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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 34 165 it is the complementary color RGB 31 221 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 34 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 34 165 shade: RGB 229 34 160, RGB 246 52 179, RGB 255 70 198, RGB 255 88 217 and RGB 255 106 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 34 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 34 165 shade: RGB 224 34 165, RGB 207 16 146, RGB 190 0 127, RGB 173 0 108 and RGB 156 0 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 34 165 shade: RGB 223 36 165, RGB 223 36 115, RGB 223 36 64 and RGB 223 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 34 165 shade: RGB 223 36 165, RGB 223 36 216, RGB 180 36 223, RGB 130 36 223 and RGB 79 36 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 34 165 shade matches the following richer shades: RGB 223 36 165 and RGB 243 16 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 34 165 shade: RGB 223 36 165, RGB 203 56 157, RGB 183 76 150, RGB 163 96 142 and RGB 142 117 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 34 165 shade: RGB 180 36 223, RGB 223 36 217, RGB 223 36 167, RGB 223 36 117 and RGB 223 36 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 34 165 shade: RGB 155 22 114, RGB 191 27 140, RGB 223 36 165, RGB 228 72 180 and RGB 234 108 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 34 165 shade: RGB 224 34 165, RGB 223 130 36 and RGB 36 223 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 34 165 shade: RGB 224 34 165, RGB 167 223 36 and RGB 36 167 223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 34 165 shade: RGB 224 34 165, RGB 223 130 36, RGB 36 223 92 and RGB 36 130 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 34 165 shade: RGB 224 34 165, RGB 223 186 36, RGB 36 223 92 and RGB 36 73 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 26 / 12

HEX #E022A5

RGB 224 34 165

HSL 318.63, 0.75%, 0.51%

LAB 51.51, 77.71, -23.67

 

Complementary color

CMYK 86 / 0 / 59 / 13

HEX #1FDD5A

RGB 31 221 90

HSL 138.63, 0.75%, 0.49%

LAB 77.72, -70.23, 51.09

 

CMYK 0 / 85 / 30 / 10

HEX #E522A0

RGB 229 34 160

HSL 321.23, 0.79%, 0.52%

LAB 52.22, 78.23, -19.54

 

CMYK 0 / 79 / 27 / 4

HEX #F634B3

RGB 246 52 179

HSL 320.72, 0.92%, 0.58%

LAB 57.37, 80.17, -22.51

 

CMYK 0 / 73 / 22 / 0

HEX #FF46C6

RGB 255 70 198

HSL 318.49, 1%, 0.64%

LAB 61.41, 79.49, -27.1

 

CMYK 0 / 65 / 15 / 0

HEX #FF58D9

RGB 255 88 217

HSL 313.65, 1%, 0.67%

LAB 64.36, 75.88, -33.27

 

CMYK 0 / 58 / 7 / 0

HEX #FF6AEC

RGB 255 106 236

HSL 307.65, 1%, 0.71%

LAB 67.74, 71.58, -38.59

 

CMYK 0 / 85 / 26 / 12

HEX #E022A5

RGB 224 34 165

HSL 318.63, 0.75%, 0.51%

LAB 51.51, 77.71, -23.67

 

CMYK 0 / 92 / 29 / 19

HEX #CF1092

RGB 207 16 146

HSL 319.16, 0.86%, 0.44%

LAB 46.59, 74.77, -20.15

 

CMYK 0 / 100 / 33 / 25

HEX #BE007F

RGB 190 0 127

HSL 319.89, 1%, 0.37%

LAB 41.97, 70.78, -15.91

 

CMYK 0 / 100 / 38 / 32

HEX #AD006C

RGB 173 0 108

HSL 322.54, 1%, 0.34%

LAB 37.78, 65.28, -10.7

 

CMYK 0 / 100 / 43 / 39

HEX #9C0059

RGB 156 0 89

HSL 325.77, 1%, 0.31%

LAB 33.54, 59.72, -5.23

 

