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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 4 225 it is the complementary color RGB 31 251 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 4 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 4 225 shade: RGB 229 4 220, RGB 246 22 239, RGB 255 40 255, RGB 255 58 255 and RGB 255 76 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 4 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 4 225 shade: RGB 224 4 225, RGB 207 0 206, RGB 190 0 187, RGB 173 0 168 and RGB 156 0 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 4 225 shade: RGB 225 3 226, RGB 226 3 167, RGB 226 3 106, RGB 226 3 46 and RGB 226 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 4 225 shade: RGB 225 3 226, RGB 165 3 226, RGB 104 3 226, RGB 44 3 226 and RGB 3 3 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 4 225 shade matches the following richer shades: RGB 225 3 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 4 225 shade: RGB 225 3 226, RGB 206 22 207, RGB 188 40 188, RGB 169 59 170 and RGB 151 77 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 4 225 shade: RGB 103 3 226, RGB 162 3 226, RGB 222 3 226, RGB 226 3 170 and RGB 226 3 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 4 225 shade: RGB 144 2 144, RGB 184 2 185, RGB 225 3 226, RGB 250 19 251 and RGB 251 59 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 4 225 shade: RGB 224 4 225, RGB 226 44 3 and RGB 3 226 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 4 225 shade: RGB 224 4 225, RGB 226 222 3 and RGB 3 226 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 4 225 shade: RGB 224 4 225, RGB 226 44 3, RGB 7 226 3 and RGB 3 185 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 4 225 shade: RGB 224 4 225, RGB 226 111 3, RGB 7 226 3 and RGB 3 118 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 0 / 12

HEX #E004E1

RGB 224 4 225

HSL 299.73, 0.97%, 0.45%

LAB 53.35, 88.95, -55.49

 

Complementary color

CMYK 88 / 0 / 88 / 2

HEX #1FFB1E

RGB 31 251 30

HSL 119.73, 0.97%, 0.55%

LAB 86.69, -83.24, 79.18

 

CMYK 0 / 98 / 4 / 10

HEX #E504DC

RGB 229 4 220

HSL 302.4, 0.97%, 0.46%

LAB 53.93, 89.05, -51.67

 

CMYK 0 / 91 / 3 / 4

HEX #F616EF

RGB 246 22 239

HSL 301.88, 0.93%, 0.53%

LAB 58.41, 93.04, -55.07

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FF

RGB 255 40 255

HSL 300, 1%, 0.58%

LAB 61.65, 94.33, -58.71

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 98 / 0 / 12

HEX #E004E1

RGB 224 4 225

HSL 299.73, 0.97%, 0.45%

LAB 53.35, 88.95, -55.49

 

CMYK 0 / 100 / 0 / 19

HEX #CF00CE

RGB 207 0 206

HSL 300.29, 1%, 0.41%

LAB 49.16, 83.82, -51.51

 

CMYK 0 / 100 / 2 / 25

HEX #BE00BB

RGB 190 0 187

HSL 300.95, 1%, 0.37%

LAB 44.99, 78.31, -47.3

 

CMYK 0 / 100 / 3 / 32

HEX #AD00A8

RGB 173 0 168

HSL 301.73, 1%, 0.34%

LAB 40.75, 72.72, -42.99

 

CMYK 0 / 100 / 4 / 39

HEX #9C0095

RGB 156 0 149

HSL 302.69, 1%, 0.31%

LAB 36.44, 67.02, -38.58

 

CMYK 0 / 99 / 0 / 11

HEX #E103E2

RGB 225 3 226

HSL 299.73, 0.97%, 0.45%

LAB 53.56, 89.32, -55.71

 

CMYK 0 / 99 / 26 / 11

HEX #E203A7

RGB 226 3 167

HSL 315.87, 0.97%, 0.45%

LAB 50.72, 81.97, -26.04

 

CMYK 0 / 99 / 53 / 11

HEX #E2036A

RGB 226 3 106

HSL 332.29, 0.97%, 0.45%

LAB 48.6, 76.46, 7.69

 

CMYK 0 / 99 / 80 / 11

HEX #E2032E

RGB 226 3 46

HSL 348.43, 0.97%, 0.45%

LAB 47.54, 73.58, 42.64

 

CMYK 0 / 99 / 99 / 11

HEX #E20303

RGB 226 3 3

HSL 0, 0.97%, 0.45%

LAB 47.29, 72.9, 60.49

 

CMYK 0 / 99 / 0 / 11

HEX #E103E2

RGB 225 3 226

HSL 299.73, 0.97%, 0.45%

LAB 53.56, 89.32, -55.71

 

CMYK 27 / 99 / 0 / 11

HEX #A503E2

RGB 165 3 226

HSL 283.59, 0.97%, 0.45%

LAB 43.59, 80.83, -72.33

 

CMYK 54 / 99 / 0 / 11

HEX #6803E2

RGB 104 3 226

HSL 267.17, 0.97%, 0.45%

LAB 35, 74.9, -86.76

 

CMYK 81 / 99 / 0 / 11

HEX #2C03E2

RGB 44 3 226

HSL 251.03, 0.97%, 0.45%

LAB 29.64, 72.25, -95.83

 

CMYK 99 / 99 / 0 / 11

HEX #0303E2

RGB 3 3 226

HSL 240, 0.97%, 0.45%

LAB 28.32, 71.77, -98.08

 

CMYK 0 / 99 / 0 / 11

HEX #E103E2

RGB 225 3 226

HSL 299.73, 0.97%, 0.45%

LAB 53.56, 89.32, -55.71

 

CMYK 0 / 99 / 0 / 11

HEX #E103E2

RGB 225 3 226

HSL 299.73, 0.97%, 0.45%

LAB 53.56, 89.32, -55.71

 

