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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 45 205 it is the complementary color RGB 31 210 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 45 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 45 205 shade: RGB 229 45 200, RGB 246 63 219, RGB 255 81 238, RGB 255 99 255 and RGB 255 117 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 45 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 45 205 shade: RGB 224 45 205, RGB 207 27 186, RGB 190 9 167, RGB 173 0 148 and RGB 156 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 45 205 shade: RGB 223 46 205, RGB 223 46 157, RGB 223 46 109, RGB 223 46 61 and RGB 223 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 45 205 shade: RGB 223 46 205, RGB 194 46 223, RGB 147 46 223, RGB 99 46 223 and RGB 51 46 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 45 205 shade matches the following richer shades: RGB 223 46 205 and RGB 243 27 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 45 205 shade: RGB 223 46 205, RGB 204 65 189, RGB 185 85 174, RGB 165 104 159 and RGB 146 124 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 45 205 shade: RGB 146 46 223, RGB 194 46 223, RGB 223 46 206, RGB 223 46 158 and RGB 223 46 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 45 205 shade: RGB 163 24 148, RGB 199 29 181, RGB 223 46 205, RGB 229 82 213 and RGB 234 118 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 45 205 shade: RGB 224 45 205, RGB 223 99 46 and RGB 46 223 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 45 205 shade: RGB 224 45 205, RGB 206 223 46 and RGB 46 206 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 45 205 shade: RGB 224 45 205, RGB 223 99 46, RGB 46 223 64 and RGB 46 170 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 45 205 shade: RGB 224 45 205, RGB 223 152 46, RGB 46 223 64 and RGB 46 117 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 8 / 12

HEX #E02DCD

RGB 224 45 205

HSL 306.37, 0.74%, 0.53%

LAB 54.17, 80.49, -42.79

 

Complementary color

CMYK 85 / 0 / 76 / 18

HEX #1FD232

RGB 31 210 50

HSL 126.37, 0.74%, 0.47%

LAB 73.94, -70.83, 62.66

 

CMYK 0 / 80 / 13 / 10

HEX #E52DC8

RGB 229 45 200

HSL 309.46, 0.78%, 0.54%

LAB 54.77, 80.81, -38.92

 

CMYK 0 / 74 / 11 / 4

HEX #F63FDB

RGB 246 63 219

HSL 308.85, 0.91%, 0.61%

LAB 60.12, 82.3, -41.12

 

CMYK 0 / 68 / 7 / 0

HEX #FF51EE

RGB 255 81 238

HSL 305.86, 1%, 0.66%

LAB 64.42, 81.37, -44.91

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 80 / 8 / 12

HEX #E02DCD

RGB 224 45 205

HSL 306.37, 0.74%, 0.53%

LAB 54.17, 80.49, -42.79

 

CMYK 0 / 87 / 10 / 19

HEX #CF1BBA

RGB 207 27 186

HSL 307, 0.77%, 0.46%

LAB 49, 78.16, -40.15

 

CMYK 0 / 95 / 12 / 25

HEX #BE09A7

RGB 190 9 167

HSL 307.62, 0.91%, 0.39%

LAB 44.14, 74.7, -36.83

 

CMYK 0 / 100 / 14 / 32

HEX #AD0094

RGB 173 0 148

HSL 308.67, 1%, 0.34%

LAB 39.62, 69.93, -32.72

 

CMYK 0 / 100 / 17 / 39

HEX #9C0081

RGB 156 0 129

HSL 310.38, 1%, 0.31%

LAB 35.31, 64.23, -28.02

 

CMYK 0 / 79 / 8 / 13

HEX #DF2ECD

RGB 223 46 205

HSL 306.1, 0.73%, 0.53%

LAB 54.08, 80.06, -42.94

 

CMYK 0 / 79 / 30 / 13

HEX #DF2E9D

RGB 223 46 157

HSL 322.37, 0.73%, 0.53%

LAB 51.92, 73.93, -18.31

 

