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Color name
RGB 224 30 157

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 224 30 157 it is the complementary color RGB 31 225 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 224 30 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 224 30 157 shade: RGB 229 30 152, RGB 246 48 171, RGB 255 66 190, RGB 255 84 209 and RGB 255 102 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 224 30 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 207 12 138, RGB 190 0 119, RGB 173 0 100 and RGB 156 0 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 224 30 105, RGB 224 30 52 and RGB 224 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 224 30 209, RGB 186 30 224, RGB 134 30 224 and RGB 82 30 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 224 30 157 shade matches the following richer shades: RGB 224 30 157 and RGB 245 9 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 203 51 151, RGB 183 71 144, RGB 162 92 138 and RGB 141 113 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 224 30 157 shade: RGB 185 30 224, RGB 224 30 211, RGB 224 30 159, RGB 224 30 108 and RGB 224 30 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 224 30 157 shade: RGB 151 20 106, RGB 188 25 131, RGB 224 30 157, RGB 229 66 173 and RGB 234 103 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 224 133 30 and RGB 30 224 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 159 224 30 and RGB 30 159 224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 224 133 30, RGB 30 224 95 and RGB 30 121 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 224 30 157 shade: RGB 224 30 157, RGB 224 192 30, RGB 30 224 95 and RGB 30 62 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

Complementary color

CMYK 86 / 0 / 56 / 12

HEX #1FE162

RGB 31 225 98

HSL 140.72, 0.76%, 0.5%

LAB 79.05, -70.44, 49.05

 

CMYK 0 / 87 / 34 / 10

HEX #E51E98

RGB 229 30 152

HSL 323.22, 0.79%, 0.51%

LAB 51.67, 78.09, -15.62

 

CMYK 0 / 80 / 30 / 4

HEX #F630AB

RGB 246 48 171

HSL 322.73, 0.92%, 0.58%

LAB 56.73, 80.25, -18.84

 

CMYK 0 / 74 / 25 / 0

HEX #FF42BE

RGB 255 66 190

HSL 320.63, 1%, 0.63%

LAB 60.67, 79.72, -23.66

 

CMYK 0 / 67 / 18 / 0

HEX #FF54D1

RGB 255 84 209

HSL 316.14, 1%, 0.66%

LAB 63.51, 76.24, -30.09

 

CMYK 0 / 60 / 11 / 0

HEX #FF66E4

RGB 255 102 228

HSL 310.59, 1%, 0.7%

LAB 66.8, 72.02, -35.63

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 94 / 33 / 19

HEX #CF0C8A

RGB 207 12 138

HSL 321.23, 0.89%, 0.43%

LAB 46.13, 74.34, -16.01

 

CMYK 0 / 100 / 37 / 25

HEX #BE0077

RGB 190 0 119

HSL 322.42, 1%, 0.37%

LAB 41.66, 69.97, -11.42

 

CMYK 0 / 100 / 42 / 32

HEX #AD0064

RGB 173 0 100

HSL 325.32, 1%, 0.34%

LAB 37.49, 64.51, -6.06

 

CMYK 0 / 100 / 48 / 39

HEX #9C0051

RGB 156 0 81

HSL 328.85, 1%, 0.31%

LAB 33.27, 59, -0.41

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 87 / 53 / 12

HEX #E01E69

RGB 224 30 105

HSL 336.8, 0.76%, 0.5%

LAB 49.25, 72.84, 9.15

 

CMYK 0 / 87 / 77 / 12

HEX #E01E34

RGB 224 30 52

HSL 353.2, 0.76%, 0.5%

LAB 48.29, 70.09, 39.91

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 87 / 7 / 12

HEX #E01ED1

RGB 224 30 209

HSL 304.64, 0.76%, 0.5%

LAB 53.36, 84.01, -46.36

 

CMYK 17 / 87 / 0 / 12

HEX #BA1EE0

RGB 186 30 224

HSL 288.25, 0.76%, 0.5%

LAB 47.94, 79.91, -63.96

 

CMYK 40 / 87 / 0 / 12

HEX #861EE0

RGB 134 30 224

HSL 272.16, 0.76%, 0.5%

LAB 40.21, 72.64, -76.89

 

CMYK 63 / 87 / 0 / 12

HEX #521EE0

RGB 82 30 224

HSL 256.08, 0.76%, 0.5%

LAB 34.2, 67.52, -87.02

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 96 / 33 / 4

HEX #F509A3

RGB 245 9 163

HSL 320.85, 0.93%, 0.5%

LAB 54.29, 84.87, -17.87

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 75 / 26 / 20

HEX #CB3397

RGB 203 51 151

HSL 320.53, 0.6%, 0.5%

LAB 48.63, 67.05, -20.08

 

