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Color name
RGB 224 40 139

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 40 139 it is the complementary color RGB 31 215 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 40 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 40 139 shade: RGB 229 40 134, RGB 246 58 153, RGB 255 76 172, RGB 255 94 191 and RGB 255 112 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 40 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 207 22 120, RGB 190 4 101, RGB 173 0 82 and RGB 156 0 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 224 40 90 and RGB 224 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 224 40 189, RGB 210 40 224, RGB 160 40 224 and RGB 111 40 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 40 139 shade matches the following richer shades: RGB 224 40 139 and RGB 244 20 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 204 60 138, RGB 184 80 136, RGB 164 100 135 and RGB 145 120 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 40 139 shade: RGB 209 40 224, RGB 224 40 190, RGB 224 40 141, RGB 224 40 92 and RGB 224 40 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 40 139 shade: RGB 159 22 96, RGB 195 27 118, RGB 224 40 139, RGB 229 76 159 and RGB 234 113 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 224 160 40 and RGB 40 215 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 141 224 40 and RGB 40 141 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 224 160 40, RGB 40 224 123 and RGB 40 105 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 40 139 shade: RGB 224 40 139, RGB 224 215 40, RGB 40 224 123 and RGB 40 49 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

Complementary color

CMYK 86 / 0 / 46 / 16

HEX #1FD774

RGB 31 215 116

HSL 147.72, 0.75%, 0.48%

LAB 76.16, -64.49, 36.88

 

CMYK 0 / 83 / 41 / 10

HEX #E52886

RGB 229 40 134

HSL 330.16, 0.78%, 0.53%

LAB 51.72, 74.41, -4.76

 

CMYK 0 / 76 / 38 / 4

HEX #F63A99

RGB 246 58 153

HSL 329.68, 0.91%, 0.6%

LAB 57, 75.83, -7.89

 

CMYK 0 / 70 / 33 / 0

HEX #FF4CAC

RGB 255 76 172

HSL 327.82, 1%, 0.65%

LAB 61.14, 74.52, -12.59

 

CMYK 0 / 63 / 25 / 0

HEX #FF5EBF

RGB 255 94 191

HSL 323.85, 1%, 0.68%

LAB 64.18, 70.15, -18.87

 

CMYK 0 / 56 / 18 / 0

HEX #FF70D2

RGB 255 112 210

HSL 318.88, 1%, 0.72%

LAB 67.65, 65.15, -24.28

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 89 / 42 / 19

HEX #CF1678

RGB 207 22 120

HSL 328.22, 0.81%, 0.45%

LAB 45.9, 71.37, -5.33

 

CMYK 0 / 98 / 47 / 25

HEX #BE0465

RGB 190 4 101

HSL 328.71, 0.96%, 0.38%

LAB 41.17, 67.95, -0.85

 

CMYK 0 / 100 / 53 / 32

HEX #AD0052

RGB 173 0 82

HSL 331.56, 1%, 0.34%

LAB 36.92, 63.01, 4.68

 

CMYK 0 / 100 / 60 / 39

HEX #9C003F

RGB 156 0 63

HSL 335.77, 1%, 0.31%

LAB 32.76, 57.65, 10.74

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 82 / 60 / 12

HEX #E0285A

RGB 224 40 90

HSL 343.7, 0.75%, 0.52%

LAB 49.62, 69.79, 18.85

 

CMYK 0 / 82 / 82 / 12

HEX #E02828

RGB 224 40 40

HSL 0, 0.75%, 0.52%

LAB 48.91, 67.64, 47.08

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 82 / 16 / 12

HEX #E028BD

RGB 224 40 189

HSL 311.41, 0.75%, 0.52%

LAB 52.99, 79.44, -35.41

 

CMYK 6 / 82 / 0 / 12

HEX #D228E0

RGB 210 40 224

HSL 295.43, 0.75%, 0.52%

LAB 52.51, 81.85, -56.4

 

CMYK 29 / 82 / 0 / 12

HEX #A028E0

RGB 160 40 224

HSL 279.13, 0.75%, 0.52%

LAB 44.76, 73.57, -69.3

 

CMYK 50 / 82 / 0 / 12

HEX #6F28E0

RGB 111 40 224

HSL 263.15, 0.75%, 0.52%

LAB 38.34, 66.94, -80.08

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 92 / 42 / 4

HEX #F4148D

RGB 244 20 141

HSL 327.59, 0.91%, 0.52%

LAB 53.66, 81.68, -5.77

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 71 / 32 / 20

HEX #CC3C8A

RGB 204 60 138

HSL 327.5, 0.59%, 0.52%

LAB 49.38, 62.75, -11.14

 