CMYK 0 / 79 / 51 / 13

HEX #DF2E6D

RGB 223 46 109

HSL 338.64, 0.73%, 0.53%

LAB 50.39, 69.36, 8.3

 

CMYK 0 / 79 / 73 / 13

HEX #DF2E3D

RGB 223 46 61

HSL 354.92, 0.73%, 0.53%

LAB 49.47, 66.54, 36

 

CMYK 0 / 79 / 79 / 13

HEX #DF2E2E

RGB 223 46 46

HSL 0, 0.73%, 0.53%

LAB 49.3, 66.01, 44.23

 

CMYK 0 / 79 / 8 / 13

HEX #DF2ECD

RGB 223 46 205

HSL 306.1, 0.73%, 0.53%

LAB 54.08, 80.06, -42.94

 

CMYK 13 / 79 / 0 / 13

HEX #C22EDF

RGB 194 46 223

HSL 290.17, 0.73%, 0.53%

LAB 50.39, 77.39, -59.37

 

CMYK 34 / 79 / 0 / 13

HEX #932EDF

RGB 147 46 223

HSL 274.24, 0.73%, 0.53%

LAB 43.48, 69.54, -70.89

 

CMYK 56 / 79 / 0 / 13

HEX #632EDF

RGB 99 46 223

HSL 257.97, 0.73%, 0.53%

LAB 37.72, 63.03, -80.56

 

CMYK 77 / 79 / 0 / 13

HEX #332EDF

RGB 51 46 223

HSL 241.69, 0.73%, 0.53%

LAB 33.95, 58.8, -86.92

 

CMYK 0 / 79 / 8 / 13

HEX #DF2ECD

RGB 223 46 205

HSL 306.1, 0.73%, 0.53%

LAB 54.08, 80.06, -42.94

 

CMYK 0 / 89 / 9 / 5

HEX #F31BDC

RGB 243 27 220

HSL 306.39, 0.9%, 0.53%

LAB 57.08, 89.35, -46.52

 

CMYK 0 / 79 / 8 / 13

HEX #DF2ECD

RGB 223 46 205

HSL 306.1, 0.73%, 0.53%

LAB 54.08, 80.06, -42.94

 

CMYK 0 / 68 / 7 / 20

HEX #CC41BD

RGB 204 65 189

HSL 306.47, 0.58%, 0.53%

LAB 52.17, 67.87, -36.94

 

CMYK 0 / 54 / 6 / 27

HEX #B955AE

RGB 185 85 174

HSL 306.6, 0.42%, 0.53%

LAB 51.69, 52.04, -29.18

 

CMYK 0 / 37 / 4 / 35

HEX #A5689F

RGB 165 104 159

HSL 305.9, 0.25%, 0.53%

LAB 52.29, 33.21, -19.69

 

CMYK 0 / 15 / 2 / 43

HEX #927C8F

RGB 146 124 143

HSL 308.18, 0.09%, 0.53%

LAB 54.56, 11.96, -7.12

 

CMYK 35 / 79 / 0 / 13

HEX #922EDF

RGB 146 46 223

HSL 273.9, 0.73%, 0.53%

LAB 43.35, 69.38, -71.12

 

CMYK 13 / 79 / 0 / 13

HEX #C22EDF

RGB 194 46 223

HSL 290.17, 0.73%, 0.53%

LAB 50.39, 77.39, -59.37

 

CMYK 0 / 79 / 8 / 13

HEX #DF2ECE

RGB 223 46 206

HSL 305.76, 0.73%, 0.53%

LAB 54.13, 80.2, -43.43

 

CMYK 0 / 79 / 29 / 13

HEX #DF2E9E

RGB 223 46 158

HSL 322.03, 0.73%, 0.53%

LAB 51.96, 74.04, -18.84

 

CMYK 0 / 79 / 50 / 13

HEX #DF2E6F

RGB 223 46 111

HSL 337.97, 0.73%, 0.53%

LAB 50.44, 69.52, 7.16

 