CMYK 0 / 61 / 21 / 28

HEX #B74790

RGB 183 71 144

HSL 320.89, 0.44%, 0.5%

LAB 47.74, 53.21, -17.56

 

CMYK 0 / 43 / 15 / 36

HEX #A25C8A

RGB 162 92 138

HSL 320.57, 0.28%, 0.5%

LAB 48.47, 35.09, -13.12

 

CMYK 0 / 20 / 7 / 45

HEX #8D7183

RGB 141 113 131

HSL 321.43, 0.11%, 0.5%

LAB 50.82, 14.2, -5.7

 

CMYK 17 / 87 / 0 / 12

HEX #B91EE0

RGB 185 30 224

HSL 287.94, 0.76%, 0.5%

LAB 47.78, 79.75, -64.22

 

CMYK 0 / 87 / 6 / 12

HEX #E01ED3

RGB 224 30 211

HSL 304.02, 0.76%, 0.5%

LAB 53.47, 84.29, -47.33

 

CMYK 0 / 87 / 29 / 12

HEX #E01E9F

RGB 224 30 159

HSL 320.1, 0.76%, 0.5%

LAB 51.01, 77.75, -20.87

 

CMYK 0 / 87 / 52 / 12

HEX #E01E6C

RGB 224 30 108

HSL 335.88, 0.76%, 0.5%

LAB 49.32, 73.06, 7.43

 

CMYK 0 / 87 / 75 / 12

HEX #E01E38

RGB 224 30 56

HSL 351.96, 0.76%, 0.5%

LAB 48.34, 70.22, 37.66

 

CMYK 0 / 87 / 30 / 41

HEX #97146A

RGB 151 20 106

HSL 320.61, 0.77%, 0.34%

LAB 34.23, 57.32, -15.24

 

CMYK 0 / 87 / 30 / 26

HEX #BC1983

RGB 188 25 131

HSL 320.98, 0.77%, 0.42%

LAB 42.8, 67.69, -17.14

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 71 / 24 / 10

HEX #E542AD

RGB 229 66 173

HSL 320.61, 0.76%, 0.58%

LAB 55.66, 71.38, -21.91

 

CMYK 0 / 56 / 19 / 8

HEX #EA67BD

RGB 234 103 189

HSL 320.61, 0.76%, 0.66%

LAB 62.4, 60.17, -20.74

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 41 / 87 / 12

HEX #E0851E

RGB 224 133 30

HSL 31.86, 0.76%, 0.5%

LAB 63.93, 28.17, 64.02

 

CMYK 87 / 0 / 6 / 12

HEX #1EE0D3

RGB 30 224 211

HSL 175.98, 0.76%, 0.5%

LAB 80.9, -46.29, -6.22

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 29 / 0 / 87 / 12

HEX #9FE01E

RGB 159 224 30

HSL 80.1, 0.76%, 0.5%

LAB 82.26, -45.16, 76.86

 

CMYK 87 / 29 / 0 / 12

HEX #1E9FE0

RGB 30 159 224

HSL 200.1, 0.76%, 0.5%

LAB 62.04, -10.21, -42.08

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 41 / 87 / 12

HEX #E0851E

RGB 224 133 30

HSL 31.86, 0.76%, 0.5%

LAB 63.93, 28.17, 64.02

 

CMYK 87 / 0 / 58 / 12

HEX #1EE05F

RGB 30 224 95

HSL 140.1, 0.76%, 0.5%

LAB 78.7, -70.6, 49.99

 

CMYK 87 / 46 / 0 / 12

HEX #1E79E0

RGB 30 121 224

HSL 211.86, 0.76%, 0.5%

LAB 51.07, 12.33, -59.52

 

CMYK 0 / 87 / 30 / 12

HEX #E01E9D

RGB 224 30 157

HSL 320.72, 0.76%, 0.5%

LAB 50.93, 77.53, -19.81

 

CMYK 0 / 14 / 87 / 12

HEX #E0C01E

RGB 224 192 30

HSL 50.1, 0.76%, 0.5%

LAB 78.25, -3.1, 75.52

 

CMYK 87 / 0 / 58 / 12

HEX #1EE05F

RGB 30 224 95

HSL 140.1, 0.76%, 0.5%

LAB 78.7, -70.6, 49.99

 

CMYK 87 / 72 / 0 / 12

HEX #1E3EE0

RGB 30 62 224

HSL 230.1, 0.76%, 0.5%

LAB 36.18, 49.49, -83.83

 

Description

Color code: RGB 224 30 157 | qconv.com Color code: RGB 224 30 157 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 30 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 30 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 30% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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