CMYK 0 / 84 / 26 / 13

HEX #DF24A5

RGB 223 36 165

HSL 318.61, 0.75%, 0.51%

LAB 51.46, 77.1, -23.76

 

CMYK 0 / 84 / 48 / 13

HEX #DF2473

RGB 223 36 115

HSL 334.65, 0.75%, 0.51%

LAB 49.72, 72.19, 3.69

 

CMYK 0 / 84 / 71 / 13

HEX #DF2440

RGB 223 36 64

HSL 351.02, 0.75%, 0.51%

LAB 48.66, 69.08, 33.29

 

CMYK 0 / 84 / 84 / 13

HEX #DF2424

RGB 223 36 36

HSL 0, 0.75%, 0.51%

LAB 48.36, 68.18, 48.53

 

CMYK 0 / 84 / 26 / 13

HEX #DF24A5

RGB 223 36 165

HSL 318.61, 0.75%, 0.51%

LAB 51.46, 77.1, -23.76

 

CMYK 0 / 84 / 3 / 13

HEX #DF24D8

RGB 223 36 216

HSL 302.25, 0.75%, 0.51%

LAB 53.93, 83.77, -49.46

 

CMYK 19 / 84 / 0 / 13

HEX #B424DF

RGB 180 36 223

HSL 286.2, 0.75%, 0.51%

LAB 47.36, 77.53, -64.38

 

CMYK 42 / 84 / 0 / 13

HEX #8224DF

RGB 130 36 223

HSL 270.16, 0.75%, 0.51%

LAB 40.14, 70.3, -76.46

 

CMYK 65 / 84 / 0 / 13

HEX #4F24DF

RGB 79 36 223

HSL 253.8, 0.75%, 0.51%

LAB 34.5, 64.99, -85.95

 

CMYK 0 / 84 / 26 / 13

HEX #DF24A5

RGB 223 36 165

HSL 318.61, 0.75%, 0.51%

LAB 51.46, 77.1, -23.76

 

CMYK 0 / 93 / 29 / 5

HEX #F310AD

RGB 243 16 173

HSL 318.5, 0.9%, 0.51%

LAB 54.49, 84.95, -23.48

 

CMYK 0 / 84 / 26 / 13

HEX #DF24A5

RGB 223 36 165

HSL 318.61, 0.75%, 0.51%

LAB 51.46, 77.1, -23.76

 

CMYK 0 / 72 / 23 / 20

HEX #CB389D

RGB 203 56 157

HSL 318.78, 0.59%, 0.51%

LAB 49.45, 66.2, -22.41

 

CMYK 0 / 58 / 18 / 28

HEX #B74C96

RGB 183 76 150

HSL 318.5, 0.43%, 0.51%

LAB 48.81, 51.83, -19.5

 

CMYK 0 / 41 / 13 / 36

HEX #A3608E

RGB 163 96 142

HSL 318.81, 0.27%, 0.51%

LAB 49.62, 33.91, -13.75

 

CMYK 0 / 18 / 6 / 44

HEX #8E7586

RGB 142 117 134

HSL 319.2, 0.1%, 0.51%

LAB 52.06, 12.81, -5.62

 

CMYK 19 / 84 / 0 / 13

HEX #B424DF

RGB 180 36 223

HSL 286.2, 0.75%, 0.51%

LAB 47.36, 77.53, -64.38

 

CMYK 0 / 84 / 3 / 13

HEX #DF24D9

RGB 223 36 217

HSL 301.93, 0.75%, 0.51%

LAB 53.98, 83.92, -49.95

 

CMYK 0 / 84 / 25 / 13

HEX #DF24A7

RGB 223 36 167

HSL 317.97, 0.75%, 0.51%

LAB 51.54, 77.34, -24.81

 

CMYK 0 / 84 / 48 / 13

HEX #DF2475

RGB 223 36 117

HSL 334.01, 0.75%, 0.51%

LAB 49.78, 72.35, 2.55

 

CMYK 0 / 84 / 70 / 13

HEX #DF2443

RGB 223 36 67

HSL 350.05, 0.75%, 0.51%

LAB 48.7, 69.21, 31.56

 

