, -41.83, 72.62

 

CMYK 78 / 26 / 0 / 12

HEX #32A6E0

RGB 50 166 224

HSL 200, 0.74%, 0.54%

LAB 64.43, -12.38, -38.32

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 36 / 78 / 12

HEX #E08F32

RGB 224 143 50

HSL 32.07, 0.74%, 0.54%

LAB 66.31, 23.44, 59.04

 

CMYK 78 / 0 / 52 / 12

HEX #32E06C

RGB 50 224 108

HSL 140, 0.74%, 0.54%

LAB 79.08, -66.86, 44.48

 

CMYK 78 / 42 / 0 / 12

HEX #3283E0

RGB 50 131 224

HSL 212.07, 0.74%, 0.54%

LAB 54.34, 7.89, -54.27

 

CMYK 0 / 78 / 27 / 12

HEX #E032A4

RGB 224 50 164

HSL 320.69, 0.74%, 0.54%

LAB 52.74, 73.92, -21.18

 

CMYK 0 / 13 / 78 / 12

HEX #E0C332

RGB 224 195 50

HSL 50, 0.74%, 0.54%

LAB 79.1, -4.08, 70.89

 

CMYK 78 / 0 / 52 / 12

HEX #32E06C

RGB 50 224 108

HSL 140, 0.74%, 0.54%

LAB 79.08, -66.86, 44.48

 

CMYK 78 / 65 / 0 / 12

HEX #324FE0

RGB 50 79 224

HSL 230, 0.74%, 0.54%

LAB 40.66, 40.59, -76.43

 

Description

Color code: RGB 224 50 164 | qconv.com Color code: RGB 224 50 164 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 50 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 50 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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