CMYK 0 / 57 / 26 / 28

HEX #B85088

RGB 184 80 136

HSL 327.69, 0.42%, 0.52%

LAB 49.14, 48.25, -10.62

 

CMYK 0 / 39 / 18 / 36

HEX #A46487

RGB 164 100 135

HSL 327.19, 0.26%, 0.52%

LAB 50.4, 30.87, -8.41

 

CMYK 0 / 17 / 8 / 43

HEX #917885

RGB 145 120 133

HSL 328.8, 0.1%, 0.52%

LAB 53.11, 12, -3.44

 

CMYK 7 / 82 / 0 / 12

HEX #D128E0

RGB 209 40 224

HSL 295.11, 0.75%, 0.52%

LAB 52.35, 81.67, -56.67

 

CMYK 0 / 82 / 15 / 12

HEX #E028BE

RGB 224 40 190

HSL 311.09, 0.75%, 0.52%

LAB 53.04, 79.57, -35.92

 

CMYK 0 / 82 / 37 / 12

HEX #E0288D

RGB 224 40 141

HSL 327.07, 0.75%, 0.52%

LAB 51.02, 73.9, -10.11

 

CMYK 0 / 82 / 59 / 12

HEX #E0285C

RGB 224 40 92

HSL 343.04, 0.75%, 0.52%

LAB 49.66, 69.92, 17.69

 

CMYK 0 / 82 / 81 / 12

HEX #E0282B

RGB 224 40 43

HSL 359.02, 0.75%, 0.52%

LAB 48.93, 67.72, 45.53

 

CMYK 0 / 86 / 40 / 38

HEX #9F1660

RGB 159 22 96

HSL 327.59, 0.76%, 0.35%

LAB 35.58, 57.72, -6.65

 

CMYK 0 / 86 / 39 / 24

HEX #C31B76

RGB 195 27 118

HSL 327.5, 0.76%, 0.44%

LAB 43.79, 67.55, -7.49

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 67 / 31 / 10

HEX #E54C9F

RGB 229 76 159

HSL 327.45, 0.75%, 0.6%

LAB 56.42, 66.13, -12.57

 

CMYK 0 / 52 / 24 / 8

HEX #EA71B2

RGB 234 113 178

HSL 327.77, 0.74%, 0.68%

LAB 63.77, 53.99, -12.4

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 29 / 82 / 12

HEX #E0A028

RGB 224 160 40

HSL 39.13, 0.75%, 0.52%

LAB 70.28, 14.02, 66.24

 

CMYK 82 / 4 / 0 / 12

HEX #28D7E0

RGB 40 215 224

HSL 182.93, 0.75%, 0.52%

LAB 78.71, -37.88, -16.41

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 37 / 0 / 82 / 12

HEX #8DE028

RGB 141 224 40

HSL 87.07, 0.75%, 0.52%

LAB 81.36, -51.24, 73.56

 

CMYK 82 / 37 / 0 / 12

HEX #288DE0

RGB 40 141 224

HSL 207.07, 0.75%, 0.52%

LAB 56.96, 0.9, -50.1

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 29 / 82 / 12

HEX #E0A028

RGB 224 160 40

HSL 39.13, 0.75%, 0.52%

LAB 70.28, 14.02, 66.24

 

CMYK 82 / 0 / 45 / 12

HEX #28E07B

RGB 40 224 123

HSL 147.07, 0.75%, 0.52%

LAB 79.15, -65.57, 37.25

 

CMYK 82 / 53 / 0 / 12

HEX #2869E0

RGB 40 105 224

HSL 218.8, 0.75%, 0.52%

LAB 46.89, 23.22, -66.27

 

CMYK 0 / 82 / 38 / 12

HEX #E0288B

RGB 224 40 139

HSL 327.72, 0.75%, 0.52%

LAB 50.95, 73.7, -9.01

 

CMYK 0 / 4 / 82 / 12

HEX #E0D728

RGB 224 215 40

HSL 57.07, 0.75%, 0.52%

LAB 84.28, -14.51, 78.2

 

CMYK 82 / 0 / 45 / 12

HEX #28E07B

RGB 40 224 123

HSL 147.07, 0.75%, 0.52%

LAB 79.15, -65.57, 37.25

 

CMYK 82 / 78 / 0 / 12

HEX #2831E0

RGB 40 49 224

HSL 237.07, 0.75%, 0.52%

LAB 34.04, 57.04, -87.36

 

Description

Color code: RGB 224 40 139 | qconv.com Color code: RGB 224 40 139 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 40 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 40 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 38% 12% C M Y K

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Provide designers and agencies with accurate color values.

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