CMYK 0 / 86 / 26 / 39

HEX #9B1672

RGB 155 22 114

HSL 318.5, 0.75%, 0.35%

LAB 35.51, 58.8, -18.29

 

CMYK 0 / 86 / 27 / 25

HEX #BF1B8C

RGB 191 27 140

HSL 318.66, 0.75%, 0.43%

LAB 43.88, 69.01, -20.94

 

CMYK 0 / 84 / 26 / 13

HEX #DF24A5

RGB 223 36 165

HSL 318.61, 0.75%, 0.51%

LAB 51.46, 77.1, -23.76

 

CMYK 0 / 68 / 21 / 11

HEX #E448B4

RGB 228 72 180

HSL 318.46, 0.74%, 0.59%

LAB 56.51, 69.95, -24.67

 

CMYK 0 / 54 / 17 / 8

HEX #EA6CC3

RGB 234 108 195

HSL 318.57, 0.75%, 0.67%

LAB 63.47, 58.76, -22.5

 

CMYK 0 / 85 / 26 / 12

HEX #E022A5

RGB 224 34 165

HSL 318.63, 0.75%, 0.51%

LAB 51.51, 77.71, -23.67

 

CMYK 0 / 42 / 84 / 13

HEX #DF8224

RGB 223 130 36

HSL 30.16, 0.75%, 0.51%

LAB 63.16, 29.48, 61.4

 

CMYK 84 / 0 / 8 / 13

HEX #24DFCD

RGB 36 223 205

HSL 174.22, 0.75%, 0.51%

LAB 80.49, -47.14, -3.62

 

CMYK 0 / 85 / 26 / 12

HEX #E022A5

RGB 224 34 165

HSL 318.63, 0.75%, 0.51%

LAB 51.51, 77.71, -23.67

 

CMYK 25 / 0 / 84 / 13

HEX #A7DF24

RGB 167 223 36

HSL 77.97, 0.75%, 0.51%

LAB 82.44, -41.55, 75.97

 

CMYK 84 / 25 / 0 / 13

HEX #24A7DF

RGB 36 167 223

HSL 197.97, 0.75%, 0.51%

LAB 64.44, -14.55, -37.77

 

CMYK 0 / 85 / 26 / 12

HEX #E022A5

RGB 224 34 165

HSL 318.63, 0.75%, 0.51%

LAB 51.51, 77.71, -23.67

 

CMYK 0 / 42 / 84 / 13

HEX #DF8224

RGB 223 130 36

HSL 30.16, 0.75%, 0.51%

LAB 63.16, 29.48, 61.4

 

CMYK 84 / 0 / 59 / 13

HEX #24DF5C

RGB 36 223 92

HSL 137.97, 0.75%, 0.51%

LAB 78.42, -70.18, 51.02

 

CMYK 84 / 42 / 0 / 13

HEX #2482DF

RGB 36 130 223

HSL 209.84, 0.75%, 0.51%

LAB 53.67, 6.82, -54.79

 

CMYK 0 / 85 / 26 / 12

HEX #E022A5

RGB 224 34 165

HSL 318.63, 0.75%, 0.51%

LAB 51.51, 77.71, -23.67

 

CMYK 0 / 17 / 84 / 13

HEX #DFBA24

RGB 223 186 36

HSL 48.13, 0.75%, 0.51%

LAB 76.64, -0.28, 72.75

 

CMYK 84 / 0 / 59 / 13

HEX #24DF5C

RGB 36 223 92

HSL 137.97, 0.75%, 0.51%

LAB 78.42, -70.18, 51.02

 

CMYK 84 / 67 / 0 / 13

HEX #2449DF

RGB 36 73 223

HSL 228.13, 0.75%, 0.51%

LAB 38.67, 42.88, -79.15

 

Description

Color code: RGB 224 34 165 | qconv.com Color code: RGB 224 34 165 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 34 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 34 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 26 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 26% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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