CMYK 0 / 89 / 0 / 19

HEX #CE16CF

RGB 206 22 207

HSL 299.68, 0.81%, 0.45%

LAB 49.74, 81.74, -51.17

 

CMYK 0 / 79 / 0 / 26

HEX #BC28BC

RGB 188 40 188

HSL 300, 0.65%, 0.45%

LAB 46.76, 72.06, -45.08

 

CMYK 1 / 65 / 0 / 33

HEX #A93BAA

RGB 169 59 170

HSL 299.46, 0.48%, 0.45%

LAB 44.89, 58.66, -37.65

 

CMYK 0 / 49 / 0 / 41

HEX #974D97

RGB 151 77 151

HSL 300, 0.32%, 0.45%

LAB 44.41, 41.91, -27.28

 

CMYK 54 / 99 / 0 / 11

HEX #6703E2

RGB 103 3 226

HSL 266.91, 0.97%, 0.45%

LAB 34.88, 74.84, -86.97

 

CMYK 28 / 99 / 0 / 11

HEX #A203E2

RGB 162 3 226

HSL 282.78, 0.97%, 0.45%

LAB 43.12, 80.46, -73.11

 

CMYK 2 / 99 / 0 / 11

HEX #DE03E2

RGB 222 3 226

HSL 298.92, 0.97%, 0.45%

LAB 53.04, 88.85, -56.57

 

CMYK 0 / 99 / 25 / 11

HEX #E203AA

RGB 226 3 170

HSL 315.07, 0.97%, 0.45%

LAB 50.85, 82.31, -27.61

 

CMYK 0 / 99 / 51 / 11

HEX #E2036F

RGB 226 3 111

HSL 330.94, 0.97%, 0.45%

LAB 48.74, 76.82, 4.8

 

CMYK 0 / 99 / 0 / 44

HEX #900290

RGB 144 2 144

HSL 300, 0.97%, 0.29%

LAB 33.95, 63.93, -39.61

 

CMYK 1 / 99 / 0 / 27

HEX #B802B9

RGB 184 2 185

HSL 299.67, 0.98%, 0.37%

LAB 43.85, 76.85, -48.01

 

CMYK 0 / 99 / 0 / 11

HEX #E103E2

RGB 225 3 226

HSL 299.73, 0.97%, 0.45%

LAB 53.56, 89.32, -55.71

 

CMYK 0 / 92 / 0 / 2

HEX #FA13FB

RGB 250 19 251

HSL 299.74, 0.97%, 0.53%

LAB 59.67, 95.67, -59.72

 

CMYK 0 / 77 / 0 / 1

HEX #FB3BFC

RGB 251 59 252

HSL 299.69, 0.97%, 0.61%

LAB 62.22, 89.15, -56.18

 

CMYK 0 / 98 / 0 / 12

HEX #E004E1

RGB 224 4 225

HSL 299.73, 0.97%, 0.45%

LAB 53.35, 88.95, -55.49

 

CMYK 0 / 81 / 99 / 11

HEX #E22C03

RGB 226 44 3

HSL 11.03, 0.97%, 0.45%

LAB 49.47, 66.66, 61.42

 

CMYK 99 / 0 / 41 / 11

HEX #03E285

RGB 3 226 133

HSL 154.98, 0.97%, 0.45%

LAB 79.67, -66.49, 32.87

 

CMYK 0 / 98 / 0 / 12

HEX #E004E1

RGB 224 4 225

HSL 299.73, 0.97%, 0.45%

LAB 53.35, 88.95, -55.49

 

CMYK 0 / 2 / 99 / 11

HEX #E2DE03

RGB 226 222 3

HSL 58.92, 0.97%, 0.45%

LAB 86.21, -17.7, 85.22

 

CMYK 99 / 0 / 2 / 11

HEX #03E2DE

RGB 3 226 222

HSL 178.92, 0.97%, 0.45%

LAB 81.67, -44.98, -10.94

 

CMYK 0 / 98 / 0 / 12

HEX #E004E1

RGB 224 4 225

HSL 299.73, 0.97%, 0.45%

LAB 53.35, 88.95, -55.49

 

CMYK 0 / 81 / 99 / 11

HEX #E22C03

RGB 226 44 3

HSL 11.03, 0.97%, 0.45%

LAB 49.47, 66.66, 61.42

 

CMYK 97 / 0 / 99 / 11

HEX #07E203

RGB 7 226 3

HSL 118.92, 0.97%, 0.45%

LAB 78.72, -78.38, 75.69

 

CMYK 99 / 18 / 0 / 11

HEX #03B9E2

RGB 3 185 226

HSL 191.03, 0.97%, 0.45%

LAB 69.62, -24.45, -31.39

 

CMYK 0 / 98 / 0 / 12

HEX #E004E1

RGB 224 4 225

HSL 299.73, 0.97%, 0.45%

LAB 53.35, 88.95, -55.49

 

CMYK 0 / 51 / 99 / 11

HEX #E26F03

RGB 226 111 3

HSL 29.06, 0.97%, 0.45%

LAB 59.47, 39.97, 66.85

 

CMYK 97 / 0 / 99 / 11

HEX #07E203

RGB 7 226 3

HSL 118.92, 0.97%, 0.45%

LAB 78.72, -78.38, 75.69

 

CMYK 99 / 48 / 0 / 11

HEX #0376E2

RGB 3 118 226

HSL 209.06, 0.97%, 0.45%

LAB 50.06, 13.86, -62.3

 

Description

Color code: RGB 224 4 225 | qconv.com Color code: RGB 224 4 225 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 4 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 4 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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