CMYK 0 / 85 / 9 / 36

HEX #A31894

RGB 163 24 148

HSL 306.47, 0.74%, 0.37%

LAB 38.86, 64.73, -34.04

 

CMYK 0 / 85 / 9 / 22

HEX #C71DB5

RGB 199 29 181

HSL 306.35, 0.75%, 0.45%

LAB 47.44, 75.59, -39.78

 

CMYK 0 / 79 / 8 / 13

HEX #DF2ECD

RGB 223 46 205

HSL 306.1, 0.73%, 0.53%

LAB 54.08, 80.06, -42.94

 

CMYK 0 / 64 / 7 / 10

HEX #E552D5

RGB 229 82 213

HSL 306.53, 0.74%, 0.61%

LAB 59.43, 71.21, -39

 

CMYK 0 / 50 / 5 / 8

HEX #EA76DE

RGB 234 118 222

HSL 306.21, 0.73%, 0.69%

LAB 66.31, 58.3, -33.28

 

CMYK 0 / 80 / 8 / 12

HEX #E02DCD

RGB 224 45 205

HSL 306.37, 0.74%, 0.53%

LAB 54.17, 80.49, -42.79

 

CMYK 0 / 56 / 79 / 13

HEX #DF632E

RGB 223 99 46

HSL 17.97, 0.73%, 0.53%

LAB 56.89, 45.52, 51.7

 

CMYK 79 / 0 / 24 / 13

HEX #2EDFAA

RGB 46 223 170

HSL 162.03, 0.73%, 0.53%

LAB 79.76, -55.17, 13.89

 

CMYK 0 / 80 / 8 / 12

HEX #E02DCD

RGB 224 45 205

HSL 306.37, 0.74%, 0.53%

LAB 54.17, 80.49, -42.79

 

CMYK 8 / 0 / 79 / 13

HEX #CEDF2E

RGB 206 223 46

HSL 65.76, 0.73%, 0.53%

LAB 85.04, -25.72, 76.79

 

CMYK 79 / 8 / 0 / 13

HEX #2ECEDF

RGB 46 206 223

HSL 185.76, 0.73%, 0.53%

LAB 76.1, -33.5, -19.81

 

CMYK 0 / 80 / 8 / 12

HEX #E02DCD

RGB 224 45 205

HSL 306.37, 0.74%, 0.53%

LAB 54.17, 80.49, -42.79

 

CMYK 0 / 56 / 79 / 13

HEX #DF632E

RGB 223 99 46

HSL 17.97, 0.73%, 0.53%

LAB 56.89, 45.52, 51.7

 

CMYK 79 / 0 / 71 / 13

HEX #2EDF40

RGB 46 223 64

HSL 126.1, 0.73%, 0.53%

LAB 78.3, -72.05, 62.32

 

CMYK 79 / 24 / 0 / 13

HEX #2EAADF

RGB 46 170 223

HSL 197.97, 0.73%, 0.53%

LAB 65.48, -15.3, -36.13

 

CMYK 0 / 80 / 8 / 12

HEX #E02DCD

RGB 224 45 205

HSL 306.37, 0.74%, 0.53%

LAB 54.17, 80.49, -42.79

 

CMYK 0 / 32 / 79 / 13

HEX #DF982E

RGB 223 152 46

HSL 35.93, 0.73%, 0.53%

LAB 68.27, 18.06, 62.36

 

CMYK 79 / 0 / 71 / 13

HEX #2EDF40

RGB 46 223 64

HSL 126.1, 0.73%, 0.53%

LAB 78.3, -72.05, 62.32

 

CMYK 79 / 48 / 0 / 13

HEX #2E75DF

RGB 46 117 223

HSL 215.93, 0.73%, 0.53%

LAB 50.25, 15.77, -60.26

 

Description

Color code: RGB 224 45 205 | qconv.com Color code: RGB 224 45 205 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 45 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 45 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 8 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 8% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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