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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 41 176 it is the complementary color RGB 31 214 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 41 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 41 176 shade: RGB 229 41 171, RGB 246 59 190, RGB 255 77 209, RGB 255 95 228 and RGB 255 113 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 41 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 41 176 shade: RGB 224 41 176, RGB 207 23 157, RGB 190 5 138, RGB 173 0 119 and RGB 156 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 41 176 shade: RGB 224 40 176, RGB 224 40 126, RGB 224 40 77 and RGB 224 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 41 176 shade: RGB 224 40 176, RGB 223 40 224, RGB 173 40 224, RGB 124 40 224 and RGB 74 40 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 41 176 shade matches the following richer shades: RGB 224 40 176 and RGB 244 20 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 41 176 shade: RGB 224 40 176, RGB 204 60 166, RGB 184 80 157, RGB 164 100 147 and RGB 145 120 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 41 176 shade: RGB 172 40 224, RGB 221 40 224, RGB 224 40 178, RGB 224 40 129 and RGB 224 40 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 41 176 shade: RGB 159 22 123, RGB 195 27 151, RGB 224 40 176, RGB 229 76 189 and RGB 234 113 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 41 176 shade: RGB 224 41 176, RGB 224 123 40 and RGB 40 224 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 41 176 shade: RGB 224 41 176, RGB 178 224 40 and RGB 40 178 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 41 176 shade: RGB 224 41 176, RGB 224 123 40, RGB 40 224 86 and RGB 40 141 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 41 176 shade: RGB 224 41 176, RGB 224 178 40, RGB 40 224 86 and RGB 40 86 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 21 / 12

HEX #E029B0

RGB 224 41 176

HSL 315.74, 0.75%, 0.52%

LAB 52.47, 77.57, -28.64

 

Complementary color

CMYK 86 / 0 / 63 / 16

HEX #1FD64F

RGB 31 214 79

HSL 135.74, 0.75%, 0.48%

LAB 75.42, -69.38, 53.25

 

CMYK 0 / 82 / 25 / 10

HEX #E529AB

RGB 229 41 171

HSL 318.51, 0.78%, 0.53%

LAB 53.15, 78.05, -24.59

 

CMYK 0 / 76 / 23 / 4

HEX #F63BBE

RGB 246 59 190

HSL 317.97, 0.91%, 0.6%

LAB 58.45, 79.64, -27.2

 

CMYK 0 / 70 / 18 / 0

HEX #FF4DD1

RGB 255 77 209

HSL 315.51, 1%, 0.65%

LAB 62.65, 78.65, -31.42

 

CMYK 0 / 63 / 11 / 0

HEX #FF5FE4

RGB 255 95 228

HSL 310.13, 1%, 0.69%

LAB 65.78, 74.81, -37.21

 

CMYK 0 / 56 / 3 / 0

HEX #FF71F7

RGB 255 113 247

HSL 303.38, 1%, 0.72%

LAB 69.32, 70.35, -42.19

 

CMYK 0 / 82 / 21 / 12

HEX #E029B0

RGB 224 41 176

HSL 315.74, 0.75%, 0.52%

LAB 52.47, 77.57, -28.64

 

CMYK 0 / 89 / 24 / 19

HEX #CF179D

RGB 207 23 157

HSL 316.3, 0.8%, 0.45%

LAB 47.38, 75.09, -25.54

 

CMYK 0 / 97 / 27 / 25

HEX #BE058A

RGB 190 5 138

HSL 316.86, 0.95%, 0.38%

LAB 42.6, 71.48, -21.71

 

CMYK 0 / 100 / 31 / 32

HEX #AD0077

RGB 173 0 119

HSL 318.73, 1%, 0.34%

LAB 38.23, 66.42, -16.96

 

CMYK 0 / 100 / 36 / 39

HEX #9C0064

RGB 156 0 100

HSL 321.54, 1%, 0.31%

LAB 33.96, 60.8, -11.72

 

CMYK 0 / 82 / 21 / 12

HEX #E028B0

RGB 224 40 176

HSL 315.65, 0.75%, 0.52%

LAB 52.4, 77.79, -28.76

 

CMYK 0 / 82 / 44 / 12

HEX #E0287E

RGB 224 40 126

HSL 331.96, 0.75%, 0.52%

LAB 50.54, 72.49, -1.79

 

CMYK 0 / 82 / 66 / 12

HEX #E0284D

RGB 224 40 77

HSL 347.93, 0.75%, 0.52%

LAB 49.38, 69.06, 26.42

 

CMYK 0 / 82 / 82 / 12

HEX #E02828

RGB 224 40 40

HSL 0, 0.75%, 0.52%

LAB 48.91, 67.64, 47.08

 

CMYK 0 / 82 / 21 / 12

HEX #E028B0

RGB 224 40 176

HSL 315.65, 0.75%, 0.52%

LAB 52.4, 77.79, -28.76

 

CMYK 0 / 82 / 0 / 12

HEX #DF28E0

RGB 223 40 224

HSL 299.67, 0.75%, 0.52%

LAB 54.64, 84.17, -52.87

 

CMYK 23 / 82 / 0 / 12

HEX #AD28E0

RGB 173 40 224

HSL 283.37, 0.75%, 0.52%

LAB 46.69, 75.61, -66.08

 

CMYK 45 / 82 / 0 / 12

HEX #7C28E0

RGB 124 40 224

HSL 267.39, 0.75%, 0.52%

LAB 39.89, 68.52, -77.47

 

CMYK 67 / 82 / 0 / 12

HEX #4A28E0

RGB 74 40 224

HSL 251.09, 0.75%, 0.52%

LAB 34.71, 63.33, -86.19

 

CMYK 0 / 82 / 21 / 12

HEX #E028B0

RGB 224 40 176

HSL 315.65, 0.75%, 0.52%

LAB 52.4, 77.79, -28.76

 

CMYK 0 / 92 / 24 / 4

HEX #F414B9

RGB 244 20 185

HSL 315.8, 0.91%, 0.52%

LAB 55.31, 86.07, -29.2

 

CMYK 0 / 82 / 21 / 12

HEX #E028B0

RGB 224 40 176

HSL 315.65, 0.75%, 0.52%

LAB 52.4, 77.79, -28.76

 

CMYK 0 / 71 / 19 / 20

HEX #CC3CA6

RGB 204 60 166

HSL 315.83, 0.59%, 0.52%

LAB 50.48, 66.29, -26.13

 

CMYK 0 / 57 / 15 / 28

HEX #B8509D

RGB 184 80 157

HSL 315.58, 0.42%, 0.52%

LAB 49.93, 51.34, -21.92

 

CMYK 0 / 39 / 10 / 36

HEX #A46493

RGB 164 100 147

HSL 315.94, 0.26%, 0.52%

LAB 50.82, 32.91, -14.89

 

CMYK 0 / 17 / 5 / 43

HEX #91788A

RGB 145 120 138

HSL 316.8, 0.1%, 0.52%

LAB 53.26, 12.94, -6.14

 

CMYK 23 / 82 / 0 / 12

HEX #AC28E0

RGB 172 40 224

HSL 283.04, 0.75%, 0.52%

LAB 46.54, 75.45, -66.34

 

CMYK 1 / 82 / 0 / 12

HEX #DD28E0

RGB 221 40 224

HSL 299.02, 0.75%, 0.52%

LAB 54.31, 83.81, -53.41

 

CMYK 0 / 82 / 21 / 12

HEX #E028B2

RGB 224 40 178

HSL 315, 0.75%, 0.52%

LAB 52.49, 78.04, -29.79

 

CMYK 0 / 82 / 42 / 12

HEX #E02881

RGB 224 40 129

HSL 330.98, 0.75%, 0.52%

LAB 50.63, 72.76, -3.47

 

CMYK 0 / 82 / 64 / 12

HEX #E02850

RGB 224 40 80

HSL 346.96, 0.75%, 0.52%

LAB 49.43, 69.22, 24.68

 

CMYK 0 / 86 / 23 / 38

HEX #9F167B

RGB 159 22 123

HSL 315.77, 0.76%, 0.35%

LAB 36.7, 60.84, -22.05

 

CMYK 0 / 86 / 23 / 24

HEX #C31B97

RGB 195 27 151

HSL 315.71, 0.76%, 0.44%

LAB 45.11, 71.19, -25.64

 

CMYK 0 / 82 / 21 / 12

HEX #E028B0

RGB 224 40 176

HSL 315.65, 0.75%, 0.52%

LAB 52.4, 77.79, -28.76

 

CMYK 0 / 67 / 17 / 10

HEX #E54CBD

RGB 229 76 189

HSL 315.69, 0.75%, 0.6%

LAB 57.56, 69.96, -28.23

 

CMYK 0 / 52 / 14 / 8

HEX #EA71CA

RGB 234 113 202

HSL 315.87, 0.74%, 0.68%

LAB 64.62, 57.47, -24.69

 

CMYK 0 / 82 / 21 / 12

HEX #E029B0

RGB 224 41 176

HSL 315.74, 0.75%, 0.52%

LAB 52.47, 77.57, -28.64

 

CMYK 0 / 45 / 82 / 12

HEX #E07B28

RGB 224 123 40

HSL 27.07, 0.75%, 0.52%

LAB 61.8, 33.67, 58.81

 

CMYK 82 / 0 / 13 / 12

HEX #28E0C4

RGB 40 224 196

HSL 170.87, 0.75%, 0.52%

LAB 80.6, -49.67, 1.32

 

CMYK 0 / 82 / 21 / 12

HEX #E029B0

RGB 224 41 176

HSL 315.74, 0.75%, 0.52%

LAB 52.47, 77.57, -28.64

 

CMYK 21 / 0 / 82 / 12

HEX #B2E028

RGB 178 224 40

HSL 75, 0.75%, 0.52%

LAB 83.41, -37.63, 76.14

 

CMYK 82 / 21 / 0 / 12

HEX #28B2E0

RGB 40 178 224

HSL 195, 0.75%, 0.52%

LAB 67.78, -19.74, -33.12

 

CMYK 0 / 82 / 21 / 12

HEX #E029B0

RGB 224 41 176

HSL 315.74, 0.75%, 0.52%

LAB 52.47, 77.57, -28.64

 

CMYK 0 / 45 / 82 / 12

HEX #E07B28

RGB 224 123 40

HSL 27.07, 0.75%, 0.52%

LAB 61.8, 33.67, 58.81

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 82 / 37 / 0 / 12

HEX #288DE0

RGB 40 141 224

HSL 207.07, 0.75%, 0.52%

LAB 56.96, 0.9, -50.1

 

CMYK 0 / 82 / 21 / 12

HEX #E029B0

RGB 224 41 176

HSL 315.74, 0.75%, 0.52%

LAB 52.47, 77.57, -28.64

 

CMYK 0 / 21 / 82 / 12

HEX #E0B228

RGB 224 178 40

HSL 45, 0.75%, 0.52%

LAB 74.72, 4.46, 70.07

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 82 / 62 / 0 / 12

HEX #2856E0

RGB 40 86 224

HSL 225, 0.75%, 0.52%

LAB 41.98, 35.38, -74.27

 

Description

Color code: RGB 224 41 176 | qconv.com Color code: RGB 224 41 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 41 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 41 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 21 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 21% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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